Stephen Farber, President of the Los Angeles Film Critics Association (LAFCA) announced “Spotlight” won for Best Picture of the Year .
“I am very pleased that our group selected a wide range of films, from big studio blockbusters to smaller independent films richly deserving of recognition. Our individual winners covered quite an impressive gamut in terms of age, experience and background.” said Farber, on this year’s awards.
The 41st annual Los Angeles Film Critics Association awards ceremony will be held Saturday, January 9 at the InterContinental, Los Angeles. As previously announced, editor Anne V. Coates will receive the 2015 Lifetime Achievement Award.
Award winners are:
Runner-up: “Mad Max: Fury Road”
DIRECTOR: George Miller, “Mad Max: Fury Road”
Runner-up: Todd Haynes, “Carol”
ACTOR: Michael Fassbender, “Steve Jobs”
Runner-up: Géza Röhrig, “Son of Saul”
ACTRESS: Charlotte Rampling, “45 Years”
Runner-up: Saoirse Ronan, “Brooklyn”
SUPPORTING ACTOR: Michael Shannon, “99 Homes”
Runner-up: Mark Rylance, “Bridge of Spies”
SUPPORTING ACTRESS: Alicia Vikander, “Ex Machina”
Runner-up: Kristen Stewart, “Clouds of Sils Maria”
SCREENPLAY: Josh Singer and Tom McCarthy, “Spotlight”
Runner-up: Charlie Kaufman, “Anomalisa”
Runner-up: “Inside Out”
FOREIGN LANGUAGE FILM: “Son of Saul”
Runner-up: “The Tribe”
DOCUMENTARY / NON-FICTION FILM: “Amy”
Runner-up: “The Look of Silence”
NEW GENERATION: Ryan Coogler, “Creed”
FILM EDITING: Hank Corwin, “The Big Short”
Runner-up: Margaret Sixel, “Mad Max: Fury Road”
CINEMATOGRAPHY: John Seale, “Mad Max: Fury Road”
Runner-up: Edward Lachman, “Carol”
PRODUCTION DESIGN: Colin Gibson, “Mad Max: Fury Road”
Runner-up: Judy Becker, “Carol”
MUSIC/SCORE: Carter Burwell, “Anomalisa” and “Carol”
Runner-up: Ennio Morricone, “The Hateful Eight”
SPECIAL CITATION: David Shepard, for his invaluable work in film preservation, particularly of films from the silent era
LIFETIME ACHIEVEMENT: Anne V. Coates
Founded in 1975, The Los Angeles Film Critics Association (LAFCA) is comprised of Los Angeles-based, professional film critics working in the Los Angeles print and electronic media. Each December, LAFCA members vote on the year’s Achievement Awards, honoring screen excellence on both sides of the camera. Plaques of recognition are then presented to winners during LAFCA’s annual awards ceremony, held in mid-January.
Aside from honoring each year’s outstanding cinematic achievements, LAFCA has also made it a point to look back and pay tribute to distinguished industry veterans with its annual Career Achievement Award, which is announced in October, as well as to look forward by spotlighting fresh, promising talent with its annual New Generation Award. In addition, over the past three decades, LAFCA has sponsored and hosted numerous film panels and events and donated funds to various Los Angeles film organizations, especially where film preservation was concerned. LAFCA members have also collectively been vocal about taking up causes they have felt passionate about, from drafting formal protests against censorship and colorization to lending their support to controversial films.
The Mayor of Times Square Meets One of the World’s Oldest Holocaust Survivors
I arrived to a packed lecture room at a Library in South Florida. This lecture caught my eye weeks prior and I made sure to have it in my calendar. After all, how many more times will I get a chance to hear a 99 year old survivor tell his remarkable story of inconceivable hell, survival and ultimately impressive success? What I heard in the room that day was hard to fathom it wasn’t part of a Spielberg movie with some creative liberty thrown in to embellish an already unbelievable true story. This was the real deal. A vivid description of hell on earth. What I couldn’t understand is how did this survivor go on to create a vibrant family and a very successful business career and not be bitter every day of his life? Equally remarkable is how someone his age could tell a story from 85 years ago as if it happened yesterday and with energy and charisma of someone half his age. He spoke for 45 minutes without a break. Little did anyone in the audience know that, just prior to arriving at the Library, he fell and injured himself, making his perseverance in even making it to the Library even more heroic. This is no ordinary man. I approached the stage after the lecture, patiently awaited my turn to speak with him and asked if I could interview him for my podcast. I am pretty sure he knew little to nothing of what a podcast was, but he agreed as you are about to learn why telling his story over and over is his divine mission.
Sam Ron bears personal witness to the greatest atrocity in human history. He is one of the only remaining Holocaust Survivors his age who survived four concentration camps…and a Death March. He turns 99 in July. His story is remarkable…and he himself is equally as remarkable.
Here’s what you will learn when listening to this World Exclusive interview on The Motivation Show podcast:
-Where did Sam grow up and what was life like before the Germans invaded his country
-How life changed once the Germans invaded and how long did the changes take
-Why and when did Sam and his family decide to go into hiding and where did he hide
-How did Sam end up in the Krakow Ghetto, how was it different than the infamous Warsaw Ghetto, and what took place in the Ghetto
-When did Sam first realize that the Germans were not just transporting Jews to what they disguised as labor camps, but were actually killing them.
-How many times was Sam transported in cattle cars and what was that like
-Which concentration camps was Sam in & what were they like
-What was life like in the concentration camps and why did they move Sam around to different camps
-What is a Death March, why and how did that happen and how did Sam survive it
-What lessons should listeners take away from Sam’s experience
-What does Never Again mean to Sam and why is it so important for him to share this and other Holocaust lessons
You can listen to this interview on any podcast listening app or use this Spotify link: https://open.spotify.com/episode/3KBPe9jhTdYw1iA9UN7UiK WARNING: This interview is GUARANTEED to move you to tears!!!
Inside The PR Brain
For PR-guru David Salidor, late-February proved to be as hectic a week in his 40+-year career as ever. With client Micky Dolenz in tow; Monday night was The Tonight Show with Jimmy Fallon; Tuesday held four different interviews at SiriusXM; later that night was the premiere for actor Willem Dafoe’s new movie Inside; and, Wednesday held an early spot back at NBC for NY LIVE with host Sara Gore.
For the music industry veteran, it was the latest chapter in a career that was sealed back in 1967 at Long Island’s Lido Beach Club when he saw a new group, The Who: Says Salidor, “My father who worked for Decca Records asked if I wanted to accompany him and go see a new group the company had just signed. Believe it or not, it was The Who, playing around the club’s swimming pool. It was unlike anything I had ever seen; Keith Moon with day-glow drumsticks and Townshend literally destroying his guitar at the end of the set. For me, that was it, this business was for me.”
Salidor also worked for the legendary My Father’s Place club in Roslyn, New York, that launched everyone from Bruce Spingsteen, to Todd Rundgren and Hall & Oates. “If The Who whet my appetite, My Father’s Place solidified my journey,” Salidor adds.
His first job out of college (where he was music director the college-station) was for the much-missed London Records. “All of a sudden, I was working with the Rolling Stones and Moody Blues, Al Green and Gilbert O’Sullivan. I was the new kid in town, but learned about everything all at once. I was doing ad layouts, writing press releases and taking the artists to radio stations. It was a trial by fire for sure, but I loved it,” adds Salidor.
He went onto to work for other labels like Atlantic and the PR-firm the Howard Bloom Organization, which at the time was the hottest pr-firm in the country, with clients including Billy Joel; Prince; Genesis. Genesis stands out for him. “It was right when Peter Gabriel left the band and there was a tour which I went on. Imagine every night not only seeing a terrific show, but also a dazzling visual show. No question, they were the tops at that point,” he says.
He also formed a relationship with Tom Silverman – then running a very influential tip-sheet called Dance Music Report. He and Silverman, who was also his first and only partner for a spell, went onto create the New Music Seminar, which became a focal point for all the new labels and artists to network. Adds Salidor, “That first event was held at SIR Studios in NY and everyone who was anyone attended. It’s funny now to recall that we started it because we couldn’t get properly accredited for the Billboard Music Forum, which was then the featured industry event in the business; but really neglected the up-and-coming acts and labels.”
A two-year stint with indie ZE Records was also a fascinating run. “This was during the burgeoning new-wave/no-wave movement and I just loved it. Kid Creole & The Coconuts; Cristina; Material; Suicide ; james White and the Blacks and it introduced me to the The Mudd Club, which became an instant favorite.”
A life-long association with August Darnell and his Kid Creole & The Coconuts began as well. “August is without a doubt one of the most creative artists I’ve ever worked with, Totally unique.”
He decided to start his own firm in 1984. He adds, “I learned very quickly that working for someone else is a double-edge sword. If a good campaign happens, the head of the firm gets the credit; if the campaign doesn’t work, you get called on the carpet.”
His first success via his dis Company was with Profile Record’s Run-DMC. “Profile was an amazing label back then. Cory Robins was one of the premiere music guys and had a prescient nuance. Together we got Run-DMC on the cover of Rolling Stone and made them a major marquee attraction. They started the whole urban, hip-hop era. I know it was a long time ago, but they were the first along with Kurtis Blow. No question.”
The next big project to come his way was with a 15-year-old from Merrick, Long Island, named Debbie Gibson. “This was something I had never encountered before; a performer who wrote her own music; produced it and had just an engaging personality. Needless to say, she was a smash. Tours, videos, hit singles followed. Totally engaging and creative. I remember being in Bremen, Germany, when I sat with her at a piano and she played me her entire second album … that hadn’t even been recorded or released yet. Totally amazing talent,” adds Salidor.
Also, a life-long association with celebrity-scribe Mark Bego began. Called the “prince of pop bios” by Publisher’s Weekly. 62-books later, their relationship continues to this day. Bego will be releasing a bio on Joe Cocker later this year via Yorkshire Publishing – also a client.
Bego would go on to pen several books on Salidor’s clients; including Debbie Gibson and Madonna. Also, Bego wrote the authorized bio on Micky Dolenz (I’m A Believer) in 1993 and Salidor set up a launch party at NYC Hard Rock Cafe. That was the first time Salidor met Dolenz,which foreshadowed a Dolenz/Salidor PR-connection down the road.
He was also involved with Madonna in her early stages. “Madonna was always a star. You could just feel it. Repping her then boyfriend and producer John Benitez was key. She and I would constantly discuss pr and together we accomplished a lot. Signing her to Seymour Stein’s Sire was a major move for her.”
Salidor also recalls repping a number of prominent DJs turned producers as well, including Jim Burgess; Arthur Baker; Shep Pettibone and Mark Berry. Remembering, “It was an interesting time; people today forget the amazing contributions they made to music. Pettibone’s production and writing of ‘Vogue’ is still a gem to this day.”
Amid so much success, Salidor also recalls the low-points of a career. “When a client leaves after so much success, there’s certainly a mourning period, but it’s also part of the business. Loyalty is a word that gets thrown around a lot, but is not as evident as one would assume in this business. I just read where a major music personality personally delivered tour bonuses to his road crew. In all my years, I’ve never heard of something like that happening … never. Loyalty and professionalism are rare, rare traits.”
Gibson and Profile would eventually leave his purview; although he worked for Gibson on many of her other endeavors.
In 2004 Salidor met Micky Dolenz and they began working together. “No shade to former clients, but Micky is the most professional client we’ve ever had. Certainly, growing up in the family business, as I had, had everything to do with it. Last year Dolenz did a sit-down with CBS Morning’s Anthony Mason which was sensational. Mason, a fan, did a no-holds barred interviews that was universally embraced by not only Dolenz’s huge fanbase, but by other PR-persons as well, which is always an interesting development – having other experts compliment you!” Salidor recalls.
“When you set a campaign up, three things can happen. #1, everything goes well and it’s a smash. #2: It doesn’t go well, and, #3. It happens, but there’s no feedback. The reality is that sometimes, even bad feedback is good. It’s a funny business, but your reputation, contacts and experience is key.”
Regrets … he’s had a few: “There was a jazz/rock/fusion band that made some terrific records, on SONY of all places and though they had a #1 jazz album, they just did not get the respect that they should have had. I love jazz and watching them perform live was just great. The powers-that-be there had their own ideas, which weren’t at all realistic.”
And, “When Debbie Gibson was a hit, every parent that had a child who they thought could sing called us. 99% of them didn’t have it. Talent, success, know-how … it’s something that I’ve always been able to recognize. We’ve worked with several young female-singers, but they just didn’t have the right people in place. One from New Jersey had her father paying for everything, but doing exactly what he wanted and he just didn’t have any idea about the business. He installed solar heating panels!”
Continues Salidor, “Management is key and finding the right one is often not easy; there are a lot of people who profess to be a manger and they’re clearly not. Organizing a campaign is a lot of meticulous work; knowing what the client is capable of is key too. Being a PR-person is akin in some ways to being a closet-psychiatrist – you’ve got to know your limitations. That NYC-week with Micky Dolenz was prodigious because I knew exactly what would work and I knew how well he’d perform.”
Salidor is also currently repping involved writer Terry Jastrow (Anne Archer’s husband); Donnie Kehr’s Rockers on Broadway and writer C.W. Hanes.
What does Salidor see in his future. “Certainly, more of the same. Identifying the talent and trying to develop it to the point of releasing it in the most effective way. Many of my peers say the music business has changed and not for the better. I disagree as there are more opportunities for music and musical artists than ever before. bring it on!
The Glorious Corner
TODD’S AWATS — (from World Cafe) Fifty years ago, Todd Rundgren released his album A Wizard, a True Star, and it sounded like nothing else. World Cafe correspondent John Morrison says Rundgren was pushing boundaries, both in the technical creation of the music but also on a higher level. “Really, the entire approach to sound in this record is exploration of the mind, the spirit, the nature of sound itself,” Morrison says. “Like, the whole album is a trip.” In this session, Morrison takes us on a journey through Rundgren’s A Wizard, a True Star, exploring what the album meant when it came out and how its influence continues to reverberate.
Currently he’s touring with Daryl Hall and there’s a bunch of sessions with Hall that are on Daryl’s House. The way their two voices blend is simply amazing. One of my all-time favorite albums is War Babies, from Hall & Oates in 1974. Just amazing songs and the production, courtesy of Todd, is equally compelling. Stunning!
SHORT TAKES — Joe Pantoliano (Joey Pants) is essaying Morris Levy in the forthcoming play Rock & Roll Man about Alan Freed. Freed is played by Constantine Maroulis. Also coming is the movie Spinning Gold; the story of record exec-Neil Bogart. Both should be something to see … Am reading and reading nothing but rave reviews of Sunday’s Succession on HBO; the first of ten episodes which will wrap up the story. In all the reviews, the writing emerges the star. Jesse Armstrong, a genius for sure. Can’t wait. Check out Roger Friedman’s take from his Showbiz 411: https://www.showbiz411.com/2023/03/22/succession-returns-for-finale-season-sit-down-have-a-drink-or-two-its-intense-as-ever … 79 year old Top Gun: Maverick producer Jerry Bruckheimer: “Don Simpson (Bruckheimer’s late-producing partner) used to say we’re in the transportation business: we transport you from one place to another” …
Terrific Accused episode this week, starring Jason Ritter in Jack’s Story. Jason, John Ritter’s son was just excellent; the show was just renewed by Fox … Steve Miller, out on the road, has some interesting openers for his upcoming tour: Dave Mason and Joe Bonamassa. Mason’s book (Only You Know and I Know) is out in May … Dennis Scott hosted a special invitation-only Happy Birthday, Mister Rogers event in Nashville for media, TV, radio and music industry professionals, with support from ASCAP, this past Monday.
The event featured special musical performances given by country singer-songwriter Teea Goans, singer-songwriter & guitar virtuoso Parker Hastings, who put a Chet Atkins-like spin on the original Mister Rogers’ Neighborhood theme song “Won’t You Be My Neighbor,” and studio vocalist Gary Janney. Here’s the cake prepared for the event … Happy Bday William Shatner ; Chaka Khan; Reese Witherspoon; and Anthony Pomes!
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