Regional theaters are increasingly presenting some of the most significant new plays. Last night one of the most notable of these organizations, Palm Beach Dramaworks was the location of the World Premiere of Lyle Kessler’s House on Fire.
House on Fire is the second play in two years to make it to the company’s mainstage from The Dramaworkshop, the company’s lab for developing new works.
Each season, playwrights submit their plays for consideration to be further developed. A select number are chosen for workshops and staged readings, with the aim of nurturing significant new work for PBD’s mainstage and theatres all across the country.
PBD Producing Artistic Director William Hayes launched The Dramaworkshop in the fall of 2014 out of an abiding belief that it is essential for regional theatres to cultivate new plays. “From the time this company was founded, one of my goals was for PBD to be an incubator of new plays and a producer of world premieres,” said Hayes, who directs House on Fire. “I knew that could only happen after we were well-established and thriving. After we announced this new venture, we made the call for submissions and the response from playwrights around the country was inspiring. The number of submissions has grown every year, underscoring the need for The Dramaworkshop. Simply put, new work is vital to the future of theatre. The economics of Broadway discourage Broadway producers from championing plays that have not previously been done elsewhere, which makes it imperative for regional theatres to identify, encourage, support, and bring to life exciting new plays. And I’ve found that audiences are hungry for the sense of discovery that this initiative provides. They could be seeing the next Indecent, which opened our season, or Fences, which opens here in March. Both those plays were developed at regional theatres.”
Lyle Kessler says that most of his plays are about “family, and the extreme emotions of a family pushed to the edge.” That certainly holds true for his newest work, House on Fire. PBD Producing Artistic Director William Hayes directs the play, which runs through December 30 with specially priced previews on December 5 and 6.
As he did in his internationally renowned play Orphans, Kessler uses magic realism in this moving and funny parable of love, resentment, and redemption. Colman returns home after a self-imposed, decade-long absence upon learning from his brother, Dale, of their father’s death. Despite the presence of the Old Man’s lifeless body, Colman is not convinced he’s actually gone. Before long, all three men are battling for dominance. Then two uninvited guests arrive, and lives are changed forever.
House on Fire features, in alphabetical order, Hamish Allan-Headley, Rob Donohoe, Christopher Kelly, Taylor Anthony Miller, and Georgia Warner. Scenic design is by Bill Clarke, costume design is by Brian O’Keefe, lighting design is by Donald Edmund Thomas, and sound design is by David Thomas. Esther Flaster is the associate director and Lee Soroko is the fight director.
Cabaret
My View: It’s Today! It’s Tonight! Marilyn Maye Rehearses For Her New York Pops Carnegie Hall Debut
Sometimes you have to pinch yourself at the opportunities you are presented with. TODAY would be one of those. Or as Marilyn Maye might sing to you, “It’s Today.”
This afternoon I had the privilege of witnessing the 95 year old star, rehearsing on the stage of Carnegie Hall, under the baton of Maestro Steven Reineke, in front of the mighty New York Pops Orchestra. It all happens tonight and has been a lifetime in the making. As if The New York Times piece, bylined by Melissa Errico, wasn’t enough to whet your appetite for what is sure to be a historic evening, maybe these photos will help get you even more excited. Thank you to all who made this happen for me, to present to you….Humbly Yours, Stephen
Cabaret
My View: Someone Named Storm Caused Lots Of Excitement In New York City Last Night
Storm Large has made a name for herself from tours with Pink Martini to orchestral appearances at Carnegie Hall to the television stage of “America’s Got Talent.” But it is with her loyal and fearless band, Le Bonheur, that she grabs audiences. by the lapels and refuses to let go. Love, Storm her new show played 54 Below last night. It’s a playlist of songs by pop luminaries, rock goddesses, and Storm’s fiery originals. There might be someone in the news with a variation of her name currently causing some political excitement, but few entertainers can create the musical excitement that exists in a Storm Large performance.
Cabaret
Ken Fallin’s Broadway: New York Pops and Marvelous Marilyn Maye

“The astonishing Marilyn Maye sings with the magnificent New York Pops led by Maestro Steve Reineke this Friday evening, March 24th at Carnegie Hall. They are remarkable talents and remarkable people.
Cabaret legend Marilyn Maye takes the stage with The New York Pops for a program of standards and musical theater classics that make clear why she’s been celebrated as one of America’s greatest jazz singers for more than 50 years. Hear favorites by composers who include Porter, Lerner and Loewe, Loesser, and Sondheim, as well as Maye’s special version of “Too Late Now,” which was selected by the Smithsonian Institution for its permanent collection of 20th-century recordings.
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