Columns
My View: OPENING NIGHT PHOTOS – NEW GOLDEN AGE
59E59 Theaters (Val Day, Artistic Director; Brian Beirne, Managing Director) is proud to announce the complete casts & creative teams for New Golden Age and Goldie, Max & Milk by Karen Hartman, part of the inaugural VOLT Festival at 59E59. Presented by Primary Stages and directed by Jade King Carroll (Proof of Love), New Golden Age begins previews on April 28, 2022, in Theater B and opens May 11 for a run through June 9, 2022. Presented by Mary J. Davis & MBL Productions, and directed by Jackson Gay (Transfers), Goldie, Max & Milk begins previews May 1, 2022, in Theater C and opens May 8 for a run through June 4, 2022.
VOLT is an unprecedented festival of three New York City premieres by one writer. In its inaugural year, 59E59 Theaters has selected local playwright Karen Hartman as the focus of the festival and invited three different non-profit theater companies to produce three of her plays: the Directors Company production of The Lucky Star (April 26-June 12), presented by producer Douglas Denoff; New Golden Age (April 28-June 9), presented by Primary Stages the Resident Off-Broadway Theater Company at 59E59 Theaters; and Goldie, Max & Milk (May 1-June 4), presented by Mary J. Davis and MBL Productions. All three productions will be presented simultaneously across 59E59 Theaters’ three spaces from April 26-June 12, 2022.
Primary Stages presents the World Premiere of
New Golden Age
Previews Begin April 28
Opening Night set for May 11
Limited Run through June 9
In an era just beyond our own, two sisters fight for human connection as they face down a big tech dystopia. A folk-hero professor defends our most intimate relationships while her sister attempts a perilous inside maneuver within the corporation that owns and sees all. New Golden Age is a thrilling, revolutionary tale for today that reclaims a bond beyond data.
The cast of New Golden Age will include Carmen Castillo (Soon) as Jace, Ricardy Fabre (Lessons in Survival) as Silas, Doug Harris (The Rape of the Sabine Women) as Mat, Mahira Kakkar (Islands of Contentment) as Lin, and Claire Siebers (Georgia Mertching is Dead) as Polly.
New Golden Age will feature scenic design by Lee Savage (The Lightning Thief), costume design by Jennifer Caprio (Call Me Madam), wig and makeup design by Jared Janas (Jagged Little Pill), lighting design by Anshuman Bhatia (The Woman in Black) and sound design by Fan Zhang (Suicide Forest). Carrie Mossman (A Lovely Sunday for Creve Coeur) will serve as Props Coordinator, with Denise Cardarelli (ReEntry) as Production Stage Manager, and Olivia Tymon (God Said This) as Assistant Stage Manager. Casting is by Stephanie Klapper Casting.
The performance schedule for New Golden Age is as follows: Tuesday – Saturday at 7:15pm, Saturday – Sunday at 2:15pm.
Tickets to New Golden Age begin at $25 and are on sale now at 59e59.org/shows/show-detail/new-golden-age.
Broadway
Ken Fallin’s Broadway: Remembering Angela Lansbury in Sweeney Todd

On Sunday look for a brand new charcuterie of Josh Groban and Annaleigh Ashford in Sweeney Todd.. I loved the new production, and it’s two leads.
Broadway
Ken Fallin’s Broadway: Chicago

John Kander & Fred Ebb / Bob Fosse musical Chicago is now the longest running show playing on Broadway. Having played 10,338 performances, Chicago is the Tony Award-winning, record-breaking hit musical playing at the Ambassador Theatre, 219 W. 49th St., NYC.
Broadway
Ken Fallin’s Broadway: Happy Birthday Richard Jay-Alexander

Yesterday was my good friend Richard Jay-Alexander’s birthday and I presented him with his own personal caricature. Fo those who do not know Richard J is an Broadway producer and director. He served as Executive Director of the New York City office of producer Cameron Mackintosh for twelve years, known for productions including Les Misérables, Cats, The Phantom of the Opera, Miss Saigon, Five Guys Named Moe, Oliver! and Putting It Together.
His directorial credits include the staging of For The Girls (2020) on Broadway starring Kristin Chenoweth, Porgy and Bess for the South Florida Symphony (2019), the concert versions of Les Miz (2008) and Guys and Dolls (2009), both at the Hollywood Bowl.
Jay-Alexander is a long time board member of Broadway Cares/Equity Fights AIDS and has directed benefits for the honored organization, as well as other causes he cares about, including animals and no-kill shelters, the Make-A-Wish Foundation of South Florida, The Actor’s Fund, National Asian Artists Project (NAAP), Broadway Dreams, and Hollywood’s Motion Picture and Television Fund (MPTF). Most recently he directed the star studded BroadwayWorld celebration.
He is passionate about young talent and teaches workshops and master classes, when possible. For the last few years, he has been the camp director of Kristin Chenoweth’s Broadway Bootcamp.
Jay-Alexander began his Broadway career in 1977 as a production assistant on the Broadway revival of Porgy and Bess, produced by Sherwin M. Goldman and the Houston Grand Opera. He also served as a production assistant on the pre-Broadway try out of Nefertiti which starred Andrea Marcovicci and directed by Jack O’Brien.
As a director, writer, and producer his career has taken him around the globe as far away as Alaska and Singapore and from London’s Royal Albert Hall and Royal Festival Hall to Carnegie Hall, The Sydney Opera House, The Village Vanguard, Feinstein’s/54 Below in New York City, Laxness Arena-Cologne, Germany, The Metropolitan Opera House, The Hollywood Bowl, Joe’s Pub at The Public Theatre, Brooklyn’s Barclays Center, Bloomfield Stadium in Tel Aviv, London’s O2 Arena, O2 World Berlin, and just about every other legitimate theatre, nightclub and cabaret in between.
Jay-Alexander has also contributed lyrics to projects for Disney Records. He is a regular contributor to Broadwayworld.com where he is particularly known for a series called “All Eyes On,” interviewing Angela Lansbury, Josh Groban, Sir Ian McKellen, Rose Marie, Bob Avian, Ann-Margret, and Barry Manilow about his Broadway-bound Harmony. He has also authored liner notes for reissues of musicals such as the original, Jacques Brel is Alive and Well and Living in Paris, and four titles from the Stephen Sondheim Columbia Masterworks/Sony canon: Merrily We Roll Along, Into The Woods, Sweeney Todd: The Demon Barber of Fleet Street, and Sunday In The Park With George, giving them context all these years later as to their place in history and with 20-20 hindsight.
He has also worked Bernadette Peters, Barbra Streisand, Bette Midler, Julie Andrews, Brian Stokes Mitchell, Lea Salonga, Sam Harris, Polly Bergen, Russell Watson, Il Volo, Il Divo, Norm Lewis, Laurie Beechman, Debby Boone, Mandy Gonzalez, Mary Cleere Haran, Roslyn Kind, Melissa Errico, Lea Michele, Betty Buckley, Donny & Marie Osmond, Ricky Martin, Well-Strung, Donna McKechnie, Melora Hardin, Jennifer Leigh Warren, and others. His work with Barbra Streisand can be seen on various DVD products or PBS specials including: Streisand: 2006 Tour; Barbra Streisand: One Night Only at The Village Vanguard; Barbra Streisand: Back to Brooklyn; Barbra: The Music, The Mem’ries, The Magic (Netflix).
Columns
My View: “Because I Have A Story With Each And Every One Of You”…Richard Jay-Alexander
If you never heard of a restaurant/bar called Milady’s on Prince Street, you’ll know it now! That’s where Richard Jay-Alexander chose to celebrate his 70th Birthday and it was truly a WOWZA evening…the setting, the food, the peonies, the curated music PLAYLIST (assembled by longtime friend and assistant, Nellie Beavers), the craft cocktails and even a film crew (led by longtime pal, Brian Morgan) in the back, taping BRAVO-style “confessionals” with each guest, about the BIRTHDAY BOY. The guests in attendance ranged in age and interests, like a perfect jambalaya of an accomplished life. Even friends from his High School, in Solvay, NY! The most impressive part of who Richard is was quickly revealed in his post “blowing out the candles of his cake” moment when he looked around the room (clearly moved) and explained that the reason we were all there was, “because I have a story with each and every one of you.” Needless to say, there was much talent present throughout the room and plenty of legendary New Yorkers, raising a glass to a pretty special guy. In reality, it is he that entered into our lives and our stories and happily so. This is how you do it!
Entertainment
Ken Fallin’s Broadway: The World Says Good-Bye To Tina Turner

Tina Turner, the Queen of Rock ‘n’ Roll has died, after a long illness at 83. Turner was diagnosed with intestinal cancer in 2016 and underwent a kidney transplant in 2017.
Her life story was told in the 1993 smash film What’s Love Got to Do with It and in the 2019 Broadway musical Tina – The Tina Turner Musical, starring Adrienne Warren in a career-making performance.
Born Anna Mae Bullock on November 26, 1939, in Nutbush, TN, Turner became famous in the late 1960s as the singer of the Ike & Tina Turner Revue. Their major hits included: “River Deep – Mountain High” and “Proud Mary.”After leaving husband Ike Turner following years of physical and emotional abuse, she staged what remains one of the greatest comebacks in pop music history, scoring massive hits in the 1980s such as “What’s Love Got To Do With it”, “Private Dancer” and “The Best,” with an estimated 180 million albums sold worldwide, 12 Grammy Awards won and sold-out stadium tours around the world.
Turner scored another smash single in 1985 with “We Don’t Need Another Hero, from the Mel Gibson-George Miller threequel Mad Max Beyond Thunderdome. She played the ruthless leader of Bartertown in the movie and delivered the memorable line, “Welcome to another edition of Thunderdome!”
She returned to the Top 20 later that year with “It’s Only Love,” a duet with Bryan Adams from his Reckless album, and also was part of the global smash “We Are the World.” That 1985 famine-relief single — written by Michael Jackson and Lionel Richie, produced by Quincy Jones and credited to USA for Africa.
Turner also appeared at the intercontinental charity concert Live Aid that summer, performing a raucous, sexually charged duet with Mick Jagger in Philadelphia on a medley of his solo single “State of Shock” and the Rolling Stones’ “It’ Only Rock and Roll (But I Like It).”
Turner’s status as a musical pioneer extended to 1980s television when she became a staple of MTV.
A private funeral ceremony is expected for family and close friends and family.
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