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Matthew Broderick, John Leguizamo, Blair Underwood, Cecily Strong And More For Virtual Benefit

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On August 16 at 8PM, beloved Hamptons venue Guild Hall will host a special virtual benefit featuring a cast of incredible actors performing three short plays by Emmy-nominated and Drama Desk-winning playwright Eugene Pack. The benefit, called The Pack – Short Comedies by Eugene Pack, was recorded via Zoom and the actors taking part are Tony Award-winners Matthew Broderick & John Leguizamo, Blair Underwood, Cecily Strong, Rachel Dratch, Sherri Shepherd, Tony Award-winners Andrea Martin & Santino Fontana, Maulik Pancholy, and Dayle Reyfel.

The price to view this virtual benefit event is $50 per household; patrons can buy a virtual ticket at www.GuildHall.org/ThePack and will be emailed a link to the private YouTube Live feed for the premiere beginning 24 hours before showtime. This benefit follows Guild Hall’s recent virtual benefit reading of the play “Same Time Next Year” with Julianne Moore & Alec Baldwin.

The plays for 8/16 are “Let’s Meet Up” with Matthew Broderick & John Leguizamo; “Hold” with Sherri Shepherd, Blair Underwood and Dayle Reyfel; and “Aunt Cora” with Rachel Dratch, Santino Fontana, Maulik Pancholy, Cecily Strong and Andrea Martin.

The Pack Benefit is an extension of the hugely successful Pack Podcast, a new spoken word series featuring star-studded casts performing short comedy plays by Eugene Pack. Launched in May, the podcast benefits The Actors Fund(www.ActorsFund.org) and Feeding America (www.FeedingAmerica.org). The plays are available at www.ThePackPodcast.org and new plays are made available each week on Thursdays. The Guardian newspaper called the Pack Podcast one of the “Best Culture at Home” events for summer 2020.

Called a “prodigiously gifted storyteller” by The LA Times and “the next Neil Simon for these times” by Alec Baldwin, Eugene Pack is the creator of Celebrity Autobiography which ran on Broadway & won the Drama Desk Award in the category of “Unique Theatrical Experience.” He has performed with the show on tour and internationally including the West End, Scotland and the Sydney Opera House. An Emmy-nominated writer, Pack is also the creator/exec. producer of the hit CMT series “Dallas Cowboys Cheerleaders: Making the Team.”

Guild Hall, one of the first multidisciplinary centers in the country to combine a museum, theater, and education space under one roof, was established in 1931 as a gathering place for community where an appreciation for the arts would serve to encourage greater civic participation. For nearly nine decades, Guild Hall has embraced this open-minded vision and provided a welcoming environment for the public to engage with art exhibitions, performances, and educational offerings. Art and artists have long been the engine of Guild Hall’s activities and the institution continues to find innovative ways to support creativity in everyone.

Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret, opera and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. She has a screenplay and a TV show in the works, which she developed with her mentor and friend the late Arthur Herzog. She is a proud member of the Drama Desk and the Outer Critics Circle and was a nominator. Email: suzanna@t2conline.com

Entertainment

Live From The Hotel Edison Times Square Chronicles Presents Classical/Rock Violinist Daisy Jopling

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“Live From The Hotel Edison Times Square Chronicles Presents ”, is a new show that is filmed live every Wednesday from 5 – 6 in the lobby of the iconic Hotel Edison, before a live audience. To see our first episode click here second episode click here and for our third episode click here.

You can also see us on

Pandora:

https://www.pandora.com/podcast/live-from-the-edison-hotel-times-square-chronicles-presents/PC:1001084740

Stitcher:

https://www.stitcher.com/show/1084740

Spotify:

https://open.spotify.com/show/2nKQcaG9hnSeLkxUgR2BzI

Amazon:

https://music.amazon.com/podcasts/e3ac5922-ada8-4868-b531-12d06e0576d3

Apple Podcasts:

https://podcasts.apple.com/us/podcast/live-from-the-edison-hotel-times-square-chronicles-presents/id1731059092

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Celebrity

The Glorious Corner

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G.H. Harding

YOUNG’S 12 — (via Ultimate Classic Rock) Since he began making records in the 60’s, Neil Young has seldom let a year or two pass between albums. Even as the last LP by Buffalo Springfield was being prepped for release, the Canadian singer-songwriter was making his self-titled solo debut, which came out just a few months later.

Young has never been reluctant to follow his creative muse, even if he’s in the middle of another project. More than one time during his career he’s shelved a project just to move on to something else. Sometimes – as in the case of Homegrown and Chrome Dreams – those records would be released at a later (sometimes much later) date; in other instances, we’re still waiting.

All this productivity and activity can lead to periods of inconsistency, as you’ll see in the below list of the 12 Worst Neil Young Albums. One era in particular stands out: the ’80s (spoiler: Six successive albums during the decade make the list). But LPs from the ’60s, ’70s, ’90s and the ’00s are here, too.When you’re as prolific as Young, they can’t all be After the Gold Rush and Harvest. Even when the records didn’t reach his usual standards, most of them still found new ways to continue on the restless path he started in the mid-’60s. From synth-pop and traditional country to ’50 rock ‘n’ roll and horn-spotted soul, Young’s instincts rarely took him to expected destinations.

Are You Passionate?’ (2002)

Young’s 24th album was supposed to be another Crazy Horse collaboration, Toast, which didn’t get released until 2022. Instead, he pivoted to a record with Booker T. & the MG’s that was billed as a soul album and included Young’s response to 9/11, “Let’s Roll.” One of the shelved Crazy Horse tracks is included, and it concludes with a nine-minute jam. Scant direction and thin songs sink Are You Passionate?

‘Peace Trail’ (2016)

Young’s 36th studio LP was sandwiched between a live album with Promise of the Real and a solo archival release recorded in 1976. Both are preferable to this quickly assembled record made with drummer Jim Keltner and bassist Paul Bushnell. Its political points are similar to the ones he’d been supporting since the ’60s, but now with a technological lean (there’s even some Auto-Tune on a track). Instantly disposable.

‘Storytone’ (2014)

The second of two albums released by Young in 2014 (the first was the solo acoustic A Letter Home), Storytone featured big band and orchestral backings to songs inspired by a new romance with actress Daryl Hannah. Forgettable and uncertain – swing and classical don’t mix all that well – the album arrived during a period of prolific activity. An equally unmemorable stripped-down version of the album was released at the same time.

‘Old Ways’ (1985)

Young’s country album Old Ways was first proposed after 1983’s Trans, the synth-based LP he delivered to Geffen. The label balked and insisted on a rock album instead; they got the 1950s throwback Everybody’s Rockin’. Young returned to his country album in 1985, enlisting Waylon Jennings, Willie Nelson and fiddle and pedal steel musicians. Another unremarkable genre detour during Young’s most dour decade.

‘Everybody’s Rockin” (1983)

Young’s second Geffen LP was as baffling as the first. But where Trans moved forward, Everybody’s Rockin’ was a throwback to 1950s rockabilly, complete with a retro look (pompadour, face-dominating sideburns) and name (Neil and the Shocking Pinks). Four songs were covers; an original (“Wonderin'”) dated to 1970. It runs less than 25 minutes. Geffen soon sued Young for making deliberately uncommercial records.

‘Landing on Water’ (1986)

Three genre-specific albums left Young at odds with Geffen Records in the mid-’80s to the point where the label sued him for making records that didn’t sound like Neil Young records. Landing on Water was his return (albeit once again stitched together from years-old sessions) to fuss-free rock music. Good luck finding a memorable song, though. Even Young has referred to Landing on Water as a “piece of crap.”

‘Broken Arrow’ (1996)

After 1989’s career-reviving Freedom, Neil Young had an admirable run in the first half of the ’90s. Then Broken Arrow arrived. Shaken by the death of longtime producer David Briggs, Young and Crazy Horse falteringly recorded the LP over a month, often with no guidance or direction (the first three songs each run more than seven minutes and are little more than aimless jams). An unsteady new era was around the corner.

‘This Note’s for You’ (1988)

After a contentious five-album run with Geffen, Young returned to Reprise for his 16th LP. But he still wasn’t ready to discard the ’80s explorations that marked the decade. The flimsy This Note’s for You, co-credited to the Bluenotes (a horn-based group with other ties to Young’s past), dipped into jump blues music while adhering to a slim conceptual thread about commercialism. At least it contained a minor hit in the title track.

‘Life’ (1987)

Neil Young made five albums with Geffen in the ’80s, none of them particularly good. But at least most of them have some sort of identifiable tag: synth-pop, rockabilly, country. Life has nothing to single it out. Mostly recorded live with overdubs added later, the Crazy Horse collaboration ended Young’s controversial relationship with Geffen on a sour, but expected, note. Maybe the most easily dismissed LP in his entire catalog.

‘Trans’ (1982)

After more than two dozen years with Reprise Records, Neil Young jumped to the flourishing Geffen label for his 12th album. Nobody expected his first record under the new contract to be a futuristic new-wave LP made with synths and a vocoder altering Young’s voice – especially the label. Young has said he made Trans to communicate with his son, who had cerebral palsy. A year later Geffen filed a lawsuit.

‘American Stars ‘n Bars’ (1977)

Neil Young’s catalog is scattered with albums stitched together from various session sources. For his eighth LP, he collected nine songs recorded over a two-and-a-half-year period, starting in 1974. The results were mixed. The stripped-back country rock made with Crazy Horse on Side One has little connection to the plugged-in fury of “Like a Hurricane,” a mid-decade highlight, and the solo acoustic “Will to Love.” Aimless.

‘Neil Young’ (1968)

Young’s solo debut isn’t terrible, it’s just a letdown after the buzz he generated with Buffalo Springfield. Only a handful of songs (including “The Loner,” fleshed out onstage over the years) make an impression; the rest finds the still-growing singer-songwriter tentatively stepping away from his former band while occasionally tethered to their era-identified folk rock. Better things were to come.

SHORT TAKES — On Wednesday’s Today Show, Carson Daly revealed his first concert ever was Ziggy Marley. And as he and a friend took their seats, it seemed to Daly as if smoke rose from the stage. Daly’s friend said it was happy smoke

Leah McSweeney

I never heard of Leah McSweeney (another Bravo Housewife), but Tuesday she filed a lawsuit against Andy Cohen. More lurid details for sure. Is Andy this year’s Harvey? I’ll tell you, between Cohen, Puffy and the gals … it’s a huge, huge mess and heads will definitely roll at NBC/Comcast. Stay tuned … Yankee-Bernie Williams is at the Carlyle?

I haven’t heard his music, but this reminds me of Knick-Earl Monroe years back introducing his Pretty Pearl Records. I honestly don’t even remember the artists, but the project came and went pretty quick … Debbie Gibson on the 80’s Cruise with Wang Chung; Escape Club; English Beat; Soft Cell; Air Supply; Ray Parker; Animotion; and Tommy Tutone. Check it out here: https://the80scruise.com/lineup/

Richard Lewis photo by Stephen Sorokoff

So sad about Richard Lewis. He used to be a very, very frequent companion to me back in the day at Lorelei on West 58th street. He was always so funny and sweet. A true companion for the naughty 90’s. He’ll be much missed …

Kjersti Long

Zach Martin interviews 17-old wunderkind Kjersti Long on his NEW HD radio today …  Felix Cavaliere and The Rascals at the Patchogue Theater on April 26 and SONY Hall on May 17th … Happy BDay Zach Lloyd; Mitch Ryder; Roy Trakin; and Judy Libow!

Debbie Gibson

NAMES IN THE NEWS — Jacqueline Boyd; Nancy Harrison; Tom & Lisa Cuddy; Jim Kerr; Debbie Gibson; Heather Moore; Roger Friedman; Mark Bego; Melinda Newman; Joe Lynch; Obi Steinman; Felix Cavaliere; Amanda Naylor; Tolouse Bean; Howard Jones; Mark Alpert; Donald Johnson Kyla Nicole; Angela Tarantino;n Barry Fisch; and SADIE!

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Events

Eli Marcus Brings His Networking Event to Fushimi Times Square

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Eli Marcus, Chief Marketing Officer of NYC’s largest circulation Visitor Magazine, City Guide, has done it again. On February 28th he organized a wonderful networking event for those in the hospitality and theater communities. And true to form he did so in a beautiful new restaurant on West 43rd Street off 8th Avenue – in the heart of Times Square. Fushimi Times Square is the latest outlet for the Japanese group who has had success in Staten Island, Bay Ridge and Williamsburg. Their restaurant at 311 West 43rd Street is a welcome entry to the area and now that the scaffolding is gone from that block it is a pleasant walk to the welcoming door of this beautiful space.

Fushimi Beautiful decorations

The decor has a beautiful sculpture of a fish hanging from the ceiling which depicts the delicious selections of sushi and sashimi prepared by the talented chefs.

The talented chefs are in view as they create these delicacies.

Guests at the evenings event were served appetizers of amazing tuna tartare and a variety of warm dishes of dumplings, and eggrolls – pork, shrimp and vegetarian.

Tuna tartare is a burst of flavor

Dumplings and Eggrolls were served

Barry Huang, manager of Fushimi Times Square is a silhouette in the long entry way to this beautifully designed restaurant.

Eli and Ramon

Eli invited some interesting people to the event. Publicist to megastars, Ramon Hervey II, has an interesting podcast  and is the author of The Fame Game.

Eli and Hugh Hysell

Hugh Hysell is a major force in the New York social circles and it was great to see him at the event.

Errol, Quinn and Eli

Errol Rappaport, promoter, and singer, actress, Quinn Lemley, who just returned from London where she performed her one woman show about Rita Hayworth joined Eli at the event.

Rocksax gave out merch to lucky winners

Rocksax, purveyor of officially licensed music merchandise was in attendance and gave out some of their product to some lucky attendees.

The beautiful bar

In addition to the wonderful food, Fushimi’s beautiful bar is a welcome spot to relax.

The crowd

As usual the attendees had an excellent time meeting, chatting and enjoying the food

Barry and Eli

Eli looks on as the Fushimi manager, Barry Huang thanks the guests for coming

Barry and the DJ

Barry and the DJ kept the food, drinks and music going through the event

I look forward to returning to Fushimi at 311 West 43rd Street for a full dinner of their excellent visionary Japanese-fusion dishes.

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Broadway

Grand Hotel: The 35th Anniversary Original Broadway Cast Reunion Concert at 54 Below

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Grand Hotel original cast members Karen Akers, Timothy Jerome, Bob Stillman, David Jackson, David Andrew White, and Walter Willison, reunited last night at 54 Below. Even original bass player Ray Kilday was there.

Tim Jerome

The fabulous David Jackson, David White

54 Below was transformed into Berlin’s Grand Hotel for the event. The staging was immersive as Walter Willison, introduced, directed and produced. The choreography (originally done by Broadway legend Tommy Tune, was there celebrating his 85th birthday on Monday night).

Two tango dancers (Michael Choi and Vanda Polakova), circled the room making their way to the stage for “I Waltz Alone.” The concert featured choreography by Michael Notardonato, who also served as associate director.

Bob Stillman Jennifer Bassey Davis

Ken Jennings

Willison, who also played Colonel Doctor Otternschlag) kept Maury Yeston’s entire glorious score. “I Want to Go to Hollywood” for example. That number was skillfully sung by Susan Wood Duncan, who played Flaemmchen in the touring cast.

Bob Stillman

Walter Willison

Ken Jennings stepped in as Otto Kringelein, leading the company in a moving “We’ll Take a Glass Together!” was sung in the bar area.

Diane J. Findlay

A highlight was Diane J. Findlay

Karen Akers

Jennifer Bassey Davis as Elizaveta Grushinskaya, and Akers as Rafaella, were haunting.

Susie McCollum

Harper Lee Andrews and Susie McCollum played the roles their mothers originated.

The cast

On Monday Happy Birthday closed the show to a reprise of “We’ll Take a Glass Together” and thus they did.

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Entertainment

Live From The Hotel Edison Times Square Chronicles Presents Maury Yeston and Victoria Clark Rescheduled

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I am so pleased to announce that on March 13th we are rescheduling our interview with are two time Tony winner Maury Yeston and two time Tony winner Victoria Clark.

“Live From The Hotel Edison Times Square Chronicles Presents ”, is a new show that is filmed live every Wednesday from 5 – 6 in the lobby of the iconic Hotel Edison, before a live audience. To see our first episode click here second episode click here and for our third episode click here.

Hope you can join us for what will be one fabulous musical night.

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