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A few days post Marilyn Maye’s memorable engagement in the Wick Theatre Cabaret Johnny Carson’s favorite singer was relaxing and dining with friends at Table 26 in Palm Beach.  The other patrons in the restaurant subsequently got an unexpected rare treat.  Jill & Rich Switzer Legends Radio hosts and cabaret performers extraordinaire were the featured entertainment in Eddie & Ozzie’s famous eatery and the microphone was soon in the hands of Marilyn Maye who graciously sang a tune.  Diners got a super surprise special added to the menu for their night out as Marilyn “sang for her supper”.  Marilyn Maye is well known and loved in Palm Beach, however I did hear a young member of the waitstaff remark….”wow, the lady at that table can sure sing, I wonder if she ever did it professionally”? 

Marilyn Maye at Table 26
Marilyn Maye at Table 26
Jill Switzer, Eddie, Marilyn Maye, Ozzie, Rich Switzer
Eddie, Marilyn Maye, Ozzie
Jill Switzer
Rich Switzer
Joel Koeppel, Carole Koeppel, Jamie deRoy, Eda Sorokoff, Missy Robinson, Stephen Sorokoff
Avery Sommers, Rob Russell, Chris West Peter Parry John Cox
Jamie deRoy & Marilyn Maye
Marilyn Maye & Joel Koeppel
Eda Sorokoff

Stephen studied at the Manhattan School of Music. Besides being a pianist, Stephen’s business career was in the Fashion Industry. He was CEO of a textile manufacturing facility and President of an international textile machinery company. Stephen was on the Board of Directors of the “First All Children’s Theatre” which brought the Stephen Schwartz musical The Trip and Captain Louie to the Kennedy Center in Wash DC. His wife Eda, an interior space designer and classical pianist was on the Board of Barrington Stage Company and is still active at BSC. Stephen’s photographs, videos and articles appear on Broadwayworld.com, T2Conline.com and The New York Observer. He is active in the entertainment events at the Friars Club, where he is a member. Stephen is also an Honorary Board Member of The Society For The Preservation of The Great American Songbook. Stephen Sorokoff@gmail.com

Cabaret

My View: Lucie Arnaz…..How Did She Get This Job?

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With apologies to politicians who tout their job creating policies, Lucie Arnaz did not need any assistance to get her current job at 54 Below with a show titled “I Got The Job”.  Lucie got this gig because she is a supremely talented actor/singer/dancer who possesses a distinguished resume and long career of memorable performances on the stages of Broadway, Cabaret, and Concert Halls all over the world… and as I’ve said before about this show….

Lucie Arnaz hit the stage of 54Below with all cylinders on burn and guns ablaze! She performed an evening she calls “I GOT THE JOB” and kept the New York City audience entranced from beginning to end, garnering multiple ovations that seemed as natural as breathing.

For 85 minutes, she owned the stage, dressed to work, in black tights with tuxedo rhinestone striping and a dazzling orange silk blouse with glimmering buttons and cuffs. Basic, simple, perfect. This woman comes with all the equipment to perform, entertain and break your heart. She’s a master storyteller with impeccable timing and the voice shows up for her song after song, from show after show, exhibiting range and colors and nuancing that engage the audience at every turn. The star, of course, is the daughter of showbiz royalty, but she doesn’t rely on that one bit and has her own stories to tell, and they are mesmerizing.

Lucie Arnaz has had an extraordinary life and career and judging by what was on display, last night, I imagine, as Cy Coleman & Carolyn Leigh wrote, “The Best Is Yet To Come.” Lucie wrote and directed herself in this show, which opened the Birdland Theater years ago, but it has been fully fleshed out and brought to vivid life. Sharing the stage with her is what appears to be a musical soulmate in her Musical Director, Arranger and “Acting Partner,” Ron Abel, whose hands gave Ms. Arnaz her orchestra.

During the evening we were treated to a story of her audition (in a theatre) for THEY’RE PLAYING OUR SONG. During the audition, Neil Simon walked onto the stage and told her she was a breath of fresh air. She later “got the job.” Last night, she also stole our hearts and, now, we’re helpless and LOVE LUCIE.

LUCIE ARNAZ

LUCIE ARNAZ

RON ABEL

54 BELOW

LUCIE ARNAZ

RON ABEL & LUCIE ARNAZ

54 BELOW

MACRON PRICKETT

54 BELOW

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Cabaret

Cabaret Shows To Watch

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At Birdland Jazz Club the return of songwriter Scott Alan on Monday, August 5 at 7:00 PM. Alan will be joined by some of today’s brightest stars singing his compositions, including Audrey Belle Adams, Beatriz Melo, Marylee Fairbanks, LaRaisha DiEvelyn Dionne, Carla Mongado, Ashlyn Combs, Natalie Ortega, Cassidy Ewert, Eli Thomas, T’Arica Crawford, Jenna Miller Ferreira, Julian Carli, and Kendall Paige Parrett. There is a $34-45 music charge. Birdland is located at 315 West 44th Street in New York.

Scott Alan is an internationally acclaimed songwriter who has worked with some of the biggest names in theater, TV, film, and recording. Some of those artists include Grammy Award-winning Pentatonix; Grammy Award-nominated artists Jane Monheit, Marc Broussard, Marc Feehily, and Taylor Dayne; Tony Award-winning artists Sutton Foster, Adriane Lenox, Randy Graff, Frances Ruffle, and Lea Salonga; film and TV stars Tracie Thoms, Patina Miller, Katie Stevens, Danny-Boy Hatchard, Cheyenne Jackson, Megan Hilty, Samantha Barks, and Jeremy Jordan; and reality stars Sam Bailey, Collabro, Diane DeGarmo, Christina Marie, and RJ Helton, among others.

After the 2007 release of his debut album Dreaming Wide Awake, Alan has gone on to release seven follow up albums that include KeysWhat I Wanna Be When I Grow UpLiveAnything Worth Holding on ToCynthia Erivo and Oliver Tompsett sing Scott AlanLifeline, and Nothing More. His compositions have been featured on “American Idol,” “So You Think You Can Dance,” “Entertainment Tonight,” HBO, MTV, and VH1.

Scott Alan on Monday, August 5 at 7:00 PM. There is a $35-45 music charge and a $20 food and beverage minimum. Birdland is located at 315 West 44th Street (between 8th and 9th Avenues) in Manhattan. For reservations, please call (212) 581-3080 or visit www.BirdlandJazz.com.

At Birdland Jazz Club Julie Benko returns. The Broadway star of Funny Girl and Harmony – as she marches her band out again on Monday, August 12 at 7:00 PM. Following her recent tour of sold-out shows at San Francisco’s Venetian Room at the Fairmont Hotel, Los Angeles’ Catalina Jazz Club, and New York’s Café Carlyle, and after announcing she was expecting her first baby, Julie introduces a new show that explores the surprises, challenges, and joys of pregnancy. This evening of music will highlight female songwriters (Brandi Carlisle, Laura Nyro), Broadway favorites (selections from Into the Woods, Baby and more), and Disney classics (songs from Cinderella, The Jungle Book, and more). The new arrangements are by her longtime music director and husband (and, of course, the father-to-be!) Jason Yeager. In addition to Yeager on piano, the show features Paul Francis on drums, Michael O’Brien on bass, Justin Poindexter on guitars and mandolin, and Gabe Terraciano on violin. Jeremiah James, Benko’s former Funny Girl co-star, will be featured as guest vocalist. There is a $40 music charge. Birdland is located at 315 West 44th Street in New York.

Jeff Harner

Jeff Harner

PS CLASSICS, the label dedicated to the heritage of Broadway and American Popular Song, has announced that the new album from MAC and Bistro Award-winning concert artist Jeff Harner – Jeff Harnar Sings Sammy Cahn: The Second Time Around – is available for iTunes pre-order starting today, Tuesday, July 16. This pre-order allows for instant download of two tracks, “I’ll Only Miss Him When I Think of Him” and “Come Fly with Me,” which features Grammy Award winner Nicole Zuraitis. The album will be released on CD and digital formats on Friday, July 26. Harnar revisits his 2001 Sammy Cahn recording, long out-of-print: the original album has been remixed, reimagined and expanded upon, reflecting both Harnar’s desire to widen his perspective on the lauded lyricist’s work – new tracks feature guest appearances by Grammy Award nominee Clint Holmes, the acclaimed vocal trio MOIPEI and Nicole Zuraitis – and his own growth as an artist and interpreter. The Second Time Around is also available for pre-order on Amazon.com. A special video trailer for the album, featuring exclusive studio footage, can now be viewed on YouTube HERE.

Harnar will celebrate the album with concerts at New York’s 54 Below on Friday, July 26 and Saturday, July 27. The album’s guest vocalists – Clint Holmes, MOIPEI, and Nicole Zuraitis – will appear on Saturday, July 27, while MOIPEI, Sally Mayes, and Eric Comstock will appear Friday, July 26. Harnar will also feature the Cahn program in London, England at The Pheasantry (9/13-14, 2024) and Boca Raton, FL, at the Adolph & Rose Levis JCC (1/22-23, 2025), with other tour dates to be announced.

July 22 (Monday) 7:00 PM – Birdland Jazz Club Telly Leung – “Back to Birdland”. Telly Leung is the  Broadway star of the musicals Aladdin, Allegiance, Godspell, Rent, and more – returns in the new show “Back to Birdland.” Leung’s six-year hiatus has taken him all over the world as a performer and director. Expect to hear Broadway classics, as well as songs from his solo recordings, featuring a trio of New York’s finest musicians with Gary Adler on piano, Mary Ann McSweeney on bass, and Joe Choroszewski on drums. Leung is a Chinese-American, New York City native, Broadway and television performer, recording artist, producer, director, theater arts teacher, and coach. His Broadway and national touring performing credits include Aladdin in Disney’s Aladdin on Broadway, In Transit, Allegiance (with George Takei and Lea Salonga), Godspell, Rent (final Broadway company), Wicked (Boq, original Chicago company), Pacific Overtures, and Rodgers & Hammerstein’s Flower Drum Song. In 2010, he starred as Angel in Rent at the Hollywood Bowl opposite Wayne Brady, directed by Neil Patrick Harris. Television audiences will remember him as Marcel in Season three of “Warrior” (HBO Max), Wes the Warbler on “Glee,” as well as his guest star appearances on “Instinct,” “Odd Mom Out,” “Deadbeat,” and “Law & Order: Criminal Intent.” Telly is featured as a performance coach for the Jimmy Awards in the PBS documentary, Broadway or Bust.

July 29 (Monday) 7:00 PM – Birdland Jazz Club. A Celebration of Maurice Hines – Tappin’ Thru Life”. This concert will honor the life and legacy of show business icon Maurice Hines through his award-winning, autobiographical show “Tappin’ Thru Life.” The original cast, including John Manzari (vocals/tap), Leo Manzari (vocals/tap) and The DIVA Jazz Orchestra, will reunite to celebrate Maurice’s remarkable career. Special guests will include Clint Holmes and Ann Hampton Callaway on vocals.

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Cabaret

My View: An Evening With Rex Reed, Will Friedwald, & POLLY BERGEN

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Will Friedwald’s Clip Joint presented the legendary film critic and personality “Rex Reed Remembers Polly Bergen” last night at the TRIAD Theater.  It was a fascinating evening as Rex, who was one of Polly Bergen’s closest friends told fly on the wall show biz stories and personal anecdotes about her remarkable life.  An especially hilarious one occurred at the annual OSCAR NIGHT party that Polly had every year in her New York apartment.  There was Rex, watching the Oscars on a TV in Polly’s bedroom, Lucille Ball on one side of him and Paul Newman on the other .  Milton Berle who had been in another room parades past them wearing one of Polly’s gowns that he snatched from her closet!

Will and Rex reminisced about her amazing career in the movies ( including three classic comedies with Dean Martin & Jerry Lewis) but even more so on television.  In fact, her career spans the very history of the small screen medium, starting with appearances on pioneering broadcasts of the late 1940’s right up to a memorable regular role in the hit series DESPERATE HOUSEWIVES-although she was probably best known for starring in the legendary 1957 PLAYHOUSE 90 live television biography of HELEN MORGAN.  In other guises, she was an entrepreneur and political activist. 

Will Friedwald brought along his extensive library of film clips of her appearances on The Hollywood Palace, The Andy Williams Show, The Dean Martin Show, The Perry Como Kraft Music Hall, The Dinah Shore Chevy Show and appearances with Phil Silvers, George Burns, Red Skelton, Andy Williams and many more. Polly Bergen (1930-2014) had three husbands, and unfortunately became a Doris Day type financial victim because of her last one. And now “here’s the rest of my personal Polly Bergen story”.

Many years ago a firm placed a large order with my factory.  When I checked with our credit insuring agency they advised me that the company did not have enough finances to purchase that amount of goods and consequently the agency would only insure half the order.  Not wanting to reject a sizable order I made an appointment to meet the owner in his garment center office and check out his business for myself.  During the course of the conversation somehow the entertainment business came up (of course it did) and he mentioned that he was married to Polly Bergen.  Being a fan and and having reverence for the famous and talented artists in this world I dropped my usual due diligence guard and the hour was spent talking about show business, I loved it, especially when he invited me over to their apartment to watch the Super Bowl.   Well, I shipped all the merchandise…and you can guess what happened….Years later I met Polly Bergen at one of Rex Reed’s evenings and introduced myself with the opening line “ you cost me a lot of money” and then related the story of how her husband never paid.   Polly put her arm around me and said in her bawdy way, “ honey, you’re lucky it was only that much, he bankrupted me”.

WILL FRIEDWALD

REX REED & WILL FRIEDWALD

POLLY BERGEN

REX REED

POLLY BERGEN & DEAN MARTIN

PERRY COMO & POLLY BERGEN

REX REED & WILL FRIEDWALD

ANDY WILLIAMS & POLLY BERGEN

POLLY BERGEN & SANDLER & YOUNG

REX REED & POLLY BERGEN

REX REED & EDA SOROKOFF

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Cabaret

My View: Happily Ever Laughter at 54 Below……Liz Callaway & Jason Graae

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At first glance they might seem like a musical and personality mismatch, but the chemistry between Liz Callaway and Jason Graae is far from problematic.  It is an enormously entertaining integration of these two artists musicianship, acting, and comedic expertise. Liz Callaway’s once in a lifetime voice and vocal dexterity doesn’t just sing in tune.  It lands in the middle of the middle of a note with a clarity that pierces your soul.  Jason, once he gets his oboe in tune (that’s a double entenndre) also possesses excellent vocal technique, and my camera, no matter how many photos I snap is incapable of capturing his enormously expressive facial movements that glide between comical and the heartfelt with such ease. His rendition of William Finn’s “What More Can I Say” brought tears.  The duets from “BABY” for which Ms Callaway was nominated for a Tony and her two songs from the animated film Anastasia (in which she starred) were highlights.  This evening’s friendship (they’ve been for forty years) was the perfect blendship, together with the masterful Alex Rybeck on the piano at 54 Below last night. The show was very appropriately titled “Happily Ever Laughter” and it has two more performances, July 5 & 6.

Speaking of friendship and blendship, my table of KT Sullivan, Eda, and Debbie Gravitte was pretty special too.

JASON GRAAE & LIZ CALLAWAY

LIZ CALLAWAY & JASON GRAAE

LIZ CALLAWAY & JASON GRAAE

LIZ CALLAWAY & JASON GRAAE

JASON GRAAE

JASON GRAAE

JASON GRAAE & LIZ CALLAWAY

JASON GRAAE & LIZ CALLAWAY

LIZ CALLAWAY

JASON GRAAE & LIZ CALLAWAY

54 BELOW

LIZ CALLAWAY & JASON GRAAE

ALEX RYBECK, LIZ CALLAWAY, JASON GRAAE

54 BELOW

JASON GRAAE & RICHARD SKIPPER

KT SULLIVAN, DEBBIE GRAVITTE, EDA SOROKOFF

HAPPILY EVER LAUGHTER

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Cabaret

Gilded Age Music at Cocktail Time 

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A rather serendipitous invitation arrived, was immediately accepted, and next thing I knew I was singing along to delightful music from the beginning of the last century.  A prestigious members-only private club nestled in that small enclave near the Great White Way was the perfect place for such an event. The hosts, George Calderaro, Founding Director of the Tin Pan Alley American Popular Music Project and everyone’s favorite interpreter of songs from any age, Steve Ross, were ideal as well.  

The purpose of the TPAAP Music Project is to commemorate and continue the legacy of the birthplace of American popular music on West 28th Street, the location of Tin Pan Alley. This group is responsible for having the section of that street between Broadway and Sixth Avenue designated formally as Tin Pan Alley.   

George and Steve worked almost in tandem giving illuminating background on the songs and the composers, most notably Berlin, Gershwin and Kern. The program began with “After the Ball” to which we sang along, without no encouragement needed.  It’s really a sad song, and the lyrics when focused on reveal a heartbreak that is most touching even now. These songs unintentionally spoke of an innocence and naivete that one can yearn for, wistfully perhaps, in this age so far removed from the Gilded One.   

This evening was partially a tutorial, which was most welcome judging by comments heard afterwards.  Who knew, for example, that the man who wrote “Take Me Out To The Ballgame” had never attended a baseball game? As an aside, Steve mentioned that when asked how he could write a song about Paris if he had never been there, Harold Arlen replied “I’ve never been Over the Rainbow” either”! 

The crowd in this august room showered the pair with applause and a standing ovation after we all sang “In Old New York”, where indeed we felt we were, if only for an hour. 

If you google tinpanalley.nyc, you’ll be led to the website of this association. Hope to see you at their next event!  

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