New York has never been particularly interested in the idea that dogs should stay home while the humans have all the fun. On Wednesday, August 26, National Dog Day gives the city’s four-legged social set an excellent excuse to hit the town, with restaurants rolling out treats, swag, special menus and a proper Yappy Hour. Frankly, considering how many New York dogs have better wardrobes and social calendars than the rest of us, it seems only fair.

At Loulou, 176 Eighth Avenue, National Dog Day takes over the restaurant’s outdoor cabana beginning at 11 a.m., turning it into a celebration for pups and their people. Humans can settle in with a specialty Tito’s cocktail while their companions discover that “dog food” has taken on an entirely different meaning in Chelsea.

Loulou already has a dedicated dog-friendly menu, and these are not exactly scraps from the table. Four-legged diners can choose from Steak & Eggs, Grilled Chicken, Seared Salmon and the “Loulou” Burger, followed by a “Pup”sicle made with yogurt, peanut butter, banana and apple. Somewhere, a Labrador is currently wondering why every Wednesday isn’t National Dog Day.

There’s also a little something to take home. Every dog arriving with an owner beginning at 11 a.m. will receive a complimentary swag bag filled with Tito’s branded toys or accessories, additional dog toys and treats, while supplies last.

For pups whose tastes run more café chic than cocktail hour, Loulou is also partnering with Isshiki. Guests purchasing a matcha will receive a complimentary Pup-Cha for their dog—a pup-friendly cup of whipped cream topped with green spirulina. Because apparently even the dogs have entered their matcha era.

Downtown, Clinton Hall FiDi, at 90 Washington Street, is answering National Dog Day with an all-day Yappy Hour beginning at 11:30 a.m. Bring your dog and the humans receive happy-hour pricing throughout the day, including $6 draft beers, $7 well drinks and house wines, and $8 select bites. The guest of honor gets a complimentary dog treat or branded bandana while supplies last.

The restaurant’s Supercraft beer program will also be flowing, while Giant Jenga, Giant Connect 4, chess, Uno, Cards Against Humanity and other complimentary games provide entertainment for the humans. The dogs, naturally, will be busy doing what dogs do best: meeting everyone, investigating everything and quietly determining which table presents the greatest possibility of dropped food.

National Dog Day began as a celebration of dogs and a reminder of the enormous number still waiting in shelters for homes. There is something rather wonderful, then, about giving the dogs already sharing our lives a day devoted entirely to them. They ask surprisingly little of us considering what they give back: food, walks, somewhere comfortable to sleep and the occasional opportunity to accompany us somewhere far more interesting than the living-room sofa.

On August 26, New York is giving them the good table. Really, hasn’t your dog earned it?

For four decades, Ken Fallin has been looking at famous faces and seeing what the rest of us miss.

Joan Crawford

A few strokes of ink become a raised eyebrow. A slightly exaggerated jaw becomes an entire personality. A familiar silhouette suddenly tells you everything you need to know about the person inhabiting it. That is the peculiar magic of caricature when it is done brilliantly: exaggeration somehow produces something closer to truth.

Alfred Hitchcock’s website

This fall, Fallin celebrates that remarkable career on two fronts. On Wednesday, October 7, from 5 to 7 p.m., New World Stages will host the opening reception for an exhibition of his work, offering audiences an opportunity to see the drawings beyond the pages and screens where so many first encountered them.

Gregory Peck

At the same time, Fallin is assembling a self-published book featuring selected drawings from his 40 years as an illustrator and caricaturist—and for those who think they know his work primarily through Broadway, the collection may contain a few surprises.

Ethel Merman in London

Because Ken Fallin’s world has always been considerably larger than the theatre district.

Karl Lagerfeld

The proposed book reaches through an astonishing range of subjects and assignments: actors and filmmakers, politicians and journalists, fashion royalty including Karl Lagerfeld and Yves Saint Laurent, architect Jean Nouvel, and hundreds of figures drawn during Fallin’s long association with The Wall Street Journal. Taken together, the images become something more interesting than a conventional career retrospective. They are a visual record of the people who shaped several decades of American culture.

Fallin’s first major break came in 1983 when he began creating the posters and advertising artwork for Gerard Alessandrini’s deliciously wicked Forbidden Broadway. It proved an ideal marriage of artist and subject. Fallin’s ability to lovingly skewer a famous face mirrored exactly what Forbidden Broadway was doing musically to Broadway itself.

Andy Warhol

Those drawings eventually traveled far beyond Manhattan, with Fallin’s Forbidden Broadway artwork appearing as productions reached London, Tokyo and Sydney. His visual language became inseparable from the show: you could recognize Forbidden Broadway before reading its title.

Bassets

By 1987, The Boston Herald had commissioned Fallin to create a weekly celebrity caricature for its Sunday arts and entertainment section. But another chapter of his career would eventually introduce his work to an enormous national readership.

Jean Nouvel

For The Wall Street Journal, Fallin has illustrated roughly 500 notable figures, ranging from presidents to movie stars, cultural figures and newsmakers. His subjects have included Barack Obama and Paul Newman, as well as journalist Tim Russert, whom Fallin drew for Peggy Noonan’s memorial following Russert’s death.

Bernard-Henri Levy

That work reveals something particularly interesting about Fallin’s gift. Caricature can easily become cruelty. Fallin rarely needs cruelty. His drawings can certainly be wicked—and anyone who has followed his theatrical work knows that his pen possesses teeth—but underneath the exaggeration is observation.

Warren Buffett

He isn’t merely drawing what someone looks like. He is drawing what makes us recognize them.

Cole Porter

Sometimes it is posture. Sometimes hair. Sometimes the architecture of a face. Sometimes it is simply attitude. Fallin understands that likeness has surprisingly little to do with photographic accuracy. Capture the right three things about somebody and suddenly there they are.

DOVER Quartet

That ability made him equally valuable outside editorial illustration. His commercial clients have included American Express, HBO, Showtime, CNBC and Walt Disney Productions, while assignments have taken his distinctive line into national advertising campaigns and commissioned work far removed from Broadway.

Patti LuPone

LuPone Carnegie Hall

Then there are the subjects themselves.

Gloria Vanderbilt

Sunset Blvd. Gloria Swamson

Fashion designers. Architects. Movie stars. Presidents. Broadway legends. Journalists. Cultural eccentrics. Fallin has spent forty years quietly assembling an extraordinary paper cocktail party populated by people who, in many cases, would never otherwise have occupied the same room.

John Williams

The forthcoming book promises finally to invite us into that room.

Judge Douglas Ginsburg

What makes the project especially appealing is the possibility of seeing work that even longtime admirers may never have encountered. Editorial illustration is ephemeral by nature. A drawing appears beside an article, advertisement or review and then disappears into an archive. Decades later, an artist can discover that he has created an enormous visual history almost accidentally. Fallin has.

Lani Bell

While the mediums surrounding illustration have transformed dramatically during those forty years—from newspapers and print advertising to digital publishing and social media—the fundamental appeal of his work hasn’t changed. A Ken Fallin drawing remains unmistakably a Ken Fallin drawing.

Robert Glasper

That may be the greatest achievement of all. In an age increasingly dominated by photographic perfection, filters, digital manipulation and now artificial intelligence capable of manufacturing faces that never existed, there is something wonderfully human about the visible intelligence of a hand-drawn line. You can see the decision. You can see the joke. You can almost see the instant when Fallin looked at his subject and thought, Ah. That’s it.

Steve Jobs

The October exhibition at New World Stages brings that line back where so much of Fallin’s story began: the theatre.

Yves Saint Laurent

The book promises something larger.

Vivek Ramaswamy

It reminds us that Ken Fallin hasn’t simply been drawing Broadway for forty years. He has been drawing his time. And what a cast he has had.

Ken Fallin

Marilyn Maye hardly needs another review—although I know she still enjoys reading them. Yet there she was last night, at 98, onstage at Dizzy’s Club in New York, singing, swinging, looking terrific, and thrilling an audience just as she has for generations.

Her voice was in magnificent form, her wit as sharp as ever, and she commanded the room with the effortless authority of a true master. Watching her perform at this stage of her remarkable career was not simply a concert experience—it was a rare opportunity to witness music history in the making. Her arrangements seem to live in the very bones of her fantastic trio—Mark McLean on drums and Tom Hubbard on bass—and you will rarely hear a tighter, more intuitive display of musicianship supporting a singer. Tedd Firth, her pianist and arranger, seems to breathe the same musical air as Marilyn. He creates an ocean of sound that surrounds and enhances her, perfectly complementing her extraordinary sense of time and phrasing.

It feels as though Marilyn and Tedd continually inspire one another, each pushing the other to greater heights. The result is something truly rare—a once-in-a-lifetime musical experience. What a privilege to have been in the room for yet another unforgettable Marilyn Maye performance.

I, like most MM friends have many Marvelous Marilyn stories, but here’s one of my favorites. After a late-night performance on a cruise ship, Eda and I shared an Apple Martini with Marilyn and then escorted her back to her cabin. As the three of us linked arms and did our best to remain “steady” navigating the passageway Marilyn suddenly blurted out, “Oh, my dear, I do hope this is the ship that’s rocking!”

BTW, Marilyn told me a while ago to keep this story to myself. So, Marilyn, if you’re reading this…oops!

MARILYN MAYE

TEDD FIRTH & MARILYN MAYE

MARILYN MAYE

DIZZY’S CLUB

DIZZY’S CLUB

TEDD FIRTH, MARILYN MAYE, TOM HUBBARD

TEDD FIRTH & MARILYN MAYE

MARILYN MAYE

DIZZY’S CLUB

MARILYN MAYE

EDA SOROKOFF, MARILYN MAYE, STEPHEN SOROKOFF

MARILYN MAYE & SHANE HARTKE

EDA SOROKOFF, MARILYN MAYE, SUSIE CLAUSEN

TEDD FIRTH & MARK McLEAN

DIZZY’S CLUB

Just as the Jonas Brothers are taking Madison Square Garden back to 2008, T2C’s resident caricature master Ken Fallin has turned his pen toward Kevin, Joe and Nick Jonas, capturing the brothers as they bring The Burning Up Tour All Over Again to New York.

The Jonas Brothers are at Madison Square Garden tonight, August 21, and tomorrow, August 22, following the opening performance of their three-night Garden engagement on August 20. What was initially conceived as a limited New York return to the spirit of their enormously popular 2008–09 Burning Up Tour proved irresistible to fans: overwhelming demand led first to the addition of a third MSG performance and has now prompted the brothers to take the revival on the road for a 45-city North American tour.

It is a delicious subject for Fallin, whose deceptively simple lines have always had a way of getting past celebrity polish and finding the personality underneath. Here, the three brothers are instantly recognizable as individuals while remaining unmistakably a unit—the chemistry that has kept the Jonas Brothers culturally alive through changing musical eras, solo careers, marriages, movies, breakups, reunions and now more than two decades together.

This particular tour is built unabashedly on memory. The Burning Up Tour All Over Again reaches back to the period when “Burnin’ Up,” “S.O.S.,” “Tonight” and “When You Look Me in the Eyes” helped turn three brothers from New Jersey into one of the defining pop acts of the Disney generation. Nostalgia only works when people still care. Clearly, they do.

The response to the Madison Square Garden dates was strong enough that the Jonas Brothers announced this week that the celebration will continue across North America beginning September 25 in Boston, eventually returning to the metropolitan area for its December 21 finale at Newark’s Prudential Center.

There is something rather wonderful about the symmetry of it all. The Jonas Brothers are revisiting the tour that helped define their youth while performing for an audience that has grown up alongside them—and, in many cases, is now introducing another generation to the music.

Ken Fallin, who has spent decades chronicling performers with a few perfectly chosen strokes, has caught them at exactly the right moment.

Kevin. Joe. Nick. Three brothers, twenty-plus years—and apparently still burning up.

Jonas Brothers at Madison Square Garden

Sony Hall was packed for last night’s Sydnie Christmas concert with a wait-list of lines down 46th street, and quite frankly, I’ve rarely witnessed an audience respond to a performer with the kind of enthusiasm that Sydnie received. Coming from the era when black and white television talent shows were often the launching pad for extraordinary careers it was my opportunity to discover whether the phenomenon that began on Britain’s Got Talent can evolve into something far bigger.

The applause meter on Arthur Godfrey’s Talent Scouts, one of the most widely watched television shows of the 1950’s was a proving ground for some remarkable talent. Vic Damone, Tony Bennett, Pat Boone, Connie Francis, Eddie Fisher, and Rosemary Clooney all went on to become household names after appearing on the show (Elvis Presley auditioned but was rejected). Other contest winners were Frank Sinatra on Major Bowes’ Original Amateur Hour and Gladys Knight on Ted Mack’s Amateur Hour.

As the 2024 winner of the British counterpart to America’s Got Talent, Christmas captured audiences with a series of remarkable performances before taking the title. Now, with a string of successful concerts behind her, the real question is whether that television triumph can be the beginning of a substantial and enduring career.

The manufactured drama woven into today’s television talent shows often dictates not only the songs contestants choose but also the vocal fireworks they unleash. A singer’s style can be every bit as important as the voice itself when it comes to winning over judges and the public. Does Sydnie Christmas have something else besides that type of performance that targets the judges and the public?….She attempted to answer that question from the very start, opening with a haunting “Amazing Grace,” followed by a two-act concert filled with Pop, Broadway, Soul and Disco standards, as well as several originals. Many of the songs received standing ovations from an audience that had clearly come to celebrate—and exalt—their hero.

There is no question that Sydnie Christmas is likable, possesses a powerful instrument, and brings an original approach to a song. It’s easy to understand why the jury and audience at BGT gave her such an enthusiastic thumbs-up. But this “jury” is still deliberating. We need to hear more before reaching a final verdict.