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Lush, Poignant, and Utterly Sad John Kander and Susan Stroman The Beast in the Jungle Mesmerizes

Lush, Poignant, and Utterly Sad John Kander and Susan Stroman The Beast in the Jungle Mesmerizes
Tony Yazbeck, Irina Dvorovenko

Tony Yazbeck, Irina Dvorovenko Photo: Carol Rosegg

“I made sure I never had to face what I feared most: I was incapable of love.”

Tony Yazbeck, Irina Dvorovenko

Tony Yazbeck, Irina Dvorovenko Photo: Carol Rosegg

Unable to connect for fear of death is what the romantic John Kander’s (music), David Thompson’s (Script) and Susan Stroman’s new dance play, The Beast in the Jungle, conquers. With music that sinks into your soul, dance that twirls and jumps to attention, and a story that is heartbreakingly more common than we know, this piece – loosely based on Henry James’ novel – captivates.

Tony Yazbeck, Irina Dvorovenko

Tony Yazbeck, Irina Dvorovenko Photo: Carol Rosegg

The show tells the story of John Marcher (the wonderfully cynical, Peter Friedman) who is on a quest of “the great mystical f**k”. But in reality, it is the story of a man who is so haunted by his past that he cannot connect, and because of this, his life is meaningless. He tells his story to his nephew (Tony Yazbeck), who then turns into his younger self.  We first meet him at a funeral where his beast lurks in the foreground, a constant reminder of what he can’t have. When he first falls in love with the lovely May (Irina Dvorovenko), it is Italy 1960 and the beast makes sure this true love is always put at bay. Various lovers come and go, but May is John’s heart – if he had one that was still intact. May is obsessed with Matisse’s study “The Dance,” which brings John back into her life. This time married, the chemistry between the two lovers is strong. It is not only John’s beast but her husband (a terrific performance by Teagle F. Bougere) who keeps them apart. When we finally discover how John and the beast became connected, our hearts hurt for this man who is so damaged that he punishes himself into loneliness.

Yazbeck is part Fred Astaire, Gene Kelly and Nureyev brings his masculine balletic style to full glory. Paired with the exquisite prima ballerina Irina Dvorovenko, the two show courtship pas de deux style. They are poetry in dance.

Stroman’s direction and choreography are truly lovely and elegant. She keeps our attention and we feel for this man who is so lost within himself. Kander’s music is hypnotic and haunting. Thompson’s script has humor and pathos.

Michael Curry’s puppetry, scenic, and costume design are inventive with a simplistic approach that captures our imagination.

How many people’s pasts have created monsters or beasts that do not allow them to reach their true happiness? The Beast in the Jungle highlights this destructive behavior in a way that is a theatrical joy to watch.

The Beast in the Jungle: Vineyard Theater, 108 E. 15th St. Until June 17th.

 

Off Broadway

Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret, opera and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. She has a screenplay and a TV show in the works, which she developed with her mentor and friend the late Arthur Herzog. She is a proud member of the Drama Desk and the Outer Critics Circle and was a nominator. Email: suzanna@t2conline.com

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