Ambassador Theatre Group, Gavin Kalin Productions, and Hal Luftig announced today that two-time Tony Award®winner Matthew Broderick and two-time Emmy Award® winner Sarah Jessica Parker will return to Broadway in the first-ever New York revival of Neil Simon’s classic comedy about marriage, Plaza Suite, in a production directed by Tony Award winner John Benjamin Hickey.
Plaza Suite will play a strictly limited 17-week Broadway engagement at Hudson Theatre (141 West 44th Street), with previews beginning March 13, 2020 and an official opening night set for April 13, 2020. Plaza Suite will mark the first time Broderick and Parker will share a Broadway stage since the 1995 revival of How To Succeed in Business Without Really Trying. This event will also mark Broderick’s return to the words of Neil Simon, having won his first Tony Award for creating the role of Eugene Jerome in Simon’s Brighton Beach Memoirs, followed by its sequel, Biloxi Blues.
Looking back on his three-decade long collaboration with the legendary playwright, Broderick said, “It was my great good fortune that my very first Broadway play was written by Neil Simon. He also wrote my first film. I owe him a career. The theater has lost a brilliantly funny, unthinkably wonderful writer and even after all this time I feel I have lost a mentor, a father figure, a deep influence in my life and work.”
Prior to coming to New York, in a move reminiscent of the golden age of Broadway when stars would take plays out of town, Broderick and Parker will travel with the production to Boston for a strictly limited 22-performance pre-Broadway engagement at the Emerson Colonial Theatre, the same theater where Plaza Suite had its 1968 world premiere and in 1976, Parker made her Boston stage debut as Flora in the pre-Broadway engagement of The Innocents.
Tickets for Plaza Suite will go on sale exclusively for American Express® Card Members on Tuesday, September 10 at 10 AM ET. American Express Card Members can purchase tickets before the general public through Wednesday, September 18 at 9:59 AM ET by visiting www.plazasuitebroadway.com. Audience Rewards® members will have access to tickets beginning Wednesday, September 18 at 10 AM ET through Wednesday, September 25 at 9:59 AM.
Tickets go on sale to the general public starting at 10 AM ET on Wednesday, September 25.
Two world-class actors play three hilarious couples in this uproarious and piercing look at love and marriage from legendary playwright and Pulitzer Prize winner Neil Simon. This new production will mark the first revival of a Neil Simon play following his passing last August at the age 91. He is remembered as one of the most celebrated, successful, and beloved writers in Broadway history having written more than 30 plays and musicals.
When Plaza Suite first opened on Broadway in 1968, directed by Mike Nichols and starring George C. Scott and Maureen Stapleton, it ran for nearly three years and played a total of 1,097 performances. Simon and Stapleton were nominated for Tony Awards for Best Play and Best Performance by a Leading Actress in a Play, respectively, while Nichols won the Tony Award for Best Direction of a Play. In 1971, Simon adapted the play for a big screen adaptation starring Walter Matthau, Stapleton, Barbara Harris, and Lee Grant. In 1982, HBO broadcast a taping of a live stage performance of Plaza Suite starring Lee Grant and Jerry Orbach. In 1987, Carol Burnett opposite Hal Holbrook, Dabney Coleman, and Richard Crenna starred in a television movie adaptation of the play co-directed by Roger Beatty and Kenny Solms.
The design team for Plaza Suite is two-time Tony Award winner John Lee Beatty (set design), Tony Award winner Jane Greenwood (costume design), five-time Tony Award winner Brian MacDevitt (lighting design), Tony Award winner Scott Lehrer (sound design), and Jim Carnahan (casting director). Plaza Suite is general managed by 101 Productions, Ltd.
Additional information, including complete casting, will be announced shortly.
Neil Simon (Playwright) has been represented on Broadway by Come Blow Your Horn; Little Me; Barefoot in the Park; The Odd Couple (1965 Tony Award); Sweet Charity; The Star-Spangled Girl; Plaza Suite; Promises, Promises; Last of the Red Hot Lovers; The Gingerbread Lady; The Prisoner of Second Avenue; The Sunshine Boys; The Good Doctor; God’s Favorite; California Suite; Chapter Two; They’re Playing Our Song; I Ought to Be in Pictures; Fools; Brighton Beach Memoirs; Biloxi Blues (1985 Tony Award); the female version of The Odd Couple; Broadway Bound; Rumors; Lost in Yonkers (1991 Pulitzer Prize, Tony Award);Jake’s Women; The Goodbye Girl; Laughter on the 23rd Floor; Proposals; The Dinner Party; and 45 Seconds From Broadway. His Off-Broadway credits includeLondon Suite. His films include Barefoot in the Park, The Odd Couple, The Out-of-Towners, Plaza Suite, The Heartbreak Kid, The Prisoner of Second Avenue,Murder by Death, The Sunshine Boys, The Goodbye Girl, The Cheap Detective, California Suite, Chapter Two, Seems Like Old Times, Only When I Laugh, I Ought to Be In Pictures, Max Dugan Returns, Brighton Beach Memoirs, Biloxi Blues, and Lost in Yonkers. Simon passed away in August 2018 at the age of 91.
John Benjamin Hickey (Director) previously directed Theresa Rebeck’s play Bad Dates starring Julie White at Playwrights Horizons. His Broadway acting credits include Six Degrees of Separation, The Normal Heart (2011 Tony Award for Best Featured in a Play), Mary Stuart, The Crucible, Cabaret, Love! Valour! Compassion!. Off-Broadway he appeared in Dada Woof Papa Hot, God’s Heart, The Substance of Fire (Lincoln Center), L!V!C! (Obie Award), Blue Window (MTC), The End of the Day (Playwrights Horizons), The Autumn Garden (Williamstown Theatre Festival. His film credits include Sublet (forthcoming), Mapplethorpe, Truth, Pitch Perfect, The Anniversary Party, Infamous, Flags of Our Fathers, The Taking of Pelham 123, Transformers 2: Revenge of the Fallen. On television, he has appeared in “Jessica Jones,” “The Good Fight,” “Manh(a)ttan,” “The Good Wife,” and “The Big C” (Emmy nomination). Juilliard School graduate.
Matthew Broderick most recently starred in The Starry Messenger, at Wyndham’s Theater in London’s West End. In 2018, he appeared in The Seafarer at the Irish Repertory Theater and The Closet at the Williamstown Theater Festival. Previously, he was seen in The New Group’s Evening at the Talk House at the Pershing Square Signature Center and in Shining City at the Irish Repertory Theatre (Obie Award). Prior to that, he starred in A. R. Gurney’s comedy Sylvia alongside Annaleigh Ashford. He made his stage debut at 17 in Horton Foote’s On Valentine’s Day opposite his father, James Broderick. Off-Broadway: Torch Song Trilogy (Outer Critics Circle, Villager Award), The Widow Claire. Broadway: Brighton Beach Memoirs (Tony, Outer Critics Circle, Theatre World awards), Biloxi Blues, How to Succeed in Business… (Tony, Drama Desk, Outer Critics Circle awards), Night Must Fall, Taller Than a Dwarf, The Producers (Tony, Drama Desk, Outer Critics Circle nominations), Roundabout’s The Foreigner, The Philanthropist, The Odd Couple, Nice Work If You Can Get It and It’s Only a Play. TV: “The Music Man” on ABC and “Master Harold and the Boys” on Showtime. Films include: Max Dugan Returns, WarGames, 1918, On Valentine’s Day, Ferris Bueller’s Day Off, Project X, Ladyhawke, Biloxi Blues, Glory, Family Business, The Freshman, The Lion King, Infinity (directed by Mr. Broderick and written by his mother Patricia Broderick), The Cable Guy, Addicted to Love, Inspector Gadget, Election, You Can Count on Me, The Last Shot, Marie and Bruce, Strangers with Candy,Wonderful World, the film adaptation of The Producers, Bee Movie, Then She Found Me, Finding Amanda, Tower Heist, Rules Don’t Apply, and Manchester By The Sea.
Sarah Jessica Parker has worked in theater, on and off Broadway, since 1976 when she debuted on Broadway in The Innocents directed by Harold Pinter. Other Broadway credits include: the title role in Annie, How To Succeed in Business Without Really Trying, and Once Upon A Mattress. Off-Broadway credits includeSylvia (originated titled role Manhattan Theatre Club, Spring 1995: Drama Desk nomination 1995), The Substance of Fire by Jon Robin Baitz (Playwrights Horizons, Lincoln Center Theatre), The Heidi Chronicles by Wendy Wasserstein (Playwrights Horizons), To Gillian On Her 37th Birthday (the original production, Ensemble Studio Theatre, Circle in the Square ), April Snow by Romulus Linney (Ensemble Studio Theatre), and By Strouse (Manhattan Theatre Club). Parker starred in HBO’s highly acclaimed television series, “Sex and The City” from 1998-2004 for which she received an Emmy and four Golden Globe Awards. She reprised her role for the screen adaptation of the hit series with the theatrical release of Sex and The City and Sex and The City 2. Past film credits include Here and Now, I Don’t Know How She Does It, Smart People, Failure To Launch, The Family Stone, State and Main, Mars Attacks!, Ed Wood, The First Wives Club, Miami Rhapsody, Honeymoon in Vegas, Footloose, and L.A. Story. Parker recently starred in HBO’s “Divorce” for three seasons. She was nominated for a Golden Globe for her performance. Other television credits include “Equal Justice” and “Square Pegs.” Parker currently serves as a Vice-Chairman of The Board of Directors for the New York City Ballet.
Sunday’s Broadway Forever Concert Postponed Until October 15
Today, Broadway Forever announced that the Sunday, September 24th concert will be postponed to Sunday, October 15th at 11:00AM due to expected severe weather in New York City. The Sunday, October 15th concert will take place at Lou Gehrig Plaza in the Bronx (East 161st Street, Grandview Place).
A complete line up of appearances and performances will be announced soon.
For the second consecutive year, NY Forever, in partnership with City National Bank, the New York City Department of Transportation and 161st Street Business Improvement District presents Broadway Forever,empowering New Yorkers across the city to build a better city for all.
Fans will have the opportunity to sign up for future community service opportunities in all five boroughs, which will be coordinated by New York Cares and their partner organizations.
Broadway stars performing throughout New York City celebrate the creativity and resilience that is intrinsic to the city – and provide an opportunity to recognize the volunteers and community organizers who work hard to make New York a better place. The concerts will bring Broadway entertainment to DOT’s Public Space Programming, a city initiative that brings free activities to public spaces.
The events are produced and staged by 6W Entertainment, with additional support from New York Cares and the Times Square Alliance.
For more information about City National, visit the company’s website at cnb.com.
Theatre News: Wicked, The Wiz, Hypnotique, Female Troubles and Love In The Time Of Crazy
Broadway’s blockbuster Wicked, in partnership with National Day Calendar, has announced that October 30 will officially become National Wicked Day, in honor of the hit Broadway musical’s debut at the Gershwin Theatre (245 West 51st Street) on October 30, 2003.
This marks the first time that a Broadway show will have its own official day in the National Day Calendar. With this inclusion, Wicked joins some of the most recognizable National Day celebrations, including National Barbie Day, National Star Trek Day, National Scrabble Day, National Winnie the Pooh Day, and National Teacher Appreciate Day, among others.
Read the official announcement HERE.
Currently Wicked 4th longest-running show in Broadway history, and will celebrate its 20th Anniversary on Broadway this October 30th.
The Broadway production of Wicked currently features Alyssa Fox as Elphaba, McKenzie Kurtz as Glinda, John Dossett as The Wizard, Michele Pawk as Madame Morrible, Jordan Litz as Fiyero, Jake Pedersen as Boq, Kimber Elayne Sprawl as Nessarose, and William Youmans as Doctor Dillamond.
Emmy Award®-winning music director and Grammy Award®-winning writer, Adam Blackstone, joins the creative team as Dance Music Arranger for the revival of The Wiz. The Wiz will launch a national tour on September 23, 2023 in Baltimore, MD before returning to Broadway for a limited engagement in the 2023/24 season.
“Joining The Wiz’s creative team has been a very surreal moment. I remember watching the film on VHS daily for years, wondering how it sounded so incredible, how MJ transformed into the Scarecrow, and the score and orchestrations truly told a story all of its own. Fast forward to today, I get to musically partner with Terence Vaughn and reunite with my brother, super choreographer and creative director JaQuel Knight, and explore our own interpretation for a revival of this masterpiece. I am excited and look forward to this body of work changing lives, just like it did for me in the 80’s!” stated Adam Blackstone.
The cast will include previously announced Wayne Brady to lead the production as the Wiz on Broadway in Spring of 2024, San Francisco (January 16 – February 11, 2024) at the Golden Gate Theatre, and Los Angeles (February 13 – March 3, 2024) at the Hollywood Pantages Theatre. Alan Mingo Jr. will star in the role of the Wiz in the following cities of The Wiz National Tour this fall, kicking off with the tour launch in Baltimore, including Cleveland, OH, Washington, DC, Pittsburgh, PA, Charlotte, NC, Atlanta, GA, Greenville, SC, Chicago, IL, Des Moines, IA, Tempe, AZ and San Diego, CA.
The cast will also feature Nichelle Lewis as Dorothy, Deborah Cox as Glinda and Melody A. Betts as Aunt Em and Evillene, Kyle Ramar Freeman as the Lion, Phillip Johnson Richardson as the Tinman, and Avery Wilson as the Scarecrow. The Wiz ensemble includes Maya Bowles, Shayla Alayre Caldwell, Jay Copeland, Allyson Kaye Daniel, Judith Franklin, George, Collin Heyward, Amber Jackson, Jackson, Jones, Jones, Kindle, Mariah Lyttle, Kareem Marsh, Anthony Murphy, Rae, Matthew Sims Jr, Avilon Trust Tate, Keenan D. Washington, and Timothy Wilson.
The production will include ‘Everybody Rejoice’ music and lyrics by Luther Vandross, as well as the ‘Emerald City Ballet’ with music by Timothy Graphenreed.
The McKittrick Hotel (530 West 27th Street, NYC), home of Sleep No More, announced the opening of Hypnotique – A Late Night Sultry Spectacle. Performances have been extended on Friday and Saturday nights through October 14, 2023. The all-new Hypnotique revue offers a unique after-dark experience that envelops you. Audiences are captivated by spontaneous performances and mesmerizing dancers, accompanied by daring sonic soundscapes in a surreal ambiance in The Club Car.
The cast features Chloé Lexia Worthington, Courtney Sauls, Fabricio Seraphin, Haley Bjorn, Jacob Nahor, Jesseca Scott, Maurice Ivy, Maya Kitayama, Samantha Greenlund, Victoria Edwards, and swings Alex Sturtevant, Cameron Arnold, Kennedy Adams, and Stacey Badgett Jr..
Cocktails inspired by the experience, including the signature Hypnotonique (an electrifying punch made with cucumber-infused vodka, elderflower liqueur, and grapefruit juice), are available from The Club Car’s bar.
Performances are offered on Fridays and Saturdays at 10:30PM. General Admission tickets with standing room are currently priced from $65 per person.
Two industry readings for Female Troubles, an original musical comedy, will happen next week at Open Jar Studios. Female Troubles is a completely original musical comedy featuring lyrics by two-time Tony Award nominated and Grammy Award nominated songwriter Amanda Green (Mr. Saturday Night, Hands On A Hardbody, Bring It On), music by three-time Emmy Award nominee Curtis Moore (“The Marvelous Mrs. Maisel”), book by Emmy Award-winning writers Gabrielle Allan and Jennifer Crittenden (“Veep,” “Arrested Development,” “Seinfeld,” “The Simpsons,” “HouseBroken”) and directed by Tony Award winner Christopher Gattelli (Disney’s Newsies, My Fair Lady, “Schmigadoon,” “Schmicago”).
The cast for the readings will includeKrystina Alabado, Kevin Del Aguila, Amanda Green, Lilli Cooper, Lillias White, Lesli Margherita, Ryann Redmond, Kate Rockwell, Matt Saldivar, Alanna Saunders, Trent Saunders, Jake Swain, Sav Souza, Rachel Stern and Frank Viveros.In Female Troubles, Elinor Benton finds herself surprisingly and undeniably “knocked up” — and, since she’s unmarried and this is 19th century England, she has a very big dilemma. Facing ruin, she and her girlfriends embark on a raucous journey to find the one notorious woman who can help them with their “female troubles.” Their misadventures change the course of each of their lives. This uproarious musical comedy asks the trenchant question “Can you believe this sh*t is still happening in 1810?”
I attended the reading of Love In The Time Of Crazy withbook and lyrics by Peter Kellogg (Outer Critics Winner for Desperate Measures), music by Stephen Weiner (two-time Richard Rodgers Award winner) and David Hancock Turner (orchestrator for Desperate Measures and Penelope), directed by Lauren Molina (Desperate Measures ). The cast stared Philippe Arroyo, Stephen DeRosa, Robin Dunavant, David Merino, Josh Lamon, Roe Hartrampf and Alexis Cofield .
Love in the Time of Crazy is a riot, but, you know, in a good way.
The Glorious Corner
WENNER TAKES A DOWN —Jann Wenner always speaks his mind and this week he may have overstepped just a bit. In an interview that ran in the New York Times about his new book called Masters, he quite openly said that there were no black or R&B artists in it, because they were not able to articulate properly. I know, I felt the same way reading that. Minutes later, he was let go by the board of the Rock and Roll Hall of Fame, which he helped start with Ahmet Ertegun way back in 1983.
His Like A Rolling Stone autobiography book was quite an indulgent read last year, but Wenner has in the last several years suffered several health set backs and it was pointed out that he may not be in his right mind. Still, he should have spoken way more carefully. I’ve known Wenner for decades and trust me, he feels he’s way entitled, and that said, you can rest assured that there were dozens and dozens of people (and former employees) waiting to take him down.
The sad fact is that most of the accusations are true. That said, let’s face it Rolling Stone magazine in it’s heyday was a miraculous outlet for so much music and terrific journalism – from Ben Fong-Torres to Hunter Thompson and Jann himself .. it was distinguished. Now, he may have killed it all.
Rolling Stine magazine Monday posted this – essentially disowning his from the magazine: “Jann Wenner’s recent statements to the New York Times do not represent the values and practices of today’s Rolling Stone. Jann Wenner has not been directly involved in our operations since 2019. Our purpose, especially since his departure, has been to tell stories that reflect the diversity of voices and experiences that shape our world. At Rolling Stone’s core is the understanding that music above all can bring us together, not divide us.”
Here’s the report from Deadline: https://deadline.com/2023/09/jann-wenner-removed-rock-and-roll-hall-fame-foundation-board-1235548690/comment-page-1/#comment-3858649
DREW’S BLUES — Boy, what did Drew Barrymore ever do to deserve the treatment she’s been through with the media. Sure, her ideas to bring back her daily-chat fest was a good one, for the right reasons, but everyone from Rosie O;’Donnell to the trade papers have bounced on her like madmen. I never met her, don’t hate her, but really … let’s get back to something real, like these Russell Brand-accusations!
SHORT TAKES — We finally caught David Bryne and Fatboy Slim’s Here Lies Love and absolutely loved it. I remember it well when it premiered at the Public Theater way back when and knew they were trying to get it to Broadway. Honestly, I never thought twice about the Ferdinand and Imelda Marcos story, but the play was riveting then and it remains now. They’ve outfitted NYC’s magnificent Broadway Theater with disco-balls galore and club-lighting and the immersive experience is terrific. Here’s a great re-cap of the play’s evolution from Theatre Guide: https://www.newyorktheatreguide.com/theatre-news/news/how-the-music-of-here-lies-love-evolved-on-the-way-to-broadway …
Micky Dolenz appeared on Sunday’s Breakfast With The Beatles with Chris Carter (on KLOS) and talked about his new Dolenz Sings R.E.M. on Glenn Gretlund’s 7a Records. He also talked about his time with The Beatles and John Lennon. Carter also played a mash-up of Monkees and Beatle-songs which was done in England and it was superb. Here’s a shot from the event at LA’s Hard Rock Cafe on Highland and Hollywood Blvd. … SIGHTING: PR-pasha David Salidor and Benny Harrison at Monday’s Cutting Room tribute to Burt Bacharach … RIP Sammy Ash …
I’ve been thinking the best way to describe Jimmy Buffet and I saw this headline in LA Magazine: leisure evangelist– and it fits perfectly …
Happy Bday Donnie Kehr and Richard Branciforte.
NAMES IN THE NEWS — Dan Mapp; Brad Auerbach; James Clash: Robbie Robertson; Carol Ruth Weber; Randy Alexander; Tom & Lisa Cuddy; Andrew Gans; Kathy Brown; Roger Clark; Chris Boneau; Tricia Daniels; Dan Zelinski; Benny Harrison; Steve Walter; Gil Friesen; Donna Dolenz; Dan Mapp; Brad Auerbach; James Clash; and ZIGGY!
Inside the 2023 American Theatre Wing Gala
The American Theatre Wing 2023 Gala Celebration was held last night, September 11, 2023 at Cipriani 42nd Street. Performers incldued Oscar nominee & Tony Award winner Leslie Odom Jr., Grammy Award-winning rock icon Melissa Etheridge, Emmy nominee Tituss Burgess, “American Idol” star and Broadway favorite Justin Guarini, Tony Award winner LaChanze, Tony Award winner Chuck Cooper, and Tony Award nominees Shoshana Bean, Brandon Victor Dixon, Judy Kuhn, Lilli Cooper, and Eddie Cooper.
The Gala honored “Unsung Heroes of the Theatre Industry.” From dressers who execute seamless quick changes between scenes, to understudies and swings who go into a show with little to no notice and don’t miss a beat, to makeup artists responsible for the flawless faces seen on stage, and so many more vital contributors to the theatrical art form, the 2023 Gala celebrates members of the theatrical community who don’t often get the recognition they deserve.
The Glorious Corner
STRIKE UPDATE— (Via TV Line) “9-1-1, what’s your TV emergency?” The dual WGA and SAG-AFTRA strikes need to be resolved by the end of this month if scripted primetime fare such as 9-1-1: Lone Star and The Cleaning Lady are to return with new episodes in the 2023-24 TV season, says Fox entertainment president Michael Thorn.
When last we tuned in, 29 days ago, the WGA had countered the AMPTP’s latest offer; no next meeting has been scheduled. Things are proceeding even slower on the SAG-AFTRA front. Sources tell TVLine that it will take scripted shows roughly eight weeks to get back into production once the strikes are resolved.
“You’re going get to a point in the fall, in the late fall, where it’s going to be very hard to launch [scripted shows] within the traditional TV viewing season,” Thorn told our sister site Deadline.
If the strikes are resolved later than October 1, that’s where difficult scheduling decisions will have to be made.
“If that means the [delayed scripted] show could work and succeed in the summer [of 2024], great,” Thorn said. Or, “If it’s better to wait for the fall and use football and sports” to promote/launch scripted seasons, “we’ll do that.
“You could use October 1 as the date” by which the writer and actor strikes need to be settled,” Thorn added. “Every show is different but sometimes when you’re staring at a May launch date, you always wonder, ‘Is that the best time?’” to premiere a season/series
Fox’s fall TV slate features one full night of scripted animated fare (on Sundays), while the rest of the week is rife with multiple Gordon Ramsay cooking competitions, new seasons of Special Forces: World’s Toughest Test, Name That Tune and The Masked Singer, 9-1-1: Lone Star reruns, the new, David Spade-hosted Snake Oil game show, and, of course, Friday Night SmackDown.
But whenever the magical day comes for live-action scripted fare to return to our screens, “we’re going to return those shows with vigor,” Thorn avowed. “We really pride ourselves on ‘less is more’ and we were fortunate to be able to really put our money where our mouth is in that regard. When we return, Animal Control is going to get the full backing of this far-reaching platform [as will] John Wells’ new show, Rescue: Hi-Surf, when we launch it.”
Several columns back we posited that the strike might just be settled by Labor Day .. and we were lambasted with emails from a scattering of actors, writers and below-the-line talent that it would not be. They were right. As Gordon Gekko said, greed is good. Is it? Let’s all make nice and good back to work.
SHORT TAKES — As you may know the Toronto Film Festival has been going on and the two films that have received the most buzz are the Paul-Simon/Alex Gibey doc,
In Restless Dreams and Knox Goes Away starring Michael Keaton, who also directs, with Al Pacino, can’t wait to see both. Bravo! …The latest episode of Hulu’s Only Murders In The Building was just OK. So far, this third season has totally underwhelmed us. We said a few columns back it was most likely due to the fact that Martin hasn’t written any of the episodes so far. Why? I have no idea. Matthew Broderick played himself, but with a little more anxiety than usual, but the real highlight of this episode was a video-phone call between Martin Short and Mel Brooks. Irresistibly funny … Hard to believe that it’s the 25th anniversary of MTV’s ground-breaking TRL Live (Total Request Live).
Carson Daly did a nice remembrance on Thursday’s Today Show, even citing John Norris and Kurt Loder, who were key correspondents. They taped many of the shows at NYC’s long-gone Palladium (now an NYU dorm), but many, many memories come to mind; Hall & Oates rehearsing in their dressing room
and running into Debbie Gibson is one. Daly pointed out -and rightly so- TRL was a fan-driven show, where viewers had to request what to hear. These days I guess it’s just a download. Much missed for sure …
Funny watching Carrie Underwood this morning; as she she reminded me so much of Shania Twain. from the music, to her visuals. As always, her “Before He Cheats” is tremendous and a big crowd pleaser … It’s a funny world for sure.
When RL Stine’s Goosebumpsfirst debuted in 1992, it was heralded as refreshingly new, both for the kid-demo and its brilliance. There were a few attempts at a series (even with Stine introducing them) and even a movie in 2015 that did just so-so. Now, with Netflix’s Stranger Things having hit a home run, Disney+ is starting a series, with Justin Long, that appears to veer dangerously close to Stranger Things. Also, oddly enough, Stine does not appear to be involved with it. He says: “I wish I knew something about it. I’m not in the loop. It looked to me like they weren’t going to do an anthology show. They were going to do something different that was some kind of continuing story. That’s what it appeared. But I have no information about it.” It begins on October 31. Have a look at the trailer:
Great Bernie Taupin interview on NY Live with Sara Gore. They’re friends, so the interview as sensational. Check it out:
NAMES IN THE NEWS —Andrew Sandoval; Jacqueline Boyd; Alison Martino; Robert Funaro; Tom & Lisa Cuddy; Roy Trakin; Daryl Estrea; Glenn Gretlund; Jane Blunkell; Roger Friedman; Felix Cavaliere; Dan Mapp; Jim Kerr; Sam Rubin; Liz White; Grace Mendoza; Roy Trakin; and ZIGGY!
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