New York Stage and Film Announces 2019/20 Filmmakers’ Workshop
New York Stage and Film has announced the mentors and artists for its 2019/20 Filmmakers’ Workshop. Mentors include Luis Castro (The Pop Culture Collaborative), writer/producer Bash Doran (“Traitors,” “Boardwalk Empire”), Jessica Goldberg (“The Path”, “Parenthood”), William Goldberg (Abominable, Infinitely Polar Bear), Rajiv Joseph (Draft Day, “Nurse Jackie”), Toni Kalem (A Slipping Down Life), Max Mayer (Adam, As Cool As I Am), Shelby Stone (“The Chi”, Bessie), and Amy Robinson (After Hours, Julie & Julia).
The Summer Residency will also feature a free public panel discussion on July 10, 2019, featuring Peter Saraf (Little Miss Sunshine, A Beautiful Day in the Neighborhood), Joshua Astrachan (Paterson, Gosford Park), Maria Zuckerman(Executive Vice President, Topic Studios), Shelby Stone, and Amy Robinson; master classes by Julie Rottenberg and Elisa Zuritsky (“Sex and the City”, “Divorce”), and Andrew Marcus (Howards End, American Psycho, Isn’t it Romantic?); and a screening and discussion about how to craft a pilot for television with Jason Katims (“Parenthood,” “Friday Night Lights”) and Jessica Goldberg (“Parenthood,” “The Path”).
Filmmakers’ Workshop participants include Nichole Abshire (screenplay Imposter Impersonator), Kevin Armento and Jaki Bradley (screenplay Detox), Damon Colquhoun (TV pilot “Akilee’s Heal”), Abigail Mangin (TV pilot “Drowning”), Jabari McDonald (TV pilot “[Un]supervised”), B. Monet (screenplay Q.U.E.E.N.), Caitlan Moore (TV pilot “Ghoulfriends”), Samuel Nozik and Ashley Pishock (screenplay SOL:0), and Jay Riedl (TV pilot “Did You Ever Have a Family”).
Now in its 5th year, the Filmmakers’ Workshop is designed to support screen and television writers with creative development and mentorship. The Workshop includes a week-long summer residency during New York Stage and Film and Vassar’s Powerhouse Theater season, during which writers engage in one-on-one feedback sessions with professional mentors, as well as panel discussions, screenings and developmental readings, all designed to bring each project closer to completion. New York Stage and Film then convenes the group in New York City six months later for further mentor sessions and industry networking.
The director of the Filmmakers’ Workshop is Marin Gazzaniga and past mentors and panelists have included Marilyn Agrelo, Joshua Astrachan, Keith Bunin, Anne Carey, Thomas Carter, Miranda de Pencier, Geoffrey Gilmore, William Goldberg, Bingo Gubelmann, Zach Helm, Michael Hoffman, Mia Mask, Kim Jose, Richard LaGravenese, Paula Mazur, Lillah McCarthy, Bec Miller, Rob Morrow, Michael Nozik, Ken Olin, Josh Radnor, Kyra Sedgwick, John Patrick Shanley, Charlie Stratton, Bryan Unkeless, Suzanne Weinert, Jennifer Westfeldt, Matt Williams, and Stu Zicherman. Kevin Bacon, Anthony Bregman, Griffin Dunne, Jenny Halper, Andrew Marcus, Bill Migliore, Riva Marker, Mary Stuart Masterson, Frank Pugliese, Bill Pullman, Jacquelyn Reingold, Peter Saraf, Dan Steinman, Alan Wertheimer, and Matt Williams.
A unique aspect of the Filmmakers’ Workshop is that it takes place alongside the Powerhouse Theater Season, Vassar & New York Stage and Film’s annual collaboration that continues to be the launching pad for some of the most groundbreaking new works for the American theater. Recent productions include Stephen Karam’s The Humans, Sarah DeLappe’s The Wolves, Taylor Mac’s A 24-Decade History of Popular Music, and the Tony and Pulitzer Award winning musical, Lin-Manuel Miranda’s Hamilton.
New York Stage and Film (Johanna Pfaelzer, Artistic Director; Christopher Burney, Incoming Artistic Director; Thomas Pearson, Executive Director; Mark Linn-Baker, Max Mayer, Leslie Urdang, Producing Directors) is a not-for-profit company dedicated to both emerging and established artists in the development of new works for theater and film.
For more information, please visit www.newyorkstageandfilm.org/filmmakers-workshop
The Glorious Corner
HERE’S BEKKA — (from Rolling Stone) Bekka Bramlett grew up around John Lennon and George Harrison, but nothing could prepare her for joining Fleetwood Mac in 1994, during one of the rockiest periods in the band’s history.
The Bekka Bramlett incarnation of Fleetwood Mac released a single album, 1995’s Time, before dissolving the next year to make way for a lucrative Hells Freezes Over-style reunion album and tour by the classic Rumours lineup. This period of the band may seem like little more than a footnote to some rock fans, but it was a pivotal time for Bramlett, and she looks back on it without any regrets.
“I knew my job was to get Stevie back,” she tells Rolling Stone from her home in Nashville. “I wasn’t a moron. I also knew this was a dangerous job when I took it. I knew I was facing tomatoes. But I didn’t want to wear a top hat. I didn’t want to twirl around. I wanted to be me. I even dyed my hair brown just so people in the cheap seats would know that Stevie wasn’t going to be here. I didn’t want anyone to be discouraged or let down.”
Joining Fleetwood Mac at 26 would have been a shock to the system of most singers, but Bramlett had been living in close proximity to rock stars her entire life. When she was very young, her parents toured and recorded with George Harrison, Eric Clapton, and many other A-list rock stars, winning renown as Delaney & Bonnie and Friends. Those artists also spent a lot of time at her mansion in the Hollywood Hills.
Bramlett didn’t realize any of this was unusual until she boarded the school bus one morning gripping her Disney Princess lunchbox. “This other little girl had a Beatles lunchbox,” she says. “I said to her, ‘I know him. He’s on our couch right now.’ I pointed to George Harrison. ‘I know him too.’ I pointed to John. She started hitting me since she thought I was lying. I was petrified and confused. I thought they were just Daddy’s friends that had accents.”
When she was just four years old, her father recruited Bekka and her sister Suzanne to sing background vocals on his song “California Rain.” “My mom had to get some gaffer tape to keep the headphones on my head since I was so little,” she says. “I used to hate the way it sounds, and now I love it so much. It’s so endearing.”
Right around this time, her parents split up, and she went to live with her father and grandmother. “It was weird, since mostly the moms got the babies back then,” she says. “But my parents were alcoholics. My grandmother never even smoked cigarettes or said cuss words. She brought us to church every Sunday, Wednesday, and Monday. We were in safe hands with our grandmother. I think both of my parents trusted that.”
Delaney and Bonnie both struggled to find solo success in the Seventies, and they dealt with significant substance abuse issues, but Bekka inherited their talents, and she knew from a young age that she’d devote her life to music. “I briefly thought I’d be a lawyer, but I thought I’d be a singing lawyer,” she says. “Then I wanted to be a jockey since I love horses, but I thought I’d be a singing jockey. Music is just what I’m good at.”
As a teenager with a fake ID in the early Eighties, Bramlett spent many nights checking out bands on the Sunset Strip. “I remember standing on the side of the stage as Guns N’ Roses played,” she says. “Seeing it up close, I was like, ‘This is why you never try heroin.’ But then I’d go into the audience and be like, ‘This is why you join a rock & roll band!’”
SUCCESSION — (via Deadline) The Roys are back with a vengeance. The Season 4 premiere of Succession drew an audience of 2.3M on Sunday across HBO Max and linear telecasts, which is a series high for same-day viewers. Total viewing for Sunday night was up 62% compared to Season 3’s premiere viewership of 1.4M in October 2021. At the time, that marked the best premiere night performance of any HBO original series since HBO Max launched in May 2020. Sunday’s viewership is also up about 33% from the Season 3 finale’s 1.7M. Season 3 averaged about 7.2M viewers per episode, according to HBO.HBO also says that all previous seasons of succession saw a 4x increase in viewership in the week leading up to the Season 4 premiere, compared to the week prior.
The Roy family saga picks up as the sale of media conglomerate Waystar Royco to tech visionary Lukas Matsson (Alexander Skarsgård) looms. The prospect of the seismic sale provokes existential angst and familial division among the Roys: patriarch Logan Roy (Brian Cox) and his four grown children, Kendall (Jeremy Strong), Siobhan (Sarah Snook), Roman (Kieran Culkin) and Connor (Alan Ruck). A hopefully Roy-esque power struggle will ensue as the family weighs up a future where their cultural and political weight is threatened.
Succession has 13 Emmys including Best Drama Series wins for its Season 2 and Season 3, the latter of which premiered in 2021.
We had mentioned earlier that most of the advance reviews said the writing was the star of the premiere episode and I definitely agree. Creator Jesse Armstrong wrote it and delivered just a stellar job. The episode began with a grumpy-Brian Cox at his birthday and took a few moments to develop into the powerhouse it has become, but it was very, very enjoyable.
Sure some of the dialogue and plot harked back to earlier episodes, but it’s so good, you hardly noticed. And the ending with Shiv and Tom, alone at at home and contemplating their futures, was just splendid and reeked of the amazing emotion the show almost always conjures up. A class act all around.
Variety confirmed this week, that the locale of the next White Lotus, from Mike White, will be Thailand. Now, if we could only get Jennifer Coolidge back … Congrats to New York Independenteditor Keith F. Girard on his second novel –
just out: The Curse of Northam Bay …PR-pasha David Salidor was interviewed by Charles Rosenay for Monkee Mania Radio … Christopher Nolan’s Oppenheimer open July 21 and it is indeed 3 hours.
It stars Cillian Murphy and the trailer looks rather stupendous. Check it out here:
The Glorious Corner
SLY REVIVED — (via Rolling Stone) Sly Stone, the enigmatic R&B/funk icon, will share his story in a new memoir, Thank You (Falettinme Be Mice Elf Agin), arriving Oct. 17 via Questlove’s new publishing imprint, AUWA Books.
Stone co-wrote the new book with Ben Greeman, who’s written memoirs with George Clinton, Brian Wilson, and Questlove (he helped the Roots drummer with his three other books, too). Questlove — who’s directing a documentary about Stone — will also pen a foreword for Thank You (Falettinme Be Mice Elf Agin).
In a statement, Stone said, “For as long as I can remember folks have been asking me to tell my story. I wasn’t ready. I had to be in a new frame of mind to become Sylvester Stewart again to tell the true story of Sly Stone. It’s been a wild ride and hopefully my fans enjoy it too.”
Born Sylvester Stewart, Stone’s music career began when he was a child, singing in a gospel quartet with his siblings. In the Sixties, he worked as a radio DJ in the Bay Area, forming various soul groups, including the extremely successful Sly and the Family Stone. The group’s debut,A Whole new Thing, arrived in 1967, and that same year they released their first major hit, “Dance to the Music,” which anchored the band’s second album. Between 1967 and and 1982, Sly and the Family Stone released 10 albums, including classics like Stand! and There’s a Riot Goin; On.
But after the dissolution of the Family Stone, Stone struggled to find success as a solo artist while simultaneously battling drug addiction. Though he got sober, he receded from public life, making only sporadic appearances, like the band’s induction into the Rock and Roll Hall of Fame and a performance at the 2006 Grammys. In 2011, Stone released a new solo album, I’m Back! Family and Friends; in 2016, he received a Lifetime Achievement Award from the Grammys.
Thank You (Falettinme Be Mice Elf Agin) is one of several books on the initial slate for Questlove’s new AUWA Books venture. (The Farrar, Straus and Giroux imprint takes its name, by the way, from the bird-call noise Prince used on songs like “Baby I’m a Star” and “Eye No.”) Also on the docket: Questlove’s new book, Hip-Hop Is History, and a book from TikTok star Drew Afualo (both out in 2024).
This is major news for sure. If you’re of a certain age, Sly Stone’s music was the best. The true of story of what actually happened should be cataclysmic. The stories I’ve heard over the years encompass almost everything good and bad about the music industry. I hope the curtain is finally pulled back in this instance.
TICKET TO YOUNG — (Via Ultimate Classic Rock) Count Neil Young among those musicians who blame escalating ticket prices for ruining the concert industry. “It’s over. The old days are gone,” Young declared in a message posted to his Neil Young Archives website. “I get letters blaming me for $3,000.00 tickets for a benefit I am doing. That money does not go to me or the benefit. Artists have to worry about ripped off fans blaming them for Ticketmaster add-ons and scalpers.”
The acclaimed rocker’s message was accompanied by a story about the Cure and their recent battle with Ticketmaster. The ticketing giant earned the scorn of the goth rock band and their fans by adding several fees to ticket prices for the Cure’s upcoming North American tour. In some cases, these “unduly high” fees, as Robert Smith called them, resulted in the actual price of tickets nearly doubling from their face value. Ticketmaster eventually agreed to refund some of the cost.
“Concert tours are no longer fun,” Young opined, pointing to ticket fees and scalpers as the culprit. “Concert tours not what they were.”
Young’s thoughts about ticket prices are the latest in his ongoing list of gripes regarding modern touring. In December, the rocker reiterated his refusal to play at concert venues that use factory farms.
SHORT TAKES — Could Big Blue be coming back? Blockbuster for decades was the go-to spot for DVDs and video-tapes. Stay tuned …I love Keanu Reeves, but I must admit I’ve not seen any of the John Wick movies. Chapter 4 opened this past weekend with a $74 million+ score. Rather amazing in this post-covid period.
I pulled up the trailer and was terrifically impressed by the lush visuals; beautiful music and Reeves and Lance Reddick just sensational. I am thinking of a John Wick-weekend where I’ll watch all 4 … Writer/producer Terry Jastrow arrives in NY this week with his wife actress Anne Archer … Whatever happened to the Madonna biopic? You ask three different people and you get three different answers,. Check this one out from IndieWire: https://www.indiewire.com/2023/03/julia-garner-madonna-biopic-fingers-crossed-1234819696/ …
Personally, I don’t think Garner should do it. Mired in controversy already, could it really be any good? … GUESS WHO DON”T SUE: What up-and-coming metal band is using the name of a high-profile manager to score some Manhattan-gigs? They were going to work with the manager until it blew up. Simply shady if you ask me … btw: whatever happened to Wendy Stuart Kaplan? …
Friday was the last episode (for their inaugural season) of Apple TV+’s Shrinking which has just been so excellent in this its debut season. Jason Segal and Brett Goldstein have come up with the best show on streaming yet. Infectiously good and the acting turns from Segal and Harrison Ford are off the charts. The show culminated in a wedding for best-friend Brian (Michael Urie) and ended with a call-back to the show’s very first scene. Remember it? Truly a one-of-a-kind show. We loved it … I’ve heard at least 4 stories on the news this weekend about composting. Is this a hot topic now? Trending is it? … RIP Nicholas Lloyd Webber
NAMES IN THE NEWS –— Alex Salzman; Rob Petrie; Anthony Pomes; Terry Jastrow; Tyrone Biljan; Jacqueline Boyd; Bill McCuddy; Brad LeBeau; Nile Rodgers; Nancy Hunt; Steve Leeds; Terri Epstein; Brenda K. Starr; Tom & Lisa Cuddy; William Schill; Robert Funaro; Vinny Pastore; Maureen Van Zandt; Tricia Daniels; and ZIGGY!
The Glorious Corner
TODD’S AWATS — (from World Cafe) Fifty years ago, Todd Rundgren released his album A Wizard, a True Star, and it sounded like nothing else. World Cafe correspondent John Morrison says Rundgren was pushing boundaries, both in the technical creation of the music but also on a higher level. “Really, the entire approach to sound in this record is exploration of the mind, the spirit, the nature of sound itself,” Morrison says. “Like, the whole album is a trip.” In this session, Morrison takes us on a journey through Rundgren’s A Wizard, a True Star, exploring what the album meant when it came out and how its influence continues to reverberate.
Currently he’s touring with Daryl Hall and there’s a bunch of sessions with Hall that are on Daryl’s House. The way their two voices blend is simply amazing. One of my all-time favorite albums is War Babies, from Hall & Oates in 1974. Just amazing songs and the production, courtesy of Todd, is equally compelling. Stunning!
SHORT TAKES — Joe Pantoliano (Joey Pants) is essaying Morris Levy in the forthcoming play Rock & Roll Man about Alan Freed. Freed is played by Constantine Maroulis. Also coming is the movie Spinning Gold; the story of record exec-Neil Bogart. Both should be something to see … Am reading and reading nothing but rave reviews of Sunday’s Succession on HBO; the first of ten episodes which will wrap up the story. In all the reviews, the writing emerges the star. Jesse Armstrong, a genius for sure. Can’t wait. Check out Roger Friedman’s take from his Showbiz 411: https://www.showbiz411.com/2023/03/22/succession-returns-for-finale-season-sit-down-have-a-drink-or-two-its-intense-as-ever … 79 year old Top Gun: Maverick producer Jerry Bruckheimer: “Don Simpson (Bruckheimer’s late-producing partner) used to say we’re in the transportation business: we transport you from one place to another” …
Terrific Accused episode this week, starring Jason Ritter in Jack’s Story. Jason, John Ritter’s son was just excellent; the show was just renewed by Fox … Steve Miller, out on the road, has some interesting openers for his upcoming tour: Dave Mason and Joe Bonamassa. Mason’s book (Only You Know and I Know) is out in May … Dennis Scott hosted a special invitation-only Happy Birthday, Mister Rogers event in Nashville for media, TV, radio and music industry professionals, with support from ASCAP, this past Monday.
The event featured special musical performances given by country singer-songwriter Teea Goans, singer-songwriter & guitar virtuoso Parker Hastings, who put a Chet Atkins-like spin on the original Mister Rogers’ Neighborhood theme song “Won’t You Be My Neighbor,” and studio vocalist Gary Janney. Here’s the cake prepared for the event … Happy Bday William Shatner ; Chaka Khan; Reese Witherspoon; and Anthony Pomes!
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