MvVO Art Launches AD ART SHOW
Broadway

Kiss Me Kate Where The Hell Cat has Been Tamed Into a Beautiful Sophisticated Songbird

Kiss Me Kate Where The Hell Cat has Been Tamed Into a Beautiful Sophisticated Songbird

Kellie O’Hara sings Cole Porter’s score gloriously, especially in “I Hate Men”. Her vocals are unsurpassed. She also brings comedic timing and a sophistication to the role of the hell cat with a temper, but we never see her as anything but lovely and a little miffed. Even when she plays the shrew Kate and she is kicking Petruchio, she is not somebody who is out of control. We never see the unleashed diva who is so furious that her ex is courting another. There is no I hate you/I love you to play off of, which is what this show is about, and I blame this on Amanda Green’s rewrites and Scott Ellis’s direction. Originally, Lilli leaves without Howell, she then comes back to sing “I Am Ashamed That Women Are So Simple”, but the song has been changed so the ending falls flat.

Before it was the words of Shakespeare set to music:

I am ashamed the women are so simple
To offer war where they should kneel for peace,
Or seek for rule, supremacy, and sway
When they are bound to serve, love and obey.

but that has been turned into universal love and it makes no sense why Kate or Lili would return:

I am ashamed that people are so simple
To offer war when we should kneel for peace
Or seek for rule, supremacy and sway
When everything but love must die away.

I understand that times are changing, but really must we rewrite Shakespeare? Kiss Me Kateis one of my favorite musicals with a strong score and a timeless story, and though there is much to like here, the second act after “Too Darn Hot” seems to fall apart.

James T. Lane and cast “Too Darn Hot” Photo by Joan Marcus

The choreography by Warren Carlyle is top notch with tap, gymnastics, and the sweat inducing “Too Darn Hot” and “Bianca”. Corbin Bleu jumps and taps his way into our hearts reminding me of a young Gene Nelson. Coupled with the phenomenal vocals of Ms. O’Hara makes this why you should see this production. Also, a shout out to James T. Lane who understands hot!

“Too Darn Hot” Photo by Joan Marcus

For those who do not know this story, the show is about two former lovers who are doing a musical version of Taming of The Shrew. The “real life actors” roles mirror their real life. Lili is to marry another, and this is her farewell to showbiz, though she still harbors strong feelings for her ex. Unfortunately, her ex is into Lois Lane (Stephanie Styles), but Lois loves the gambling Bill Calhoun (Corbin Bleu) who has lost 10g’s and signed Fred’s name to the IOU. Wise Guys (John Pankow and Lance Coadie Williams) show up and all hell breaks loose.

Kelli O’Hara, Will Chase Photo by Joan Marcus

Stephanie Styles, though adorable, has no chemistry with Bleu, but maybe it’s because unlike the Lois’s before her, she doesn’t exactly dance as she does get lifted. She does have a killer belt. During the normally subtle “Tom, Dick, or Harry” where it is a play on words left to your imagination, now everything is sexually spelled out and it seems misplaced for the era.

Rick Faugno, Will Burton, Stephanie Styles, Corbin Bleu Photo by Joan Marcus

It is hard to understand why Lili would ever fall for Gen. Harrison Howell (Terence Archie). Also, John Pankow and Lance Coadie Williams as the mobsters who find a love of theatre in “Brush Up Your Shakespeare” seem uneven and the song misses its one-two-punch, which is normally a highlight of the show.

Corbin Bleu, Stephanie Styles Photo by Joan Marcus

Even the orchestrations here seem to pale to other productions, yet this score is timeless and oh so “Wunderbar.” I miss this kind of lush melody with witty lyrics, that are oh so naughty and oh so right.

John Pankow, Will Chase, Lance Coadie Williams Photo by Joan Marcus

Jeff Mahshie’s costumes look beautiful on Ms. O’Hara. The set by David Rockwell, lighting by Donald Holder, sound design by Brian Ronan make this a lavish production to watch.

“So In love”….no, but so In Like.

Kiss Me Kate: Studio 54, 254 W 54th Street, between Broadway and Eighth Avenue, through June 30. 

Broadway

Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. Currently she has a screenplay in the works, which she developed with her mentor and friend the late Arthur Herzog. She was the Broadway Informer on the all access cable TV Show “The New Yorkers,” soon to be “The Tourist Channel.” email: suzanna@t2conline.com

More in Broadway

Emmy Winner Susan Lucci And Broadway Celbs Headline NYC Pride Event!

Suzanna BowlingJune 12, 2019

He Says: Frankie and Johnny Basks in the Clair de Lune’s Determined and Frightening Moonlight

RossJune 12, 2019

Tony Round Up And In The Press Room

Suzanna BowlingJune 10, 2019

Frankie and Johnny in the Clair de Lune or Falling in Love With Michael Shannon

Suzanna BowlingJune 10, 2019

The Tony Winners and Their Awards

Robert WilliamsJune 10, 2019

Tony Awards: Part 1 Elaine May Wins Her First Acting Award as Hadestown and The Ferryman Lead in the Tony Race

Suzanna BowlingJune 9, 2019

Tony Award Rehearsals

Suzanna BowlingJune 9, 2019

Mark William is Broadway Ready With His Tony Award Show

Suzanna BowlingJune 8, 2019

Tony Award Predictions: What Will and Should Win

Suzanna BowlingJune 8, 2019