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Lisa Howard

Lisa Howard

Broadway stars Lisa Howard (It Shoulda Been You) and John Bolton (A Christmas Story: The Musical) are joining the cast of American Showstoppers featuring Fred Barton & His Orchestra in “An Evening with Cole Porter” next month. The concerts, starring a cast of today’s best Broadway performers, will take place at Pace University’s Schimmel Center in New York on Friday, March 4 at 7:30 PM and then Kingsborough Community College’s “On Stage at Kingsborough” in Brooklyn on Saturday, March 5 at 8:00 PM.  The previously-announced cast of Broadway performers includes Beth Leavel (Tony Award winner for The Drowsy Chaperone), Sean McGibbon, Paula Leggett Chase, Damon Kirsche, Karen Murphy and Jesse Luttrell in addition to the Scott Thompson Dancers. The show is produced, orchestrated, conducted and hosted by Fred Barton with direction and choreography by Scott Thompson.

John Bolton

John Bolton

Cole Porter is known for his witty and provocative lyrics as well as his sophisticated rhythms and melodies. He was responsible for New York stage hits like Anything Goes, Kiss Me Kate and Can-Can and his songbook includes standards such as “Night and Day,” “You’re the Top,” “I Love Paris,” “Let’s Do It” and “Begin the Beguine.” Barton’s evening features distinctive showstoppers from all phases of Porter’s career, from the Great White Way to Hollywood, including hit songs and hidden gems alike. Some selections will be heard with Broadway-style orchestration for the first time in New York since their debuts up to 90 years ago.

“Porter came from a completely different background from most of his Broadway peers, and his wealthy background accounts for his unique and distinctive style and outlook,” commented Barton. “He delighted in bringing down his high society world a notch in his comic songs, full of keen satirical, sexual, and heart-breaking observations. His love songs showed an autobiographical empathy for the hidden plight of the well-to-do, full of sophisticated yearning and regret that humanized even his loftiest characters, revealing them to be just as vulnerable and feeling, deep down, as the man in the street.”

American Showstoppers, which marks its 8th concert with the Cole Porter evening, previously celebrated the music of Harold Arlen, Jule Styne, Richard Rodgers, Jerry Herman, Cy Coleman, Irving Berlin, and Johnny Mercer this last October. These shows have featured performers such as Tony Award-winner Karen Ziemba, Tony Award-winner Beth Leavel, Tony Award nominee Lee Roy Reams, Tony Award-nominee Lauren Worsham, Tony Award-nominee Vivian Reed, Brent Barrett, NaTasha Yvette Williams, Nick Spangler, Ryan Silverman, Luba Mason, Anastasia Barzee, Tony Award-nominee Pamela Myers, Tari Kelly, David Elder, Jeffry Denman, Sam Harris, Terri White, Tony Award-nominee Joshua Henry, Deidre Goodwin, and Kevin Earley.

American Showstoppers featuring The Fred Barton Orchestra will perform “An Evening with Cole Porter” at Pace University’s Schimmel Center (3 Spruce Street in New York, NY 10038) on Friday, March 4 at 7:30 PM. Tickets range from $29 to $55 and are available at Schimmel.Pace.edu or the box office at (212) 346-1715. A second performance will take place at the Leon M. Goldstein Performing Arts Center at Kingsborough Community College (2001 Oriental Boulevard in Brooklyn, NY 11235) on Saturday, March 5 at 8:00 PM.  Tickets are available at OnStageatKingsborough.org or at the box office at (718) 368-5596.

Fred Barton is an acclaimed composer, lyricist, orchestrator, conduction and actor. His symphony arrangements are played regularly by the New York Pops at Carnegie Hall and major symphonies around the country. On Broadway and national tour, Fred conducted Anthony Quinn in Zorba, Hal Prince’s production of Cabaret, Cy Coleman’s City Of Angels and Robert Goulet in Camelot; he played in the pit of Cy Coleman’s The Will Rogers Follies, Tommy Tune’s revival of Grease, the 1992 revival of Guys & Dolls, and off-Broadway’s Ruthless.  Fred is co-librettist, musical supervisor and arranger for the Broadway-bound Harold Arlen musical One For My Baby.  Fred debuted in New York as the original arranger/pianist for Forbidden Broadway. He created the book, music and lyrics for his one-man show Miss Gulch Returns! (Backstage Bistro Award), which has been performed at theaters nationwide; he wrote book, music and lyrics for The Two Svengalis, contributed songs to the off-Broadway productions Whoop-Dee-Doo! and Burly-Q, and wrote music and lyrics for Universal’s Creature From The Black Lagoon. Fred’s TV credits as composer and arranger include HBO’s “Cathouse: The Musical,” “Olivia,” “Wonder Pets!” and “The Magic School Bus” (Emmy Award.)  He has produced and arranged numerous CDs.

Lisa Howard is a Drama Desk Award nominee for It Shoulda Been You and her song on the Tony Awards broadcast was hailed by both Rolling Stone and Playbill as the “show’s best performance.” Other Broadway credits include The 25th Annual Putnam County Spelling Bee, South Pacific, 9 to 5 and Priscilla Queen Of The Desert.

John Bolton has performed in twelve Broadway shows, including Dames At Sea, A Christmas Story: The Musical (Drama Desk nomination), Curtains, Spamalot, Titanic, How To Succeed In Business Without Really Trying, and the revival of Damn Yankees.

Beth Leavel

Beth Leavel

Beth Leavel  is a veteran of ten Broadway shows, including The Drowsy Chaperone (Tony Award and Drama Desk Award for Best Featured Actress); Baby, It’s You, Elf: The Musical, Mamma Mia!, Young Frankenstein, 42nd Street (revival), 42nd Street (original), The Civil War, Show Boat and Crazy For You.

Paula Leggett Chase appeared in nine Broadway shows, including On The Twentieth Century (revival), Bye Bye Birdie (revival), Curtains, The Pajama Game (revival), Dirty Rotten Scoundrels, Kiss Me Kate(revival), Damn Yankees (revival), Crazy For You and A Chorus Line (original), in addition to an appearance on “The Sound Of Music Live” (NBC Television).

Karen Murphy performed in A Little Night Music (revival), 9 to 5, All Shook Up, 42nd Street (revival), Titanic, A Christmas Carol (Madison Square Garden), Mary Poppins, The Most Happy Fella (NY City Opera), Les Miserables, Zombie Prom, My Vaudeville Man (Drama Desk nomination), Forbidden Broadway.

Damon Kirsche, has starred in shows including One For My Baby (pre-Broadway workshop), On A Clear Day You Can See Forever (Encores!), Strike Up The Band (Encores!), Sweet Adeline (Encores), Ziegfeld Follies of 1936 (Encores), Paradise Lost (Carnegie Hall), Tip-Toes (Carnegie Hall), Very Warm For May (Carnegie Hall), Lyrics & Lyricists: Jerome Kern (92nd St. Y).

Sean McGibbon appeared in the national tours of Million Dollar Quartet and The Buddy Holly Story; On Your Toes (Encores!), The Great American Mousical (Goodspeed Opera House, directed by Julie Andrews), “American Showstoppers: An Evening of Johnny Mercer.”

Jesse LuttrellJesse Luttrell is the star of long-running off-Broadway revue Bawdy; Regional: Meet Me in St. Louis, the Pharaoh in Joseph and the Amazing Technicolor Dreamcoat, the Emcee in Cabaret; National Tours: The Rocky Horror Show, CatsPeter Pan. He is regularly featured performer in American Showstoppers with the Fred Barton Orchestra and recently received rave reviews for the debut of his one-man show, which he performed to a sell-out crowd at 54 Below.

Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret, opera and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. She has a screenplay and a TV show in the works, which she developed with her mentor and friend the late Arthur Herzog. She is a proud member of the Drama Desk and the Outer Critics Circle and was a nominator. Email: suzanna@t2conline.com

Broadway

The Glorious Corner

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G.H. Harding

GIAMATTI’S TREK — (via DEADLINE) Paul Giamatti has joined the cast of the upcoming Paramount+ original series Star Trek: Starfleet Academy in a recurring role. He will play the Season 1 villain, a man with an ominous past connected to one of our cadets.

“Sometimes you’re lucky enough to discover that one of the greatest actors alive is also a huge Star Trek fan, and meeting Paul was one of those miraculous moments for us. The sheer delight with which he dove in on Starfleet Academy is only surpassed by the gratitude we feel about him joining our incredible cast,” shared co-showrunners and executive producers Alex Kurtzman and Noga Landau in a joint statement.

He joins previously announced Holly Hunter, who will star in the series as the captain and chancellor of Starfleet Academy. The series will begin production later this summer.

Star Trek: Starfleet Academy follows a young group of cadets who come together to pursue a common dream of hope and optimism. Under the watchful and demanding eyes of their instructors, they discover what it takes to become Starfleet officers as they navigate blossoming friendships, explosive rivalries, first loves and a new enemy that threatens both the Academy and the Federation itself.

Alex Kurtzman and Noga Landau serve as co-showrunners and executive producers of the series alongside executive producers Gaia Violo, Aaron Baiers, Olatunde Osunsanmi, Jenny Lumet, Rod Roddenberry, Trevor Roth, Frank Siracusa and John Weber. The series premiere episode is written by Gaia Violo.

Star Trek: Starfleet Academy is produced by CBS Studios in association with Secret Hideout and Roddenberry Entertainment and is distributed by Paramount Global Content Distribution.

HEART STOPPED — (Via Deadline) The Heart of Rock and Roll, the struggling musical built around the hits of Huey Lewis, will play its final performance at a matinee on Sunday, June 23. The show will have played 24 previews and 72 performances.

In a statement, producer Hunter Arnold said, “It was pure joy working on the show with the team of creatives headed by writer Jonathan A. Abrams, director Gordon Greenberg, choreographer Lorin Latarro, music arranger and orchestrator Brian Usifer and special gratitude to the support and participation of the iconic music legend Huey Lewis.

The musical began previews on March 29 and opened on April 22.

“We were honored,” he continued, “to have an amazing cast and crew who brought their immense enthusiasm, commitment and talent to each and every performance. With our original cast album just released and talks underway for a national tour and international productions, the musical will continue to delight audiences for years to come.”

The musical, received by critics with lukewarm reviews, did not received any Tony Award nominations and has been struggling at the box office, sometimes with the James Earl Jones Theatre just more than half-full with audience members. For the week ending June 9, the show grossed a tiny $272,051.

SHORT TAKES — Francis Ford Coppola’s Megalopolis will be released through Lionsgate. Tepid reviews? Not really. Face it, Coppola’s a genius. Check out Roger Friedman’s (SHOWBIZ 411) take: https://www.showbiz411.com/2024/06/17/coppola-leases-megalopolis-to-lions-gate-for-september-release-in-distribution-only-deal

Darius Rucker said that the bandmates in Hootie and the Blowfish tried to outparty each other? Interesting. Check this out here: https://www.yahoo.com/entertainment/darius-rucker-says-hootie–the-blowfish-bandmates-tried-to-outparty-each-other-that-was-just-how-we-lived-214135068.html

Add one more Jon Bon Jovi-intervene to the list. NBC’s Sunday With Willie Geist. Was good, but nothing on Richie Sambora and nothing new. He’s not going to tour; he wants to tour; a surprise gig in Nashville ….

Micky Dolenz and Michael Stip (R.E.M.)

what’s going on? More kudos for his PR-man Brad Cafarelli … Congrats to R.E.M. on their Songwriters Hall of Fameinduction … HAPPY BDAY Michelle Toscas!

NAMES IN THE NEWS — Tom & Lisa Cuddy; Mark Adelman; Christine Nagy; Race Taylor; Anthony Noto; Robert Funaro; Al Roker; Tony LoBianco; Les Moonves; Les Schwartz; Marion Perkins; Mary Wilson; Tony Seidel; Bob Schartoff; Julie Laufer; Liza Lillien; Richie Ridge; William Schill; Dan Zelinski; Carol Ross; Gary Gershoff; David Adelson; Roy Trakin; Lee Jeske; Anthony Mason; and BELLA!

Images on this page have been licensed under the Creative Commons Attribution-Share Alike 4.0 International license.

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Broadway

And The Winners Of The 77th Tony Awards Are: The Outsiders, Merrily We Roll Along, Stereophonic and Appropriate

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Hillary Clinton did show and the Tony’s gave her a standing ovation, but against all odds the best musical of the year The Outsiders won. I have never been so happy to be wrong in my predictions as The Outsiders was my favorite show this year. I am so proud of this industry for honoring this amazing production.

Merrily We Roll Along, Stereophonic, Sarah Paulson, Appropriate, Maleah Joi Moon and so many other predicted choices took home the coveted award.

Ariana DeBose hosted the night, where the surprises were Jeremy Strong, Danya Taymor for The Outsiders, Kecia Lewis for Hell’s Kitchen.…yeah! 

The playbill for the night and the 77th Tony Awards, had speeches that were powerful. Especially in Act One. The theatre before the event.

In the show a tribute to Chita Rivera, Chita you will be missed.

Here is the list of the winning shows and performers:

BEST MUSICAL: The Outsiders

Daniel Radcliffe, Jonathan Groff, and Lindsay Mendez in NYTW’s Merrily We Roll Along. Photo: Joan Marcus.

BEST MUSICAL REVIVAL: *Merrily We Roll Along

BEST ACTRESS (MUSICAL): *Maleah Joi Moon, Hell’s Kitchen

BEST ACTOR (MUSICAL): *Jonathan Groff, Merrily We Roll Along. 

BEST FEATURED ACTRESS (MUSICAL):***Kecia Lewis — Hell’s Kitchen

BEST FEATURED ACTOR (MUSICAL): *Daniel Radcliffe, Merrily We Roll Along

BEST DIRECTOR (MUSICAL): ***Danya Taymor — The Outsiders. This win gives me such hope as Danya Taymor directs with heart. Her directorial performance in Jonah also was a tour de force. Taymor makes you feel.

BEST BOOK Of A MUSICAL: *Shaina Taub for Suffs

BEST MUSICAL SCORE: * Shaina Taub for Suffs

BEST ORCHESTRATIONS: *Jonathan Tunick, Merrily We Roll Along

BEST CHOREOGRAPHY: *Justin Peck, IIinoise

SCENIC DESIGN (MUSICAL): Tom Scutt — Cabaret at the Kit Kat Club

COSTUME DESIGN (MUSICAL): *Linda Cho, The Great Gatsby 

LIGHTING DESIGN (MUSICAL): ***Brian MacDevitt and Hana S. Kim — The Outsiders

SOUND DESIGN (MUSICAL): ***Cody Spencer — The Outsiders

PLAYS

Tom Pecinka and Sarah Pidgeon Photo by Julieta Cervantes

BEST PLAY: * Stereophonic

Sarah Paulson and Elle Fanning in 2ST’s Appropriate. Photo by Joan Marcus.

BEST PLAY REVIVAL: *Appropriate 

BEST ACTRESS (PLAY): *Sarah Paulson, Appropriate

BEST ACTOR (PLAY): Jeremy Strong — An Enemy of the People

BEST FEATURED ACTRESS (PLAY): *Kara Young, Purlie Victorious

BEST FEATURED ACTOR (PLAY): **Will Brill, Stereophonic. Thrilled for this win. One of my favorite performances of the year.

BEST DIRECTOR (PLAY): *Daniel Aukin, Stereophonic

BEST SCENIC DESIGN (PLAY): David Zinn, Stereophonic

BEST COSTUME DESIGN (PLAY): *Dede Ayite, Jaja’s African Hair Braiding 

BEST LIGHTING DESIGN (PLAY): Jane Cox — Appropriate

BEST SOUND DESIGN (PLAY): *Ryan Rumery, Stereophonic

Audra McDonald

Given special awards were: The Wilma Theatre Outstanding Regional Theatre,

lifetime Achievement to George C. Wolfe, Excellence in Theatre Education to CJay Philip

Harvey Fierstien

lifetime Achievement to Jack O’Brien

Brian Stokes Mitchell and Billy Porter

Isabelle Stevenson Award Billy Porter

*our prediction to win.

** our prediction to what should win

*** our prediction for Best but we did not think would win

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James Monroe Iglehart At The Drama Desk and A Rap For A Wonderful World: The Louis Armstrong Musical

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T2C was at the Drama Desk Awards and talked to our friend James Monroe Iglehart. Years ago I learned that James could make up raps instantaneously, so I had him do one at the Hamilton opening night for Lin Manuel Miranda. Since James is opening up in October in A Wonderful World: The Louis Armstrong Musical, I ask him to do a rap to plug his show. This is the result.

James’s new musical is about the life and loves of Louis Armstrong and Tony Award® winner James Monroe Iglehart is the legendary American icon. A Wonderful World charts Armstrong’s incredible journey from the birth of jazz in his native New Orleans through his international stardom. It features beloved songs recorded and made popular by Armstrong, including favorites like “What a Wonderful World” and “When You’re Smiling,” among many other standard favorites.

The show is conceived by Tony Award® nominee and Drama Desk Award winner Christopher Renshaw (Broadway’s The King and I, Taboo), and novelist Andrew Delaplaine. Book by Aurin Squire (“This is Us,” “The Good Fight”). Directed by Renshaw, with choreography by Rickey Tripp (Associate Choreographer for Broadway’s Hell’s Kitchen, Once on This Island, and Choir Boy). Featuring classic songs from Armstrong’s catalogue.

We look forward to seeing James and this new musical.

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Who Should/Will/Did Win a 2024 Tony Award? Predictions and Actual Winners.

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Here’s my list of who I think will win, who I think should win, and who ended up winning on June 11th, Tony night, as I like to call it. There are a number of obvious choices, but a few races that are difficult to call. Like the Jessica Vs Sarah American Horror alumn battle, or the emotional contest of Best New Musical. Here are mine.

Below is the full list of winners (🏆), my predictions (⭐️), who I think should win (👍), and all of the nominations:

Here goes nothing.

⭐️= Who I think Will Win

👍= Who I Think Should Win

🏆= Who Did in the End Win (stay tuned Sunday, June 11th, 2023 from the United Palace Theatre in NYC)

Best Book of a Musical

Hell’s Kitchen – Kristoffer Diaz

The Notebook – Bekah Brunstetter

The Outsiders– Adam Rapp and Justin Levine

👍 ⭐️ Suffs – Shaina Taub

Water for Elephants – Rick Elice

Best Original Score (Music and/or Lyrics) Written for the Theatre

Days of Wine and Roses – Music & Lyrics: Adam Guettel

Here Lies Love – Music: David Byrne and Fatboy Slim – Lyrics: David Byrne

👍 The Outsiders – Music & Lyrics: Jamestown Revival (Jonathan Clay and Zach Chance) and Justin Levine

Stereophonic – Music & Lyrics: Will Butler

⭐️ Suffs – Music & Lyrics: Shaina Taub

Jeremy Strong in An Enemy of the People – Photo by Emilio Madrid.

Best Performance by an Actor in a Leading Role in a Play

William Jackson Harper, Uncle Vanya
Leslie Odom, Jr., Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch
Liev Schreiber, Doubt: A Parable
👍 ⭐️ Jeremy Strong, An Enemy of the People
Michael Stuhlbarg, Patriots

This is a hard one, but I’m leaning on the overall effect of the riveting An Enemy of the People leading Strong to a Tony victory. Stuhlbarg was excellent in the lesser excellent Patriots. Odom and Harper are two good actors who I believe underperformed, and I’m hoping their star-power doesn’t push them over the winning line.

Best Performance by an Actress in a Leading Role in a Play

Betsy Aidem, Prayer for the French Republic
Jessica Lange, Mother Play
Rachel McAdams, Mary Jane
👍 ⭐️ Sarah Paulson, Appropriate
Amy Ryan, Doubt: A Parable

Although everyone here excelled, particularly Aidem and Ryan, I do believe Paulson delivered something more profound and detailed than Lange, probably because the play gave her so many more complex opportunities which she gobbled up fantastically for our pleasure.

Sarah Paulson and Elle Fanning in 2ST’s Appropriate. Photo by Joan Marcus.

Best Performance by an Actor in a Leading Role in a Musical

Brody Grant, The Outsiders
👍 ⭐️ Jonathan Groff, Merrily We Roll Along
Dorian Harewood, The Notebook
Brian d’Arcy James, Days of Wine and Roses
Eddie Redmayne, Cabaret at the Kit Kat Club

No shocker here. This is Groff’s moment, even though I loved Grant and Redmayne in their lesser received shows. James was also good, vocally, in a musical that I just didn’t connect to, so I wasn’t as connected to him or his performance. The same can be said of O’Hara. I just didn’t care, even within the dramatic ending.

Best Performance by an Actress in a Leading Role in a Musical

👍 Eden Espinosa, Lempicka
⭐️ Maleah Joi Moon, Hell’s Kitchen
Kelli O’Hara, Days of Wine and Roses
👍 Maryann Plunkett, The Notebook
Gayle Rankin, Cabaret at the Kit Kat Club

I think the new kid on the block might take home the prize, although I would not be disappointed if either Espinosa or Plunkett jumped to the front of the Hell’s Kitchen train.

Eden Espinosa in Lempicka. Photo: MATTHEW MURPHY AND EVAN ZIMMERMAN

Best Performance by an Actor in a Featured Role in a Play

👍 Will Brill, Stereophonic
⭐️ Eli Gelb, Stereophonic
Jim Parsons, Mother Play
Tom Pecinka, Stereophonic
Corey Stoll, Appropriate

Such a hard call, but I fully believe that, as in many categories including this one, it will be a winning Stereophonic night. Some say Stoll might snatch it up, but I’d be very surprised.

Best Performance by an Actress in a Featured Role in a Play

Quincy Tyler Bernstine, Doubt: A Parable
👍 Juliana Canfield, Stereophonic
Celia Keenan-Bolger, Mother Play
👍 Sarah Pidgeon, Stereophonic
⭐️ Kara Young, Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch

Gosh. Young was, for me, by far the best thing in this revival elevating it spectacularly leaving everyone, including the bland Odem, Jr. At the bottom of the hill.

Leslie Odom, Jr. and Kara Young in PURLIE VICTORIOUS – Photo by Marc J. Franklin.

Best Performance by an Actor in a Featured Role in a Musical

Roger Bart, Back To The Future: The Musical
👍 Joshua Boone, The Outsiders
Brandon Victor Dixon, Hell’s Kitchen
Sky Lakota-Lynch, The Outsiders
👍 ⭐️ Daniel Radcliffe, Merrily We Roll Along
Steven Skybell, Cabaret at the Kit Kat Club

I’ll be cheering for Radcliffe when he wins the Tony for his performance in this stellar production, but I did love The Outsiders maybe more than most, and Boone really gave the new musical its solid emotional heart.

Best Performance by an Actress in a Featured Role in a Musical

Shoshana Bean, Hell’s Kitchen
Amber Iman, Lempicka
Nikki M. James, Suffs
Leslie Rodriguez Kritzer, Monty Python’s Spamalot
👍 ⭐️ Kecia Lewis, Hell’s Kitchen
Lindsay Mendez, Merrily We Roll Along
👍 Bebe Neuwirth, Cabaret at the Kit Kat Club

What an amazing group, and I’d really be happy anyway this one went, but Neuwirth feels so damn perfect in the part, and Lewis made me cry, so there’s that….

Steven Skybell and Bebe Neuwirth in CABARET at the Kit Kat Club at the August Wilson Theatre. Photo by Marc Brenner.

Best Scenic Design of a Play

dots, Appropriate
dots, An Enemy of the People
Derek McLane, Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch
David Zinn, Jaja’s African Hair Braiding
👍 ⭐️ David Zinn, Stereophonic

Conrad Ricamora (Ninoy Aquino – left), Arielle Jacobs (Imelda Marcos – right), and the cast of Here Lies Love in the Broadway Theatre.
Photo Credit: Billy Bustamante, Matthew Murphy and Evan Zimmerman (2023)

Best Scenic Design of a Musical

AMP featuring Tatiana Kahvegian, The Outsiders
Robert Brill and Peter Nigrini, Hell’s Kitchen
Takeshi Kata, Water for Elephants
David Korins, Here Lies Love
Riccardo Hernández and Peter Nigrini, Lempicka
Tim Hatley and Finn Ross, Back To The Future: The Musical
👍 ⭐️ Tom Scutt, Cabaret at the Kit Kat Club

Best Costume Design of a Play

Dede Ayite, Appropriate
⭐️ Dede Ayite, Jaja’s African Hair Braiding
👍 Enver Chakartash, Stereophonic
Emilio Sosa, Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch
David Zinn, An Enemy of the People


Eddie Redmayne (center) and the cast of CABARET at the Kit Kat Club at the August Wilson Theatre. Photo by Marc Brenner.

Best Costume Design of a Musical

Dede Ayite, Hell’s Kitchen
Linda Cho, The Great Gatsby
David Israel Reynoso, Water for Elephants
👍 Tom Scutt, Cabaret at the Kit Kat Club
⭐️ Paul Tazewell, Suffs

Best Lighting Design of a Play

Isabella Byrd, An Enemy of the People
Amith Chandrashaker, Prayer for the French Republic
👍 ⭐️ Jiyoun Chang, Stereophonic
Jane Cox, Appropriate
👍 Natasha Katz, Grey House

The cast of The Outsiders. Photo by Matthew Murphy.

Best Lighting Design of a Musical

Brandon Stirling Baker, Illinoise
⭐️ Isabella Byrd, Cabaret at the Kit Kat Club
Natasha Katz, Hell’s Kitchen
Bradley King and David Bengali, Water for Elephants
👍 Brian MacDevitt and Hana S. Kim, The Outsiders

Best Sound Design of a Play

Justin Ellington and Stefania Bulbarella, Jaja’s African Hair Braiding
Leah Gelpe, Mary Jane
Tom Gibbons, Grey House
Bray Poor and Will Pickens, Appropriate
👍 ⭐️ Ryan Rumery, Stereophonic

The cast of Stereophonic on Broadway. Photo by Julieta Cervantes.

Best Sound Design of a Musical

M.L. Dogg and Cody Spencer, Here Lies Love
👍 Kai Harada, Merrily We Roll Along
Nick Lidster for Autograph, Cabaret at the Kit Kat Club
⭐️ Gareth Owen, Hell’s Kitchen
Cody Spencer, The Outsiders

Best Direction of a Play

👍 ⭐️ Daniel Aukin, Stereophonic
Anne Kauffman, Mary Jane
Kenny Leon, Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch
Lila Neugebauer, Appropriate
Whitney White, Jaja’s African Hair Braiding

Gabriel Olivera de Paula Costa and Wade McCollum in WATER FOR ELEPHANTS – Photo by Matthew Murphy.

Best Direction of a Musical

👍 ⭐️ Maria Friedman, Merrily We Roll Along
Michael Greif, Hell’s Kitchen
Leigh Silverman, Suffs
👍 Jessica Stone, Water for Elephants
Danya Taymor, The Outsiders

Friedman, in a way, did the impossible with this formerly problematic musical so her win is well deserved. But Stone also delivered a spectacular worthy of the Water for Elephants story it told.

Best Choreography

Annie-B Parson, Here Lies Love
Camille A. Brown, Hell’s Kitchen
👍 Rick Kuperman and Jeff Kuperman, The Outsiders
⭐️ Justin Peck, Illinoise
Jesse Robb and Shana Carroll, Water for Elephants

Ricky Ubeda and Ben Cook of Broadway’s Illinoise. Photo by Liz Lauren.

Best Orchestrations

Timo Andres, Illinoise
👍 Will Butler and Justin Craig, Stereophonic
Justin Levine, Matt Hinkley and Jamestown Revival (Jonathan Clay and Zach Chance), The Outsiders
Tom Kitt and Adam Blackstone, Hell’s Kitchen
⭐️ Jonathan Tunick, Merrily We Roll Along

Best Play

Jaja’s African Hair Braiding – Author: Jocelyn Bioh

Mary Jane – Author: Amy Herzog

Mother Play – Author: Paula Vogel

Prayer for the French Republic – Author: Joshua Harmon

👍 ⭐️ Stereophonic – Author: David Adjmi

No contest. Really. And that’s no slight to the other wonderfully written plays in this group.

Kecia Lewis and Maleah Joi Moon in Hell’s Kitchen on Broadway. Photo by Marc J. Franklin.

Best Musical

⭐️ Hell’s Kitchen

Illinoise

👍 The Outsiders

Suffs

👍 Water for Elephants

This is a hard call cause none of them are perfect yet all deliver something pretty special. And unique. I loved The Outsiders, more than I imagined I would. Its heart beats the strongest for me, but I think Keys will triumph for expanding the genre and the audience up so many floors.

Natalie Gold, Alyssa Emily Marvin, Michael Esper, Sarah Paulson, and Corey Stoll in 2ST’s Appropriate. Photo by Joan Marcus.

Best Revival of a Play

⭐️ Appropriate – Author: Branden Jacobs-Jenkins

👍 An Enemy of the People – Author: Amy Herzog

Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch

An Enemy of the People is solid and as strong as its Strong star, but Appropriatedelivers in so many unexpected ways it’s impossible not to be taken in completely, laughing in its uncomfortableness and its tense emotional turmoil.

Best Revival of a Musical

Cabaret at the Kit Kat Club

Gutenberg! The Musical!

👍 ⭐️ Merrily We Roll Along

The Who’s Tommy

Another no-contest win. But I also loved Cabaret far more than your average critic. And I’m still a little surprised by that.

Daniel Radcliffe, Jonathan Groff, and Natalie Wachen in Merrily We Roll Along. Photo by Mathew Murphy.

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Broadway

Tony Predictions: What Will Win, What Should Win and What Should Have Been Nominated

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Stereophonic, Illinoise, Sarah Paulson in Appropriate, and Jessica Lange in Mother Play, Julieta Cervantes; Matthew Murphy; Belasco Theatre; 2ndStage

There were 36 productions that included musicals, plays, and revivals, opening on Broadway this season. On Sunday the coveted statues will be given out at the 77th annual Tony Awards. Here is T2C’s predictions of what and who will win, what should win and what whould have been nominated.

BEST MUSICAL

What will win: Suffs, because Hillary Clinton is a producer and New York is a fan.

What Should Win: Hell’s Kitchen. This show shows New York in a fabulous light, unlike New York, New York of last year. Also Alicia Keys music will bring in a younger audience which will help Broadway survive.

What Should Have Been Nominated: Heart of Rock and Roll. This heartfelt musical was ignored by the critics, but is beloved by those who see it.

BEST MUSICAL REVIVAL

What will win, what should win: Merrily We Roll Along Hands down this is the chosen piece.

BEST ACTRESS (MUSICAL)

What will win, what should win: Maleah Joi Moon, They are going to want to honor Hell’s Kitchen and this is how they will do it.

BEST ACTOR (MUSICAL)
Who will win: Jonathan Groff, Merrily We Roll Along. Merrily is going to take every award it is nominated for.

Who Should Win: Brian d’Arcy James, Days of Wine and Roses. Brian has deserved this honor and his performance was layered and heartbreaking.

BEST FEATURED ACTRESS (MUSICAL)

Who will win: Lindsay Mendez, Merrily We Roll Along. Merrily is going to take every award it is nominated for.

Who Should Win: Bebe Neuwirth, Cabaret. It is a spectacular performance and Bebe has given a great deal to theatre.

BEST FEATURED ACTOR (MUSICAL)

Who will win: Daniel Radcliffe, Merrily We Roll Along. Merrily is going to take every award it is nominated for.

Who Should Have Been Nominated:George Abud in Lempika and Paul Alexander Nolan Water for Elephants. Mr Nolan’s performance was my favorite of the season.

BEST DIRECTOR (MUSICAL)

Who will win: Maria Friedman, Merrily We Roll Along. Merrily is going to take every award it is nominated for.

Who Should Win: Jessica Stone, Water for Elephants. Her direction was like looking at slides from a view master.

BEST ORIGINAL SCORE

What will win: Shaina Taub for Suffs. She is the darling of Broadway.

Who Should Win and should have been nominated: Music by Matt Gould, lyrics by Carson Kreitzer, for Lempicka. This was an exciting score and had songs that will last.

Who Should Have Been Nominated: Music by Barry Manilow and lyrics by Bruce Sussman for Harmony. This score is a classic and was ripped off.

BEST BOOK OF A MUSICAL

What will win: Suffs

Who Should Have Been Nominated: Harmony

BEST ORCHESTRATIONS

What will win: Jonathan Tunick, Merrily We Roll Along

Who Should Have Been Nominated: Music orchestrated by Cian McCarthy; Music arranged by Remy Kurs for Lempicka

BEST CHOREOGRAPHY

What will win: Justin Peck, IIinoise. This is a dance show so they will honor it.

Who should win: Rick and Jeff Kuperman, The Outsiders. The Kuperman’s have their cast flying and soaring and it is spectacular.

Who should have been nominated: Lorin Latarro  Heart Of Rock and Roll. Dancing on bubble wrap and cardboard is inventive and should have been reconized.

SCENIC DESIGN (MUSICAL)

What will win: David Korins, Here Lies Love 

Who Should Have Been Nominated: Paul Tate dePoo III, The Great Gatsby 

COSTUME DESIGN (MUSICAL)

Who will and should win: Linda Cho, The Great Gatsby 

LIGHTING DESIGN (MUSICAL)

What will win: Bradley King and David Bengali, Water for Elephants

SOUND DESIGN (MUSICAL)

What will win: Kai Harada, Merrily We Roll Along 

PLAYS

BEST PLAY

What will win: Stereophonic. It is the darling of the critics.

Who Should Win: Prayer for the French Republic. This play was so brilliantly done, but with the Pro-Palestinian conflict this show is being dismissed by the voters.

BEST PLAY REVIVAL
What will win: Appropriate 

BEST ACTRESS (PLAY)
Who will win: Sarah Paulson, Appropriate and Jessica Lange, Mother Play. This should be a tie, but if they give the award to one person it will go to Sarah Paulson

BEST ACTOR (PLAY)
Who Will Win: Leslie Odom Jr., Purlie Victorious

Who Should Win: Michael Stuhlbarg, Patriots

BEST FEATURED ACTRESS (PLAY)

Who will win: Kara Young, Purlie Victorious

Who Should Win: Celia Keenan-Bolger, Mother Play

BEST FEATURED ACTOR (PLAY)

Who will win: Corey Stoll, Appropriate

Who Should Win: Will Brill, Stereophonic, but the nominees will cancel each other out. This was one of the best performances of the year.

BEST DIRECTOR (PLAY)

Who will win: Daniel Aukin, Stereophonic

BEST SCENIC DESIGN (PLAY)

What will win: dots, Appropriate 

BEST COSTUME DESIGN (PLAY)

What will win: Dede Ayite, Jaja’s African Hair Braiding 

BEST LIGHTING DESIGN (PLAY)

What will win: Jiyoun Chang, Stereophonic 

BEST SOUND DESIGN (PLAY)

Who will win: Ryan Rumery, Stereophonic

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