MvVO Art Launches AD ART SHOW
Off Broadway

John McDonagh’s Off the Meter and On the Record Is a Taxi Drivers Time Capsule

John McDonagh’s Off the Meter and On the Record Is a Taxi Drivers Time Capsule
John McDonagh

John McDonagh Photo by Carol Rosegg

Downstairs at the Irish Rep’s W. Scott McLucas Studio Theatre, John McDonagh’s one-man play Off the Meter and On the Record, will have you laughing at his 35 year plight behind the wheel of a NYC yellow taxi cab. McDonagh’s hysterical escapades lead him into auditions for a reality show, a stint with Steven Fry and local mobsters and billboards for the IRA.

John McDonagh

John McDonagh Photo by Carol Rosegg

McDonagh is a likable fellow, with a welcoming presence. He is currently the producer and host of Radio Free Eireann and Talk Mac, We and Thee with Malachy McCourt and Corey Kilgannon, on Pacifica station WBAI, so he has the gift of gab. John began his career driving a taxi after serving in the U.S. Army in Germany during the Vietnam War. He met his wife working for an Irish newspaper. During his well put together show, McDonagh illustrates how the city, the people and taxi’s have changed in the past four decades that he’s been driving in the five boroughs. After all now Via, Lyft and Uber dominate the pay for ride consumers and taxi’s are no longer the only game in town. From customers who won’t pay, to the police who throw the homeless into his back seats, McDonagh still manages to organize the “Cabbies Against Bush” campaign during the 2004 republican convention. John was even featured in the BBC program Steven Fry in America, when he took him to meet the mob.

We forget about what it was like back in the old days when you were robbed, had guns or knives put to your head or throat. There were no cell phones to call for help. Shifts were 12-hours with no heat or air conditioning. As McDonagh puts it “you’d get back to the garage and you’d be rubbing the pollution off your face and arms.” From stories about drug dealers, to women in labor and the countless drunks who don’t even know where they live, McDonagh delights in his tales.

The show is well paced by director Ciarán O’Reilly. I adored the taxi part set salvaged from Long Island City adorned by Charlie Corcoran (The Emperor Jones), with subtle lighting by Michael O’Conner. The projection design by Chris Kate and sound design by M. Florian Stabb, really let us see and hear NYC through out time.

Off the Meter and On the Record and John McDonagh are a pleasant way to remember the past, while laughing away the future.

Off Broadway

Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. Currently she has a screenplay in the works, which she developed with her mentor and friend the late Arthur Herzog. She was the Broadway Informer on the all access cable TV Show “The New Yorkers,” soon to be “The Tourist Channel.” email: suzanna@t2conline.com

More in Off Broadway

Dove Cameron, Zurin Villanueva

Clueless: Mindless Fun with a Charismatic Cast

Suzanna BowlingDecember 16, 2018

He Says: Large Projected Film Work Frames a Strange Window: Network on Broadway and The Turn of the Screw Off at BAM in Brooklyn

RossDecember 16, 2018
Ed Asner, Tovah Feldshuh

Ed Asner and Tovah Feldshuh Star in a Concert Reading of Jeff Cohen’s Play The Soap Myth

Suzanna BowlingDecember 14, 2018

A Christmas In Hell Offers Cynical Fare

Suzanna BowlingDecember 14, 2018

All Is Calm at the Sheen Center: One of the Best Shows of the Year

Suzanna BowlingDecember 13, 2018
Nassim

Nassim Too Gimmicky and Too Little

Suzanna BowlingDecember 13, 2018
Steven Skybell

Fiddler on the Roof in Yiddish Announces It’s Cast

Suzanna BowlingDecember 13, 2018

Happy Belated Anniversary to Perfect Crime

Suzanna BowlingDecember 13, 2018

He Says: The Hard Problem is a Dilemma; Hardly Stoppard’s Best But Its Heart Still Beats Strong

RossDecember 12, 2018