The lights dimmed at Feinstein’s/ 54 Below and the music swelled, as a single spotlight lit up a tall, handsome man. All of a sudden like a bolt of lighting the high energy show began. The spotlight followed Jesse Luttrell, from the bar to the stage as he sang Steve Allen’s “This Could Be the Start of Something”.
The lush sound of Fred Barton and his 8 Piece Broadway Orchestra accompanying, set the tone for the evening. It was at that moment, I knew I was in for a fun ride. It is difficult to describe Jesse Luttrell’s show because one has to experience it. He takes you back to the golden age of “The Showman.”His song choices such as “”I’m Gonna Live Till I Die” (Walter Kent & Al Hoffmann & Manny Kurtz) and Bobby Darin’s “The Curtain Falls” have seldom been performed since the great night clubs of New York shut their doors.
Jesse Luttrell selections range from Jule Style, Cy Coleman, Rodgers & Hart, to Anthony Newley and Jerry Herman. His fluid stage movements as he sang Peter Allen’s “I’m not the Boy Next Door”, had him dancing and flying on top of the piano. When he is still and is singing a ballad such as Anthony Newley’s “What Kind of Fool Am I”, one gets to experience Luttrell’s mesmerizing singing voice.
Lutrell is backed by musical director Fred Barton on the piano, Damon DueWhite (Drums), Tom Hubbard (Bass), Tom Murray (Flute/Clarinet), Nathan Childers (Clarinet/Sax), Les Rogers (Trumpet 1), Colin Bridgstocke (Trumpet 2) and Nate Maryland (Trombone).
My View: The Only Thing Missing Was A Latte ( with extra foam) Marcy & Zina Party at 54 Below
The only thing missing at last night’s party for Marcy and Zina was a Latte choice in the beverage section on the menu at 54 Below (with extra foam). The show, titled Make Your Own Party: The Songs of Goldrich and Heisler was conceived by Scott Coulter and performed by a cast of five. It celebrated over three decades of quirky, heartfelt and utterly contemporary romantic comedy songs written by Marcy Heisler and Zina Goldrich.
From “Taylor the Latte Boy” to under appreciated altos we were introduced to the cast of characters that inspired these inseparable, irreverent friends to write over three hundred and counting musical love letters to the city, the theatre, and the people who make them sing. The evening was filled with the heart felt stories that these two award winning women have created and was performed by a first rate cast of Broadway super singers. The lyrics, the music, the luscious harmonies…it was the best party of music I’ve ever been invited to.
The Performers: Jill Abramowitz, Cole Burden, Alex Getlin, Joe Kinosian, Kelli Rabke, and Austin Rivers.
Joe Kinosian,piano, Matt Scharfglass, bass
Marcy & Zina have been performing and writing together since 1992. Their critically acclaimed romantic comedy songs have been featured in venues across the world, recorded by artists across many genres, and appear in numerous folios and collected works. Their Off-Broadway musical Dear Edwina earned them a Drama Desk nomination, and other works have been produced by regional powerhouses such as Paper Mill playhouse, The John F. Kennedy Center for the Performing Arts, Goodspeed, and the Ordway Center for the Performing Arts. Their shows include Ever After, JUnie B Jones, and The Great American Musical, based on the bestselling book by auther/director Julie Andrews.
Reeve Carney: Singing The Divas
After countless sellout performances, Reeve Carney returned to The Green Room 42 to play another solo concert while starring in Hadestown on Broadway. He is best known for his portrayal of Dorian Gray on Showtime’s “Penny Dreadful,” Riff Raff in Fox’s Rocky Horror Picture Show Reimagining, as well as originating the role of Peter Parker in Julie Taymor/U2’s Spider-Man: Turn Off the Dark. For one night only Reeve performed a collection of songs traditionally sung by Broadway and vocal divas. Starting out was the perfect song to make us take notice. “Ladies Who Lunch” from Company, never sounded so nuanced, poignant or jazzy.
Next up was “My Favorite Things” from The Sound of Music, “Beauty School Dropout” from Grease and “Losing My Mind” from Follies. Reeve’s girlfriend Eva Noblezada talked him into doing the later song. Reeve has a style that combines rockabilly flare with jazz and rock. It is unique and this spin adds a new take on these familiar songs.
Having shared a dressing room with Patti LuPone “Anything Goes” was sung as a tribute. Not leaving out the great Ethel Merman “”I Got the Sun in the Mornin’ (and the Moon at Night)” from Annie Get Your Gun was delivered ala Reeve Carney.
Dame Shirley Bassey’s “Goldfinger” was a tribute to the 007 genre and brought back memories of Jeff Buckley.
In high school Reeve was not in the schools plays but played “Whatever Lola Wants” for a production of Damn Yankees.
Judy Garland’s iconic “Somewhere Over The Rainbow” was done with pop excellence and a sweetness that made this song his own.
It was at this point that unfortunately I had to leave, as the concert started a half an hour late and if you take a bus out of the city on Sunday, the last one leaves at 11pm. I apologize profusely to Reeve, but was able to critique the rest of the show from a livestream.
Lena Horne’s jazzy, soulful version of “Summertime” from Porgy and Bess hit all the right notes. Liza Minnelli’s “Maybe This Time” from Cabaret was subtle and powerful.
On piano he brought Carol King’s,”Natural Woman” to life, but this version was inspired by Ms. Aretha Franklin.
Still on piano and singing one of his own songs “Up Above The Weather,” a hauntingly wonderful composiition. I look forward to when Reeve does write a Broadway musical.
Back on guitar a tribute to Angela Lansbury “Rose’s Turn” from Gypsy. If you have never heard Reeve’s take on these classic songs, you will hear a fresh, new and really different, but oh so unique vibe.
Closing out the night “There’s A Place For Us” from West Side Story.
Reeve is a musical genius, whose prowess on the guitar, piano and vocals is otherworldly.
You can catch Reeve on April 23, 2023 at 9:30 at The Green Room 42 singing his own music. Ask for “Resurrection,” this is one fabulous song.
Eva Noblezada Shines As She Grows Into An Exquisite Performer
Eva Noblezada at 26, is a two-time Tony-nominee and the star of Broadway’s Hadestown. She can be seen opposite Tony Award-winner Lea Salonga in the independent musical film Yellow Rose, Easter Sunday from Universal and she was in the Audible Theater’s Off-Broadway solo show Nostalgia: A Love Letter to NYC at Minetta Lane Theatre earlier this year. In her newest cabaret show “Let’s Go To The Movies” at The Green Room 42. Ms. Noblezada proves that she is a bonifided star, as she launched into Roy Orbison’s “Pretty Woman,” and “When Somebody Loved Me” from Toy Story.
Noblezada is now platinum blonde and is infectious, as she shares the most adorable stories mixed with powerhouse vocals. Case in point “Colors of the Wind” from Disney’s Pocahontas.
Ghost’s “Unchained Melody”became a haunting emotionally connected theatre piece. That is one of the best things about Eva, is that not only are the vocals stellar, but she feels every ounce of the lyric and brings it across the stage lights.
In her song choices you can totally see Ms. Noblezada becoming Mulan as she shared the wonderfully written “Reflections,” “Holding Out For A Hero” from Footloose and “Kissing You” from Romeo and Juliet made you want to cherish these flicks again.
My favorite number of the night was one I did not know. I now need to see A Walk To Remember, so I can hear “Only Hope” again and again. Her musical director Rodney Bush was another asset to this not to be missed evening of song.
One of Ms. Noblezada’s vocal hero’s is Liz Callaway and she paid tribute to her with “Journey From The Past” from Anastasia.
Showing off her dancing skills and sexual side “All That Jazz” from Chicago was a cheeky number with lots of sass.
Closing out the show was the classic “Moon River” from Breakfast At Tiffany’s done to perfection.
If you get a chance to see this talented songbird, do not miss the opportunity as Ms. Noblezada has not only grown as a person, but as a legitimate powerhouse performer.
Check The Green Room 42 and Chelsea Table & Stage for Eva Noblezada’s next performances. You will be glad you did.
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