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It’s one thing to be able to act and sing like Brian Stokes Mitchell, but in addition, there is a whole other level of musicianship Brian possesses that enabled him to conceive and create his opening number, “There’s No Business Like Show Business”.  As “Stokes” pointed out, his musical mind is in sync with his brilliant music director Tedd Firth.  The two of them have produced an arrangement of this Irving Berlin standard that takes you on a roller coaster ride of meter and key changes.  A little bit of math proficiency was also probably needed because the Stokes/Firth arrangement starts off as a ballad and then weaves it’s way through a variety of tempos which include 7/8 & 5/4. It certainly was indicative of the title of his cabaret show, “Playing With Music”   The 90 minutes were a masterpiece of content and execution by the veteran of 10 Broadway shows that have garnered him a slew of awards including two Tonys, and most recently induction into the Theatre Hall of Fame. It would be impossible to pick a highlight of the evening because every time you think you’ve heard it, Stokes comes up with another thrilling interpretation of a AAA song.  “By Myself”, “I Won’t Send You Roses”, “The Man I Love”, “Hello Young Lovers” and an impassioned version of “If Ever I Would Leave You” that takes a unexpected humorous turn are just a few of the gems from his song list.  His encore song, “What A Wonderful World” sums it up.  It’s a wonderful world of music because someone like Stokes is in it.  In addition to all of the great music he gives the world, Brian Stokes Mitchell also helps create a better world for his fellow actors. He is Chairman of the Board of The Actors Fund and the CEO of The Actors Fund Joe Benincasa was among those giving him a standing ovation at the conclusion of this phenomenal cabaret performance.

Brian brought along a small orchestra for his Feinstein’s/54 debut which consisted of Tedd Firth, piano, Steve Bavgenetti, guitar, Gary Haase, bass, Mark McLean, drums, Ann Labin, violin, Tally Brunfelt, violin, Jocelyn Pan, viola, and Andrew Nielson, cello.  Imagine how all that sounds on 54’s Stage!

As Brian sang the lyric in “If Ever I Would Leave You” ….”no never would I leave you” he seemed to be looking at Eda & Steven Baruch who were celebrating their 52nd wedding anniversary.

Brian Stokes Mitchell  “”Playing With Music” June 13th – 24th

(For another article by Stephen & Complete photos of this show go to BroadwayWorld.com)

Brian Stokes Mitchel

Brian Stokes Mitchell

The Orchestra

Abby Schroeder, Eda Sorokoff, Joseph P Benincasa, CEO The Actors Fund, Barbara Fromm, Bernie Fromm

 

Stokes & Eda Sorokoff

Feinstein’s/54 Below

(For complete photos of this show go to BroadwayWorld.com)

Stephen studied at the Manhattan School of Music. Besides being a pianist, Stephen’s business career was in the Fashion Industry. He was CEO of a textile manufacturing facility and President of an international textile machinery company. Stephen was on the Board of Directors of the “First All Children’s Theatre” which brought the Stephen Schwartz musical The Trip and Captain Louie to the Kennedy Center in Wash DC. His wife Eda, an interior space designer and classical pianist was on the Board of Barrington Stage Company and is still active at BSC. Stephen’s photographs, videos and articles appear on Broadwayworld.com, T2Conline.com and The New York Observer. He is active in the entertainment events at the Friars Club, where he is a member. Stephen is also an Honorary Board Member of The Society For The Preservation of The Great American Songbook. Stephen Sorokoff@gmail.com

Cabaret

Ken Fallin’s Broadway: New York Pops and Marvelous Marilyn Maye

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“The astonishing Marilyn Maye sings with the magnificent New York Pops led by Maestro Steve Reineke this Friday evening, March 24th at Carnegie Hall. They are remarkable talents and remarkable people.

Kenny & Marilyn Maye penthouse

Cabaret legend Marilyn Maye takes the stage with The New York Pops for a program of standards and musical theater classics that make clear why she’s been celebrated as one of America’s greatest jazz singers for more than 50 years. Hear favorites by composers who include Porter, Lerner and Loewe, Loesser, and Sondheim, as well as Maye’s special version of “Too Late Now,” which was selected by the Smithsonian Institution for its permanent collection of 20th-century recordings.

 

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Cabaret

My View: The Only Thing Missing Was A Latte ( with extra foam) Marcy & Zina Party at 54 Below

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The only thing missing at last night’s party for Marcy and Zina was a Latte choice in the beverage section on the menu at 54 Below (with extra foam).  The show, titled  Make Your Own Party: The Songs of Goldrich and Heisler was conceived by Scott Coulter and performed by a cast of five. It celebrated over three decades of quirky, heartfelt and utterly contemporary romantic comedy songs written by Marcy Heisler and Zina Goldrich.

From “Taylor the Latte Boy” to under appreciated altos we were introduced to the cast of characters that inspired these inseparable, irreverent friends to write over three hundred and counting musical love letters to the city, the theatre, and the people who make them sing.  The evening was filled with the heart felt stories that these two award winning women have created and was performed by a first rate cast of Broadway super singers.  The lyrics, the music, the luscious harmonies…it was the best party of music I’ve ever been invited to.

The Performers: Jill Abramowitz, Cole Burden, Alex Getlin, Joe Kinosian, Kelli Rabke, and Austin Rivers.

Joe Kinosian,piano, Matt Scharfglass, bass

Marcy & Zina have been performing and writing together since 1992.  Their critically acclaimed romantic comedy songs have been featured in venues across the world, recorded by artists across many genres, and appear in numerous folios and collected works.  Their Off-Broadway musical Dear Edwina earned them a Drama Desk nomination, and other works have been produced by regional powerhouses such as Paper Mill playhouse, The John F. Kennedy Center for the Performing Arts, Goodspeed, and the Ordway Center for the Performing Arts.  Their shows include Ever After, JUnie B Jones, and The Great American Musical, based on the bestselling book by auther/director Julie Andrews.

KELLI RABKE & JILL ABRAMOVITZ

MAKE YOUR OWN PARTY: THE SONGS OF GOLDRICH AND HEISLER

KELLI RABKE

KELLI RABKE & ALEX GETLIN

ALEX GETLIN

JILL ABRAMOVITZ

COLE BURDEN

AUSTIN RIVERS

KELLI REBKE & JILL ABRAMOVITZ

KELLI REBKE & ALEX GETLIN

JOE KINOSIAN

COLE BURDEN, KELLI RABKE, JILL ABRAMOVITZ, AUSTIN RIVERS

SCOTT COULTER, PRODUCER

MAKE YOUR OWN PARTY

54 BELOW

ZINA GOLDRICH & MARCY HEISLER

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Broadway

Reeve Carney: Singing The Divas

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After countless sellout performances, Reeve Carney returned to The Green Room 42 to play another solo concert while starring in Hadestown on Broadway. He is best known for his portrayal of Dorian Gray on Showtime’s “Penny Dreadful,” Riff Raff in Fox’s Rocky Horror Picture Show Reimagining, as well as originating the role of Peter Parker in Julie Taymor/U2’s Spider-Man: Turn Off the Dark. For one night only Reeve performed a collection of songs traditionally sung by Broadway and vocal divas. Starting out was the perfect song to make us take notice. “Ladies Who Lunch” from Company, never sounded so nuanced, poignant or jazzy.

Next up was “My Favorite Things” from The Sound of Music, “Beauty School Dropout” from Grease and “Losing My Mind” from Follies. Reeve’s girlfriend Eva Noblezada talked him into doing the later song. Reeve has a style that combines rockabilly flare with jazz and rock. It is unique and this spin adds a new take on these familiar songs.

Having shared a dressing room with Patti LuPone “Anything Goes” was sung as a tribute. Not leaving out the great Ethel Merman “”I Got the Sun in the Mornin’ (and the Moon at Night)” from Annie Get Your Gun was delivered ala Reeve Carney.

Dame Shirley Bassey’s “Goldfinger” was a tribute to the 007 genre and brought back memories of Jeff Buckley.

In high school Reeve was not in the schools plays but played “Whatever Lola Wants” for a production of Damn Yankees.

Judy Garland’s iconic “Somewhere Over The Rainbow” was done with pop excellence and a sweetness that made this song his own.

It was at this point that unfortunately I had to leave, as the concert started a half an hour late and if you take a bus out of the city on Sunday, the last one leaves at 11pm. I apologize profusely to Reeve, but was able to critique the rest of the show from a livestream.

Lena Horne’s jazzy, soulful version of “Summertime” from Porgy and Bess hit all the right notes. Liza Minnelli’s “Maybe This Time” from Cabaret was subtle and powerful.

On piano he brought Carol King’s,”Natural Woman” to life, but this version was inspired by Ms. Aretha Franklin.

Still on piano and singing one of his own songs “Up Above The Weather,” a hauntingly wonderful composiition. I look forward to when Reeve does write a Broadway musical.

Back on guitar a tribute to Angela Lansbury “Rose’s Turn” from Gypsy. If you have never heard Reeve’s take on these classic songs, you will hear a fresh, new and really different, but oh so unique vibe.

Closing out the night “There’s A Place For Us” from West Side Story.

Reeve is a musical genius, whose prowess on the guitar, piano and vocals is otherworldly.

You can catch Reeve on April 23, 2023 at 9:30 at The Green Room 42 singing his own music. Ask for “Resurrection,” this is one fabulous song.

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