Meet Brett Boles Whose New TikTok Series Spills The Tea On Broadway Musical Theatre
Brett Boles, an award-winning musical theatre composer/lyricist, high school choir teacher, and longtime member of the BMI Lehman Engel Musical Theatre Workshop has launched a new series on TikTok called “The M. Tea.” In one month’s time, it has amassed a following of over 100,000 with more than 40 episodes released.
“Welcome to The M. Tea, is a series where Brett ‘spills the tea’ on why certain musical theatre songs work so well, from a songwriter’s perspective!” In short, dynamic 60-second segments, Boles works his way through some of musical theatre’s most cherished repertoire (both classic and contemporary) to point out why composers and lyricists make the choices they make, and how those choices affect your emotional response to the work.
“I get to combine my experience as a songwriter, my adoration of the musical theatre art form, and my passion for education all at the same time,” Boles writes. The series was born out of a desire to educate musical theatre performers and consumers about how songs are put together. “I noticed that there was a lack of content like this, and my hope is that after listening to me pull back the curtain to reveal the creative process behind songwriting for the theatre, people will listen to musical theatre tunes with new ears, and be able to pick up on some of the nuances that make the songs come alive—and this is exactly what seems to be happening.”
Also a lifelong musical theatre performer, Boles holds live sessions on TikTok every Friday night at 9:30PM EST, where he takes questions, analyzes specific tunes upon request, and plays and sings for his followers, taking requests. “It’s a wonderful community we’ve created, and I would invite everyone to join the M. Tea family! We talk, sing, learn, and geek out about musical theatre,” states Brett.
Going forward, it is Boles’s hope that post-pandemic, the show will have enough of a following that a live tour might be possible. “I would love to take the show on the road with me at the piano, and a Broadway ‘leading lady’ to perform tunes with me in their entirety before I do my crazy analysis. I would take requests and questions from the audience, and start to bring back some of the theatrical joy that’s been missing during this difficult time.”
Brett Boles is an award-winning musical theatre composer, lyricist, bookwriter and music director. His original musical Foreverman premiered at NYMF where it garnered awards for Outstanding Orchestrations and the New World Stages Development Prize. Brett has also collaborated with composer Natalie Tenenbaum on an adaptation of Benjamin Button, which has had showings at the York Theatre Off-Broadway and the Southwark Playhouse in London. He has also written original material for three of the four original Broadway Matildas, which they premiered at 54 Below. Brett’s work has been performed by Broadway greats including Jeremy Jordan, Josh Young, and Janine DiVita. In 2013, he co-conceived From Broadway With Love: A Benefit Concert for Sandy Hook with Tony-winning producer and founder/president of Broadway Records Van Dean. As a vocal arranger, Brett has worked with Seth Rudetsky, arranging work for Stephanie Mills and Orfeh for the Concerts for America series. Brett currently serves as the Director of Choirs at Hall High School in West Hartford, CT. He is a proud member of the Tony-honored BMI Lehman Engel Musical Theatre Workshop, and the Dramatists Guild of America.
To check out The M. Tea on TikTok click here
You can find Boles and The M. Tea on TikTok @brettboles, on Instagram @brettbolesmusic, and on YouTube @brettboles. As well as on Facebook @themteafb.
Jessica Chastain Strips Down Bare A Doll’s House and is Luminescent
In watching Jamie Lloyd’s version of Ibsen’s A Doll’s House, it feels like a scene study class. The set is stripped bare, there are no props, no costumes, no curtain, no children except their voices and no touching. On the wall is written 1879 and what was three acts is now one hour and fifty minutes, no intermission.
Jessica Chastain, is Nora who enters and sits on a wooden chair as the turntable circles about 15 minutes before the play starts. Slowly the other characters enter and sit with their backs to Nora.
The play starts as her husband Torvald (Arian Moayed), has been given a promotion at the bank where he works. At first Nora seems frivolous spending money they do not have yet for Christmas presents, for everyone but herself. She is scolded, then indulged as her husband controls her world, as do all the men around her. When Kristine (Jesmille Darkbouze), an old childhood friend returns needing a job, she makes Nora also feel like her life is trivial, until Nora confesses she secretly borrowed money years ago when Torvald was sick and has been paying it off. Torvald is about to fire Krogstad (Okieriete Onaodowan), but we find out he was who loaned Nora the money and that she forged her father’s name on the promissory note, which is a crime. If this secret gets out it will ruin the whole family.
Nora turns to her her husband’s best friend Dr. Rank (the wonderful Michael Patrick Thornton) for help. Their chemistry is undeniable, but he tells her he loves her breaking the boundries and she can not confess to her indiscretion with the signature. Dr Rank sees Nora for who she is and tells her he is about to die pushing her to the edge.
Trying her best to stop what is inevitable Nora decides to commit suicide. She is sure Torvald will give up everything due to his love for her. Instead she learns and wakes up to the truth. She has and will always be controlled by men. The pattern started with her father and when Torvald learns the truth, instead of being on her side, he berates her with hate. When Krogstad has a change of heart and decides not to blackmail the family, Torvald turns back to wanting his wife, but the truth has opened up her eyes to a world she does not and can not live it.
Chastain starts off low key and like an onion, peels down to the core. She subtly steals your heart and has you cheering for her. She is seriously one fabulous actress, with her face conveying everything. She should win the Tony for this performance. Moayed as Torvald comes off as weak and ineffectual. You never understand why Nora has given everything to this man. Onaodowan gives off villainy vibes until he shows us Krogstad pain and heart. Thornton as Dr Rank, steals nearly every scene.
The language feels too contemporary and Lloyd’s directing choices are not always effective, but Amy Herzog’s adaptation really made me feel the power of the text.
The end made me want to break out and sob. Men, still really do not see us or the small sacrifices we make or the large ones done in secret to better their lives. We love them, but we need to start loving ourselves.
A Doll’s House: Hudson Theatre, 141 West 44th Street until June 10th
Theatre News: Smash, I Need That, Good Night, Oscar, Funny Girl, This Beautiful Lady and In The Trenches: A Parenting Musical
The NBC television series Smash is coming to Broadway for the 2024-2025 season. Robert Greenblatt, Neil Meron and Steven Spielberg will produce. The musical will feature a book co-written by three-time Tony Award nominee Rick Elice and Tony winner Bob Martin. Tony and Grammy winners Marc Shaiman and Scott Wittman (Some Like It Hot). The team earned three Emmy nominations for their songs from the “Smash” series will pen the score, which will feature numbers from the TV show.
Five-time Tony winner Susan Stroman (New York, New York) will direct and Tony nominee and Emmy Award winner Joshua Bergasse will choreograph.
The series was created by Theresa Rebeck and Spielberg, launch the series. Spielberg is also one of the co-producers of Good Night, Oscar, which begins performances at the Belasco Theatre on April 7.
Official dates, theater, creative team and casting for the “Smash” stage musical will be announced at a later date.
Speaking of the Pulitzer Prize finalist playwright Theresa Rebeck, Danny DeVito and Lucy DeVito are set to star in her new play I Need That at the Roundabout. The new comedy will be directed by Tony nominee Moritz von Stuelpnagel which will open at the American Airlines Theatre in October. The cast will also include Ray Anthony Thomas. … Also newly announced for Roundabout’s new Broadway season is a spring 2024 revival of Samm-Art Williams’ 1980 Tony-nominated play “Home.” Tony winner Kenny Leon will direct
Speaking of Good Night, Oscar, Doug Wright’s play was named finalist for 2023 new play award by The American Theatre Critics Association. The other six finalists for the 2023 Harold and Mimi Steinberg/ATCA New Play Award include: Born With Teeth by Liz Duffy Adams, the ripple, the wave that carried me home by Christina Anderson, Sally & Tom by Suzan-Lori Parks, Spay by Madison Fiedler and
Swing State by Rebecca Gilman.
Paolo Montalban and Anne L. Nathan are joining Lea Michele in Funny Girl as Florenz Ziegfield and Mrs. Strakosh. Montalban and Nathan will replace original cast members Peter Francis James and Toni DiBuono, who take their final bows on March 26th.
Elizabeth Swados’ This Beautiful Lady will play at La MaMa this May. Previews will begin May 5 for the Off-Broadway run ahead of the May 8 press opening, with performances set through May 28 in the Ellen Stewart Theatre.
In The Trenches: A Parenting Musical, with book, music, and lyrics by Graham & Kristina Fuller, will receive industry readings on Friday, March 24th at 11am & 3pm at Ripley Grier Studios. The readings will be directed by Jen Wineman (Dog Man: The Musical) and will feature music direction by Rebekah Bruce (Mean Girls) and arrangements by Dan Graeber, Graham & Kristina Fuller.
The cast of In The Trenches features Amanda Jane Cooper (Wicked), Jelani Remy (The Lion King, Ain’t Too Proud), Christine Dwyer (Wicked), Caesar Samayoa (Come From Away), Max Crumm (Grease, Disaster!), and Vidushi Goyal.Join two bleary-eyed young parents as they trudge through the trenches and discover their new post-baby identities. In an evening of new-parent greatest hits, a foul-mouthed toddler zeroes in on “the most dangerous thing in the room”, tap dancing towards bleach, knives, and tide pods; a chronically-overlooked younger sibling sings the “second child blues”; a mom trio celebrates yoga pants in an R&B love song to the “official mom uniform”; dad discovers he’s not the “ice-cream and movie-night cool parent” but rather the “do your homework real parent” amid a kiddo sugar-crash; and mom retrieves a sticky, hair-covered pacifier from the floor of a LaGuardia bathroom while her baby screams bloody murder and her flight boards without her.
Foul Play on Broadway
Photo by Bruce Glikas/wire image
According to Page Six a serial pooper has been leaving presents in the aisle of the Shubert Theater. The last incident happened near Hillary and Chelsea Clinton during a performance of Some Like It Hot.
According to a theater staff member other presents have appeared.
I am thrilled to announce that the show has been attracting VIPs including Steven Spielberg, Martin Short, Debbie Allen, Bo Derek, Eddie Izzard, Hank Azaria, Kristin Chenoweth and more.
Some Like It Hot, has some of the best songs, choreography, direction and performances on Broadway, so I am thrilled the audiences are finally noticing.
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