The League of Professional Theatre Women presented Judith Light along with director Leigh Silverman for a delightful evening discussing Ms. Light’s extensive body of work on and off-stage. In a candid conversation Judith showed her overwhelming commitment to the craft and to following her gut instincts. She is truly a spiritual being who allows the universe to guide her discussions. She was real, frank, connected and giving. Leigh Silverman was the perfect choice as the interviewer as she and Ms. Light have a bond that shines off the stage. It truly was an inspiring evening.
The event will took place on Monday, October 17, 2016 at 6:00 PM in the Bruno Walter Auditorium of the New York Public Library for the Performing Arts on 65th Street & Amsterdam Avenue.
Betty Corwin, who produces the Oral History series with Pat Addiss and Ludovica Villar-Hauser, remarks, “How lucky we are that the talented, award-winning and busy actress, Judith Light, has agreed to be interviewed for our next Oral History program on October 17th. Ms. Light completes her run in Neil LaBute’s off-Broadway show All The Ways To Say I Love You at the Lortel Theatre October 23rd having been extended.
Judith Light is currently starring in Amazon Prime’s Golden Globe winning series, “Transparent,” created by Jill Soloway for which she has received an Emmy nomination, two Critics’ choice nominations, and a Golden Globe nomination.
Receiving a Tony nomination for the play Lombardi, followed by two consecutive Tony and Drama Desk wins for the plays, Other Desert Cities by Jon Robin Baitz and The Assembled Parties by Richard Greenberg and All The Ways to Say I Love You written by Neil LaBute and directed by Leigh Silverman.
Judith starred in the television series, “Who’s the Boss,” and received two consecutive Emmy awards for her work on “One Life to Live.” Some of her more recent television work includes; the Emmy winning series, “Ugly Betty”, which garnered her an Emmy nomination, “Law and Order, SVU” and “Dallas.” She starred in and produced, through her Production Company, the film, “Save Me”, which premiered at Sundance. She shared her insight into “Who’s the Boss” and “One Life to Live.”
Judith performed in Europe, in several repertory companies across the country, and at the Eugene O’Neill Playwrights Foundation. For her performance of the Pulitzer Prize winning play, Wit, she was awarded the Helen Hayes and Eliot Norton awards. Hearing about Ms. Light’s journey with Wit, gave even more of an insight into this in the presence actress.
She has been a longtime advocate in relation to many causes, especially the fight to end HIV/ Aids and has been a champion for LGBTQ and human rights. Judith is an active participant in a variety of organizations including Broadway Cares/ Equity Fights Aids, and Point Foundation, as well as numerous others.
Leigh Silverman (Director) a two-time Obie winner, directed the Encores! and Broadway productions of Violet and earned a Tony Award nomination. Other Broadway credits include David Henry Hwang’s Chinglish and Lisa Kron’s Well as well as Andrew Lippa’s The Wild Party for Encores! Over thirty world premieres including: All The Ways To Say I Love You (MCC); Tumacho (Clubbed Thumb); The Way We Get By (Second Stage); American Hero (Second Stage and Williamstown Theatre Festival); Kung Fu (Signature Theatre); The (curious case of the) Watson Intelligence (Playwrights Horizons); No Place to Go (Public Theater); The Madrid (MTC); Golden Child (Signature Theatre); In The Wake (Center Theatre Group/Berkeley Rep and Public Theater, Obie Award, Lortel nomination); Go Back to Where You Are (Playwrights Horizons, Obie Award); From Up Here (MTC, Drama Desk nomination); Yellow Face (Pulitzer finalist, Center Theatre Group/Public Theater); Coraline (MCC/True Love); Hunting and Gathering (Primary Stages); Oedipus at Palm Springs (NYTW); Blue Door (Playwrights Horizons/Seattle Rep);Well (Public Theater/Huntington Theatre/ACT). Upcoming: Sweet Charity with Sutton Foster (New Group).
The League of Professional Theatre Women is a not-for-profit 501(c)(3) organization. It presents numerous events each year as part of its mission to promote visibility and increase opportunities for women in the field. None of its work is possible without generous philanthropic support. The League is celebrating its 31st anniversary and boasts a membership of nearly 500 women representing a diversity of theatre professionals in both the for-profit and not-for-profit sectors. League members are actors, administrators, agents, arrangers, casting directors, choreographers, company managers, composers, critics, designers, directors, dramaturgs, dramatists, educators, general managers, historians, journalists, librettists, lyricists, press agents, playwrights, producers, stage managers, and theatre technicians. To find out more about how you can support its endeavors, visit the website www.theatrewomen.org and click on the “Support Us” tab.
Barry Manilow’s and Bruce Sussman’s Harmony Meets The Press Part 2
In today’s edition hear director Warren Carlyle, Barry Manilow and Bruce Sussman describe their show.
The it was a treat as the cast sang 5 songs from the show. Including “Harmony,” Hungarian Rhapsody,” “Where You Go’ and “Stars in the Night.”
Hear The Harmonists Sean Bell, Danny Kornfeld, Zal Owen, Eric Peters, Blake Roman and Steven Telsey, along with Chip Zien, Sierra Boggess and Julie Benko.
The hit song of the show will be the gorgeous ballad “Every Single Day” sung by Danny Kornfeld.
Harmony begins previews at the Barrymore Theatre on Wednesday, October 18, ahead of a Monday, November 13 official opening night.
Photo’s by Genevieve Rafter Keddy
The Glorious Corner
JESSE L MARTIN — We caught the debut of Jesse L. Martin’s The Irrational Monday night and really enjoyed it. I’ve been aware of Jesse since his role in Broadway’s Rent and he’s really tremendous. He was great on Law & Order as Ed Green (10 years and 9 seasons); and his role on the CW’s The Flash (as Joe West) was simply terrific.
The show, based on the book by Dan Ariely and created by Arika Mittman, certainly reminds one of The Mentalist or Instinct. This first case isn’t wondrous by any means, but Martin’s charisma carries it all through.
Lauren Holly (NCIS) is in it too, thought her one-scene was over and out in a flash.
I hear the third episode of the show is magnificent, so stay tuned. Don Johnson said many years ago that Don Johnson was made for TV … so is Martin!
SWENSON OUT — (per Deadline) Will Swenson will play his final performance as Neil Diamond in Broadway’s A Beautiful Noise, The Neil Diamond Musical on Sunday, Oct. 29, producers announced today.
A replacement for the starring role will be announced at a future date.
“It’s been the thrill of a lifetime to get to stand in Neil’s shoes,” Swenson said in a statement. “It’s been such an incredible honor to get to know Neil, to tell his powerful story, and bring his amazing songs to Broadway audiences every night. I’m immensely proud of the moving, beautiful show we made. I will miss it very much.”
A reason for Swenson’s departure was not disclosed, but his planned departure date suggests a year-long contract coming to a close: He and the bio-musical began previews at the Broadhurst Theatre last Nov. 2 (official opening was Dec. 4).
“Making A Beautiful Noise with Will Swenson was a deep and wonderful experience,” said director Michael Mayer. “The true affection he has for Neil’s work and life is palpable in every aspect of his tremendous performance. I will miss him terribly, of course, but will always treasure our time together, and very much look forward to the next show we do.”
Swenson has been one of Broadway’s go-to leading men since his breakthrough performance in 2009’s Hair, and he has since starred on the New York stage in Priscilla, Queen of the Desert, Little Miss Sunshine, Waitress and Assassins, among many other shows.
In addition to Swenson, the cast of A Beautiful Noise features a principal cast of Mark Jacoby as the aged Neil Diamond, Robyn Hurder and Shirine Babb.
The musical includes a score of Diamond’s hits, a book by Anthony McCarten, direction by Mayer, and choreography by Steven Hoggett.
He’s pretty tremendous as Diamond. I didn’t see the show straight away, but absolutely loved it when I did. His exit of kind of short notice … but let’s see what happens.
SHORT TAKES — How about those snappy new graphics for NBC’s Today Show. Introduced a week ago, they certainly look more relevant and certainly more fun. They did the same for Nightly News a week ago. Per TVNewser:The network said the decision to unveil a new logo and graphics for Nightly was made as a way of appealing to younger viewers who primarily consume news using digital media. It’s safe to assume is true for Today, the youngest-skewing of the linear morning shows that boasts a robust digital presence. Here’s their whole story:
The next Rolling Stones single, “Sweet Sounds of Heaven,” is tremendous. Mick hasn’t sounded this good in years and Lady Gaga is an added treat. Magnificent! Take a listen: https://www.youtube.com/watch?v=YEJd5xtbEPY …
Donnie Kehr and Cori Gardner’s Rockers On Broadway (their 30th edition) is coming up on Monday, October 16 at SONY Hall.
Joining honoree Melissa Etheridge will be KT Tunstall and Debbie Gibson, Simon Kirke, Dan Finnerty and Ty Taylor … Happy Bday Chuck Taylor!
NAMES IN THE NEWS –— Anthony Noto; Tom & Lisa Cuddy; Paul Lester; Ian Harrison; Magda Katz; Pete Townshend; Miko Blanco; Brad LeBeau; Mal Evans; Derek Taylor; Andrew Sandoval; Rick Rubin; Bill Adler; Cory Robbins; Manny Bella; Race Taylor; Scott Shannon; Buddy Blanch; Steve Walter; Benny Harrison; and BELLA!
Barry Manilow’s and Bruce Sussman’s Harmony Meets The Press
Harmony, has been in rehearsals for 3 weeks and yesterday morning, they meet the press.
Barry Manilow, wrote the original music.
Bruce Sussman, who wrote the book and lyrics
director/choreographer Warren Carlyle
and producer Ken Davenport started the show off to a harmonious roll. Harmony begins previews Wednesday, October 18, ahead of a Monday, November 13 official opening night.
Many of the cast are making their Broadway debuts with Harmony, including 5 of the 6 actors playing the Harmonists.
The Harmonists, along with Chip Zien finished out the morning with a performance of the song “Stars in the Night.”
The production also stars performers Sierra Boggess and Julie Benko.
Tomorrow meet the men of Harmony
Cabaret, Talks and Concerts For October
The question would be, what to pick to go see, out of the multitude of offerings. Here are our picks for October
92 Street Y: 1395 Lexington Ave. 10/1: Dr. Jane Goodall in Conversation with David Rubenstein; 10/4: Fashion Icons with Fern Mallis: Martha Stewart; 10/9: “Gutenberg! The Musical!”: Josh Gad and Andrew Rannells in Conversation with MTV’s Josh Horowitz; 10/10: Arnold Schwarzenegger in Conversation: BE USEFUL: Seven Tools for Life; 10/12: Audra McDonald: Musings through Music with Andy Einhorn and 10/28 – 30: Tale as Old as Time: The Songs of Howard Ashman
Birdland Jazz: 315 West 44 St. Every Monday at 9:30pm Jim Caruso’s Cast Party; Every Tuesday at 8:30pm The Lineup with Susie Mosher; Every Saturday at 7pm Eric Comstock with Sean Smith (Bass) & special guest Barbara Fasano (Voice); 10/2: A Collective Cy Jeff Harner sings Cy Coleman; 10/9: The Unprecedented Amanda Green & Friends; 10/16: Maude Maggart: “Here Come The Dreamers” and 10/23: Jamie deRoy and Friends and 10/26 -28: Karrin Allyson: “Brazilian Nights And Beyond” Feat. Vitor Goncalves, Rafael Barata & Harvie S.
Carnegie Hall: 881 7th Ave at 57th St. 10/2: Lyle Lovett and His Large Band; 10/18: A Very Good+ Night of Comedy with Jerry Seinfeld, Kevin Hart, Jim Gaffigan, Amy Schumer & Ronny Chieng
Special Guest D-Nice and 10/27: The New York Pops with Hailey Kilgore, Derek Klena, Javier Muñoz and Ali Stroker
Chelsea Table + Stage: Hilton Fashion District Hotel, 152 W 26th St. 10/20: Marieann Meringolo
Don’t Tell Mama: 343 W. 46 St. 10/28: Quinn Lemley
The DJango: 2 Avenue of the Americas.
54 Below: 254 West 54 St. 10/2 The New York Pops Underground; 10/2, 17, 28 and 30: Norbert Leo Butz Sings Torch Songs for a Pandemic; 10/3, 7 and 11 Linda Eder; 10/5 -6 Mauricio Martínez: 5’11” Based in NYC, feat. Linedy Genao & more!; 10/8: Little By Little Reunion Concert, feat. Darrin Baker, Liz Larsen, and Christiane Noll; 10/12: Lee Roy Reams: Uncensored! For Adults Only!’ 10/14 -16 and 23 -25 and 30: Marilyn Maye; 10/20 – 21: Lorna Luft; 10/22: A Gentleman’s Guide 10th Anniversary Celebration and 10/ 26 -28: Jai Rodriguez: A Thousand Sweet Kisses
Sony Hall: 235 W. 46th St. 10/4:Daniel Nardicio presents Witch Perfect An all live-singing parody of Disney’s Hocus Pocus feat. Emmy-winning stars from RuPaul’s Drag Race: Scarlet Envy, Tina Burner & Alexis Michelle and 10/16: Rockers on Broadway 30th Anniversary
Theatre at the West Bank Café: 407 West 42 St. 10/14 and 28: Mark Nadler – CRAZY
The Town Hall: 123 West 43rd Street. 10/10: A Not That Fancy Conversation and Performance with Reba Mcentire and 10/11: Alec Baldwin’s Here’s The Thing Live With Michael Wolff
Midnight Moment For October Presents Circadian Nocturne
In October from 11:57pm – 12am, artist Anna Ridler introduces a new kind of countdown clock in Times Square. Using complex algorithms to explore non-human ways of keeping time, Ridler’s Circadian Nocturnefeatures AI-generated animations of night-blooming and night scented flora – queen of the night cactuses, the moonflower, night-blooming jasmine, night phlox, and evening stock. Painterly petals slowly blossom into a dreamlike garden — chronobiological clocks set against the mechanical and digital structures that set the pace of our contemporary lives.
Created with artificial intelligence and a high-tech machine that can keep time at an atomic level, Circadian Nocturne also pairs modern, highly precise computerized timekeeping methods with the often unpredictable and imprecise imagery created by autonomous digital software and is part of an ongoing project exploring time and technology. Welcoming this tension, Ridler visually obscures tech-based accuracy with something more organic and in sync with the natural landscape.
Launching in the fall, an artist-designed mobile app featuring a smaller, single screen version of the project and an original musical score by composer William Marsey will accompany the Times Square presentation of Circadian Nocturne, allowing for more intimate experience of the work from anywhere in the world.
Based in London, Anna Ridler is an artist and researcher who works with systems of knowledge and how technologies are created in order to better understand the world. She is particularly interested in ideas around measurement and quantification and how this relates to the natural world. Her process often involves working with collections of information or data, particularly datasets, to create new and unusual narratives.
Ridler holds an MA in Information Experience Design from the Royal College of Art and a BA in English Literature and Language from Oxford University along with fellowships at the Creative Computing Institute at University of the Arts London. Her work has been exhibited at cultural institutions worldwide including the Victoria and Albert Museum, the Barbican Centre, Centre Pompidou, HeK Basel, the ZKM Karlsruhe, Ars Electronica, Sheffield Documentary Festival and the Leverhulme Centre for Future Intelligence. She was a European Union EMAP fellow and the winner of the 2018-2019 DARE Art Prize. Ridler has received commissions by Salford University, the Photographers Gallery, Opera North, and Impakt Festival. She was listed as one of the nine “pioneering artists” exploring AI’s creative potential by Artnet and received an honorary mention in the 2019 Ars Electronica Golden Nica award for the category AI & Life Art. She was nominated for a “Beazley Designs of the Year” award in 2019 by the Design Museum for her work on datasets and categorization.
Meta builds technologies that help people connect, find communities, and grow businesses. When Facebook launched in 2004, it changed the way people connect. Apps like Messenger, Instagram, and WhatsApp further empowered billions around the world. Now, Meta is moving beyond 2D screens toward immersive experiences like augmented and virtual reality to help build the next evolution in social technology.
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