Broadway
Jeremy Jordan and Age of Madness w/ OXFLOYD
On September 25th at 7:00pm at Sony Hall see what film, TV and Broadway actor Jeremy Jordan was up to during COVID.
With some time on his hands, Jordan and a few of his super talented friends got together and casually decided to make themselves into rock stars. Age of Madness was born as they decided to create something different, a sound that evoked both nostalgia and a sense of something brand new. Grounded by a pounding drum beat, elevated by mind-melting guitar melodies and sent skyward by a bold, sweeping violin, every song is a unique story, crafted with vocal and lyrical precision. They call themselves Age of Madness as a testimony to both where we came from and where we stand in today’s bitterly divided world. Things may get loud. On the 25th they will debut their brand new band.
Get tickets now here.
On this same bill OXFLOYD’s who’s debut single “FALLING,” has audiences thrilled by the pure rock feels: anthemic hooks, distorted guitars and hard-hitting crashes. Digging deeper however, the subtle sonics of the single and the 21-year-old’s vocal performance reveal something much different; a psychotic, and almost hypnotizing blend of classic rock and cloud rap, and a story told through the lens of someone who is slowly consumed by their inner demons.
Born in Athens, Greece, moving to Cleveland, Ohio when he was 8 years old and later on in New York at around 13, OXFLOYD has been bouncing between the US and Greece throughout his entire life. Raised by parents who were both musicians, the combination of his various influences into a distinct sound was inevitable. “My dad would put me to sleep with Beatles songs, and my mom would dance around the house jamming Madonna, so I guess it makes sense that I came out the way I did,” he explains.
“I started experimenting with music when I first discovered GarageBand,” he continues. “I must’ve been around 12, my dad had given me his old MacBook and I remember making covers of songs I liked with my guitar and the microphone on my headphones. Sounded terrible, but it was a start.” OXFLOYD would go on to perform as a guitarist and singer on multiple bands throughout his teenage years, landing slots at various school festivals and events around Greece.
The full realization of his sound came a little later, however: “I had to go through obsessing over multiple genres of music before I ended up finding my own identity. OXFLOYD is imperfect, gritty, fun, dark, emotional, and most important of all, REAL. It’s not trying to be something it isn’t; that’s the best way I would describe my sound as an artist.”
Growing up to the likes of Muse, The White Stripes, The Beatles and Led Zeppelin, and later on coming to love artists such as Royal Blood, Grandson, Ghostemane and The Weeknd, OXFLOYD’s musical taste undoubtedly is diverse. Bringing together past and present, he is the sole architect of his project, having meticulously crafted a sound that is as hard to categorize as it is ever-changing and evolving. “I want my music to make people feel ALIVE! Happy, sad, angry, in love, rebellious! I just wanna make people feel. Doesn’t have to be something specific, I want each listener to have their own personal experience when jamming to my tracks, it’s something I live and breathe for as a creator.”
On Tuesday the New Dramatists’ 71st Annual Benefit Luncheon was held at the New York Marriott Marquis, 1535 Broadway, Broadway ballroom 6th floor.
Suzan-Lori-Parks photo by Michael Hull
Tony® Honor recipient and the nation’s premier playwright development laboratory, was honored with its 2023 Distinguished Achievement Award at their 71st Annual Spring Luncheon Tribute
Kenny Leon photo by Michael Hull
Tony Award winner, Kenny Leon, director of Parks’ recent revival of Topdog/Underdog lead the tributes.
photo by Michael Hull
In Attendance were:
Ben Platt (Parade) photo by Michael Hull
Annaleigh Ashford (Sweeney Todd) photo by Michael Hull
Brandon Uranowitz (Leopoldstadt) photo by Michael Hull
J. Harrison Ghee (Some Like It Hot) photo by Michael Hull
Kevin Cahoon (Shucked) photo by Michael Hull
Natasha Yvette Williams (Some Like It Hot) photo by Michael Hull
Wayne Cilento (Dancin’) photo by Michael Hull
Betsy Wolfe (& Juliet) and Linedy Genao (Bad Cinderella) photo by Michael Hull
Justin Cooley (Kimberly Akimbo), Ben Platt (Parade) and Colton Ryan (New York, New York) photo by Michael Hull
Justin Cooley (Kimberly Akimbo), Brian Stokes Mitchell, Suzan-Lori Parks, Victoria Clark (Kimberly Akimbo) and Bonnie Milligan (Kimberly Akimbo) at The New Dramatists Spring Luncheon. photo by Michael Hull
Also Artistic Director Emily Morse and Executive Director Joel Ruark,
Executive Director Joel Ruark photo by Michael Hull
Jeannie Tessori photo by Michael Hull
Hiran Abeysekera (Life of Pi), Betsy Aidem (Leopoldstadt), Steven Boyer (Kimberly Akimbo), Faye Castelow (Leopoldstadt), Rashad Chambers (Topdog/Underdog), Ben Davis (New York, New York), Eisa Davis (New York, New York), Micaela Diamond (Parade), Delia Ephron (Love Loss & What I Wore), Corey Hawkins (Topdog/Underdog), Jessica Hecht (Summer, 1976), Amy Herzog (A Doll’s House), Robert Horn (Shucked), Mark Jacoby (A Beautiful Noise, The Neil Diamond Musical), LaChanze (Here Lies Love, Kimberly Akimbo), event co-chair Caissie Levy (Leopoldstadt), Judith Light (Other Desert Cities), David Lindsay-Abaire (Kimberly Akimbo), Neil Meron (Some Like It Hot), Alli Mauzey (Kimberly Akimbo), Lauren Mitchell (A Bronx Tale), Arian Moayed (A Doll’s House), Casey Nicholaw (Some Like It Hot), Linda Powell (A Beautiful Noise, The Neil Diamond Musical), Daryl Roth (Kinky Boots), Sarah Ruhl (in The Next Room), Stark Sands (& Juliet), Miriam Silverman (The Sign in Sidney Brustein’s Window), Marcel Spears (Fat Ham), Katy Sullivan (Cost of Living), David Stone (Wicked), Jeanine Tesori (Kimberly Akimbo), Paula Vogel (How I Learned To Drive), Sharon Washington (New York, New York), Scott WIttman (Some Like It Hot), Kara Young (Cost of Living), David Zayas (Cost of Living).
Performing were:
Suzan-Lori-Parks photo by Michael Hull
Daniel Fulton, Orville Mendoza, Suzan-Lori-Parks, Lauren Molina and Leland Fowler photo by Michael Hull
Brandon and Jason Dirden photo by Michael Hull
New Dramatists resident playwrights at The New Dramatists Spring Luncheon. photo by Michael Hull
Suzan-Lori-Parks and New Dramatists resident playwrights at The New Dramatists Spring Luncheon. photo by Michael Hull
Suzan-Lori-Parks New Dramatists resident playwrights at The New Dramatists Spring Luncheon. photo by Michael Hull
Suzan-Lori-Parks photo by Michael Hull
Tony Kushner photo by Michael Hull
NYC Public Advocate Jumaane D. Williams, Suzan-Lori-Parks photo by Michael Hull
Stay tuned for our interviews.
On Tuesday the New Dramatists’ 71st Annual Benefit Luncheon was held at the New York Marriott Marquis, 1535 Broadway, Broadway ballroom 6th floor.
Suzan-Lori-Parks photo by Michael Hull
Tony® Honor recipient and the nation’s premier playwright development laboratory, was honored with its 2023 Distinguished Achievement Award at their 71st Annual Spring Luncheon Tribute
Kenny Leon photo by Michael Hull
Tony Award winner, Kenny Leon, director of Parks’ recent revival of Topdog/Underdog lead the tributes.
photo by Michael Hull
In Attendance were:
Ben Platt (Parade) photo by Michael Hull
Annaleigh Ashford (Sweeney Todd) photo by Michael Hull
Brandon Uranowitz (Leopoldstadt) photo by Michael Hull
J. Harrison Ghee (Some Like It Hot) photo by Michael Hull
Kevin Cahoon (Shucked) photo by Michael Hull
Natasha Yvette Williams (Some Like It Hot) photo by Michael Hull
Wayne Cilento (Dancin’) photo by Michael Hull
Betsy Wolfe (& Juliet) and Linedy Genao (Bad Cinderella) photo by Michael Hull
Justin Cooley (Kimberly Akimbo), Ben Platt (Parade) and Colton Ryan (New York, New York) photo by Michael Hull
Justin Cooley (Kimberly Akimbo), Brian Stokes Mitchell, Suzan-Lori Parks, Victoria Clark (Kimberly Akimbo) and Bonnie Milligan (Kimberly Akimbo) at The New Dramatists Spring Luncheon. photo by Michael Hull
Also Artistic Director Emily Morse and Executive Director Joel Ruark,
Executive Director Joel Ruark photo by Michael Hull
Jeannie Tessori photo by Michael Hull
Hiran Abeysekera (Life of Pi), Betsy Aidem (Leopoldstadt), Steven Boyer (Kimberly Akimbo), Faye Castelow (Leopoldstadt), Rashad Chambers (Topdog/Underdog), Ben Davis (New York, New York), Eisa Davis (New York, New York), Micaela Diamond (Parade), Delia Ephron (Love Loss & What I Wore), Corey Hawkins (Topdog/Underdog), Jessica Hecht (Summer, 1976), Amy Herzog (A Doll’s House), Robert Horn (Shucked), Mark Jacoby (A Beautiful Noise, The Neil Diamond Musical), LaChanze (Here Lies Love, Kimberly Akimbo), event co-chair Caissie Levy (Leopoldstadt), Judith Light (Other Desert Cities), David Lindsay-Abaire (Kimberly Akimbo), Neil Meron (Some Like It Hot), Alli Mauzey (Kimberly Akimbo), Lauren Mitchell (A Bronx Tale), Arian Moayed (A Doll’s House), Casey Nicholaw (Some Like It Hot), Linda Powell (A Beautiful Noise, The Neil Diamond Musical), Daryl Roth (Kinky Boots), Sarah Ruhl (in The Next Room), Stark Sands (& Juliet), Miriam Silverman (The Sign in Sidney Brustein’s Window), Marcel Spears (Fat Ham), Katy Sullivan (Cost of Living), David Stone (Wicked), Jeanine Tesori (Kimberly Akimbo), Paula Vogel (How I Learned To Drive), Sharon Washington (New York, New York), Scott WIttman (Some Like It Hot), Kara Young (Cost of Living), David Zayas (Cost of Living).
Performing were:
Suzan-Lori-Parks photo by Michael Hull
Daniel Fulton, Orville Mendoza, Suzan-Lori-Parks, Lauren Molina and Leland Fowler photo by Michael Hull
Brandon and Jason Dirden photo by Michael Hull
New Dramatists resident playwrights at The New Dramatists Spring Luncheon. photo by Michael Hull
Suzan-Lori-Parks and New Dramatists resident playwrights at The New Dramatists Spring Luncheon. photo by Michael Hull
Suzan-Lori-Parks New Dramatists resident playwrights at The New Dramatists Spring Luncheon. photo by Michael Hull
Suzan-Lori-Parks photo by Michael Hull
Tony Kushner photo by Michael Hull
NYC Public Advocate Jumaane D. Williams, Suzan-Lori-Parks photo by Michael Hull
Stay tuned for our interviews.
The 2023 67th Drama Desk Awards, honoring artistic excellence on Broadway, Off-Broadway and Off-Off-Broadway, will take place on June 6 at Sardi’s Restaurant. Today the winners were announced.
Outstanding Play: “Leopoldstadt,” by Tom Stoppard
Outstanding Musical: “Some Like it Hot”
Outstanding Revival of a Play: “The Piano Lesson”
Outstanding Revival of a Musical: “Parade”
Outstanding Lead Performance in a Play: Jessica Chastain, “A Doll’s House” and Sean Hayes, “Good Night, Oscar”
Outstanding Lead Performance in a Musical: Annaleigh Ashford, “Sweeney Todd”
and J. Harrison Ghee, “Some Like it Hot”
Outstanding Featured Performance in a Play: Miriam Silverman, “The Sign in Sidney Brustein’s Window,” Brooklyn Academy of Music and Brandon Uranowitz, “Leopoldstadt”
Outstanding Featured Performance in a Musical: Kevin Del Aguila, “Some Like it Hot” and Alex Newell, “Shucked”
Outstanding Direction of a Play: Max Webster, “Life of Pi”
Outstanding Direction of a Musical: Thomas Kail, “Sweeney Todd”
Outstanding Choreography: Casey Nicholaw, “Some Like it Hot”
Outstanding Music: Brandy Clark and Shane McAnally, “Shucked”
Outstanding Lyrics: Scott Wittman and Marc Shaiman, “Some Like it Hot”
Outstanding Book of a Musical: Matthew López and Amber Ruffin, “Some Like it Hot”
Outstanding Orchestrations: Charlie Rosen and Bryan Carter, “Some Like it Hot”
Outstanding Music in a Play: Suzan-Lori Parks, “Plays for the Plague Year,” The Public Theater
Outstanding Scenic Design of a Play: Tim Hatley, “Life of Pi”
Outstanding Scenic Design of a Musical: Beowulf Boritt, “New York, New York”
Outstanding Costume Design of a Play: Emilio Sosa, “Ain’t No Mo’”
Outstanding Costume Design of a Musical: Gregg Barnes, “Some Like it Hot”
Outstanding Lighting Design of a Play: Natasha Chivers and Willie Williams (video), “Prima Facie”
Outstanding Lighting Design of a Musical: Natasha Katz, “Sweeney Todd”
Outstanding Projection and Video Design: Andrzej Goulding, “Life of Pi”
Outstanding Sound Design of a Play: Ben & Max Ringham, “A Doll’s House”
Outstanding Sound Design of a Musical: Scott Lehrer and Alex Neumann, “Into the Woods”
Outstanding Wig and Hair: Mia M. Neal, “Ain’t No Mo’”
Outstanding Solo Performance: Jodie Comer, “Prima Facie”
Unique Theatrical Experience: “Peter Pan Goes Wrong”
Outstanding Fight Choreography: B.H. Barry, “Camelot”
Outstanding Adaptation: “A Doll’s House,” by Amy Herzog
Outstanding Puppetry: Nick Barnes and Finn Caldwell, “Life of Pi”
Shows with multiple wins
Some Like It Hot: 8
Life of Pi: 4
A Doll’s House: 3
Sweeney Todd: 3
Ain’t No Mo’: 2
Leopoldstadt: 2
Prima Facie: 2
Shucked: 2
Special Awards
Harold Prince Lifetime Achievement Award
Stephen McKinley Henderson has been bringing in-depth, gripping portrayals of memorable characters to the stage for over four decades. With his return to Broadway this season as Pops in “Between Riverside and Crazy,” which the Drama Desk previously nominated in 2015, this year’s Harold Prince Lifetime Achievement Award marks Henderson’s role in this powerful production as a celebration of his brilliant career.
Ensemble Award
The cast of Soho Rep’s “Public Obscenities” – Tashnuva Anan, Abrar Haque, Golam Sarwar Harun, Gargi Mukherjee, NaFis, Jakeem Dante Powell, and Debashis Roy Chowdhury – embodied the transnational world of Shayok Misha Chowdhury’s bilingual play with memorable authenticity, remarkable specificity, and extraordinary warmth.
Sam Norkin Off-Broadway Award
From his standout performance in american (tele)visions, to writing and performing the autobiographical “Dark Disabled Stories,” Ryan J. Haddad’s work this season has expanded on and interrogated what the idea of “accessibility” really means. Whether riding a shopping cart like a throne, or relating his experiences on a “gay, pink bus,” Haddad shared with audiences an unabashed queer fabulosity that was both unforgettable and deeply human.
On Sunday look for a brand new charcuterie of Josh Groban and Annaleigh Ashford in Sweeney Todd.. I loved the new production, and it’s two leads.
The League of Professional Theatre Women (LPTW) will hold its 10th Annual “Women Stage the World March” — a Suffragette-inspired project to educate the public about the role of women in the theatre industry — on Saturday, June 17. The march will begin at noon, at Shubert Alley and weave through Times Square and the Broadway Theatre District, wrapping up at about 2 p.m.
“The event is FREE and LPTW invites all theatre women and allies to join us as we increase awareness, lift our voices, and advocate for more opportunities for women in theatre,” said Ludovica Villar-Hauser, Co-President of LPTW.
“The Women Stage the World March is designed to educate the public about the role women play in creating theatre and the barriers they face as men continue to outnumber women by 4 to 1 in key roles such as playwright, director and designers. Women buy 67% of the tickets and represent 65% of the audience, yet 80% of the storytelling on stage is shaped by men’s voices,” said Katrin Hilbe, Co-President of LPTW.
Handouts during the March will prompt ticket-buyers to ask three questions as they make buying decisions: (1) Who wrote, directed and designed this play? (2) What is this theatre’s track record in giving opportunities to women? (3) How can you spread the word and promote women’s voices?
“All participants are encouraged to dress as their favorite historical theatre woman, or dress all in white. March participants will gather at Shubert Alley starting at 11:30 AM, in preparation for the start of the march at noon. Women Stage the World sashes and signs will be provided, as supplies last,” noted Penelope Deen, LPTW member and organizer of the event. Those interested in participating in the event please R.S.V.P. at: https://www.theatrewomen.org/women-stage-the-world or contact Penelope Deen at: Womenstagetheworld@Theatrewomen.org
LPTW Co-President Ludovica Villar-Hauser added: “The League of Professional Theatre Women stands alongside the Writers Guild of America (WGA) as they demand fair wages and take action to ensure more protections for artists. We encourage LPTW members to find a time to join the WGA on the picket lines this month as the strike continues. Women writers are the future of the film and television industry, just as they lead the way in theatre. LPTW supports the women on the frontlines of this movement as they call for long overdue change. We are stronger together.”
For the past 10 years LPTW members, affiliated union members, theatre artists and their allies have hit the streets in a March reminiscent of the Suffragette parades of the early 20th Century, with some marchers dressed in traditional suffrage garb and colors. Like the Suffragettes before them, participants in the Women Stage the World March empower women and men to become aware, take action and influence others.
The League of Professional Theatre Women (LPTW) is a membership organization championing women in theatre and advocating for increased equity and access for all theatre women. Our programs and initiatives create community, cultivate leadership, and increase opportunities and recognition for women working in theatre. The organization provides support, networking and collaboration mechanisms for members, and offers professional development and educational opportunities for all theatre women and the general public. LPTW celebrates the historic contributions and contemporary achievements of women in theatre, both nationally and around the globe, and advocates for parity in employment, compensation and recognition for women theatre practitioners through industry-wide initiatives and public policy proposals. LPTW is celebrating its 40th Anniversary in 2023.
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