Events
Lorraine Hansberry’s The Sign in Sidney Brustein’s Window announced with Oscar Isaac & Rachel Brosnahan at BAM

The Brooklyn Academy of Music (BAM) announces the first major New York revival of Lorraine Hanberry’sThe Sign in Sidney Brustein’s Window, directed by Obie Award winner Anne Kauffman at the BAM Harvey Theater beginning February 4 and opening February 23, 2023.

Oscar Isaac in the press room of the 2020 / 92nd Annual Academy Awards at the Hollywood & Highland Center. Los Angeles, February 9, 2020 | usage worldwide (Newscom TagID: dpaphotosfour394189.jpg) [Photo via Newscom]
Oscar Isaac (Moon Night, Scenes from a Marriage) and Rachel Brosnahan (The Marvelous Mrs. Maisel, Dead for a Dollar) star in Hansberry’s sweeping drama of identity, idealism, and love.
The A Raisin in the Sun playwright invites us into Greenwich Village in the 60s, crafting a razor-sharp portrait of a diverse group of friends whose loudly proclaimed progressive dreams can’t quite match up with reality. At the center are Sidney and Iris Brustein, fighting to see if their marriage—with all its crackling wit, passion, and petty cruelty—will be the final sacrifice to Sidney’s ideals. Discover the “astonishing force” (The Chicago Tribune) of this stunning drama from one of America’s greatest playwrights when it finally returns to New York.
Following Hansberry’s meteoric debut with A Raisin in the Sun (1959), The Sign in Sidney Brustein’s Window debuted on Broadway in 1964 just before Ms. Hanberry’s death at the age of 34. Since then, her play has never been produced on a major New York stage. Director Anne Kauffman presented an acclaimed revival in Chicago’s Goodman Theatre in 2016.
“During the five years I spent working to produce the first Broadway revival of A Raisin in the Sun (in 2004), I fell in love with The Sign in Sidney Brustein’s Window” said David Binder, BAM Artistic Director, “I shared this passion for Hansberry’s play with Anne and the two of us spent many, many years working together to mount the show in New York. It’s an honor to present Lorraine’s beautiful, and rarely seen, play, finally, at BAM.”
“I’m thrilled that BAM will present this overshadowed work from one of America’s greatest playwrights,” said BAM President, Gina Duncan. “Hansberry died far too young but left us with a cherished few incredible works that are just as relevant now as they were when they were first written.”
“We are in dire need of Hansberry’s voice…we know so little of her and define her by one play: A Raisin in the Sun. Without a doubt Raisin is a masterpiece, but Hansberry’s evolution and contribution to this country’s culture, history and political motion stretches way beyond that astonishing accomplishment. Her work as an artist and activist is varied and deep,” said Anne Kauffman, Director. “The Sign in Sidney Brustein’s Window, written four years after A Raisin in the Sun, embraces human complexity and frailty while aggressively shaking us free of our delusions, yet very few people know of it. Now they’ll know.”
The creative team and full company will be announced soon.
Tickets for The Sign in Sidney Brustein’s Window go on sale Oct 11 (for BAM members/patrons) and Oct 21 (for the general public). To purchase tickets visit BAM.org or call BAM Ticket Services 718.636.4100.
In conjunction with the presentation of Hansberry’s play, BAM will create in-person and online experiences that showcase her legacy as an artist. This will include talks, an exhibit in the Harvey Theater lobby overseen by BAM’s archivist Sharon Lehner, and online educational tools.
Lorraine Hansberry (Writer). Born May 19, 1930, Chicago, Illinois, U.S.—died January 12, 1965, New York, New York, was American playwright whose A Raisin in the Sun (1959) was the first drama by an African American woman to be produced on Broadway. Hansberry was interested in writing from an early age and while in high school was drawn especially to the theatre. She attended the University of Wisconsin in 1948–50 and then briefly the School of the Art Institute of Chicago and Roosevelt University (Chicago). After moving to New York City, she held various minor jobs and studied at the New School for Social Research while refining her writing skills. In 1958 she raised funds to produce her play A Raisin in the Sun, which opened in March 1959 at the Ethel Barrymore Theatre on Broadway, meeting with great success. A penetrating psychological study of the personalities and emotional conflicts within a working-class black family in Chicago, A Raisin in the Sun was directed by actor Lloyd Richards, the first African American to direct a play on Broadway since 1907. It won the New York Drama Critics’ Circle Award, and the film version of 1961 received a special award at the Cannes festival. Hansberry’s next play, The Sign in Sidney Brustein’s Window, a drama of political questioning and affirmation set in Greenwich Village, New York City, where she had long made her home, had only a modest run on Broadway in 1964. Her promising career was cut short by her early death from pancreatic cancer. In 1969 a selection of her writings, adapted by Robert Nemiroff (to whom Hansberry was married from 1953 to 1964), was produced on Broadway as To Be Young, Gifted, and Black and was published in book form in 1970.
Oscar Isaac (Sidney Brustein) is an Award-Winning actor, producer and musician. Most recently, Isaac was nominated for a 2022 SAG and Emmy award for his role in the HBO and Hagai Levi adaption of Scenes from a Marriage. In 2016, he earned a Golden Globe for his role on the HBO miniseries Show Me A Hero as well as a Critics’ Choice nomination. In 2014, he scored an Independent Spirit Award and a Golden Globe nomination for his portrayal of the title character in the Coen Brothers’ film Inside Llewyn Davis. Past film and television credits include: A Most Violent Year (2014), Ex Machina (2015), Star Wars sequel trilogy (2015-2019), The Promise (2016), Operation Finale (2018), Triple Frontier (2019), At Eternity’s Gate (2019), The Card Counter (2021), Dune (2021), Moon Knight (2022). In 2017, Isaac headlined The Public Theater’s summer production of Hamlet with Sam Gold at the helm. Isaac appeared in Zoe Kazan’s We Live Here at Manhattan Theatre Club, as Romeo in Romeo and Juliet, and in Two Gentlemen of Verona, the latter productions for The Public Theater’s Shakespeare in the Park. Additional theatre credits include Beauty of the Father (Manhattan Theatre Club), Grace (MCC Theater), When It’s Cocktail Time in Cuba (Cherry Lane Theatre), Spinning into Butter (Hangar Theatre). In 2019, Isaac and his wife, writer and director Elvira Lind, created their Mad Gene Media production company. The first project under their banner, The Letter Room, was a short film written and directed by Lind and starring Isaac. It was nominated for a 2021 Academy Award.
Rachel Brosnahan (Iris Brustein) is an Award-Winning actress and producer. She has won an Emmy with four nominations, two Golden Globes, two Critics’ Choice Award and three SAG Awards. Brosnahan’s production company Scrap Paper Pictures signed a first look deal with Amazon Studios in 2019. She executive produced and starred in Amazon’s “Yearly Departed” season 1, as well as executive produced season 2. Brosnahan’s next film Dead for a Dollar also starring Willem Dafoe and Christoph Waltz, premiered at the 2022 Venice International Film Festival and is currently in theaters. In 2021, she was seen in the historical drama The Courier, alongside Benedict Cumberbatch and in 2020, she was seen in I’m Your Woman, which she starred in and produced, directed by Julia Hart and co-written/produced with Jordan Horowitz. She is also attached to star and produce The Switch with Amblin Partners, as well as Helen and Teacher. Other film credits include Patriots’ Day, The Finest Hours, Louder Than Bombs, and Beautiful Creatures. The fourth season of Amazon series “The Marvelous Mrs. Maisel.”, in which she plays the titular character, premiered in February 2022 and the show has been renewed for its fifth and final season. She had a breakout turn as Rachel Posner in Netflix’s groundbreaking series “House of Cards,” which earned her first Emmy nomination, as well as a SAG nomination for ‘Best Ensemble.’ On stage, Brosnahan last starred as Desdemona in Sam Gold’s off-Broadway production of Othello opposite Daniel Craig and David Oyelowo. She made her Broadway debut for the Roundabout Theater Company’s The Big Knife opposite Bobby Cannavale, Richard Kind and Marin Ireland.
Anne Kaufman (Director). New York Philharmonic, Ars Nova, NYTW, Roundabout Theatre Company, Encores! Off-Center, Women’s Project, Playwrights Horizons, MCC, The Public, P73 Productions, New Georges, Vineyard Theater, LCT3, Yale Rep, Steppenwolf, Goodman Theater, La Jolla Playhouse, Z Space, American Conservatory Theater and Berkeley Rep. She is a Resident Director at Roundabout Theater, Artistic Director of City Center’s Encores! Off-Center 2017-2020, Artistic Associate and Founding Member of The Civilians, a Clubbed Thumb Associate Artist and co-creator of the CT Directing Fellowship, a New Georges Associate Artist, an SDC Executive Board Member, Vice President and Trustee of SDCF. Kauffman’s awards include three Obies, the Joan and Joseph Cullman Award for Exceptional Creativity from Lincoln Center, the Alan Schneider Director Award, a Lucille Lortel Award, and the Joe A. Callaway. Co-creator of the Cast Album Project with Jeanine Tesori.
Celebrities
The Glorious Corner

SLY REVIVED — (via Rolling Stone) Sly Stone, the enigmatic R&B/funk icon, will share his story in a new memoir, Thank You (Falettinme Be Mice Elf Agin), arriving Oct. 17 via Questlove’s new publishing imprint, AUWA Books.
Stone co-wrote the new book with Ben Greeman, who’s written memoirs with George Clinton, Brian Wilson, and Questlove (he helped the Roots drummer with his three other books, too). Questlove — who’s directing a documentary about Stone — will also pen a foreword for Thank You (Falettinme Be Mice Elf Agin).
In a statement, Stone said, “For as long as I can remember folks have been asking me to tell my story. I wasn’t ready. I had to be in a new frame of mind to become Sylvester Stewart again to tell the true story of Sly Stone. It’s been a wild ride and hopefully my fans enjoy it too.”
Born Sylvester Stewart, Stone’s music career began when he was a child, singing in a gospel quartet with his siblings. In the Sixties, he worked as a radio DJ in the Bay Area, forming various soul groups, including the extremely successful Sly and the Family Stone. The group’s debut,A Whole new Thing, arrived in 1967, and that same year they released their first major hit, “Dance to the Music,” which anchored the band’s second album. Between 1967 and and 1982, Sly and the Family Stone released 10 albums, including classics like Stand! and There’s a Riot Goin; On.
But after the dissolution of the Family Stone, Stone struggled to find success as a solo artist while simultaneously battling drug addiction. Though he got sober, he receded from public life, making only sporadic appearances, like the band’s induction into the Rock and Roll Hall of Fame and a performance at the 2006 Grammys. In 2011, Stone released a new solo album, I’m Back! Family and Friends; in 2016, he received a Lifetime Achievement Award from the Grammys.
Thank You (Falettinme Be Mice Elf Agin) is one of several books on the initial slate for Questlove’s new AUWA Books venture. (The Farrar, Straus and Giroux imprint takes its name, by the way, from the bird-call noise Prince used on songs like “Baby I’m a Star” and “Eye No.”) Also on the docket: Questlove’s new book, Hip-Hop Is History, and a book from TikTok star Drew Afualo (both out in 2024).
This is major news for sure. If you’re of a certain age, Sly Stone’s music was the best. The true of story of what actually happened should be cataclysmic. The stories I’ve heard over the years encompass almost everything good and bad about the music industry. I hope the curtain is finally pulled back in this instance.
TICKET TO YOUNG — (Via Ultimate Classic Rock) Count Neil Young among those musicians who blame escalating ticket prices for ruining the concert industry. “It’s over. The old days are gone,” Young declared in a message posted to his Neil Young Archives website. “I get letters blaming me for $3,000.00 tickets for a benefit I am doing. That money does not go to me or the benefit. Artists have to worry about ripped off fans blaming them for Ticketmaster add-ons and scalpers.”
The acclaimed rocker’s message was accompanied by a story about the Cure and their recent battle with Ticketmaster. The ticketing giant earned the scorn of the goth rock band and their fans by adding several fees to ticket prices for the Cure’s upcoming North American tour. In some cases, these “unduly high” fees, as Robert Smith called them, resulted in the actual price of tickets nearly doubling from their face value. Ticketmaster eventually agreed to refund some of the cost.
“Concert tours are no longer fun,” Young opined, pointing to ticket fees and scalpers as the culprit. “Concert tours not what they were.”
Young’s thoughts about ticket prices are the latest in his ongoing list of gripes regarding modern touring. In December, the rocker reiterated his refusal to play at concert venues that use factory farms.
SHORT TAKES — Could Big Blue be coming back? Blockbuster for decades was the go-to spot for DVDs and video-tapes. Stay tuned …I love Keanu Reeves, but I must admit I’ve not seen any of the John Wick movies. Chapter 4 opened this past weekend with a $74 million+ score. Rather amazing in this post-covid period.
I pulled up the trailer and was terrifically impressed by the lush visuals; beautiful music and Reeves and Lance Reddick just sensational. I am thinking of a John Wick-weekend where I’ll watch all 4 … Writer/producer Terry Jastrow arrives in NY this week with his wife actress Anne Archer … Whatever happened to the Madonna biopic? You ask three different people and you get three different answers,. Check this one out from IndieWire: https://www.indiewire.com/2023/03/julia-garner-madonna-biopic-fingers-crossed-1234819696/ …
Personally, I don’t think Garner should do it. Mired in controversy already, could it really be any good? … GUESS WHO DON”T SUE: What up-and-coming metal band is using the name of a high-profile manager to score some Manhattan-gigs? They were going to work with the manager until it blew up. Simply shady if you ask me … btw: whatever happened to Wendy Stuart Kaplan? …
Friday was the last episode (for their inaugural season) of Apple TV+’s Shrinking which has just been so excellent in this its debut season. Jason Segal and Brett Goldstein have come up with the best show on streaming yet. Infectiously good and the acting turns from Segal and Harrison Ford are off the charts. The show culminated in a wedding for best-friend Brian (Michael Urie) and ended with a call-back to the show’s very first scene. Remember it? Truly a one-of-a-kind show. We loved it … I’ve heard at least 4 stories on the news this weekend about composting. Is this a hot topic now? Trending is it? … RIP Nicholas Lloyd Webber
NAMES IN THE NEWS –— Alex Salzman; Rob Petrie; Anthony Pomes; Terry Jastrow; Tyrone Biljan; Jacqueline Boyd; Bill McCuddy; Brad LeBeau; Nile Rodgers; Nancy Hunt; Steve Leeds; Terri Epstein; Brenda K. Starr; Tom & Lisa Cuddy; William Schill; Robert Funaro; Vinny Pastore; Maureen Van Zandt; Tricia Daniels; and ZIGGY!
Broadway
Did You Know There Is A Kander & Ebb Way?

On Friday, March 24th, the 96-year-old John Kander was given a Mayoral Proclamation from Mayor Eric Adams in celebration of the first performance of his new Broadway musical New York, New York. Following the proclamation, Lin-Manuel Miranda unveiled the sign renaming 44th Steet ‘Kander & Ebb Way. On hand was the Manhattan School of Music to performed the iconic Kander & Ebb song “New York, New York.”
New York, New York opens Wednesday, April 26, 2023 at Broadway’s St. James Theatre (246 West 44th Street).
Cabaret
The Marvelous Marilyn Maye Received Twelve Standing Ovations At The New York Pops

Karen Akers, Jim Caruso, Tony Danza, Jamie deRoy, Max von Essen, Melissa Errico, Bob Mackie, Susie Mosher, Sidney Myer, Josh Prince, Lee Roy Reams, Rex Reed, Randy Roberts, Mo Rocca , Mark Sendroff, Lee Roy Reams, Brenda Vaccaro and David Zippel were there to see and honor Cabaret legend and Grammy nominee Marilyn Maye. Maye who turns 95 April 10th, made her at Carnegie Hall solo debut last night with The New York Pops, led by Music Director and Conductor Steven Reineke.
Maye is a highly praised singer, actress, director, arranger, educator, Grammy nominated recording artist and a musical treasure. Her entire life has been committed to the art of song and performance and it showed with the 12 standing ovations she received.
Maye appeared 76 times on The Tonight Show Starring Johnny Carson, she was “discovered” by Steve Allen and had a RCA recording contract, seven albums and 34 singles.
The evening started out with the superlative New York Pops Overture of Mame, which Maye had played the title role.
Next a Cole Porter Medley with “Looking at You,” Concentrate On You,” “I Get A Kick Out Of You,” It’s Alright With Me,””Just One of Those Things,” “I’ve Got You Under My Skin,” and “All of You”. This was Marilyn’s second standing ovation. The first was when she stood on that stage for the first time and the audience was rapturous.
A terrific “It’s Today” from Mame with high flying kicks was the third ovation and wow can that woman kick.
A rainbow medley included “Look To The Rainbow” from Finnian’s Rainbow, the iconic “Somewhere Over The Rainbow,” the jazzy “Make Me Rainbows” and of course “The Rainbow Connection.” And with that another standing ovation.
Frank Loesser’s Joey, Joey, Joey brought on a fifth standing ovation. This song was a masterclass in acting and vocal nuance. For that matter every song that comes out of Ms. Maye’s mouth is perfection. Part of the brilliance of this night is her musical director, arranger, and pianist Ted Firth. That man is a genius.
Lerner and Loewe’s “On The Street Where You Live” from My Fair Lady ended the first act with a sixth standing ovation.
The overture from Hello Dolly! and then Cabaret shows Marilyn Maye also starred in opened the second act. The New York Pops sounded phenomenal as always.
“Your Gonna Hear From Me” from “Inside Daisy Clover was an appropriate starter for this next round as the audience got to its feet.
Maye’s most requested song “Guess Who I Saw Today” from New Faces of 1952 was followed by a show stopping “Fifty Percent” from Ballroom and of course another standing ovation.
Her next song was chosen by the Smithsonian Institute to be included in its permanent collection of recordings from the 20th century. Her recording of “Too Late Now” is considered by the Smithsonian to be one of the 110 Best American Compositions of the Twentieth Century and Ms. Maye showed us why and again another standing ovation.
A proclamation from The City of New York read by Steven Reineke to Marilyn Maye made this day Marilyn Maye Day. This treasure cried with joy as she sang Stephen Sondheim’s “I’m Still Here.” Though she forgot some of the lyric, Ms. Maye proved performing is all on the intent and connecting to the audience. Two more standing ovations were added here.
For encores, I was thrilled to hear James Taylor’s “Circle of Life” and “Here’s To Life,” which is my personal favorite, finally going back into “It’s Today” with those high kicks and a twelfth standing ovation. Bravo Ms. Maye!
If you are a singer and do not catch Ms. Maye live, you really do not care about your craft. Last night Ms. Maye made it clear why she’s been celebrated as one of America’s greatest jazz singers for more than 50 years and this was a night I will always remember. Thank-you New York Pops.
Don’t miss the Pop’s 40th Birthday Gala: This One’s For You: The Music Of Barry Manilow on Monday, May 1st. The gala will star Sean Bell, Erich Bergen, Betty Buckley, Charo, Deborah Cox, Danny Kornfeld, Norm Lewis, Melissa Manchester, Zal Owen, Eric Peters, Blake Roman, Billy Stritch, Steven Telsey, Max von Essen, Dionne Warwick, and more to be announced. This will be yet another New York Pop’s Night not to miss.
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