Music
Migguel returns to Joe’s Pub for an Exploration of Latin and Queer Identity

Inspired by the drama and passion of the boleros of his Latin American youth, the ever-hypnotic Migguel Anggelo returns to the legendaryJoe’s Pub at The Public Theater to premiere his new show, LatinXoxo – An Unrequited Serenata.
On January 31st and February 1st, Anggelo will embark on a
transformative journey of romance —one free from gender
roles— guided by reimagined Latin icons of love. Blending
classic Spanish love songs, their contemporary pop
counterparts, and original compositions, LatinXoxo – An
Unrequited Serenata, promises to be deeply emotional.
Growing up in Venezuela, Anggelo was raised on Boleros. He
says “Boleros have always been the way Latins express their
emotions though song. Whether about sadness, flirtation, expressions of passionate rage, or just elemental love, boleros are the voice of the heart.”
Best known for his poignant song cycles that illuminate political and social issues and serve as a voice to marginalized communities, Anggelo keeps in stride with his latest offering; shining a light on gender, queer, and Latin identity. Boleros are steeped in preconceived notions of gender roles; from who pays, to who proposes. LatinXoxo seeks to shatter those notions and break the binary (reminding us that we can be many sides at once, both the virgin and the lover, the feminine and the masculine, the seducer and the seduced), and deconstruct these antiquated Latin figures and refocus them through a queer lens.
Hailed by critics as “a dynamic treat” and a mixture of “Mambo meets Andy Kaufman, spiced with a pinch of Michael Bublé,” Anggelo has taken cues from Lin Manuel Miranda, John Leguizamo and Cesar Alvarez, using his performances as a vehicle to explore issues of heritage, identity, tradition, language and more as a first-generation Latino immigrant. By doing so, he holds a mirror for those that don’t find their story represented on the stage. This manifested most recently inWelcome to La Misa, Baby, which premiered in late 2017 at the Clemente Cultural Center. In this sold-out one-man play, Anggelo responded to the Pulse Nightclub shooting by introducing us to an array of characters in a gay nightclub, and depicting the sacred role these clubs play in the LGBTQ community.
Events
Did You Know Andrea Bocelli and Hauser Performed Live from Times Square

The Journey is an exploration of the moments that define us, the songs that inspire us, and the relationships that connect us to what matters most. Bocelli and his wife Veronica travel on horseback along Italy’s Via Francigena, an ancient road traveled by pilgrims for centuries in the footsteps of the apostles and saints. Along the way, they are joined by friends Michael W. Smith, Tori Kelly, Tauren Wells, and TAYA for world-class musical performances in some of Italy’s most magnificent venues and majestic locations. Following a blessing from the Pope, Bocelli’s children Matteo and Virginia make appearances in this amazing adventure, as well as musicians and singers Katherine Jenkins, Clara Barbier Serrano, 2Cellos, 40 Fingers, and many others.
To celebrate this release Andrea Bocelli and Hauser performed Melodramma live from Times Square.
Celebrity
The Glorious Corner

HERE’S BEKKA — (from Rolling Stone) Bekka Bramlett grew up around John Lennon and George Harrison, but nothing could prepare her for joining Fleetwood Mac in 1994, during one of the rockiest periods in the band’s history.
The Bekka Bramlett incarnation of Fleetwood Mac released a single album, 1995’s Time, before dissolving the next year to make way for a lucrative Hells Freezes Over-style reunion album and tour by the classic Rumours lineup. This period of the band may seem like little more than a footnote to some rock fans, but it was a pivotal time for Bramlett, and she looks back on it without any regrets.
“I knew my job was to get Stevie back,” she tells Rolling Stone from her home in Nashville. “I wasn’t a moron. I also knew this was a dangerous job when I took it. I knew I was facing tomatoes. But I didn’t want to wear a top hat. I didn’t want to twirl around. I wanted to be me. I even dyed my hair brown just so people in the cheap seats would know that Stevie wasn’t going to be here. I didn’t want anyone to be discouraged or let down.”
Joining Fleetwood Mac at 26 would have been a shock to the system of most singers, but Bramlett had been living in close proximity to rock stars her entire life. When she was very young, her parents toured and recorded with George Harrison, Eric Clapton, and many other A-list rock stars, winning renown as Delaney & Bonnie and Friends. Those artists also spent a lot of time at her mansion in the Hollywood Hills.
Bramlett didn’t realize any of this was unusual until she boarded the school bus one morning gripping her Disney Princess lunchbox. “This other little girl had a Beatles lunchbox,” she says. “I said to her, ‘I know him. He’s on our couch right now.’ I pointed to George Harrison. ‘I know him too.’ I pointed to John. She started hitting me since she thought I was lying. I was petrified and confused. I thought they were just Daddy’s friends that had accents.”
When she was just four years old, her father recruited Bekka and her sister Suzanne to sing background vocals on his song “California Rain.” “My mom had to get some gaffer tape to keep the headphones on my head since I was so little,” she says. “I used to hate the way it sounds, and now I love it so much. It’s so endearing.”
Right around this time, her parents split up, and she went to live with her father and grandmother. “It was weird, since mostly the moms got the babies back then,” she says. “But my parents were alcoholics. My grandmother never even smoked cigarettes or said cuss words. She brought us to church every Sunday, Wednesday, and Monday. We were in safe hands with our grandmother. I think both of my parents trusted that.”
Delaney and Bonnie both struggled to find solo success in the Seventies, and they dealt with significant substance abuse issues, but Bekka inherited their talents, and she knew from a young age that she’d devote her life to music. “I briefly thought I’d be a lawyer, but I thought I’d be a singing lawyer,” she says. “Then I wanted to be a jockey since I love horses, but I thought I’d be a singing jockey. Music is just what I’m good at.”
As a teenager with a fake ID in the early Eighties, Bramlett spent many nights checking out bands on the Sunset Strip. “I remember standing on the side of the stage as Guns N’ Roses played,” she says. “Seeing it up close, I was like, ‘This is why you never try heroin.’ But then I’d go into the audience and be like, ‘This is why you join a rock & roll band!’”
SUCCESSION — (via Deadline) The Roys are back with a vengeance. The Season 4 premiere of Succession drew an audience of 2.3M on Sunday across HBO Max and linear telecasts, which is a series high for same-day viewers. Total viewing for Sunday night was up 62% compared to Season 3’s premiere viewership of 1.4M in October 2021. At the time, that marked the best premiere night performance of any HBO original series since HBO Max launched in May 2020. Sunday’s viewership is also up about 33% from the Season 3 finale’s 1.7M. Season 3 averaged about 7.2M viewers per episode, according to HBO.HBO also says that all previous seasons of succession saw a 4x increase in viewership in the week leading up to the Season 4 premiere, compared to the week prior.
The Roy family saga picks up as the sale of media conglomerate Waystar Royco to tech visionary Lukas Matsson (Alexander Skarsgård) looms. The prospect of the seismic sale provokes existential angst and familial division among the Roys: patriarch Logan Roy (Brian Cox) and his four grown children, Kendall (Jeremy Strong), Siobhan (Sarah Snook), Roman (Kieran Culkin) and Connor (Alan Ruck). A hopefully Roy-esque power struggle will ensue as the family weighs up a future where their cultural and political weight is threatened.
Succession has 13 Emmys including Best Drama Series wins for its Season 2 and Season 3, the latter of which premiered in 2021.
We had mentioned earlier that most of the advance reviews said the writing was the star of the premiere episode and I definitely agree. Creator Jesse Armstrong wrote it and delivered just a stellar job. The episode began with a grumpy-Brian Cox at his birthday and took a few moments to develop into the powerhouse it has become, but it was very, very enjoyable.
Sure some of the dialogue and plot harked back to earlier episodes, but it’s so good, you hardly noticed. And the ending with Shiv and Tom, alone at at home and contemplating their futures, was just splendid and reeked of the amazing emotion the show almost always conjures up. A class act all around.
Variety confirmed this week, that the locale of the next White Lotus, from Mike White, will be Thailand. Now, if we could only get Jennifer Coolidge back … Congrats to New York Independenteditor Keith F. Girard on his second novel –
just out: The Curse of Northam Bay …PR-pasha David Salidor was interviewed by Charles Rosenay for Monkee Mania Radio … Christopher Nolan’s Oppenheimer open July 21 and it is indeed 3 hours.
Events
indieplazaoutdoor Music Festival is Coming to Rockefeller Plaza

Get ready for the second annual indieplazaoutdoor music festival coming to Rockefeller Plaza this September! The first indieballroom show will kick of the music series on Sunday, May 7 at 7p.m., featuring SQÜRL, Bria, and a special guest (for tickets click here).
Rough Trade first partnered with Rockefeller Center back in the summer of 2021, and they featured artists such as Megan Thee Stallion, Mary J Blige, Father John Misty, and Japanese Breakfast.
The festival is part of a larger four-part concert series that includes quarterly indieballroom shows at the Rainbow Room, featuring three artists, two stages, one ballroom, and a full bar, all tied together with jaw-dropping views of NYC.
The indieplazaoutdoor music festival will be held at 30 Rockefeller Plaza.
Last year’s show featured 20+ musical guests including Claud, Yaya Bey, The Muckers, Say She She, Cola, and more.
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