Events
Master Class with Kathleen Turner As Part Of Provincetown’s Tennessee Williams Festival

“It all begins with the words. The words that a character uses gives you
an idea of the energy and the kind of mind that this person possesses.”— From Kathleen Turner on Acting: Conversations about Film, Television, and Theater
General public tickets are on sale for a one-day-only Master Class exploring the craft of acting taught by Kathleen Turner. The event will be presented at Town Hall in Provincetown, Ma. on Saturday, September 28 from 9am to noon, as part of the 14th annual Provincetown Tennessee Williams Theater Festival.
Turner will offer a playful and vivid look into her acting and teaching process. As the work unfolds, the discoveries between teacher and student become the audience’s as well.
A Broadway veteran, film star, as well as an accomplished acting teacher, Kathleen Turner has been nominated twice for the Tony Award, for her performance as Maggie in the 1990 revival of Tennessee Williams’ Cat on a Hot Tin Roof and as Martha in the 2005 revival of Edward Albee’s Who’s Afraid of Virginia Woolf? In June, she was Guest of Honor at the Festival’s annual Performance Gala in Provincetown.
Most audiences remember her for her roles in Body Heat, The War of the Roses, Jessica Rabbit in Who Framed Roger Rabbit and Peggy Sue Got Married – for which she received an Academy Award nomination for Best Actress
Tickets to the Kathleen Turner Master Class are $25 each. All Festival Passes and tickets – including access to the Festival’s new Workshop Series of four hands-on Japanese performance classes led by renowned artists – are available for sale online at twptown.org and by phone at 866-789-TENN.
The Provincetown Tennessee Williams Theater Festival is curated and co-founded by David Kaplan author of the book Tennessee Williams in Provincetown. He is also the editor of Tenn at One Hundred, the centennial anthology on the subject of Tennessee Williams’ reputation.
He directed and designed the Russian premiere of Suddenly Last Summer in Russian at the Gorky Theater of Samara, The Eccentricities of a Nightingale in Cantonese at the Hong Kong Repertory Theater, and in Chicago, staged the critically acclaimed world premiere of Williams’ The Day on Which a Man Dies. He’s also directed William’s The Dog Enchanted by the Divine View, Talk to Me Like the Rain and Let Me Listen, Frosted Glass Coffins, A Perfect Analysis Given by a Parrot, The Traveling Companion, and The Chalky White Substance. Plays directed by Mr. Kaplan have appeared in over 40 of the 50 United States.
The Festival is also pleased to announce its new Workshop Series, featuring four hands-on performance classes passing on the craft of Japanese theater, led by renowned artists. Held from Friday September 27 at noon through Sunday afternoon September 29, the workshops will focus on Japanese performance techniques employed by Williams and Mishima in their plays.
The workshops will provide an introduction to the techniques of Japanese Noh (classical drama), Kabuki (popular theater), Kyôgen (traditional farce), and kami-shibai (storytelling with drawings). The workshops are led, respectively, by professional artists Elizabeth Dowd, Mark Oshima, Laurence Kominz, and Natsu Onoda Power.
The 2019 Festival programming will be presented by artists and scholars from Japan, South Africa, Cyprus, Brazil, Oregon, Texas, Florida, North Carolina, Minneapolis, New Orleans, Philadelphia, Washington DC, New York City, and Boston. The festival will also feature parties, post-show mixers, workshops, educational classes, late-night ‘lagniappes,’ Williams 101 discussions, and exclusive donor events throughout the four-day celebration.
This year’s shows include two world premieres: The Lady from the Village of Falling Flowers by Williams (directed by Natsu Onoda Power in the Kami-shibai style using illustrations, in this production drawn live) and the short farce Busu by Mishima, directed and performed by choreographer Daniel Irizarry.
Abrahamse and Meyer Productions from Cape Town, South Africa will stage Tennessee Williams’ The Night of the Iguana in a new production inspired by Japan’s traditional Noh theater. Directed by Fred Abrahamse, the production will feature South African stage star Marcel Meyer, along with Gail Phaneuf, and Everett Quinton, a longtime member of the Ridiculous Theatrical Company. The festival will also present the English-language premiere of Yukio Mishima’s The Lighthouse, staged by director Benny Sato Ambush from a new English translation by Laurence Kominz.
The lineup also includes productions of And Tell Sad Stories of the Deaths of Queens by Williams, The Lady Aoi by Mishima, and an adaptation from Cyprus of The Angel in the Alcove by Williams. The festival culminates in a special Sunday-only staged reading of The Black Lizard by Mishima, starring Yuhua Hamasaki, who competed on RuPaul’s Drag Race. The reading will be directed by Texas Tech University’s Jesse J.
Broadway
Barry Manilow’s and Bruce Sussman’s Harmony Meets The Press Part 2

Yesterday we told you how the cast and creative’s met the press
In today’s edition hear director Warren Carlyle, Barry Manilow and Bruce Sussman describe their show.
The it was a treat as the cast sang 5 songs from the show. Including “Harmony,” Hungarian Rhapsody,” “Where You Go’ and “Stars in the Night.”
Hear The Harmonists Sean Bell, Danny Kornfeld, Zal Owen, Eric Peters, Blake Roman and Steven Telsey, along with Chip Zien, Sierra Boggess and Julie Benko.
The hit song of the show will be the gorgeous ballad “Every Single Day” sung by Danny Kornfeld.
Harmony begins previews at the Barrymore Theatre on Wednesday, October 18, ahead of a Monday, November 13 official opening night.
Photo’s by Genevieve Rafter Keddy
Broadway
The Glorious Corner

JESSE L MARTIN — We caught the debut of Jesse L. Martin’s The Irrational Monday night and really enjoyed it. I’ve been aware of Jesse since his role in Broadway’s Rent and he’s really tremendous. He was great on Law & Order as Ed Green (10 years and 9 seasons); and his role on the CW’s The Flash (as Joe West) was simply terrific.
The show, based on the book by Dan Ariely and created by Arika Mittman, certainly reminds one of The Mentalist or Instinct. This first case isn’t wondrous by any means, but Martin’s charisma carries it all through.
Lauren Holly (NCIS) is in it too, thought her one-scene was over and out in a flash.
I hear the third episode of the show is magnificent, so stay tuned. Don Johnson said many years ago that Don Johnson was made for TV … so is Martin!
SWENSON OUT — (per Deadline) Will Swenson will play his final performance as Neil Diamond in Broadway’s A Beautiful Noise, The Neil Diamond Musical on Sunday, Oct. 29, producers announced today.
A replacement for the starring role will be announced at a future date.
“It’s been the thrill of a lifetime to get to stand in Neil’s shoes,” Swenson said in a statement. “It’s been such an incredible honor to get to know Neil, to tell his powerful story, and bring his amazing songs to Broadway audiences every night. I’m immensely proud of the moving, beautiful show we made. I will miss it very much.”
A reason for Swenson’s departure was not disclosed, but his planned departure date suggests a year-long contract coming to a close: He and the bio-musical began previews at the Broadhurst Theatre last Nov. 2 (official opening was Dec. 4).
“Making A Beautiful Noise with Will Swenson was a deep and wonderful experience,” said director Michael Mayer. “The true affection he has for Neil’s work and life is palpable in every aspect of his tremendous performance. I will miss him terribly, of course, but will always treasure our time together, and very much look forward to the next show we do.”
Swenson has been one of Broadway’s go-to leading men since his breakthrough performance in 2009’s Hair, and he has since starred on the New York stage in Priscilla, Queen of the Desert, Little Miss Sunshine, Waitress and Assassins, among many other shows.
In addition to Swenson, the cast of A Beautiful Noise features a principal cast of Mark Jacoby as the aged Neil Diamond, Robyn Hurder and Shirine Babb.
The musical includes a score of Diamond’s hits, a book by Anthony McCarten, direction by Mayer, and choreography by Steven Hoggett.
He’s pretty tremendous as Diamond. I didn’t see the show straight away, but absolutely loved it when I did. His exit of kind of short notice … but let’s see what happens.
SHORT TAKES — How about those snappy new graphics for NBC’s Today Show. Introduced a week ago, they certainly look more relevant and certainly more fun. They did the same for Nightly News a week ago. Per TVNewser:The network said the decision to unveil a new logo and graphics for Nightly was made as a way of appealing to younger viewers who primarily consume news using digital media. It’s safe to assume is true for Today, the youngest-skewing of the linear morning shows that boasts a robust digital presence. Here’s their whole story:
The next Rolling Stones single, “Sweet Sounds of Heaven,” is tremendous. Mick hasn’t sounded this good in years and Lady Gaga is an added treat. Magnificent! Take a listen: https://www.youtube.com/watch?v=YEJd5xtbEPY …
Donnie Kehr and Cori Gardner’s Rockers On Broadway (their 30th edition) is coming up on Monday, October 16 at SONY Hall.
Joining honoree Melissa Etheridge will be KT Tunstall and Debbie Gibson, Simon Kirke, Dan Finnerty and Ty Taylor … Happy Bday Chuck Taylor!
NAMES IN THE NEWS –— Anthony Noto; Tom & Lisa Cuddy; Paul Lester; Ian Harrison; Magda Katz; Pete Townshend; Miko Blanco; Brad LeBeau; Mal Evans; Derek Taylor; Andrew Sandoval; Rick Rubin; Bill Adler; Cory Robbins; Manny Bella; Race Taylor; Scott Shannon; Buddy Blanch; Steve Walter; Benny Harrison; and BELLA!
Broadway
Barry Manilow’s and Bruce Sussman’s Harmony Meets The Press

Harmony, has been in rehearsals for 3 weeks and yesterday morning, they meet the press.
Barry Manilow, wrote the original music.
Bruce Sussman, who wrote the book and lyrics
director/choreographer Warren Carlyle
and producer Ken Davenport started the show off to a harmonious roll. Harmony begins previews Wednesday, October 18, ahead of a Monday, November 13 official opening night.
Many of the cast are making their Broadway debuts with Harmony, including 5 of the 6 actors playing the Harmonists.
The Harmonists, along with Chip Zien finished out the morning with a performance of the song “Stars in the Night.”
The production also stars performers Sierra Boggess and Julie Benko.
Tomorrow meet the men of Harmony
Cabaret
Cabaret, Talks and Concerts For October

The question would be, what to pick to go see, out of the multitude of offerings. Here are our picks for October
92 Street Y: 1395 Lexington Ave. 10/1: Dr. Jane Goodall in Conversation with David Rubenstein; 10/4: Fashion Icons with Fern Mallis: Martha Stewart; 10/9: “Gutenberg! The Musical!”: Josh Gad and Andrew Rannells in Conversation with MTV’s Josh Horowitz; 10/10: Arnold Schwarzenegger in Conversation: BE USEFUL: Seven Tools for Life; 10/12: Audra McDonald: Musings through Music with Andy Einhorn and 10/28 – 30: Tale as Old as Time: The Songs of Howard Ashman
Birdland Jazz: 315 West 44 St. Every Monday at 9:30pm Jim Caruso’s Cast Party; Every Tuesday at 8:30pm The Lineup with Susie Mosher; Every Saturday at 7pm Eric Comstock with Sean Smith (Bass) & special guest Barbara Fasano (Voice); 10/2: A Collective Cy Jeff Harner sings Cy Coleman; 10/9: The Unprecedented Amanda Green & Friends; 10/16: Maude Maggart: “Here Come The Dreamers” and 10/23: Jamie deRoy and Friends and 10/26 -28: Karrin Allyson: “Brazilian Nights And Beyond” Feat. Vitor Goncalves, Rafael Barata & Harvie S.
Cafe Carlyle: 35 E 76th St. 10/3-7: Peter Cincotti; 10/11 -14: Patina Miller; 10/17 – 28 John Pizzarelli & Jessica Molaskey and 10/31 – 11/8: Steve Tyrell

Hailey Kilgore by Tom Lupton, Derek Klena by Jenny Anderson, Javier Muñoz by Chad Griffith, Ali Stroker by Jenny Anderson
Carnegie Hall: 881 7th Ave at 57th St. 10/2: Lyle Lovett and His Large Band; 10/18: A Very Good+ Night of Comedy with Jerry Seinfeld, Kevin Hart, Jim Gaffigan, Amy Schumer & Ronny Chieng
Special Guest D-Nice and 10/27: The New York Pops with Hailey Kilgore, Derek Klena, Javier Muñoz and Ali Stroker
Chelsea Table + Stage: Hilton Fashion District Hotel, 152 W 26th St. 10/20: Marieann Meringolo
Don’t Tell Mama: 343 W. 46 St. 10/28: Quinn Lemley
Dizzys Club Coca Cola: Frederick P. Rose Hall, Broadway at 60th Street. 10/1: Songbook Sundays: Harold Arlen
The DJango: 2 Avenue of the Americas.
54 Below: 254 West 54 St. 10/2 The New York Pops Underground; 10/2, 17, 28 and 30: Norbert Leo Butz Sings Torch Songs for a Pandemic; 10/3, 7 and 11 Linda Eder; 10/5 -6 Mauricio Martínez: 5’11” Based in NYC, feat. Linedy Genao & more!; 10/8: Little By Little Reunion Concert, feat. Darrin Baker, Liz Larsen, and Christiane Noll; 10/12: Lee Roy Reams: Uncensored! For Adults Only!’ 10/14 -16 and 23 -25 and 30: Marilyn Maye; 10/20 – 21: Lorna Luft; 10/22: A Gentleman’s Guide 10th Anniversary Celebration and 10/ 26 -28: Jai Rodriguez: A Thousand Sweet Kisses
The Green Room 42: 570 10th Ave. 10/9: Natalie Joy Johnson; 10/11 – 12, 14 -15: Candace Bushnell; 10/15: Reeve Carney; 10/17: Spencer Day; 10/19 Mamie Paris and 10/24: Dawn Derow and Sean Harkness
Sony Hall: 235 W. 46th St. 10/4:Daniel Nardicio presents Witch Perfect An all live-singing parody of Disney’s Hocus Pocus feat. Emmy-winning stars from RuPaul’s Drag Race: Scarlet Envy, Tina Burner & Alexis Michelle and 10/16: Rockers on Broadway 30th Anniversary
Theatre at the West Bank Café: 407 West 42 St. 10/14 and 28: Mark Nadler – CRAZY
The Town Hall: 123 West 43rd Street. 10/10: A Not That Fancy Conversation and Performance with Reba Mcentire and 10/11: Alec Baldwin’s Here’s The Thing Live With Michael Wolff
Art
Midnight Moment For October Presents Circadian Nocturne

In October from 11:57pm – 12am, artist Anna Ridler introduces a new kind of countdown clock in Times Square. Using complex algorithms to explore non-human ways of keeping time, Ridler’s Circadian Nocturnefeatures AI-generated animations of night-blooming and night scented flora – queen of the night cactuses, the moonflower, night-blooming jasmine, night phlox, and evening stock. Painterly petals slowly blossom into a dreamlike garden — chronobiological clocks set against the mechanical and digital structures that set the pace of our contemporary lives.
Created with artificial intelligence and a high-tech machine that can keep time at an atomic level, Circadian Nocturne also pairs modern, highly precise computerized timekeeping methods with the often unpredictable and imprecise imagery created by autonomous digital software and is part of an ongoing project exploring time and technology. Welcoming this tension, Ridler visually obscures tech-based accuracy with something more organic and in sync with the natural landscape.
Launching in the fall, an artist-designed mobile app featuring a smaller, single screen version of the project and an original musical score by composer William Marsey will accompany the Times Square presentation of Circadian Nocturne, allowing for more intimate experience of the work from anywhere in the world.
Based in London, Anna Ridler is an artist and researcher who works with systems of knowledge and how technologies are created in order to better understand the world. She is particularly interested in ideas around measurement and quantification and how this relates to the natural world. Her process often involves working with collections of information or data, particularly datasets, to create new and unusual narratives.
Ridler holds an MA in Information Experience Design from the Royal College of Art and a BA in English Literature and Language from Oxford University along with fellowships at the Creative Computing Institute at University of the Arts London. Her work has been exhibited at cultural institutions worldwide including the Victoria and Albert Museum, the Barbican Centre, Centre Pompidou, HeK Basel, the ZKM Karlsruhe, Ars Electronica, Sheffield Documentary Festival and the Leverhulme Centre for Future Intelligence. She was a European Union EMAP fellow and the winner of the 2018-2019 DARE Art Prize. Ridler has received commissions by Salford University, the Photographers Gallery, Opera North, and Impakt Festival. She was listed as one of the nine “pioneering artists” exploring AI’s creative potential by Artnet and received an honorary mention in the 2019 Ars Electronica Golden Nica award for the category AI & Life Art. She was nominated for a “Beazley Designs of the Year” award in 2019 by the Design Museum for her work on datasets and categorization.
Meta builds technologies that help people connect, find communities, and grow businesses. When Facebook launched in 2004, it changed the way people connect. Apps like Messenger, Instagram, and WhatsApp further empowered billions around the world. Now, Meta is moving beyond 2D screens toward immersive experiences like augmented and virtual reality to help build the next evolution in social technology.
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