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Ken Fallin’s Broadway: Happy Birthday Debra Messing

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Debra Messing was born August 15, 1968 and graduated from New York University’s Tisch School of the Arts, Messing starred in short lived television series, Ned and Stacey on Fox(1995–1997), and Prey on ABC (1998). However it was her role as Grace Adler,  on the NBC sitcom Will & Grace (1998–2006, 2017–2020), for which she received seven Golden Globe Award nominations and five Primetime Emmy Award nominations for Outstanding Lead Actress in a Comedy Series, winning once, in 2003.

From 2007 to 2008, Messing starred inthe television miniseries The Starter Wife, for which she received two Golden Globe nominations, a Primetime Emmy Award nomination, and a Screen Actors Guild Award nomination. She appeared as Broadway playwright Julia Houston on the NBC musical drama Smash (2012–2013) and as homicide detective Laura Diamond on the NBC police-procedural comedy The Mysteries of Laura (2014–2016). From 2017 to 2020, Messing reprised her role as Grace Adler on NBC’s three season revival of Will & Grace, garnering a ninth Golden Globe nomination for her performance.

Messing’s film work includes A Walk in the Clouds (1995), Jesus (1999), The Mothman Prophecies (2002), Hollywood Ending (2002), Along Came Polly (2004), The Wedding Date (2005), Lucky You (2007), The Women (2008), Nothing Like the Holidays (2008), Searching (2018), and 13: The Musical (2022). She has also lent her voice to animated films such as Garfield (2004) and Open Season (2006).

She made her Broadway debut in John Patrick Shanley’s play Outside Mullingar alongside Tony Award winner Brían F. O’Byrne, which began previews at the Samuel J. Friedman Theatre on January 3, 2014. Outside Mullingar was nominated for Best Play for the 2014 Tony Awards.

Other theater credits include Birthday Candles (Apr 10, 2022 – May 29, 2022) on Broadway, Donald Marguiles’ Pulitzer Prize finalist Collected Stories, and Paul Rudnick’s Off-Broadway play The Naked Truth.

Ken Fallin began his career creating caricature drawings for the long-running satirical revue, “Forbidden Broadway”. Ken’s illustrations have appeared in The Wall Street Journal, In Style Magazine, The New Yorker , The Hollywood Reporter, The Los Angeles Times, The Chicago Tribune, The Washington Post, Politico, and PLAYBILL Ken has produced illustrations for HBO, Showtime, Jazz at Lincoln Center, The Metropolitan Opera, American Express, Belvedere Vodka, CBS News, Walt Disney Productions, The Peter Norton Foundation, and Microsoft. An Emmy nomination was received for Ken’s work on CNBC’s “Squawk Box” TV ad . Ken has several posters in the permanent poster collection of London’s Victoria & Albert Museum. Original pen and ink drawings now hang in the venerable Players Club, as well as a permanent exhibit at New World Stages. Ken has chronicled the New York Theatre scene for over ten years in various publications and websites Private collectors of Ken’s work include Angela Lansbury, Harold Prince, Darren Criss, Matthew Broderick, Bradley Cooper, Barbra Streisand, Bernadette Peters, Sarah Paulson, Frank Langella, Sir Patrick Stewart, Warren Buffett, and Sir Cameron Mackintosh.

Broadway

Barry Manilow, Bruce Sussman and More At The Museum of Broadway As Harmony Is Honored

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On Thursday, April 18th Barry Manilow, Bruce Sussman, The Comedian Harmonists Sean Bell, Danny Kornfeld, Zal Owen, Eric Peters, Blake Roman and Steven Telsey, as well as Company members including Chip Zien, Kate Wesler, Kyla Stone, Matthew Mucha, Stuart Zagnit, Zak Edwards, and more TBA will be at The Museum of Broadway to unveil a brand-new window display dedicated to the Broadway musical Harmony. Barry Manilow and Bruce Sussman brought the long-forgotten story of The Comedian Harmonists, a German singing group of six young men whose fame was abruptly cut short by the rise of Nazism, to life in the 2023 hit Broadway musical Harmony.

The Museum of Broadway will honor their story with a dedicated window featuring exclusive items donated by Manilow and Sussman, and historical items dating back to the 1920s.

The program will include a special a cappella performance by the OBC Comedian Harmonists.

Harmony, featured an original new score by legendary Tony, Grammy, and Emmy Award® winner Barry Manilow with lyrics and book by Drama Desk Award Winner, Bruce Sussman. Directed and choreographed by Tony Award winner Warren Carlyle (The Music Man, Hello Dolly!), this timely and captivating rags-to-riches story lost to history came to dazzling life with a sensational cast of Broadway favorites.

Based on an unbelievable true story, the musical told the tale of the most successful entertainers you’ve never heard of. . . until Harmony. In the 1920s and 30s, The Comedian Harmonists sold millions of records, made dozens of films, and sold-out the biggest theaters around the world. Their heavenly harmonies and musical comedy antics catapulted these six talented young men from singing in the subway tunnels of Berlin to international superstardom.  What happened next was the story of Harmony.

The female-founded award-winning Museum of Broadway is the world’s first-ever permanent museum dedicated to the storied history and legendary artists, creators and stars of Broadway musicals and plays, past and present. Offering unrivaled “backstage” access, the Museum of Broadway goes behind-the-scenes to show guests of all ages how a Broadway show is made from conception to curtain call.  A one-of-its-kind entertaining and educational celebration of Broadway for the theatre enthusiast and insider alike, the Museum of Broadway transports visitors visually through centuries of time.  Experience a stunning, ever-evolving curation from the 1700s-present day one dazzling, unforgettable exhibit, costume, prop, rendering and rarity at a time. Through each piece, the Museum of Broadway honors the legacies of those who paved the way for today’s Broadway and the next generation of theatregoers and creators.

Founded in November 2022, the Museum of Broadway highlights more than 500 showstopping and hidden gem productions across three floors of exhibits.  Open seven days a week and welcoming thousands of guests weekly from all over the world, the museum also offers free educational programming, special events with your favorite Broadway casts and creatives, a membership program, merchandise from your favorite shows, and so much more. A portion of proceeds from every ticket sold is donated to Broadway Cares/Equity Fights AIDS.

Be sure to follow @MuseumofBroadway on all social channels for the latest artifact drops, special offers, events and happenings and visit themuseumofbroadway.com to complete your perfect day on Broadway.

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Lempicka Brings An Artist Work Back To Life

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In 1984, I saw the interactive show Tamara based on the life of the artist Tamara de Lempicka in LA and fell in love with it, so much so that it has stayed one of my favorites to this day. Lempicka is a new musical based more on her sexual choices than her stylized Art Deco portraits that changed and inspired generations. She was one of the first feminists, as Tamara choose art, sexual freedom and a lifestyle in a time of war and destruction.


The musical starts out on a park bench in LA as an older Tamara (Eden Espinosa) reflects on her life. Flash back to Warsaw, Poland as Tamara is to be wed to Lempicka (Andrew Samonsky) an aristocrat and is to live a life of luxury. Then the Bolshevik’s in prison her husband, she uses sexual favors to free him and they flee to Paris with their daughter. When her husband is unwilling to work she becomes a painter and uses the name Lempicka. There she is befriended by a wealthy art patron (Nathaniel Stampley) and his wife (Beth Leavel), is influenced by Marinetti (George Abu), the founder of the Futurist art movement, and is inspired and in love with Rafaela (Amber Iman). Both Lempicka and the musical come alive at this point. Tamara finds friendship and solace with a nightclub owner, Suzy (Natalie Joy Johnson), who gives her and others like her a refuge, until the Nazi’s invade. In the end, while breaking ground Lempicka’s life style becomes rather self centered or should I say one of self preservation as she loses her husband, her daughter and her lover.

Amber Iman, Eden Espinosa Photo by Matthew Murphy/Evan Zimmerman

Matt Gould’s music and Carson Kreitzer’s lyrics are well sung and the show sounds glorious. This is a new take on pop music. The problem here is the minor characters get the songs that make the show come alive. Iman, Abu and Johnson almost steal the show with their numbers. Level gets the 11 O’Clock number and breaks our hearts. Though Espinoza has some good numbers and sells them, none of them really stand out.

George Abud photo by Matthew Murphy/Evan Zimmerman)

Kreitzer also conceived the book and wrote it with Gould. Again the show does and doesn’t work. Instead of focusing on Lempicka’s art, the changing world around her and the fact that she was one of the first feminists, the story is more focused on lesbian repression. The show is billed as a triangle of love, but her husband once they get to Paris is in his own world until she gets together with Rafaela a prostitute. Rachel Chavkin’s direction makes the scenes between Rafaela and Lempicka beautiful and in a strange sense if feels a little like Indecent, however the show as a whole doesn’t jell.

Photo by Matthew Murphy/Evan Zimmerman

I did like Raja Feather Kelly’s choreography that seemed to evoke the changing world around.

Riccardo Hernández’s set of steel, seems like the world is on the verge of collapse and rebuilding. The lighting by Bradley King and projections by Peter Hylenski and Justin Stasi added to that effect. Paloma Young’s costumes missed the mark and seemed like they were in two different stories.

The reason to see Lempicka is it is sung and acted gloriously.

Once you see Lempicka, you will realize how much Tamara de Lempicka’s art change and influenced the world of art. This was a woman who survived at all costs and that should always be admired.

Lempicka: Longacre Theatre, 220 West 48th Street.
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Ken Fallin’s Broadway: The Outsiders

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These boys are taking Broadway by storm Jason Schmidt, Sky Lakota-Lynch, and Brody Grant. In Tulsa, Oklahoma, 1967, the hardened hearts and aching souls of Ponyboy Curtis, Johnny Cade and their chosen family of “outsiders” are in a fight for survival and a quest for purpose in a world that may never accept them. A story of the bonds that brothers share and the hopes we all hold on to, this gripping new musical reinvigorates the timeless tale of “haves and have nots”, of protecting what’s yours and fighting for what could be.

The Outsiders opened on Broadway at the Bernard B. Jacobs Theatre, 242 W 45th Street.

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We Say Good Bye To Costume Designer Extraordinaire Carrie Robbins

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I met Carrie Robbins at an art gallery with Louis St Louis, Baayork Lee and Judy Jacksina. The four of us stayed well into the morning talking, laughing and having a fabulous time. Carrie and I bonded after that as she turned to playwriting. It broke my heart to learn that on the evening of April 12, 2024 Costume Designer extraordinaire Carrie Robbins passed away.

Carrie’s work has been featured in over 30+ Broadway shows, including Class Act, Grease (original), Agnes of God, Yentl, Octette Bridge Club, Sweet Bird of Youth (Lauren Bacall), Frankenstein, Happy End (Mary Streep), Boys of Winter, Cyrano (Frank Langella), & Shadow Box (Mercedes Ruehl).

Her awards and nominations included: 2012 recipient of the Irene Sharaff Lifetime Achievement Award presented by the Theatre Development Fund & the tdf/Costume Collection with the support of the Tobin Theatre Arts Fund. 2 Tony (Noms.), 5 Drama Desks, Maharam, USITT/Prague International, L.A. Dramalogue, Henry Hughes, F.I.T-Surface Design, & Audelco, among others.

Robbins’ costumes for the Irving Berlin musical White Christmas played major cities in the USA, Broadway, and Great Britain. Her regional work included M. Butterfly and On the Verge, for director Tazewell Thompson (Arena Stage) and the Gershwin musical American in Paris by Ken Ludwig for director Gregory Boyd (Alley Theatre, Houston) as well as The Tempest (Anthony Hopkins as Prospero) & Flea in Her Ear (director Tom Moore at Mark Taper Forum), many productions for the Guthrie (MN), Williamstown, and many others from Alaska to Buffalo.


Locally, in NYC, Robbins designed for many productions for The Lincoln Center Repertory Theatre, Chelsea Theatre at BAM, Acting Company at Juilliard and NY Shakespeare Festival.

She also designed for the Opera and they included Death in Venice for Glimmerglass (’08 Prague International Design Exhibit), Samson et Dalila (San Francisco Opera, Houston Grand, more), and many productions for Sarah Caldwell’s Opera Company of Boston. Her work has also been seen at the Hamburg StatsOper.

For film Robbins designed the movie “In The Spirit” (Elaine May, Peter Falk, Marlo Thomas); TV design included: Saturday Nite Live, PBS Arts in America, & several unseen pilots.

Robbins has designed clothes for several seasons of Queen Esther Marrow and The Harlem Gospel Singers’ European Tour. She also did the designs for The Cincinnati Ballet’s new Nutcracker, in December of 2011

Robbins was an MFA grad from the Yale School of Drama and was Master Teacher of Costume Design at the NYU Tisch School of the Arts for many years. She is extremely proud of the extraordinary number of award-winning, successful young costume designers and costume teachers across the country who came out of her classes.

Besides being a costume designer Carrie also was a playwright. In August 2010, her play, The Death & Life of Dr. Cutter, a Vaudeville, based on the true stories told by her husband Dr. R.D.Robbins, had its 4th reading at the Snapple Theatre Center; it was chosen by Abingdon Theatre Co, NYC, to be part of its First Readings Series in Fall, 2009. In 2011-12 the  League of Professional Theatre Women chose The Dragon Quartet as part of its 30th year anniversary celebration. In 2012-13, La MaMa (oldest off-off-Broadway theater in NYC at 51 years) chose The Diamond Eater for its “Concert Reading Series”. In 2013: TACT (The Actors Company Theatre, chose Sawbones for part of its newTACTics New Play Festival. In 2014 both The Diamond Eater and Sawbones  received 6 Nominations from N.Y. Innovative Theatre Awards (the most nominations given out in the 2014 season). In 2015, Le Wedding Dress, was a semi-finalist in NYNewWorks Theatre Festival. In 2016: Obsessions Of An Art Student chosen by NYNewWorks Theatre Festival. In 2016, The Actress, was a finalist in NY Thespis Summer Festival. In 2017, My Swollen Feet, chosen by NY Summerfest Theatre Festival/ Hudson Guild Theatre. In 2018 The Diamond Eater , semi-finalist at the 14th St. Y competition War + Peace/2018/19 season and The Dragon Griswynd, was chosen by Theater for the New City for its “Dream-Up Festival” In 2019 Pie Lessons, was invited by Crystal Field, Exec. Artistic Director of Theater for the New City, to be part of “Scratch Night at TNC”.

The last thing Carrie was working on was For The Lost Children Of Paris. This play was about how the Nazis, with help from the Vichy Government, collected French-Jewish schoolchildren and delivered them to Auschwitz. Excellent German record-keeping revealed 11,400 children were taken. At the liberation, only 200 were found alive. This is the story of one classroom’s collection day and its aftermath.

She did this play using puppets as the children.

Carrie had a voice that she used in a multiple of ways. She was a caring friend, a dedicated teacher, a prolific writer and costume designer, who always cared about others first. Carrie you will be missed.

 





 

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Patti LuPone Returns to Broadway and The Big Screen

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Three-time Tony Award winner Patti LuPone, who gave up her Equity card in 2022, will star opposite Mia Farrow in Jen Silverman’s new play, The Roommate. The production will be directed by Jack O’Brien and will begin previews at the Booth Theatre in August ahead of a September opening.

The Roommate tells the story of Sharon, in her mid-fifties, who is recently divorced and needs a roommate to share her Iowa home. Robyn, also in her mid-fifties, needs a place to hide and a chance to start over. But as Sharon begins to uncover Robyn’s secrets, they encourage her own deep-seated desire to transform her life completely. A dark comedy about what it takes to re-route your life – and what happens when the wheels come off.

The Roommate premiered at the Actor’s Theatre of Louisville in March 2015, and has had several regional productions including at Williamstown Theatre Festival in 2017.

Ms. LuPone will star in the upcoming Marvel series, WandaVision spinoff series Agatha: Coven of Chaos. She’s in a coven of witches, playing Lilia Calderu, who is hot, with a great body and hair. Calderu, first appeared in Marvel comics in 1973 as a 450-year-old Sicilian witch whose power is divination and whose trial is tarot. The other witches are Kathryn Hahn, Aubrey Plaza, and a familiar who is played by Joe Locke. Locke, is currently on Broadway in Sweeney Todd.

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