Keep Your Eyes Out For The Talented Ann Kittredge
After receiving rave reviews in May, Ann Kittredge: Fancy meeting You Here: An Evening of Ahrens & Flaherty, returned to Feinstein’s/ 54 below in New York City on September 24, 2019.
Ann brought her acting chops to each Ahrens & Flaherty song, creating a strong story line for each song. Starting the show in the back of the room dressed as a boxer, Ann took to the stage singing her opening medley. The medley consisted of songs from Ahrens & Flaherty shows: Anastasia (Journey to the Past), Seussical (Alone..Universe) Once On this Island (Waiting For Life), Ragtime (Wheels of a Dream) and Lucky Stiff (A Girl Needs a Dog). Because of her friendship with Ahrens & Flaherty she called on the duo to look into their trunk and see if there were any songs that they would share with her. Ah!…..what a treasure they found and Ann shared it with the audience.
Not only is Ann an attractive woman but also has a magnificent trained voice.
The evening was cleverly directed by Andrea Marcovicci and the musical was in the hands of a maestro, Alex Rybeck and was accompanied by Mary Ann McSweeney on the Bass.
My favorite cabaret evenings are the ones that have surprises. Ann fully filled my requirement. As Ann was singing “Shut Up and Dance”, from My Favorite Year, a man dressed casually in black walked up on stage from the audience and started dancing with her. The man joined her singing “The Bend of My Arm” from Dessa Rose. She introduced him as her friend Marcus Lovett. Their voices sensually blended. Ann has worked on several shows with Marcus, but they never sang together. What a wonderful treat.
The fast pace show was very well received by the audience and Ann will be a staple on the cabaret scene. She hit it out of the park.
Ken Fallin’s Broadway: New York Pops and Marvelous Marilyn Maye
“The astonishing Marilyn Maye sings with the magnificent New York Pops led by Maestro Steve Reineke this Friday evening, March 24th at Carnegie Hall. They are remarkable talents and remarkable people.
Cabaret legend Marilyn Maye takes the stage with The New York Pops for a program of standards and musical theater classics that make clear why she’s been celebrated as one of America’s greatest jazz singers for more than 50 years. Hear favorites by composers who include Porter, Lerner and Loewe, Loesser, and Sondheim, as well as Maye’s special version of “Too Late Now,” which was selected by the Smithsonian Institution for its permanent collection of 20th-century recordings.
My View: The Only Thing Missing Was A Latte ( with extra foam) Marcy & Zina Party at 54 Below
The only thing missing at last night’s party for Marcy and Zina was a Latte choice in the beverage section on the menu at 54 Below (with extra foam). The show, titled Make Your Own Party: The Songs of Goldrich and Heisler was conceived by Scott Coulter and performed by a cast of five. It celebrated over three decades of quirky, heartfelt and utterly contemporary romantic comedy songs written by Marcy Heisler and Zina Goldrich.
From “Taylor the Latte Boy” to under appreciated altos we were introduced to the cast of characters that inspired these inseparable, irreverent friends to write over three hundred and counting musical love letters to the city, the theatre, and the people who make them sing. The evening was filled with the heart felt stories that these two award winning women have created and was performed by a first rate cast of Broadway super singers. The lyrics, the music, the luscious harmonies…it was the best party of music I’ve ever been invited to.
The Performers: Jill Abramowitz, Cole Burden, Alex Getlin, Joe Kinosian, Kelli Rabke, and Austin Rivers.
Joe Kinosian,piano, Matt Scharfglass, bass
Marcy & Zina have been performing and writing together since 1992. Their critically acclaimed romantic comedy songs have been featured in venues across the world, recorded by artists across many genres, and appear in numerous folios and collected works. Their Off-Broadway musical Dear Edwina earned them a Drama Desk nomination, and other works have been produced by regional powerhouses such as Paper Mill playhouse, The John F. Kennedy Center for the Performing Arts, Goodspeed, and the Ordway Center for the Performing Arts. Their shows include Ever After, JUnie B Jones, and The Great American Musical, based on the bestselling book by auther/director Julie Andrews.
Reeve Carney: Singing The Divas
After countless sellout performances, Reeve Carney returned to The Green Room 42 to play another solo concert while starring in Hadestown on Broadway. He is best known for his portrayal of Dorian Gray on Showtime’s “Penny Dreadful,” Riff Raff in Fox’s Rocky Horror Picture Show Reimagining, as well as originating the role of Peter Parker in Julie Taymor/U2’s Spider-Man: Turn Off the Dark. For one night only Reeve performed a collection of songs traditionally sung by Broadway and vocal divas. Starting out was the perfect song to make us take notice. “Ladies Who Lunch” from Company, never sounded so nuanced, poignant or jazzy.
Next up was “My Favorite Things” from The Sound of Music, “Beauty School Dropout” from Grease and “Losing My Mind” from Follies. Reeve’s girlfriend Eva Noblezada talked him into doing the later song. Reeve has a style that combines rockabilly flare with jazz and rock. It is unique and this spin adds a new take on these familiar songs.
Having shared a dressing room with Patti LuPone “Anything Goes” was sung as a tribute. Not leaving out the great Ethel Merman “”I Got the Sun in the Mornin’ (and the Moon at Night)” from Annie Get Your Gun was delivered ala Reeve Carney.
Dame Shirley Bassey’s “Goldfinger” was a tribute to the 007 genre and brought back memories of Jeff Buckley.
In high school Reeve was not in the schools plays but played “Whatever Lola Wants” for a production of Damn Yankees.
Judy Garland’s iconic “Somewhere Over The Rainbow” was done with pop excellence and a sweetness that made this song his own.
It was at this point that unfortunately I had to leave, as the concert started a half an hour late and if you take a bus out of the city on Sunday, the last one leaves at 11pm. I apologize profusely to Reeve, but was able to critique the rest of the show from a livestream.
Lena Horne’s jazzy, soulful version of “Summertime” from Porgy and Bess hit all the right notes. Liza Minnelli’s “Maybe This Time” from Cabaret was subtle and powerful.
On piano he brought Carol King’s,”Natural Woman” to life, but this version was inspired by Ms. Aretha Franklin.
Still on piano and singing one of his own songs “Up Above The Weather,” a hauntingly wonderful composiition. I look forward to when Reeve does write a Broadway musical.
Back on guitar a tribute to Angela Lansbury “Rose’s Turn” from Gypsy. If you have never heard Reeve’s take on these classic songs, you will hear a fresh, new and really different, but oh so unique vibe.
Closing out the night “There’s A Place For Us” from West Side Story.
Reeve is a musical genius, whose prowess on the guitar, piano and vocals is otherworldly.
You can catch Reeve on April 23, 2023 at 9:30 at The Green Room 42 singing his own music. Ask for “Resurrection,” this is one fabulous song.
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