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Jessica Lange, Gabriel Byrne

Jessica Lange, Gabriel Byrne

“The past is the present, isn’t it? It’s the future, too,”

The Roundabout Theatre Company’s wonderfully revival of Eugene O’Neill’s, Long Day’s Journey into Night breathes new life into this 1956 look at dysfunctional family living or should I say surviving. Seeing this show is a commitment, as you will spend almost 4 hours at the American Airlines Theater, 227 W. 42nd Street. Standing the test of time Jessica Lange, Gabriel Byrne and Michael Shannon give mesmerizing performances that were recently honored with Tony nods, as well they should be. Out of the shadows the Tyrone Family emerges haunted, broken and in need of redemption.

John Gallagher Jr. , Michael Shannon , Jessica Lange, Gabriel Byrne

John Gallagher Jr. , Michael Shannon , Jessica Lange, Gabriel Byrne

I’m not blaming you, dear. How can you help it? How can any one of us forget? That’s what makes it so hard – for all of us. We can’t forget.

The time is 1812 and we are on the shores of a Connecticut in a house that has never been a home. The patriarch James (Byrne) is an actor, who sold his soul for a play that made money but sucked the life out of him. He is an alcoholic, a penny pincher with a temper that is easily satisfied. He loves his wife Mary (Lange) who is a drug fiend, partly due to her nerves and a painful birth, where the doctor gave her morphine. She has just come home from a long line of treatment centers, but they have not helped. Their sons Jamie and Edmund in a sense never stood a chance at having a happy life. Jamie (Shannon), also an actor is jealous, vengeful and an alcoholic to escape the fact his mother blames him for everything. Edmund (John Gallagher Jr.) is suffering from consumption (TB) and tires to escape life. As we spend one very long day into its night we see this family try to fight its way out of the past, as they relive the hurts, deal with their demons and hurt each other to the core of their souls. The Tyrone’s love each other but it is not enough.

Yes, forget! Forget everything and face nothing! It’s a convenient philosophy if you’ve no ambition in life except to –

The play is a semi-autobiographical story about O’Neill’s life, so through his words we love them, feel sorry for them, pity them and understand them wanting to help but that time has long past.

Jonathan Kent treats this play like it is a haunting of the past that has already happened and we are seeing the trails of hope that have yet to have left this earth. He brings out a truth from each of his actors and because of this Byrne, Lange, Shannon and Gallagher Jr. are a real family bonded together as if by super glue. These performances are layered and so heart wrenching it is painful to watch. Even Colby Minifie as the maid has her moments of truth.

I have been privileged to see the great Colleen Dewhurst and Katherine Hepburn in the role and Jessica Lange gives as good as these giants before her. Her Mary goes into to decline before our eyes as we watch her disintegrate into a ghost of herself. We feel her pain, her loss, her weakness, her cruelty and most importantly her humanity.

There is a reason why O’Neil is considered one of our greatest playwrights and why Long Day’s Journey into Night has survived and is still as relevant today as it was when it was written. Thankfully Kent understood that nothing had to be added, his signature did not need to be stamped and he let the work and his actors stand on their own.

Long Day’s Journey into Night: The Roundabout Theatre Company at the American Airlines Theater, 227 W. 42nd Street

Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret, opera and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. She has a screenplay and a TV show in the works, which she developed with her mentor and friend the late Arthur Herzog. She is a proud member of the Drama Desk and the Outer Critics Circle and was a nominator. Email:


Ken Fallin’s Broadway: Spamalot



Here is the amazing cast of Spamalot. Christopher Fitzgerald as Patsy, James Monroe Iglehart as King Arthur, Leslie Rodriguez Kritzer as The Lady of the Lake, Ethan Slater as The Historian/Prince Herbert, Jimmy Smagula as Sir Bedevere, Michael Urie as Sir Robin, Nik Walker as Sir Galahad andTaran Killam as Lancelot.

I was so inspired I drew the whole cast.

To read T2C’s review click here.

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Ahead of the Broadway Opening of Lempicka The Longacre Theatre Is Showcasing Art Work By Tamara de Lempicka



The Longacre Theatre (220 W 48th St.), soon-to-be home of the sweeping new musical, Lempicka, is showcasing a curated selection of renowned artist Tamara de Lempicka’s most famous works. Eschewing traditional theatrical front-of-house advertising, the Longacre’s façade now boasts prints, creating a museum-quality exhibition right in the heart of Times Square. The musical opens on Broadway on April 14, 2024 at the same venue.

The Longacre’s outdoor exhibition includes works of Self Portrait (Tamara in a Green Bugatti) (1929), Young Girl in Green (1927), Nu Adossé I (1925), The Red Tunic (1927), The Blue Scarf (1930), The Green Turban (1930), Portrait of Marjorie Ferry (1932), Portrait of Ira P. (1930), Portrait of Romana de la Salle (1928), and Adam and Eve (1932).

Starring Eden Espinosa and directed by Tony Award winner Rachel Chavkin, Lempicka features book, lyrics, and original concept by Carson Kreitzer, book and music by Matt Gould, and choreography by Raja Feather Kelly.

Spanning decades of political and personal turmoil and told through a thrilling, pop-infused score, Lempicka boldly explores the contradictions of a world in crisis, a woman ahead of her era, and an artist whose time has finally come.

Young Girl in Green painted by Tamara de Lempicka (1927). Oil on plywood.