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Legal Landscape of Online Casinos: Global Regulations and Challenges

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The online casino industry has seen exponential growth worldwide, but it operates within a complex and varied legal landscape. This article aims to explore the intricate web of global regulations and challenges that online casinos face, Casino help offering insight into how these laws shape the industry.

Understanding Online Gambling Laws

Online gambling laws form a complex framework that varies significantly across different jurisdictions. These laws categorize regions into regulated, grey, and black markets, each with its own set of challenges and regulations. Understanding these distinctions is crucial for operators and players alike, as they navigate through different legal systems.

Regulated Markets: A Closer Look

Countries with regulated markets have specific laws and licenses in place for online gambling. These regions offer a structured environment for operators and players, but obtaining licenses and adhering to regulations can be challenging. Regulated markets often serve as models for successful online gambling operations, balancing government oversight with market growth.

Grey and Black Markets Explained

Grey and black markets represent regions where online gambling exists in a legal grey area or is outright illegal. Operating in these markets poses significant risks, including legal repercussions and operational challenges. Understanding the nuances of these markets is vital for those involved in the online casino industry.

Impact of Regulations on Players

Legal frameworks significantly influence player safety and rights. The availability of games and services varies widely in different legal environments. Players must be aware of their local gambling laws to ensure a safe and legal online gambling experience.

Online Casinos and Anti-Money Laundering (AML) Efforts

Online casinos are increasingly involved in anti-money laundering efforts. Adhering to AML regulations is a critical aspect of legal compliance, requiring casinos to implement robust measures and protocols. Despite these efforts, effectively combating money laundering remains a challenging aspect of the industry.

Emerging Trends in Online Gambling Laws

The legal landscape of online gambling is ever-evolving, with recent trends indicating a shift towards more regulated markets. The emergence of new markets and potential legal reforms points towards a future with more uniform and comprehensive online gambling legislation.

Case Studies of Regulatory Challenges

Examining specific cases where online casinos faced regulatory challenges provides valuable insights. These case studies highlight the consequences of non-compliance and illustrate how legal hurdles can lead to significant changes in industry practices and regulations.

The Role of Technology in Regulatory Compliance

Technological advancements play a pivotal role in helping online casinos comply with regulations. Various tools and technologies are employed to ensure legal adherence, and future innovations are expected to further aid in meeting regulatory challenges.

The global legal landscape for online casinos is a dynamic and complex field, constantly evolving with the industry. Understanding these regulations is crucial for balancing business growth, regulatory compliance, and player protection. As the industry continues to expand, so will the scope and sophistication of these legal frameworks.

Broadway

Patti LuPone Returns to Broadway and The Big Screen

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Three-time Tony Award winner Patti LuPone, who gave up her Equity card in 2022, will star opposite Mia Farrow in Jen Silverman’s new play, The Roommate. The production will be directed by Jack O’Brien and will begin previews at the Booth Theatre in August ahead of a September opening.

The Roommate tells the story of Sharon, in her mid-fifties, who is recently divorced and needs a roommate to share her Iowa home. Robyn, also in her mid-fifties, needs a place to hide and a chance to start over. But as Sharon begins to uncover Robyn’s secrets, they encourage her own deep-seated desire to transform her life completely. A dark comedy about what it takes to re-route your life – and what happens when the wheels come off.

The Roommate premiered at the Actor’s Theatre of Louisville in March 2015, and has had several regional productions including at Williamstown Theatre Festival in 2017.

Ms. LuPone will star in the upcoming Marvel series, WandaVision spinoff series Agatha: Coven of Chaos. She’s in a coven of witches, playing Lilia Calderu, who is hot, with a great body and hair. Calderu, first appeared in Marvel comics in 1973 as a 450-year-old Sicilian witch whose power is divination and whose trial is tarot. The other witches are Kathryn Hahn, Aubrey Plaza, and a familiar who is played by Joe Locke. Locke, is currently on Broadway in Sweeney Todd.

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Out of Town

Tarragon’s El Terremoto Rises and Faulters Inside its Cracks

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The Latin music and the birds chirping draw us into the scene, that is, before the tremor sounds blow their nose all around us. We feel the vibrations throughout our bodies as we sit up and take notice of Tarragon Theatre‘s compelling but ultimately disconnecting El Terremoto, written with an earnest determination to engage by playwright Christine Quintana (Someone Like You; As Above). “Why do you get so tense?“, one caring neighbor asks the oldest of three sisters, Luz, portrayed by Mariló Núñez (Aluna’s La Communion), as she busies herself preparing for a sweet birthday party that no one really seems to want to be at, beyond a few outsiders. And it’s no wonder, with the energy that exists at the core of this half-interesting, half-disjointed play that is trying to tell us a lot of things, without having a stable foundation to stand on.

Rosalba Martinni, Monica Garrido Huerta & Juan Carlos Velis in El Terremoto – Tarragon Theatre 2024 – Photo by Cylla von Tiedemann.

Directed with an unfocused vision of constant movement by Guillermo Verdecchia  (Tarragon’s The Jungle), the fault lines appear way before the foundations of this familial home are shaken to its ghostly roots. A grandmother, Abuela, played with heart and nuance by Rosalba Martinni (Nightwood/Aluna’s The Solitudes) stands before us, paying dear homage to the lost parents of these three Jurado sisters who will come together like a different kind of terremoto. The set-up sizzles with possibility, but somewhere along the road to reconciliation, which is clearly the desired outcome in this messy play, too many inauthentic cracks and travels take place for one to fully engage with these three. Based on the way these sisters argue and attack one another, the faultlines that become visible from the onset make me care more for those poor souls who hang around hoping for some breadcrumbs of love and affection. A connection that is in short honest supply in this family’s East Vancouver home.

 Margarita Valderrama, Caolán Kelly, Miranda Calderon, Michael Scholar Jr., Rosalba Martinni & Mariló Núñez in El Terremoto – Tarragon Theatre 2024 – Photo by Cylla von Tiedemann.

It’s been twenty years since the parents of these three died suddenly in an automobile accident, but rather than bringing them together, the crash has only made them more fractured and distant. Núñez’s Luz tries with all her anxious might to hold and keep the family unit working, even as she forgets to care for her own self along the way. She needles and micromanages those who have come together, pushing them away and reaching out for them like a desperate yoyo. The middle sister, Rosa, portrayed conflictually by Miranda Calderon (Stratford’s Birds of a Kind), is clearly the mess of the family, lashing out relentlessly at almost everyone who looks her way, including the man who got away (maybe luckily), Henry, dutifully portrayed by an engaging Michael Scholar Jr. (Alameda’s The Refugee Hotel). Like a lot of this play, the relationships are clear from the very beginning, leaving little to fully understand except maybe why one would travel across town, and kayak across dangerous waters to see, only to be told to go home with a wave of a messed up wrist. And leave without question. That exit didn’t make any emotional sense, like a lot of the comings and goings in their home.

Shooting back shots that taste like lost youth, the birthday party of the late arriving youngest sibling, Lina, played with an air of disconnected desperation by Margarita Valderrama (Roseneath’s Meet Cute), along with her well-meaning and lovestruck partner, Tash, engagingly well played by Caolán Kelly (Stratford’s Hamlet-911), pull us into the dynamics of the family, and because of Tash’s openness to the engagement, we can’t help but notice that the structural ideals of the play make us want to lean in and hold on for support through their trauma. Yet somewhere along the road, past a failed and ignored proposal to Luz by the family’s neighbor, Omar, played compassionately by Sam Khalilieh (Studio180’s Stuff Happens), this dramatic comedy tries with an almost too diligent force to throw us off balance. It shows us its complicated value while never feeling completely true, all before the interval earthquake envelopes us. It’s a tremor of epic proportions, felt by all, that nearly destroys the city of Vancouver, taking down bridges and buildings in an almost unimaginable way, and leaving us wondering how this will throw them off their destructive combative course.

Caolán Kelly & Margarita Valderrama in El Terremoto – Tarragon Theatre 2024 – Photo by Cylla von Tiedemann.

On a well-crafted set, designed by Shannon Lea Doyle (Soulpepper’s Jesus Hopped the ‘A’ Train), with distinct costuming by Fernando Maya Meneses (NAC’sNigamon/Tunai), strong lighting by Michelle Ramsay (Theatre Rusticle’s The Tempest), a sometimes clever projection design by Samay Arcentales Cajas (Native Earth’s Where the Blood Mixes), and an environmentally powerful sound design by Alejandra Nuñez (Two Birds/Common Boots’s Apocalypse Play), El Terremotomoves with frantic supernatural (and unnatural) movement forward, delivering the message that nothing really matters, “so everything matters.” So when the doors fly forward and the aftershock releases the parental visuals by Monica Garrido Huerta (lemonTree Creations’s Private Eyes) and Juan Carlos Velis (Alameda’s The Refugee Hotel), we work hard at staying connected to this dysfunctional family. Because we want to see understanding and reconciliation, even with all the acts of inconsistency.

Their urgency in their manic movements, decision-making, and sparring never feel organic or honest, even as the actors work hard to find honest connections with one another. But only in the outsiders do we find the much-needed thread of connectivity. Kelly’s Tash, a beautiful creation that could have easily been a stock figure, finds the formula of play that unpacks the complications of feeling love with a wide-eyed honest observance. They register, that even with the strong feelings attached, this family is too much. The work to find stable connection that feels honest is elusive and probably not possible. I wanted them to find unity and some sort of authentic understanding, but the aftershock of the play El Terremoto at Tarragon Theatre was of sad disbelief.

https://tarragontheatre.com/

For more go to frontmezzjunkies.com

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Cabaret

Music News: Stereophonic, Aaron Tveit, Abby Mueller, Cheyenne Jackson, Lempicka, Reeve Carney, Rodgers & Hammerstein and The New Belters

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After starting previews to an extraordinary standing ovation this week, the season’s most critically acclaimed new play, Stereophonic, has dropped a brand-new music video of the hit song in the show, “Masquerade”, written by Academy Award® nominee and Grammy Award® winner Will Butler.

Direct from its smash hit world premiere engagement at Playwrights Horizons, David Adjmi’s Stereophonic is directed by Daniel Aukin and features songs by Will Butler, formerly of Arcade Fire. The highly anticipated Broadway production is currently in performances at the Golden Theatre (252 W 45th St) for 14 weeks only, and will officially open on Friday, April 19.

The music video was creative directed by Cameron Sczempka (Polymoth Productions). Director of Photographer was Hil Steadman.

Aaron Tveit

After incredibly high demand for his initial announcement, Broadway sensation Aaron Tveit, has extended his debut residency at Café Carlyle. Tveit’s captivating performances, characterized by his impeccable vocal talent and magnetic stage presence, have garnered widespread acclaim. With this extension, audiences will have another opportunity to experience the magic of Tveit’s musical artistry in the intimate setting of Café Carlyle, promising an unforgettable evening. The event will take place June 11 – 29, 2024 (previously June 18 – 29) at Café Carlyle in The Carlyle, A Rosewood Hotel (35 East 76th Street, at Madison Avenue).

54 Below, Broadway’s Supper Club, presents Abby Mueller on April 26-27, 2024 at 7pm. The performance on April 27 will also be streamed live. After her celebrated reign in Six, Abby Mueller (Broadway’s original Jane Seymour) makes her 54 Below and NYC solo concert debut! Previously seen on Broadway in Beautiful: The Carole King Musical and Kinky Boots, this Drama Desk Award winner and Grammy nominee invites you on a musical journey from Carole to Adele, pop to American Songbook classics, and beyond.

She will be reunited with her OG Six “Ladies in Waiting” Kimi Hayes (guitar), Michelle Osbourne (bass) and Elena Bonomo (drums), led by Music Director Sharon Kenny. Special musical guests include Nasia Thomas (Caroline, or Change, Ain’t Too Proud), Yasmeen Sulieman (Shucked, Paradise Square), and Paris Nix (Hamilton, Beautiful: The Carole King Musical)

Cheyenne Jackson

54 Below, Broadway’s Supper Club and 2022 Tony Awards® Honoree for Excellence in the Theatre, is thrilled to welcome back star of stage and screen Cheyenne Jackson on September 23-29 at 8pm. Each night will feature a Broadway VIP, with Tony Award® winner Matt Doyle on September 23, Cheyenne’s Once Upon A Mattress co-star Nikki Renée Daniels on September 24, Tony Award® winner J. Harrison Ghee on September 25, Company star Claybourne Elder on September 27, Tony Award® winner and Emmy nominee Jane Krakowski on September 28, and Wicked star Jessica Vosk on September 29. The special guest on September 26 will be announced at a later date. Tickets can be purchased at 54below.org/CheyenneJackson. Mr. Jackson’s shows are scheduled at 8pm instead of the usual 7pm and will be the only show of the night to allow for an extended dinner hour and enhanced patron experience. Following the show, the bar will remain open for patrons who wish to linger and continue to enjoy the evening.

Sony Masterworks Broadway, Seaview, and Jenny Niederhoffer announce the forthcoming Original Broadway Cast Recording of Lempicka, the sweeping new musical with leading lady Eden Espinosa, celebrating the gripping true story of renowned artist Tamara de Lempicka.  With music and lyrics by Matt Gould and Carson Kreitzer, the digital album arrives May 29, 2024 with the physical CD release set for July 5, and available for preorder now.

The album news follows the release of three tracks “Woman Is,” performed by Eden Espinosa; “Perfection,” with vocals by George Abud; and “Stay” performed by Amber Iman from Lempicka – the Musical (2022 Sessions) – listen here.

The creative team consists of Tony Award winner Rachel Chavkin (director), Carson Kreitzer (book, lyrics, and original concept), Matt Gould (book and music), and Raja Feather Kelly (choreography).

Spanning decades of political and personal turmoil and told through a thrilling, pop-infused score, Lempicka boldly explores the contradictions of a world in crisis, a woman ahead of her era, and an artist whose time has finally come.

The cast of Lempicka is led by leading lady, Eden Espinosa as Tamara de Lempicka, with Amber Iman as Rafaela, Andrew Samonsky as Tadeusz Lempicki, George Abud as Marinetti, Natalie Joy Johnson as Suzy Solidor, Zoe Glick as Kizette, Nathaniel Stampley as the Baron, and Beth Leavel as the Baroness with Mariand Torres, Alex Aquilino, Lauren Blackman, Stephen Brower, Kyle Brown, Holli’ Conway, Abby Matsusaka, Jimin Moon, Khori Michelle Petinaud, Ximone Rose, Nicholas Ward, Veronica Fiaoni, Mary Page Nance, Julio Rey, and Michael Milkanin rounding out the company.

Tickets are now on sale at telecharge.com.

Screenshot

The Green Room 42 – the intimate concert venue dubbed Broadway’s “off-night hotspot” by The New York Times – will present a special two-part evening with Grammy Award-winning singer-songwriter and actor Reeve Carney, paying tribute to one of his greatest musical influences in “Reeve Carney Sings The Beatles,” on Monday, May 13 at 7:00 PM and 9:30 PM. Performing two completely different sets, Carney will cover era-defining selections ranging from 1963’s “Twist and Shout” to 1970’s “Let It Be,” and everything in between. The recent star of Broadway’s Hadestown, Carney co-starred in Ridley Scott’s hit film House of Gucci, opposite Al Pacino, Lady Gaga, and Adam Driver.

“I love a good challenge,” says Reeve. “And what greater challenge, musically speaking, than to do my best to tackle one of my greatest influences? I grew up on the Beatles. They have always been my parents’ favorite band, and quickly became mine through wearing out cassette tapes from Please Please Me all the way to Let It Be on long car rides. They have served as a seemingly endless source of inspiration for me as a songwriter, as well as a recording engineer. While producing my solo album, Youth Is Wasted, I drew constantly upon them through obsessive auditory deep dive explorations of all of their astonishing records. I also immersed myself in books by both George Martin and Geoff Emerick, both of whom were at the helm of capturing The Beatles’ music. Their unparalleled prolificacy in the modern recorded music world has served as an inspiration to many of my other prominent influences. So it felt only natural for me to pay tribute to them in the way I have done with some of my other inspirations. When I sat down to put this set together, I quickly realized it would be a nearly impossible task to select only 10 or even 15 of my absolute favorites. So I am excited to present this as a two-part evening.”

Concord Theatricals Recordings announced that the 42-track live recording of My Favorite Things: The Rodgers & Hammerstein 80th Anniversary Concert will be released on double CD and digital platforms worldwide on Friday, May 31. The star-studded new album is now available to preorder on CD HERE.

Celebrating the historic partnership of Richard Rodgers and Oscar Hammerstein II, the album features iconic songs from The Sound of Music, South Pacific, Oklahoma! and more, recorded live by stars of the stage and screen at the landmark December 2023 event in London.

In tandem with the album release, a condensed version of the filmed concert will premiere on PBS as a part of their “Great Performances” programming on May 31. Learn more HERE.

The concert was headlined by recent R&H leading lady Joanna Ampil (Rodgers & Hammerstein’s South Pacific); two-time Olivier Award®  winner Michael Ball; television, film and stage actor Daniel Dae Kim; four-time Olivier Award®  winner Maria Friedman; Emmy®, two-time GRAMMY®  and six-time Tony Award®  winner Audra McDonald; Olivier Award®  nominee Julian Ovenden; West End sensation Lucy St. Louis; Tony Award®  winner Aaron Tveit; two-time Olivier Award®  nominee Marisha Wallace; and two-time Tony®, two-time Golden Globe®  and Emmy Award®  nominee Patrick Wilson. Also featured are Anna-Jane Casey, Lily Kerhoas, Jonny Labey, and Jordan Shaw, among others.

The performance featured the 40-piece Rodgers & Hammerstein Concert Orchestra, conducted by music supervisor Simon Lee, with stage direction by Tony Award-winning director and choreographer Christopher Gattelli and associate choreography by Simon Hardwick.

54 Below, Broadway’s Supper Club, presents Seth Sikes and Nicolas King in The New Belters Sing MGM on Monday, April 22 at 7:00 PM. Acclaimed jazz pianist Billy Stritch will music direct the evening, a brand-new show celebrating music from the golden age of MGM. This vast and iconic catalog includes songs from the films Singin’ in the Rain, The Band Wagon, Meet Me in St. Louis, The Wizard of Oz, and many more. Under the musical baton of Stritch, Sikes and King will deliver a powerhouse performance that promises to capture the glitter and magic of the golden age of Hollywood, and bring it into the next generation.

The swinging American Songbook is the specialty of these performers, and the duo has been touring the country with their debut show, The New Belters.

Seth Sikes is one of New York’s popular young nightclub entertainers and a regular at 54 Below. His critically acclaimed tributes to Judy Garland (which have won two BroadwayWorld Awards), Liza Minnelli, Barbra Streisand and others are a consistent draw for audiences. Sikes was also Associate Director on the multiple Tony Award-winning musical The Band’s Visit and many other productions. During the pandemic he made numerous musical video parodies set on Fire Island that were widely viewed.

Nicolas King is an award-winning artist who’s been belting out tunes since he was 4-years-old, having been seen in dozens of TV commercials, and numerous times on Broadway opposite Tom Selleck, Carol Burnett, Linda Lavin and Andrea McArdle. King was the longest running Chip in Disney’s Beauty and the Beast. He toured the country as Liza Minnelli’s opening act, and has performed on stages all over the world from Carnegie Hall to “The Tonight Show with Jay Leno.”

The New Belters Sing MGM plays 54 Below (254 West 54th Street) on Monday, April 22 at 7:00 PM.

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Broadway

Cabaret Celebrated Broadway Legend Joel Grey’s Birthday

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Last night, Eddie Redmayne currently in previews as the ‘Emcee’ in Cabaret at the Kit Kat Club celebrated Broadway legend Joel Grey’s 92ndbirthday on stage at the August Wilson Theatre. Grey, who originated the role of the ‘Emcee’ on Broadway in 1966 and went on to star in the beloved film of Cabaret, took the stage as the entire cast, band, and creative team sang “Happy Birthday” while a custom cake, shaped like a giant pineapple, emerged from the stage.

 During his speech honoring Grey, Eddie Redmayne said, “Tonight is an extraordinarily special night for us because we are in the presence of an extraordinary human being without whom none of us would be here.” After thunderous applause, Redmayne continued “Your performance in this part changed my life and it was one of the things that made me want to be an actor.”

Joel Grey, Gayle Rankin, and Eddie Redmayne Photo by Jenny Anderson

The cast and Grey were also joined on stage by Cabaret composer John Kander.

Alongside Joel’s daughter Jennifer Grey and Kander, a star-studded crowd came out to fete the theater icon including Anderson Cooper, Candice Bergen, Jackie Hoffman, Jane Krakowski, Lin-Manuel Miranda, David Rockwell, and more. They were joined by numerous alum of Cabaret spanning the decades including Maude Apatow (Sally Bowles in London, 2023), Madeline Brewer (Sally Bowles in London, 2022), Joely Fisher (Sally Bowles on Broadway, 2000), Gina Gershon (Sally Bowles on Broadway, 2001), Mason Alexander Park (Emcee in London, 2023), Adam Pascal (Emcee on Broadway, 2003), Molly Ringwald (Sally Bowles on Broadway, 2002), Jake Shears (Emcee in London, 2023), and Brooke Shields (Sally Bowles on Broadway, 2001).

Cabaret at the Kit Kat Club is now in previews on Broadway at the August Wilson Theatre (245 West 52nd Street). The production, directed by Olivier Award winner Rebecca Frecknall and designed by Tony Award nominee and Evening Standard Award® winner Tom Scutt, will have decadent twin opening night gala celebrations starting Saturday, April 20 and continuing into the following night, with the official press opening on Sunday, April 21. Tickets are on sale now at www.kitkat.club or via Seat Geek HERE.

In addition to Redmayne, Cabaret also stars Gayle Rankin as the toast of Mayfair ‘Sally Bowles, two-time Tony Award winner Bebe Neuwirth as ‘Fraulein Schneider,’ Tony Award nominee Ato Blankson-Wood as ‘Clifford Bradshaw,’ Obie Award winner and Drama Desk Award® nominee Steven Skybell as ‘Herr Schultz,’ Henry Gottfried as ‘Ernst Ludwig,’ and three-time Helen Hayes Award winner Natascia Diaz as ‘Fritzie/Kost.’

The cast of Cabaret includes Gabi Campo as ‘Frenchie,’ Ayla Ciccone-Burton as ‘Helga,’ Colin Cunliffe as ‘Hans,’ Marty Lauter as ‘Victor,’ Loren Lester as‘Herman/Max,’ David Merino as ‘Lulu,’ Julian Ramos as ‘Bobby,’ MiMi Scardulla as ‘Texas,’ and Paige Smallwood as ‘Rosie.’ Swings include Hannah Florence, Pedro Garza, Christian Kidd, Corinne Munsch, Chloé Nadon-Enriquez, and Karl Skyler Urban.

The Prologue Company, the dancers and musicians that welcome audiences to the club, feature dancers Alaïa, IRON BRYAN, Will Ervin Jr., Sun Kim, Deja McNair and swings Ida Saki and Spencer James Weidie. The musicians of the Prologue are Brian Russell Carey (piano & bass), Francesca Dawis (violin), Keiji Ishiguri (dedicated substitute), Maeve Stier (accordion), and Michael Winograd (clarinet).

For this thrilling production of Cabaret, the creative team have transformed the August Wilson Theatre into the Kit Kat Club with an in-the-round auditorium and custom spaces which guests will be invited to explore during the Prologue, the production’s pre-show entertainment. After purchasing tickets, guests will receive a “club entry time” to allow them to take in the world of the club before the show starts.

Patrons can upgrade their experience at the Kit Kat Club with exclusive dining or drinks packages that allow them to soak up the pre-show atmosphere. These various upgrades offer unparalleled service and unique experiences in the heart of the Kit Kat Club. Drinks can be enjoyed before and during the show, while food will be cleared shortly before the performance begins, ensuring uninterrupted and unmissable views of Cabaret. For a complete menu and more information on the upgrade packages, please visit www.kitkat.club/upgrade.

The 2021 Original London Cast Recording of Cabaret featuring Eddie Redmayne and recorded during a live performance is available on Decca Records as a CD and to stream on all major platforms. To order the album or stream it, please visit https://cabaret.lnk.to/ListenNow

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Film

David Kramer Presents Jimi Hendrix – The Documentary/ The Review

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by John Muller ( Blue Notes and Conversations)

 “There’s so much misinformation out there in movies, documentaries and the internet, it’s as if there’s a deliberate campaign of disinformation to mislead in an attempt to rewrite history” says David Kramer. “The Hendrix-story has taken on urban myth-like proportions – stories abound that many people believe to be true but largely are not.”

I had the good fortune of seeing Emmy-Award winner David Kramer’s truly remarkable “Jimi Hendrix – The Documentary” at the Nyack International Film Festival. Hard for me to believe that the sensational 2-hour film that we were able to view is part of a much larger, even more extensive 12-plus hour, multi-part series covering the life and times of Jimi Hendrix. This is unauthorized, and that point was made by David at the screening on Saturday night, the Hendrix Estate legally trying to suppress the entire series, so far, thankfully unsuccessfully. It is a truly incredible slice of history, an amazing look into the life of Jimi Hendrix, without the hype and the canonization, without the beatification, leaving the legend behind so we get a deeper and closer look at the man himself. No bullshit – just the truth from those who knew him, performed with him, and were close to him.

Kramer has spent the last 30 years, with a small team, pulling together, unearthing, discovering hours of unseen Jimi Hendrix footage, well over 400 on-camera interviews, music clips and celebrating Jimi Hendrix – his joy, his humor, the tragedy, the mystery and all that surrounded Jim’s life and music.

I was fascinated by the segments presented on the screen, details many of which were unknown to me, a Jimi fan for decades. From the days when the Isley brothers auditioned an up and coming guitar player in the early 1960’s he already had quite a reputation for his unorthodox style of guitar work – left handed and upside down – onto the times Jimi spent living with the Isley Family in Teaneck, New Jersey; his performance at the Paterson Armory that had fellow musicians thunderstruck and amazed and the fans crazed with delight; his early days performing, including  a date with the Isley’s in West Nyack, New York at a battle-of-the-bands held outside on a flatbed truck. Those acid-dripping and alcohol-fueled performances at the legendary nightclub: The Scene, located in the basement of 301 West 46th Street where bands like The Animals, the Who, Young Rascals, Fleetwood Mac, Jeff Beck, Traffic, Muddy Waters, The Lovin’ Spoonful, and Led Zeppelin, all performed nightly where jam sessions always followed. Jimi regularly jamming into the wee hours of the morning with folks like Janis Joplin, Stephen Stills, Jim Morrison. On one particularly wild night Morrison was deep into drugs and alcohol, his performance with Jimi incoherent as Morrison screamed into the mic, going so far as to try to sexually seduce Jimi on stage with bouncers dragging him out of the club, as Morrison continuing to howl like a banshee on the mic as he was dragged outside.

Hendrix jamming with anyone, Johhny Winter among so many others mentioned in the film, and everyone who was lucky enough to make it inside the cramped and packed basement club on any given night of the week. Seemed like everyone wanted to outperform Jimi up on that dimly lit stage – and both the interview with, and video of Larry Coryell and Hendrix really illuminates the rivalry that many felt. The interviews with musicians who were there, those who performed with Hendrix, managers, friends and musicians, give a real keen insight into the real-life Jimi Hendrix, tossing aside the myths and the halo. He was a quiet, unassuming guy, who loved to perform, thrilled to play his guitar and have fun on that small basement stage, drinking his red wine, blending into the crazy scene of hangers-ons, groupies, friends, musicians, managers, cultural icons and lovers.

Sitting there watching the documentary I was transfixed by the interviews, by the footage and details from the “Isle of Wight” concert, the mysterious gentlemen who surrounded Jimi just before he was found dead in London, the reminiscences that were carefully compiled, interviews that came straight from the heart from so many who knew Jimi, performed with him, hung out with him, slept with him, and deeply cared about him – and many who were very worried about so many strange events that were part of Jimi’s life towards the end of his life.  The details about “The Monkees Party ” where Jimi was rescued by John Sebastian, a good friend, the infamous opening night party held at Electric Lady Studios where Japanese food was served spiked with acid unbeknownst to many, an event few remember, but those who do, say it was quite a trip!

As I sat there watching the film I could hear yells and cheers, cries from the audience as folks like Ginger Baker, Todd Rundgren, Jorma Kaukonen and Stephen Stills, to name but a few and many regional musicians from the New York area who were interviewed known to the audience as some were in attendance on Saturday night.

David Kramer Presents: Jimi Hendrix-The Documentary is a fascinating film, a project filled with enormous amounts of love and respect, dedication and perseverance. We get to see another side of Hendrix, stripping away the facade, hacking apart the legend, breaking down the walls of historical inaccuracies and legendary misinformation.

Jimi was a performer, a musician with other-worldly talent, who enjoyed playing the guitar, hanging out with friends, loved his women and up to a certain point in his life, was really enjoying himself as a regular person. We are welcomed into a world of intrigue, mistrust, free love, psychedelic-drug fueled jam sessions, explosive stage performances, explosive tirades, mafia influences, complete meltdowns, unbelievable guitar pyrotechnics and electrifying stage theatrics from a guy named James Marshal “Jimi” Hendrix.

A must-see for music fans worldwide. Seek this movie out immediately! I was captivated, mesmerized, and thoroughly entranced by the 2-hours that passed by as magically as the notes from “Purple Haze.” Outstanding achievement!

Rock guitarist, singer, composer, bandleader Jimi was gone by September 18, 1970 at the young age of 27.  He certainly lived a remarkable life.  Thanks so much David Kramer for giving us a chance to know Jimi a little bit better as a person, as a gifted and somewhat troubled human being, seeing him warts and all for the first time, a journey that was certainly worth the wait. What a trip!

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