The word Artist is never more accurately applied to an entertainer then when it is used to describe Clint Holmes. Clint starts with a familiar song title on a blank music page, and then goes on to create something you never thought that tune could become. His vocal, jazz, acting ability, combined with his creativity cross every red, blue, black and white, music line you ever laid down. Most of the audience at Jim Caruso’s Broadway at Birdland Series were already “educated consumers” at his performance celebrating the CD Release of “Rendezvous” last night. However, for all, it was a reminder of what a truly great performer can brilliantly accomplish with the same 12 notes and combination of beats that all vocalists have at their disposal.
Christian Tambour is Clint’s extraordinary pianist/vibraphonist and for this Birdland show Marucs Printup was on Trumpet and Charannay Wade was guest vocalist.
Although his career spans four decades, Clint Holmes is in the midst of a significant breakthrough. Having spent the last 20 years as one of Vegas’s most successful entertainers, he has, over the last several years, achieved tremendous acclaim with solo shows in New York.
About “Rendezvous,” he says, “I was twelve and it was a true coming of age moment for me. I had never seen my dad in his world. He worked three jobs and never seemed happy until I saw him in this element. I fell in love with jazz and how cool it felt to interact with the ‘cats’ the way my dad did,” said Holmes, the son of an African-American father and a white British mother who was a classically-trained opera singer.
With jazz timing and phrasing informing his velvety tenor croon on eleven cuts, including three new songs that he co-wrote, Holmes surrounded himself with a royal herd of jazz “cats” on the collection that was produced by two-time Grammy winner Gregg Field. The sophisticated session offers a diverse play list that reinterprets modern day and classic pop hits, soulful R&B, theatrical tunes and numbers culled from the Great American Songbook. Field placed Holmes’ voice front and center amidst live instrumentation, sweeping strings and orchestra accompaniment, and sparse piano and vocal settings. The first single shipped to radio stations for airplay is “Say Something,” a duet between Holmes and multi-time Grammy nominee Ledisi. Grammy winner Patti Austin sang, conducted and arranged the background vocals on the track that will also be remixed for dance floors and serviced to club DJs. Class and elegance reign on a cunning big band mashup of “I Loves You Porgy”/”There’s A Boat That’s Leavin’ Soon For New York” pairing Holmes and Grammy-winning chanteuse Dee Dee Bridgewater backed by The Count Basie Orchestra. Holmes and Grammy winner Jane Monheit break hearts on a sublime rendition of Cole Porter’s “Every Time We Say Goodbye.” Swinging jazz and blues mingle “At The Rendezvous,” which is illuminated by a storming Hammond B-3 solo from Grammy-nominated organist Joey DeFrancesco. Closing the record with poignancy, Holmes penned lyrics to the sweetly melodic “What You Leave Behind,” composed by contemporary jazz luminary Dave Koz, who embellished the acoustic guitar and vocal track with a gracefully emoting sax solo.
“Every track does come from a personal place for me and this CD is a ‘rendezvous’ in every sense of the word – a coming together of great and generous artists. The material I selected for the album is specific and biographical while being universal at the same time,” Holmes concluded.
(For another article by Stephen & complete photos of this show go to BroadwayWorld.com)
Clint Holmes
Clint HOomes & Kelly Clinton-Holmes
Larry Moss & Eda Sorokoff
Norm Lewis
June Freemazon & Jule Budd
Clint Holmes & Sunny Sessa
Broadway at Birdland
(For complete photos of this show go to Broadwayworld.com)
Tony Award® winner Santino Fontana brings his tremendous talent to 54 Below and it is a show that wraps you up in his humor, charm, vocal prowess, laid back demeanor, jeopardy style musical choices and over all entertaining. By the end of the show you feel as if you know him or at least a part of him. Starting off with Charles Strouse and Lee Adams’s “Stick Around,” the night turned into a Russian roulette of material. The audience picked numbers and as Santino put it “if you don’t like the show, it’s your fault.” First up for my show was the naughty but amusing “Making Love Alone” followed by Rodgers and Hammerstein’s Cinderella‘s “Do I Love You,” which made for an amusing combination of songs. During Cinderella Mr. Fontana had shoes that were built up 2 inches inside and 2 inches outside, which cause a tremendous amount of pain, so the song told the story of his plight, which made the song take on a much different meaning. Sondheim’s “Anyone Can Whistle,” was sung for a Carol Burnett tribute, that luckily we were treated to.
His guest for the evening was Sarah Steele (“The Good Wife,” The Humans, The Country House) who sang “out There On My Own” from Fame. On the 14th it will be Greg Hildreth (Company, Disney’s Frozen, Rodgers + Hammerstein’s Cinderella). Click on the name and you can hear that version.
Showing off his baritone side with Rodgers and Hammerstein’s “If I Loved You.” We almost got to see Santino in Cy Coleman and Dorothy Fields”s Sweet Charity, instead we got hint of what that would be like with “Too Many Tomorrows.” A hilarious version of “I feel Pretty” from West Side Story lightened the mood and had the room in tears. Recreating his duet “Love Is An Open Door” from Frozen, Santino channeled Dorothy Michaels from Tootsie. Again the room was laughing with the sheer comedic genius that won Mr. Fontana a Tony Award. Bringing the energy to a calmer state was the emotional Leslie Bricusse and Anthony Newley’s “Who Can I Turn To?”
Vocally the most impressive song of the night was “Joey, Joey, Joey” from Most Happy Fellow. Mr. Fontana’s voice was glorious in the tones and the subtle texturing. Keeping in the ballad mode and honoring Marilyn Bergman he launched into the iconic “Where Do You Start,”while accompany himself on the piano, which was highly impressive. Back to the uptempo mode “I Met A Girl” from Bells Are Ringing, was given a rigorous, amusing take. This was his original audition song. Lerner and Loewe’s “How to Handle a Woman,” from the recent Camelot, showed how Santino would have made an excellent King Arthur.
Another favorite moment of the night was “Buddy’s Blues” from Follies. Already a personal favorite, this made me want to see Santino play this role at a later date, though personally I would cast him as Ben.
For the finale songs “The Music In You” from Cinderella, told how he and the cast loved watching the magnificent Victoria Clark perform. “This Can’t Be Love” from 1938 Rodgers and Hart musical The Boys from Syracuse, ended up in an encore, of Harvey Schmidt and Tom Jones’s “They Were You” from The Fantasticks, which made my guest producer Pat Addiss extremely happy.
Cody Owen Stine
Santino was backed by his musical director and accompanist Cody Owen Stine, who played flawlessly.
Santino Fontana
Santino Fontana opened September 10th at 54 Below and you can still catch this marvelous show tonight September 14th. 54below.com
This is a do not miss!
I met Emmy Award winner Mauricio Martínez when he was performing in Children of Salt and have watched him ever since. He then became known for the Broadway musical On Your Feet!, but before that he appeared in the Emmy Winning TV Show El Vato NBC, the hit Señora Acero Telemundo and several Mexican telenovela. T2C talked to this prolific actor/ singer to learn more.
His new show at 54 Below talks about all the self-tape sides filling up his Dropbox. In his new show, 5’11, Based in NYC, Mauricio is putting those to good use in a musical “What If…,” sorting through what might have been. Pushing aside the ring light, you will lean more about this uber talented Mexican American.
His show on October 5 and 6 at 7pm is at 54 Below. The show feature Linedy Genao (Bad Cinderella, On Your Feet!) and Alexis Michelle (“RuPaul’s Drag Race”) and is written by Mauricio Martínez & Robbie Rozelle, with musical direction and arrangements by Brian J. Nash. Directed by Robbie Rozelle.
Video by Magda Katz
Last night Linda Purl took the audience at The Green Room 42 on a magical journey.
Linda Purl and Ryan Spahn
In 2020 Linda Purl starred as Ryan Spahn mother in Vivian Neuwirth’s Mr. Toole at 59E59 Theaters.
Ms Purl just released her fourth album of standards, This Could Be the Start. If the CD is anything like the concert this s a must have,
You know Linda Purl, for her work on Movies of the Week, Happy Days, The Bold and the Beautiful, Matlock, Murder She Wrote, The Office and more. Recently she released her fourth album of standards, This Could Be the Start, and she celebrated its debut with a special concert Monday, September 11th at The Green Room 42.
Standards such as “This Could Be The Start,” I’ve Gotta Lot of Living,””Shall We Dance,” “Caravan,“Blue Moon,” “Let’s Get Lost,” “Taking a Chance on Love,” “Here’s To Life” and more were given a sultry, laid back, come hither approach. You can tell Ms. Purl is an actress first, as these song, all told stories that wrapped you in their spell. The lyrics become front and center, but are thrown away with a knowing that surpasses time. Part of the magic is the alternating rhythms to the originals that make these versions stand out and draw you in.
Penny Fuller, Lorna Dallas, Linda Purl
Part of this intoxication is her musical director Ted Firth, who is a musical genius. Purl has been working with him for 15 years. When ever I fall in love with an arrangement, inevitably it is always Ted Firth at the helm. Firth was on piano with David Finck on bass and Ray Marchica on drums. Purl smartly uses the best of the best.
Linda and Ted Firth
During Ms. Purl’s patter we learned about her love of hiking, she hails from Colorado, her partner, Patrick Duffy, and their sourdough starter company, as well as painting old trees with paint and glitter.
Kevin Spiritus, Jamie deRoy, Linda and Pat Addiss
Purl knows how to keep her audience in the palm of her hand and wanting more. She is warm, engaging and a song stylist, that will keep you coming back for more.
Pat Addiss, Dan Lauria, Linda Purl, Kevin Spiritus
Penny Fuller, Lorna Dallas, Linda Purl, Richard Hillman, Ted Firth
Linda Purl, Richard Hillman, Ted Firth
All photo’s and video are Magda Katz
Classical/rock violinist Daisy Jopling, vocalist Frank Shiner and her fabulous band performed at Chelsea Table + Stage Saturday, September 9 at 9:30 PM. The duo perform an eclectic mix of music from blues and standards to classical. The magical band that accompanied them included Ray DeTone on guitar, Sofia Gould on saxophone, Jeff Miller on piano, Lavondo Thomas on bass and Dan Weiner on drums.
17 year old, Sofia Gould was a Daisy Jopling student and one of the reasons this foundation is so needed.
For a special treat 17 year old Melisa Muñoz played a mean trumpet.
Daisy tours the world with her own band, and also runs a music mentorship foundation.
The Daisy Jopling Foundation has given 6,810 children world class music performances for free.
4,500 hours of time volunteered.
1,000 residents given free tickets to our concerts.
920 children served in their mentoring programs.
Partnered with over 50 non-ройt organizations to.
transform their student’s lives.
Daisy was the first international violinist to perform a major concert at the Great Pyramids of Giza in Egypt on November 4, 2022, collaborating with Egyptian stars Hany Adel, Wust El Balad and Noha Fekry.
Daisy started off by playing a concerto at the Royal Albert Hall in London at the age of 14, the opening of the Vienna Festival, 53 stunning concert halls in China, creating “Illuminance” on Bannerman Island, NY which aired on PBS in 2021 and 2022, and performing her own “Awakening” Concert at Alice Tully Hall, Lincoln Center.
Daisy Jopling, Frank Shiner
Frank Shiner released his debut album, The Real Me, in 2014, A second LP, Lonely Town, Lonely Street, he released on his own Bakerson Records label. He is now writing a musical about his dad, in which he debuted one of the songs.
They ending the concert with “Joy To The World.” This was a great night of raising funding for children and music.
-
Out of Town3 days agoThe Master Plan Unravels Brilliantly and Hilariously at Crow’s Theatre Toronto
-
Events1 day ago
A Fun Night at Dave and Buster’s 42nd Street
-
Off Broadway4 days ago
Off-Broadway’s Muddy and Flat “Pay the Writer”
-
Events4 days ago
Dîner en Blanc Returns to New York City in Epic Fashion
-
Entertainment1 day ago
Beatles Brunch at City Winery Where Strawberry Fields Lives Forever
-
Out of Town3 days ago
Opening Night Beautiful: The Carole King Musical
-
Broadway1 day ago
Theatre News: Wicked, The Wiz, Hypnotique, Female Troubles and Love In The Time Of Crazy
-
Events4 days ago
Delmonico’s Revival Honored with Star-Studded Ribbon Cutting Ceremony
