MvVO Art Launches AD ART SHOW
Off Broadway

Nassim Too Gimmicky and Too Little

Nassim Too Gimmicky and Too Little

Now I missed White Rabbit, Red Rabbit, off-Broadway. This show that played two years ago at the Westside Theatre, basically had the same premise. Each performance a different actor reads from a script they are seeing for the first time. Many of the guest actors are and were, well known. In this production it is possible that you will see Michael Urie, Cush Jumbo, Tracy Letts, Brad Oscar, Jennifer Lim, Michael Shannon, John Gallagher Jr., Scott Adsit, Jessie Austrian, Reed Birney, Ewen Bremner, Peter Grosz, Andy Grotelueschen, Geraldine Hughes, Ken Marks, Tedra Millan, Martin Moran, Sally Murphy, Annie Parisse, Armando Riesco, Obie winners Kate Arrington, Michael Chernus and Gary Wilmes.

Linda Emond

Linda Emond

My actor was Linda Emond. Ms. Emond works in film, television and theatre, across genres, in roles that are often transformational. For her work in Tony Kushner’s “Homebody/Kabul” at NYTW, the Mark Taper Forum, and at BAM, she received an Obie Award, the Lucille Lortel Award, and nominations for Drama Desk, LA Drama Critics, and LA Ovation Awards. For her work on Broadway in “Life x 3”, she was nominated for a Tony Award as Best Featured Actress in a Play and won the Outer Critics Circle Award as Outstanding Featured Actress in a Play. Edmond appeared in the Broadway production of 1776 as Abigail Adams and has been  nominated for the Tony award three separate times in 10 years (Life x 3, Death of a Salesman, and Cabaret). She has appeared on Law & Order, and all three of its spin-offs: Criminal Intent, Special Victims Unit, and Trial by Jury. She is personable and likable, which is what this role calls for, in order for the concept to work. Emond was charming, enthusiastic and game through out the proceedings and she seemed genuinely touched by the show.

Nassim Soleimanpour

Nassim Soleimanpour

Nassim Soleimanpour is an Iranian-born playwright, who has made a specialty of keeping performers on their toes. His latest work, Nassim, named after his first name I found way to gimmicky. Upset that his mother, who still lives in Iran, has never heard or seen one of her son’s plays performed in her native language…Farsi due to political reasons, we become the way to right that.

The actor of the night gets a script in which they are told to read, minus the stage directions. A lot of it is projected on a screen, as pages are moved by disembodied hands. We learn the playwright is filming these pages live backstage. When Ms. Edmond is summoned backstage, we see it all on the screen. The problem is the sound is out of synch and so words and mouth are not in unison. This drove me crazy.

Nassim, never says anything his papers do.

We are told a story about a boy who couldn’t read, but wanted to. Then it is done in Farsi. Now Farsi looks beautiful and takes an artist to write it, but its sound is guttural.

Since we are asked not to describe the show, it is hard to say what I did and didn’t like. The experience will be different at every performance depending on the guest star and the audiences willingness to accept so little.

The theme, is obviously a meditation on how language divides us, but does it? I personally think it is cultural limitations that do.

I found this show lacking in depth. Perfect if this was for school kids, but there was not enough substance to even keep my guest who is a playwright or my interest. We kept looking at each other and at the end asked each other the same question, this is theatre? Well I guess anything can be.

Nassim boarders on cute, sweet and playful. Some will find its ending endearing, for me I’ll take All is Calm at the Sheen Center. Review on that coming up.

Nassim: Barrow Street Theatricals and Jean Doumanian present NY City Center Stage II, 131 W 55th St. until April 20th.

 

Off Broadway

Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. Currently she has a screenplay in the works, which she developed with her mentor and friend the late Arthur Herzog. She was the Broadway Informer on the all access cable TV Show “The New Yorkers,” soon to be “The Tourist Channel.” email: suzanna@t2conline.com

More in Off Broadway

the way she spoke A Disturbing Subject We Should All Know About

Suzanna BowlingJuly 20, 2019

The Rolling Stone Brings to Light The Atrocities Of Being Outed

Suzanna BowlingJuly 20, 2019

Winter Miller’s No One is Forgotten Imprisons Our Soul

RossJuly 19, 2019

I Spy A Spy Opening Night

Brian HesterJuly 19, 2019

I Spy A Spy Brings The Cold War Back

Suzanna BowlingJuly 18, 2019

The Bacchae: Fierce and Uncompromising, Nothing to Condemn

Virginia JimenezJuly 16, 2019

We’re Only Alive For a Short Time Flies High On The Wings of a Rare Bird

RossJuly 16, 2019

The Shed and Dragon Spring Phoenix Rise A Hot Mess

Suzanna BowlingJuly 14, 2019

Life Sucks, But Does This Play?

RossJuly 14, 2019