Music
LCT Has Sewn a Lovely Intimate Apparel, But It Might Not Have Been Made to Fit Me

In the exciting collaborative action between Lincoln Center Theater and the Metropolitan Opera, Lynn Nottage’s 2003 play, Intimate Apparel, finds its passionate way to the stage, but not in its original spoken language form. This is a new operatic adaptation of the play, retelling the tender, intimate, longing story of a Black seamstress dreaming of love and marriage in New York City circa 1905. It’s exhilarating, in a way, to hear the emotionally charged plot thread its way through the well cut space, and even though I never saw the original play that this opera is based, the new formulation keeps its tight eye on the ordinary and the need, finding hope and the sweet aroma of engagement all wrapped up and revolving to the keys and melodies of two pianos, played beautifully by Nathaniel LaNasa and Brent Funderburk conducted by the talented Steven Osgood (Opera Philadelphia’s Breaking the Waves).

Kearstin Piper Brown and Naomi Louisa O’Connell in Intimate Apparel at Lincoln Center. Photo by T Charles Erickson.
In this new perfectly sung opera, Ricky Ian Gordon’s (The House Without a Christmas Tree) music registers, not just because of the majestic voices bringing it to life by this impressive cast, but through the sound and simplicity of the arrangements and constructions presenting here. The piece unpacks itself lovingly, but it is the voices that find the flavor and its emotional core, even to this particular audience member who is not one of opera’s biggest of fans. I always when listening to opera have a hard time tuning in my sympathetic self to the sounds of that particular voice that is clearly, and most impressively being portrayed here. I can honor it, but it never inserts itself like a Rachel Bay Jones Broadway voice, full of roughness and edge. But that is just me, and has no reflection on the quality of the cut.
Kearstin Piper Brown (Atlanta Symphony’s Aida) as the central force, Esther, leads the cast forward through its romantic edged paces. Esther eeks out her bare bones existence in a Lower Manhattan boarding house, run by a sympathetic landlady, beautifully embodied by Adrienne Danrich (HERE’s Looking at You). Esther works hard, toiling away alone sewing fantastically created garments, designed most exquisitely by the Tony-winning costumer, Catherine Zuber (Broadway’s Moulin Rouge). Magic in fabric is created here for a wide range of women who inhabit her sorted world, made to make them feel more sensual and assured in themselves and their bodies. This is not something that fits into Esther’s own sense of self, but for her customers, who include the unhappily married wealthy married woman, Mrs. Van Buren, fantastically portrayed by Naomi Louisa O’Connell (West End’s Master Class), and the dream-filled prostitute Mayme, dynamically enlivened by the wonderful Krysty Swann (Met Opera’s Elektra), these garments bring out the best in them. And maybe a little something else too.

Kearstin Piper Brown and Arnold Livingston Geis in Intimate Apparel at Lincoln Center. Photo by T Charles Erickson.
But in an attempt to find love and engagement, the illiterate and somewhat naive Esther, with the help of Mrs. Van Buren’s writing skills and Mayme’s sense of adventure, finds connection and romance with the handsome and charming (or so he seems) laborer, George Armstrong, strongly embodied by the captivating Justin Austin (Met’s Dead Man Walking) who is living and working equally hard on the far away Panama Canal. The letters are filled with wonderful excitement and romance from a far away enchanted locale, but like the fabricated fantasies that Esther creates with her conspirators, the letters bring forth a forgery and false sense of attachment, that, in essence, are destined to bring about an ending like every catfish story that we have ever seen played out before us. Naturally the correspondence leads to their meeting, and their eventual marriage, but more importantly, we watch and wait for the workman’s shoe to drop, which it does eventually, leading to betrayal and anger, all to the sounds of hypnotic operatic voices filling our senses with passion, loss, and pain.
Nottage (Clyde’s; MJ The Musical) finds an elegance in her poetic transfer of text to libretto, and director Bartlett Sher (LCT’s My Fair Lady) matches it with flourishes of simplicity that works wonders on the idea of intent and idealism. Sewing it all together with the clarity of sound, the piece easily fills the small Lincoln Center Theater with the “sweet smell of death” trimmed with emotional magic, to a degree. It stitches together the complicated ideals of race, gender, and class, all inside the luxuriant sounds of Gordon’s score played out with cunning sparsity on Michael Yeargan’s (LCT’s My Fair Lady) impressively symbolic set, with fine lighting by Jennifer Tipton (Broadway’s To Kill a Mockingbird) , sound by Marc Salzberg (LCT’s Oslo), and strong minded projections of sepia-toned “unidentified Negros, ca. 1905,” by 59 Productions (LCT’s JUNK). But I’m not quite sure it ever truly entered my soul, as maybe the play might have.
Brown and Swann sing with grace and power, as does the impressive Austin as the wayward and deceitful husband, but the most touching and engaging relationship is the one that barely gets to speak its name until the very end, even though the sparks fly almost immediately for us all to see. Lovingly portrayed by Arnold Livingston Geis (Long Beach Opera’s Candide), Mr. Marks, the quiet and caring Jewish fabric salesman, is the obvious unspoken love interest of the piece, with societal pressure and religion keeping it under lock and key. That is until that songbird can’t be caged any longer, and Esther must sing, almost surprisingly, “I love someone, didn’t know until now.” One can almost hear the crowd sigh with utter fulfillment, and in that moment, this new opera finally had meaning.
“All this wonder and waste,” sewn together, flavors Intimate Apparel, A New Opera with numerous different musical references, finding its solidness in its compositional structure and delivery. It does justice to the material, and the timeframe yet I wish the sound intuitively infused me with as much emotional resonance as the piece clearly intended to create. Ultimately, we can easily see that the final outfit is exquisitely well crafted and lovely to look at and listen to, but maybe it just wasn’t made to fit my theatrical frame.
Family
Countdown to Christmas Day: Map The Song Of Your Life

17 days to go! Every year people panic to find the perfect gift. We at T2C have been collecting idea’s all year long to bring you the perfect gift guide at all price levels. When you’re at the end of your rope trying to find the perfect Christmas present this year, come to this guide for some great suggestions.
How unique is this Spiral Song Lyric with Night Sky Map Clock.
Looking for a way to capture a meaningful day and text in one beautiful design? Grab a Personalized Star Map for you on a clock. Have questions about this design or how to personalize it for you or a gift? Message, as customer happiness is their #1 goal.
You give the company The Artist, Song Title or enter lyrics, a quote, names, address (for night sky) and the date and a spiral print will be printed showing the star map, alignment of the stars and constellations from your special day. Personally I think it is an amazing gift at $53.97 .
Free proofs are provided as well as quick edits to make sure you love your design before it’s printed.
To personalize your night sky spiral print, click here.
Events
Happy Chanukah Day 2: Light One Candle With The Carney’s

“Light One Candle” is a song by the folk group Peter, Paul and Mary. This popular Chanukah song was performed in concerts starting in 1982 at Carnegie Hall, before recording it for their 1986 studio album No Easy Walk to Freedom.
At The Carney’s concert in 2019 I was introduced to this song. Reeve as a young child was part of the children’s choir to sing back up at Carnegie Hall.
I feel in love with the lyric and sentiment so from T2C to you we wish you a happy Hanukkah
Celebrity
The Glorious Corner

TREE LIKE ME — Monday morning, gossip-sites were ablaze with this missive from one Tree Paine – Taylor Swift’s publicist – about swirling rumors about the singer’s love life: Travis Kelce’s sister-in-law, Kylie Kelce, subtly supported Taylor Swift after the “Anti-Hero” singer’s publicist clapped back at rumors about her love life. Eagled-eyed fans noticed that Kylie “liked” a post from the Today Show about Tree Paine slamming celebrity gossip blog DeuxMoi for spreading “fabricated lies” about Swift’s relationship with ex-boyfriend Joe Alwyn.
Ms. Paine’s PR-firm is called Premium PR and by all accounts, the Nashville-based mistress has had a great ride with Swift. As we go to press, Time Magazine just named her their person of the year.
Back in the day, ZZ Top and Michael Jackson had Howard Bloom; Debbie Gibson and Run DMC had David Salidor; Elton and the Rolling Stones have Fran Curtis; and Billy and Alexa Joel and Christie Brinkley have Claire Mecuri … all stars in our book, but Ms. Paine has Swift.
BRENDA LEE — (from People) Brenda Lee has a reason to celebrate the holidays early this year.
On Monday, the singer’s 1958 classic “Rockin’ Around the Christmas Tree” hit No. 1 on the Billboard Hot 100 chart for the first time, 65 years following its debut.
In claiming the top spot, Lee broke many records — including those held by Mariah Carey and her mega hit “All I Want for Christmas is You” — as her hit became the third holiday No. 1 ever to be featured on the Hot 100, per a press release.
This marks Lee’s third No. 1 hit in her career. She earned her first No. 1 with her 1960 single “I’m Sorry.”
Lee was just 13 years old when she recorded the Johnny Marks-penned hit debut, and at 78, she’s now the oldest woman to top the Hot 100, surpassing previous record-holders Cher for “Believe” when she was 52 and Carey for “All I Want for Christmas Is You” at 53.
In a press release statement, Lee called the song’s latest achievement “amazing. “I cannot believe that ‘Rockin’’ has hit No. 1 65 years after it was released, this is just so special!” she said. “Thank you to the team at UMG/UMe who worked so hard to celebrate the song’s anniversary this year. But most importantly, thank you to the fans who keep listening.”
Lee continued: “The song came out when I was a young teenager and now to know that it has resonated with multiple generations and continues to resonate — it is one of the best gifts I have ever received. Keep on Rockin’ and Merry Christmas!”
Last month, Lee released the first-ever music video for her Christmas classic, which features cameos from Tanya Tucker and Trisha Yearwood. Here’s the link:
https://www.youtube.com/watch?v=TFsZy9t-qDc
In addition to the music video, she shared the EP, A Rockin’ Christmas with Brenda Lee, in November featuring “Rockin’ Around the Christmas Tree” and other holiday favorites including “Santa Claus Is Coming to Town,” “Jingle Bell Rock” “A Marshmallow World” and “Rockin’ Around the Christmas Tree,” reimagined by Filous.
For record aficionados: The song was originally released on Decca Records in 1958. Dub Allbritten became Lee’s personal manager in 1956 and remained in that position throughout her formative years. In May 1956, Lee signed with Decca and two months later had her first recording session, supervised by Paul Cohen with the assistance of Owen Bradley
SHORT TAKES — RIP Denny Laine – best remembered from The Moody Blues (“Go Now”) and Paul McCartney’s Wings – and their best album Band On The Run. I loved “Go Now” btw. Here’s Roger Friedman’s take via SHOWBIZ 411: https://www.showbiz411.com/2023/12/05/rip-denny-laine-79-original-member-of-wings-and-the-moody-blues-wrote-the-hit-go-now …
I didn’t see any reviews from Debbie Gibson’s 2 shows last week at NYC’s Gramercy Theater but Yahoo did run a headline that she had 5 costume changes! They were in support of her 2022 holiday Winterlicious album …The Kennedy Center Honors had their event this past weekend. Congrats all. Can’t wait to see the show next week. Here’s Deadline’s take: https://deadline.com/2023/12/kennedy-center-honors-joe-biden-robert-de-niro-billy-crystal-1235650306/ …
Here’s celebrity-biographer Mark Bego’s interview with NEWHD’s Zach Martin: https://www.spreaker.com/user/bigfatamerican/mark-bego-copy … RIP Norman Lear; Happy Bday Anthony Noto … On the mend: Jerry Lembo!
NAMES IN THE NEWS — Kimberly Cornell; Joe Lynch; Victor Kastel; Peter Shendell; Eppy; Kent Kotal; Roy Trakin; Melinda Newman; Tyson Terror; Vincent D’Onofrio; Tom & Lisa Cuddy; Sasha Peres; Jacqueline Boyd; Cairo; Tanya Tenor; Jonathan Wolfson; Brad LeBeau; Wayne Rosso; Thomas Silverman; and ZIGGY!
Celebrity
The Glorious Corner

CHRIS CARTER — (Via Maz Digital) Chris Carter was 7 years old when his mother bought him Rubber Soul, the Beatles’ sixth studio album, at a ShopRite market in Wayne, New Jersey. Fifty-seven years later, he’s the ultimate Beatles expert as host for 22 years of Breakfast With the Beatles, a radio show carried each weekday on SiriusXM’s Beatles channel and Sundays on Los Angeles’ KLOS-FM. The show is celebrating its 40th anniversary, at the same time that music fans are marking the 60th anniversary of Beatlemania.
We talked with Carter about his unique position: He’s a musician too. Carter played bass in alternative rock band Dramarama in the 1980’s and 90’s. “I loved Paul’s bass playing, but I got into wanting to play the bass from listening to Grand Funk Railroad, Black Sabbath and Alice Cooper records. That really hooked me in.”He was in the right place when he got the job. Carter follows original host Deirdre O’Donoghue, who died in 2001.
The job offer call came just before he went to a Ringo Starr concert. “I knew once I got the job, I would be there ’til I died. This is one of those long-term things and I’m not going anywhere. “Prep keeps it fresh. “I have to handpick 60 Beatles songs a day, or solo Beatles songs, and have them pertain to that day—say, an anniversary or ‘today in Beatles history.’ There’s always something in Beatles history.” On Wednesdays, he spins a wheel to develop a topic for the show, such as “fifth Beatles” or “violins.” “I have to instantly put a set of songs together that matches that category.”
And news events also play a role. When Robbie Robertson of The Band passed recently, Carter made sure to note that by discussing and playing Ringo Starr’s “Sunshine Life for Me (Sail Away Raymond),” on which Robertson and other members of The Band played. “It never gets old. If they handed me a playlist, like they do for so many DJs, and said ‘Chris, play them,’ I would have no passion for that.” He was in the right place when he got the job.
Carter loves to provide tidbits about the songs he plays, so that listeners can experience them with fresh ears. “You’re dealing with 50- to 60-year-old music. If it’s not served up properly, you know, how many times can you hear ‘Hey Jude’? But if you put it in context, like this song was No. 1 for nine weeks. It was the first single over seven minutes long. And it was the first release on their own label. Most Beatles fans, they think they know a lot about the Beatles, but when you give them some information they might not know, then they’ll come back to you and listen again.” He broadcasts in front of a crowd. The satellite radio shows are put together in Carter’s home studio. But many of the shows for L.A. radio are broadcast live from one of three area venues. “I find it fun because in radio you never see your audience. Typically, you’re sitting in a room by yourself with a microphone. You could have maybe millions of people listening, but you don’t know who they are.
“The Beatles are fans. Paul McCartney and Ringo Starr have each called into the show for interviews, but Carter doesn’t have his head in the clouds about it. “They’ve got to sell a solo record. You’re on the radio. They need you for publicity. They know you’re there for them. Even though they’re the gods of the world, they still need you to sell their records.”
SHORT TAKES — (Via Deadline) The meteoric political rise of George Santos and the web of fabulist tales it was built on are getting a movie treatment. HBO Films has optioned the rights to Mark Chiusano’s new book The Fabulist: The Lying, Hustling, Grifting, Stealing, and Very American Legend of George Santos, which was published on November 28, 2023. My only comment is, why? If this ever gets made, it will not be a hit. Exploitative? Definitely and not needed at all …I’ve watched the two episodes of Hulu’s Fargo so far this season and though somehow intriguing, but didn’t I just see this show on Netflix – Who Is Erin Carter? Fargo’s creator Noah Hawley must have been transfixed by Carter. Odd for sure …
Also, just for the record, why was there so much Russian-dialogue in episode 4 of Apple TV+’s For All Mankind without any sub-titles? Clearly this show has suffered some major budget-cuts, but that was a huge error for sure. Ronald D. Moore’s creation started out brilliantly, but has become something like a space-age soap-opera. Sad for sure.
This show was among my favorites … I loved Chuck Lorre’s Big Bang Theory, so I was anxious to see his Bookie on MAX. Sebastian Maniscalco – who I don’t really get at all – left me somewhat underwhelmed. The show’s about a bookie – funny? Somehow it wasn’t. Even a cameo by Charlie Sheen w/o tiger blood was a letdown.
Very disappointed … Joe Cocker-scribe Mark Bego speaks to Zach Martin Wednesday for his NEWHD outpost …

Chris Carter and Micky Dolenz 2. Who Is Eric Carter? 3. For All Mankind 4. Bookie 5. Zach Martin Ahmet and Mica Ertegun
HAPPY BDAY Randy Newman and RIP one of the most adventurous, creative and intriguing women I’ve ever known, Mica Ertegun.
NAMES IN THE NEWS — Kent and Laura Denmark; Steve Leeds; Ira Robbins; Richard Branciforte; Eppy; Barry Fisch; Frank Patz; Bobby Bank; Roger Clark; Edmond O’ Brien; Jonathan Clyde; Richard Johnson; James Edstrom; Tom & Lisa Cuddy; Kent Kotal; Bob Kaus; and BELLA!
Events
Music News: Julie Benko, Karen Mason, Debbie Wileman, Klea Blackhurst, Jim Caruso, Billy Stritch, KT Sullivan, Jeff Harnar, Stacy Sullivan and Todd Murray

CLUB44 RECORDS has released “The Man with the Bag” – the festive and swinging new single from breakout Broadway star Julie Benko. Her full debut holiday EP Christmas with You has also just been released. After skyrocketing to fame as Fanny Brice in Funny Girl on Broadway last season, Julie has returned to the New York stage in Barry Manilow and Bruce Sussman’s wonderful musical Harmony. “The Man with the Bag” is arranged by Jason Yeager. The EP Christmas with You is produced by Julie Benko and Jason Yeager, with arrangements by Jason Yeager.
Birdland Jazz Club will present the return of Broadway, recording and concert star Karen Mason for her annual holiday show “Christmas! Christmas! Christmas!” on Monday, December 11 at 7:00 PM. With Karen’s unique interpretations of holiday classics old and new, the holidays will never be the same. Sassy, brassy, and tinged with confessional monologs, this show includes a slinky arrangement of “Santa Claus Is Coming to Town,” a heartfelt “I’ll Be Home for Christmas,” and more.
Debbie Wileman, the singing sensation who captured world-wide attention during the global pandemic with her uncanny recreation of Judy Garland’s legendary voice, as she makes her return to Carnegie Hall on Sunday, December 10, 2023 as the star of “Judy Garland” We Need a Little Christmas.”
Debbie will be joined by special guests, including the legendary Tony Award-winning Broadway icon Chita Rivera and Academy Award winner Margaret O’Brien, the iconic film, radio, television and stage actress and one of the last surviving stars from the Golden Age of Hollywood cinema, with more guests to be announced. (subject to change)
Debbie will be accompanied by a live orchestra, conducted by award-winning musical director and arranger Steve Orich. She will take to the stage to perform Judy’s signature Christmas songs as well as newly arranged holiday hits that Judy may have performed if she were with us today.
Birdland Jazz Club will present the 14th Annual “A Swinging Birdland Christmas” – starring vocalists Klea Blackhurst, Jim Caruso, and Billy Stritch – for five performances from Thursday, December 21to Monday, December 25 at 5:30 PM. The December 22 show will be available as a special livestream, with tickets available HERE. This wildly successful extravaganza has been celebrating the holidays at this historic music room since 2010. In the tradition of beloved seasonal specials, the trio of singers will perform swinging arrangements of “The Christmas Waltz,” Kay Thompson’s “Holiday Season,” “Sleigh Ride,” “I’ve Got My Love to Keep Me Warm,” “Snow,” and “It Happened in Sun Valley,” among other favorites. The show will also include a musical tribute to Birdland regular Freddy Cole, who was also a holiday tradition. The vocalists will be joined by Steve Doyle on bass and Daniel Glass on drums.
54 Below, Broadway’s Supper Club, presents four award-winning New York cabaret favorites KT Sullivan, Jeff Harnar, Stacy Sullivan and Todd Murray with Music Director jazz virtuoso Jon Weber in the New York debut of We Love The Winter Weather Songs of the Holidays on Tuesday December 5th at 7pm, in-person and with a livestream option.
The show is an eclectic and entertaining holiday songbook including songwriters Irving Berlin, Jule Styne, Sammy Cahn, Carol Hall, Peter Yarrow, Mel Torme and David Friedman. The seasonal spotlight shines musically on traditional favorites as well as surprises including “Grandma,” Elvis, Peggy Lee and a “Short Attention Span Theater” retelling of the film White Christmas with the quartet donning the roles of Bing Crosby, Rosemary Clooney, Vera Ellen and Danny Kaye. This show had its debut at The Brownville Concert Hall in Brownville, Nebraska. This quintet of talent will send you out believing “It’s The Most Wonderful Time of the Year.”
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Family3 days ago
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Events18 hours ago
Happy Chanukah Day 2: Light One Candle With The Carney’s
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My View: IT’S TOUGH TO SWING LIKE FRANK….THIS TOUGH GUY CAN…..ROBERT DAVI