Vassar & New York Stage and Film have announced the next wave of casting for their highly anticipated 33rd Powerhouse Season in Poughkeepsie, NY, which starts this Friday, June 23 and runs through July 30, 2017. Among the stars joining the annual summer development incubator: Tony and Emmy nominee Lily Rabe, Tony nominee Jessica Hecht, Emmy winner and Academy Award nominee Carol Kane, Tony nominees Craig Bierko and Marc Kudisch, plus Broadway favorites Adam Chanler-Berat, Rebecca Naomi Jones, Lindsay Mendez and many more. Additional casting of the 2017 Powerhouse season will be announced shortly. For tickets and more information on the season, visit Powerhouse.Vassar.edu
Dozens of celebrated actors will also perform in the first Readings Festival, which runs June 24 and 25.
As previously announced, Michael Chernus, Abigail Spencer, and David T. Patterson star in Powerhouse alum and “How I Met Your Mother” star Josh Radnor’s playwriting premiere Sacred Valley, the first mainstage play of the 2017 Powerhouse Season, directed by Sheryl Kaller (June 29 – July 9, 2017).
Also previously announced: Powerhouse’s first musical workshop, Stilyagi, featuring lyrics by Lisa Kron, music by Peter Lerman, and direction by Michael Mayer, will feature Krysta Rodriguez, Dave Thomas Brown, Lauren Patten, Dale Soules, Jeb Brown, George Salazar, Alex Boniello, Joel Perez, Sarah Hunt, Marla Louissaint, Chelsea Turbin, Megan Masako Haley, Karl Josef Co, Daniel Jackson, Thomas Hettrick, Cameron Burke, Demarius Copes, Jovan Dansberry, Nicolas de la Vega, Scott Difford, Wesley Faucher, Sally Glaze, Heather Tepe, Samantha Zack in addition to lyricist Lisa Kron who will also be performing in the workshop. The first musical workshop will play the Martel Theater at the Vogelstein Center from Drama and Film from June 23-25, 2017.
Vassar & New York Stage and Film’s Powerhouse collaboration continues to be the launching pad for some of the most groundbreaking new works for the American theater, with countless productions in New York City, regionally and internationally. Notably, Lin-Manuel Miranda’s Hamilton and Stephen Karam’s The Humans—2016 Tony® winners for Best Musical and Best Play, respectively—received early development at Powerhouse. Most recently, during its 32ndSeason last summer, Powerhouse presented first-look productions of two daring new works that were just named finalists for the 2017 Pulitzer Prize for Drama: Sarah DeLappe’s The Wolves, which moved directly from its Powerhouse premiere to a recent celebrated run at The Playwrights Realm in NYC; and Taylor Mac’s A 24-Decade History of Popular Music. Among 30 other projects developed recently at Powerhouse with new or upcoming major productions: Richard Greenberg’s The Babylon Line at Lincoln Center Theater; The Light Years at Playwrights Horizons; Ayad Akhtar’s Junk at Lincoln Center Theater; and Anna Ziegler’s The Last Match at the Roundabout Theatre Company.
The upcoming 33rd Powerhouse Season will feature two mainstage productions in the Powerhouse Theater:
Sacred Valley (June 29 – July 9) by Josh Radnor, directed by Sheryl Kaller. Narby and Natalie can’t remember a time when they weren’t friends. But their seemingly rock-solid friendship is upended when Narby takes Natalie’s husband Brian out for his first mushroom trip. The next day, a confused Brian leaves Natalie, an enraged Natalie blames Narby, and three people are forced to ask themselves the deepest questions about love, friendship, and growing up in this bittersweet comedy from Josh Radnor (Liberal Arts, “How I Met your Mother,” Powerhouse’s The Babylon Line).
Good Men Wanted (July 20 – July 30) by Kevin Armento, directed by Jaki Bradley, choreographed by Ani Taj. Good Men Wanted brings to life the incredible true stories of renegade women who disguised themselves as men to fight in the Civil War. In a searing drama punctuated by explosive dance sequences set to contemporary pop music, five women of vastly different backgrounds become warriors and spies, endure prison camps and midnight raids, and ultimately intersect at America’s most storied battlefield, Gettysburg. These unsung heroes circumvented the limitations of their time, with a boldness that speaks loudly to our own.
Stilyagi (June 23-25), lyrics by Lisa Kron, music by Peter Lerman, Based on the motion picture The Hipsters, produced by Red Arrow Films, directed by Michael Mayer. This is musical about me, Mels Yefimovich Vasnetsov, about difficult time in my life when I was young (hard to believe) and good looking (harder to believe) in no-longer-existing world of 1950s Moscow, when I was pulled from promising future in Komosomol Leninist Youth Brigade by beautiful, corrupt and dissipated Stilyaga girl by name of Polly, who ruined my life in best and worst possible manner, which, to this day, I am not reconciling. Obviously, this is complicated Soviet story, not fit subject for frivolous American musical. But they ask for blurb so here is blurb so if you are interested, please, I invite you, come. But if you ask me this is terrible idea.
This Ain’t No Disco (June 30 – July 2), music and lyrics by Stephen Trask & Peter Yanowitz, book by Rick Elice, directed by Trip Cullman. Stars Adam Chanler-Berat, Rebecca Naomi Jones, Lindsay Mendez, as well as Krystina Alabado, Ryan Cassata, Will Connelly, Chris Dwan, Antwayn Hopper, Jahi Kearse, Jo Lampert, Carson McCalley, and Samantha Marie Ware. This workshop presentation will play the Martel Theater at the Vogelstein Center for Drama and Film from June 30 – July 2. Set against the garbage strikes, the grit, the graffiti of NYC 1979, This Ain’t No Disco tells the story of drifters and dreamers who search for their place in the night world of Studio 54 and the Mudd Club. Ultimately, it’s about finding community and purpose in a city where one’s fate can turn on a dime bag, where every few steps gives you a chance to pick a new direction, to take a new path. From the creator of Hedwig and the Angry Inch and the director of Six Degrees of Separation.
The Secret Life of Bees (July 27-29) book by Lynn Nottage, music by Duncan Sheik, lyrics by Susan Birkenhead and based on the novel by Sue Monk Kidd. Directed by Sam Gold. It’s 1964 in South Carolina, and restless white teenager Lily Owens wrestles with her controlling father and a haunting memory of her dead mother. When Rosaleen, her Black caretaker, is beaten and jailed for attempting to vote, Lily’s rebellious spirit is awakened and she and Rosaleen escape their circumstances on an adventure, to find the truth about her mother’s death. One portentous clue leads them to a colorful bee farm run by three eccentric and spiritual Black sisters, whose wisdom, warmth and motherly love help both Lily and Rosaleen grow and heal. Written by two time Pulitzer Prize winning playwright Lynn Nottage, lyrics by Tony and Drama Desk nominee Susan Birkenhead, composed by Tony Winner Duncan Sheik, and directed by Tony winner Sam Gold.
This summer’s ‘Inside Look’ Workshops to be presented in the Susan Stein Shiva Theater are:
The Great Leap (July 7-9), by Lauren Yee, directed by Will Davis. San Francisco, spring 1989. Manford Lum, locally renowned on the sidewalk basketball courts of Chinatown, talks his way onto a college team, just before they travel to Beijing for a “friendship” game. His background is a mystery, but he can sink 100 free throws in a row, so who cares? When they arrive, China is in the throes of the post-Cultural Revolution era, and Manford must juggle international politics and his own personal history. There’s more at stake on the court than just who wins or loses. Inspired by events from the life (and short-lived basketball career) of playwright Lauren Yee’s father.
The Homecoming Queen (July 28-30), by Ngozi Anyanwu, directed by Awoye Timpo. A bestselling novelist returns to Nigeria to care for her ailing father, but before she can bury him, she must relearn the traditions she’s long forgotten. Having been absent for over a decade, she must collide with her culture, traumatic past, painful regrets, and the deep, deep love she thought she could never have.
The annual Readings Festival #1 will include:
Kid Prince and Pablo (June 24) by Brian Quijada, with original music by Marvin Quijada, directed by Pirronne Yousefzadeh, will star Brian Quijada, Marvin Quijada, Shannon Matesky, Christina Nieves and Krystal Oritz.
Ironweed (June 24) by William Kennedy and Jodie Markell, based on the novel by William Kennedy, directed by Jodie Markell, will feature Jessica Hecht, Carol Kane, Kathryn Erbe and Jason Butler Harner plus Kristen Bush, Neil D’Astolfo, Alex Esola, Gibson Frazier, Peter Gerety, Ken Marks, Chris McGarry and David Rysdahl.
Little Orphan Danny (June 25) with book, music, and lyrics by Dan Finnerty, directed by Sean Daniels. Will be performed by Dan Finnerty and Julie Foldesi.
Paris, Actors (June 25) by Hamish Linklater, directed by Leigh Silverman, will include Lily Rabe, Linus Roache, Marc Kudisch and Craig Bierko plus Danielle Davenport, Lilly Englert, Lucinda Linklater, Michael Rabe, Matthew Rauch and Noah Robbins.
Jane Says (July 15) by Diana Son
The Readings Festival #2, which will run July 21-23, will include:
Amy and the Orphans by Lindsey Ferrentino, directed by Scott Ellis
Diana, a new musical about Princess Diana with book & lyrics by Joe DiPietro, music & lyrics by David Bryan, direction by Christopher Ashley
The Fit by Carey Perloff, directed by Daniel Atkin
One Good Egg by Annie Evans, directed by Melia Bensussen
Serious Moonlight by Adrienne Shelly, co-adapted by Liz Tuccillo and Andy Ostroy
Members of the noted Powerhouse Theater Training Program will present reimaginings of William Shakespeare’s Hamlet (July 14-16) adapted and directed by Emily Mendelsohn and Cymbeline (July 21-23) adapted and directed by Andrew Willis-Woodward. Members of the Training Company will continue Soundpainting (July 6, 13, 20, 27), a series of improvisational performances featuring music, dance, and acting in a dynamic and unique type of ensemble performance; as well as Workshop Performances of 12 Ophelias (a play with broken songs) (July 23-24) by Caridad Svich, directed by Heidi Handelsman; One Act Plays Festival (July 26); and Not, Not, Not, Not, Not Enough Oxygen(July 28) by Caryl Churchill. Young actors, playwrights, and directors from around the country and internationally, along with an exceptional faculty of artists, comprise this important component of the Powerhouse artistic community.
Now in its 33rd year, Powerhouse Theater is a collaboration between New York Stage and Film and Vassar College dedicated to both emerging and established artists in the development and production of new works for theater and film. The Powerhouse program consists of an eight-week residency on the Vassar campus during which more than 300 professional artists and 40 participants in the Powerhouse Training Program live and work together to create new theater works. In 2016, three productions that trace their developmental roots to Powerhouse ran simultaneously on Broadway – Hamilton, Bright Star, and The Humans – and in the 2016/17 theater season, ten projects premiered in New York City that had been developed and presented at Powerhouse: The Wolves (Playwrights Realm); The Babylon Line (Lincoln Center Theater); Rancho Viejo, The Light Years, and The Profane (Playwrights Horizons); Marry Harry (The York Theater); Nollywood Dreams (Cherry Lane Theater); The View Upstairs (Lynn Redgrave Theater); The Mother of Invention (Abingdon Theatre Company); and Taylor Mac’s epic A 24- Decade History of Popular Music (St. Ann’s Warehouse). Later this year, they will be joined by Ayad Akhtar’s Junk (Lincoln Center Theater on Broadway) and Anna Ziegler’s The Last Match (Roundabout Theatre). Other projects developed at the Powerhouse include the Tony Award-winning Side Man and Tru; the multi-award-winning Doubt by John Patrick Shanley; the groundbreaking Broadway musical American Idiot; and A Steady Rain.