In the golden age of Manhattan night life top vocalists of the day would begin their engagements in venues like The Copa, Latin Quarter, Oak Room, Living Room, and similar glamorous nightspots.  In the same month you might have Jack Jones at the Plaza’s Persian Room, Buddy Greco swinging in the Americana’s Royal Box and Vic Damone headlining the Rainbow Room.  It all created a special kind of entertainment euphoria and excitement in New York City.

When the 54 Below advertisements came out heralding Clint Holmes’ engagement it rekindled that feeling for me.  Clint’s talent and fame have been well established over decades and he’s just the type of performer who makes a town more exciting when he’s appearing in it.  Seeing Clint’s extraordinary performance last night at 54 Below in his  show celebrating Peter Allen, (back to back after being thrilled by Tom Jones at The Beacon and Barry Manilow at Radio City) brought me back to that era of New York’s glittering night life.  What a joy to be in the audience and get that adrenaline rush from legendary performers whose artistry and charisma have not diminished, and are now communicating an even deeper expressiveness and musical eloquence than in their earlier years.

Here are photos from the closing night of Clint Holmes sensational run at 54 Below and an after party hosted by Producer Sunny Sessa saluting Director Will Nunziata, Music Director Michael Orland, guest artists Nikki Renee Daniels and Kelly Clinton- Holmes.

CLINT HOLMES

CLINT HOLMES

CLINT HOLMES

MICHAEL ORLAND, NIKKI RENEE DANIELS , CLINT HOLMES, KELLY CLINTON-HOLMES, WILL NUNZIATA

CLINT HOLMES & WILL NUNZIATA, DIRECTOR

NIKKI RENEE DANIELS

CLINT HOLMES & NIKKI RENEE DANIELS

CLINT HOLMES

KELLY CLINTON -HOLMES & CLINT HOLMES

KELLY CLINTON-HOLMES

KELLY CLINTON HOLMES & CLINT HOLMES

AARON ROMERO, MICHAEL ORLAND, NIKKI RENEE DANIELS, CLINT HOLMES, KELLY CLINTON-HOLMES, WILL NUNZIATA, JAKUBU GRIFFIN, JOHN ISLEY

MICHAEL ORLAND & DEBBIE GRAVITTE

LUBA MASON & BILLY STRITCH

CLINT HOLMES, EDA SOROKOFF, KELLY CLINTON-HOLMES

SUNNY SESS, PRODUCER & GARRY KIEF

EDA SOROKOFF & LUBA MASON

BILLY STRITCH, LUBA MASON, DEBBIE GRAVITTE, MICHAEL ORLAND, STEPHEN SOROKOFF

CLINT HOLMES

On Sunday look for a brand new charcuterie of Josh Groban and Annaleigh Ashford in Sweeney Todd..  I loved the new production, and it’s two leads.

John Kander & Fred Ebb / Bob Fosse musical Chicago is now the longest running show playing on Broadway. Having played 10,338 performances, Chicago is the Tony Award-winning, record-breaking hit musical playing at the Ambassador Theatre, 219 W. 49^th St., NYC.

Yesterday was my good friend Richard Jay-Alexander’s birthday and I presented him with his own personal caricature.  Fo those who do not know Richard J is an Broadway producer and director. He served as Executive Director of the New York City office of producer Cameron Mackintosh for twelve years, known for productions including Les Misérables, Cats, The Phantom of the Opera, Miss Saigon, Five Guys Named Moe, Oliver! and Putting It Together.

His directorial credits include the staging of For The Girls (2020) on Broadway starring Kristin Chenoweth, Porgy and Bess for the South Florida Symphony (2019), the concert versions of Les Miz (2008) and Guys and Dolls (2009), both at the Hollywood Bowl.

Jay-Alexander is a long time board member of Broadway Cares/Equity Fights AIDS and has directed benefits for the honored organization, as well as other causes he cares about, including animals and no-kill shelters, the Make-A-Wish Foundation of South Florida, The Actor’s Fund, National Asian Artists Project (NAAP), Broadway Dreams, and Hollywood’s Motion Picture and Television Fund (MPTF). Most recently he directed the star studded BroadwayWorld celebration.

He is passionate about young talent and teaches workshops and master classes, when possible. For the last few years, he has been the camp director of Kristin Chenoweth’s Broadway Bootcamp.

Jay-Alexander began his Broadway career in 1977 as a production assistant on the Broadway revival of Porgy and Bess, produced by Sherwin M. Goldman and the Houston Grand Opera. He also served as a production assistant on the pre-Broadway try out of Nefertiti which starred Andrea Marcovicci and directed by Jack O’Brien.

As a director, writer, and producer his career has taken him around the globe as far away as Alaska and Singapore and from London’s Royal Albert Hall and Royal Festival Hall to Carnegie Hall, The Sydney Opera House, The Village Vanguard, Feinstein’s/54 Below in New York City, Laxness Arena-Cologne, Germany, The Metropolitan Opera House, The Hollywood Bowl, Joe’s Pub at The Public Theatre, Brooklyn’s Barclays Center, Bloomfield Stadium in Tel Aviv, London’s O2 Arena, O2 World Berlin, and just about every other legitimate theatre, nightclub and cabaret in between.

Jay-Alexander has also contributed lyrics to projects for Disney Records. He is a regular contributor to Broadwayworld.com where he is particularly known for a series called “All Eyes On,” interviewing Angela Lansbury, Josh Groban, Sir Ian McKellen, Rose Marie, Bob Avian, Ann-Margret, and Barry Manilow about his Broadway-bound Harmony. He has also authored liner notes for reissues of musicals such as the original, Jacques Brel is Alive and Well and Living in Paris, and four titles from the Stephen Sondheim Columbia Masterworks/Sony canon: Merrily We Roll Along, Into The Woods, Sweeney Todd: The Demon Barber of Fleet Street, and Sunday In The Park With George, giving them context all these years later as to their place in history and with 20-20 hindsight.

He has also worked Bernadette Peters, Barbra Streisand, Bette Midler, Julie Andrews, Brian Stokes Mitchell, Lea Salonga, Sam Harris, Polly Bergen, Russell Watson, Il Volo, Il Divo, Norm Lewis, Laurie Beechman, Debby Boone, Mandy Gonzalez, Mary Cleere Haran, Roslyn Kind, Melissa Errico, Lea Michele, Betty Buckley, Donny & Marie Osmond, Ricky Martin, Well-Strung, Donna McKechnie, Melora Hardin, Jennifer Leigh Warren, and others. His work with Barbra Streisand can be seen on various DVD products or PBS specials including: Streisand: 2006 Tour; Barbra Streisand: One Night Only at The Village Vanguard; Barbra Streisand: Back to Brooklyn; Barbra: The Music, The Mem’ries, The Magic (Netflix).

If you never heard of a restaurant/bar called Milady’s on Prince Street, you’ll know it now!  That’s where Richard Jay-Alexander chose to celebrate his 70th Birthday and it was truly a WOWZA evening…the setting, the food, the peonies, the curated music PLAYLIST (assembled by longtime friend and assistant, Nellie Beavers), the craft cocktails and even a film crew (led by longtime pal, Brian Morgan) in the back, taping BRAVO-style “confessionals” with each guest, about the BIRTHDAY BOY.  The guests in attendance ranged in age and interests, like a perfect jambalaya of an accomplished life.  Even friends from his High School, in Solvay, NY!  The most impressive part of who Richard is was quickly revealed in his post “blowing out the candles of his cake” moment when he looked around the room (clearly moved) and explained that the reason we were all there was, “because I have a story with each and every one of you.”  Needless to say, there was much talent present throughout the room and plenty of legendary New Yorkers, raising a glass to a pretty special guy.  In reality, it is he that entered into our lives and our stories and happily so.  This is how you do it!

RICHARD JAY-ALEXANDER

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RICHARD JAY-ALEXANDER

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