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Dust Can’t Kill Me, is a folksy musical set during the Great Depression written by Abigail Carney and Elliah Heifetz, two Yale alumni while they were students. The play takes place in Kansas during the late 1930s at the heart of the Dust Bowl disaster and follows two sisters, one who is pregnant and sick (Elizabeth A Davis) and the other who has killed a man (Kathryn Gallagher), a African American (Richard Crandle) and two gay men, who go as brothers (Michael Castillejos, Adrian Blake Enscoe). All have secrets and have lied, hurt and been victims of life. When they are visited by a prophet ( Paul Hinkes) they are given rain, shelter and a promise of paradise. However paradise is not exactly what they were expecting and now they have to choose between paradise or life. For some it is easier than others.

The book is solid, but could use some fleshing out. The music is totally along the country folk vein and two hours of it is too much for me, but seems to please the downtown younger set. The lyrics were hard to hear by Ms. Gallagher and at times her voice is strident. All the actors play an instrument very much like a John Doyle production only we don’t lose the vocals, acting or orchestrations. Ms. Davis plays violin and does so exquisitely. This girl is truly a quadruple threat without losing any of the nuances of the other forms. Ms. Gallagher plays guitar, Mr. Castillejos bass, Mr. Enscoe banjo and mandolin and is wonderful to listen to. Mr. Crandle kept the beats with percussion and Mr. Hinks adds more tones on the guitar. This entire company plays extremely well and starts and end as a band of musicians, even giving us an encore number.

The direction by Srda Vasiljevic, a Bosnian-Iowan theater director is well served and keeps the piece moving, though he has help. Jennifer Jancuska, choreographs the ins and outs of working with your instrument as well as the musical numbers and there are 18 of them.

This is definitely a Yale alumnus project with Paul Hinkes class of 15,  Max Gordon the show’s musical director; DJ Stanfill the assistant musical director both class of 16 is; Yale senior Elizabeth Emanuel is assistant stage manager; and Ethan Karetsky class of 14 is the executive producer.

I would get this show down to 90 minutes as it drags in places, but I can see Dust Can’t Kill Me playing downtown and all around the country.

Dust Can’t Kill Me: June Havoc Theatre, 312 W 36th St. 8/3 @9pm, 8/4 @9pm, 8/6 @ 1pm and 8/7 @12pm

Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret, opera and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. She has a screenplay and a TV show in the works, which she developed with her mentor and friend the late Arthur Herzog. She is a proud member of the Drama Desk and the Outer Critics Circle and was a nominator. Email: suzanna@t2conline.com

Broadway

The Heart of Rock and Roll Meets The Press And Huey Lewis Sings For Me

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Yesterday morning The Heart of Rock and Roll, the new musical based on the soundtrack of Heuy Lewis’s mega hits, met the press corp. In the opening address’s I learned that Heuy Lewis, is now deaf.  In learning that, I wanted to know what soundtrack was now playing in his head. In getting to interview Mr. Lewis I was allowed one question and when I asked, not only did I learned the answer, I was sung to. 

For this video, we started off with that interaction and segue into what happened earlier. With director Gordon Greenberg, introducing John Dossett, McKenzie Kurtz and the cast Josh Breckenridge, F. Michael Haynie, Zoe Jensen, Tamika Lawrence, Raymond J. Lee, John-Michael Lyles, Orville Mendoza, Billy Harrigan Tighe, Mike Baerga, Tommy Bracco, TyNia René Brandon, Olivia Cece, Taylor Marie Daniel, Lindsay Joan, Ross Lekites, Robin Masella, Kara Menendez, Joe Moeller, Jennifer Noble, Fredric Rodriguez Odgaard, Michael Olaribigbe, Kevin Pariseau, Robert Pendilla and Leah Read singing the title song The Heart of Rock and Roll. 

The music supervision, arrangements, and orchestrations by Brian Usifer, musical direction by Will Van Dyke, and the innovative choreography by Lorin Latarro really stood out.

We then in this video interview director Gordon Greenberg, to learn more about what looks to be one fabulous show.

More tomorrow with Corey Cott and the cast and creatives.

The Heart of Rock and Roll, the new musical inspired by the iconic songs of Huey Lewis and The News, will open on Broadway at The James Earl Jones Theatre (138 W 48th St, New York, NY 10036) on Monday, April 22, 2024.

Video and picture by Magda Katz

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Broadway

Maria Friedman Wow’d in Legacy For Broadway Cares Equity Fights AIDS

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Last night was a night to remember, when three-time Olivier-winning actor Maria Friedman, gave a one-night-only benefit concert at the Hudson Theatre. The concert served as a benefit for Broadway Cares, The Stephen Sondheim Foundation, and The Marvin Hamlisch International Music Awards. Friedman is currently represented at that theatre as the director of the current revival of Merrily We Roll Along.

This was the kind of night you pray about. It was an exquisite pleasure watching someone who understands lyric, musicality and how to keep an audience in the palm of their hand. The performance, titled Legacy: An Evening With Maria Friedman and Friends, focused on the works of Stephen Sondheim, Marvin Hamlisch, and Michel Legrand, as Ms Friedman personally and professional had close relationships with all three artists. Craig Horsley will be writing a review of this outstanding musical night of nirvana.

As I watch enrapt in this performance I remembered six years ago I interviewed Ms. Friedman and saw her sing the definitive “Losing My Mind” from Follies, prior to last night, so I went in search of this. We discussed her show which was about to play at 54 Below, which had played a sold-out London run earlier that year. The show explored the work of composer-lyricist Stephen Sondheim and composer Leonard Bernstein. We also talked about her staging of the U.S. premiere of her acclaimed 2012 London revival of Merrily We Roll Along which was currently at the Huntington in Boston, MA starring Eden Espinoza, Damian Humbley and Mark Umbers and a production of Bernstein’s Mass which she had hoped was coming soon.

Friedman made her Broadway debut in 2005 starring in Andrew Lloyd Webber’s The Woman in White, but she’s spent the majority of her stage career in London’s West End. Among her major roles there was Dot in the first London Sunday in the Park With George, Mary in Merrily We Roll Along, Fosca in Passion (Olivier Award), Sukie in The Witches of Eastwick, Roxie in Chicago, Mother in Ragtime (Olivier Award), Mrs. Lovett in Sweeney Todd, and Golde in Fiddler on the Roof. She also played the Narrator in the screen version of Joseph and the Amazing Technicolor Dreamcoat and Mother Abbess in the U.K.’s The Sound of Music Live!

Thank-you Ms Friedman for a night that will long stand in my memory.

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Events

Betty Buckley Has Created, Wrote and Narrated The Mayfly, An Animated Short Film

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The Mayfly, Betty Buckley’s animated short film.

Tony Award-winning, stage and screen icon Betty Buckley has created, wrote and narrated The Mayfly, an animated short film that will have its world debut at the prestigious American Documentary and Animation Film Festival in Palm Springs, Calif. on March 24, 2024. Tickets are available to the public HERE 

Animated traditionally in 2D, The Mayfly is the story of Megalyn Mayfly, who goes against all expectations and dedicates her short life to music and dance. Her quest takes her from Central Park West to the Upper East Side’s Carlyle Hotel where she dances her final opus at the elegant Cafe Carlyle.

Inspired by a real event witnessed by Ms. Buckley at a Judy Collins concert at the Café Carlyle in New York City, The Mayflyis a love letter to music and New York City.

Ms. Buckley said, “What I observed was so lovely —a mayfly, dancing as if part of the show itself.  I felt the mayfly’s dance was intentional. And from this experience, the story of Megalyn emerged. It’s a film that I hope encourages us to embrace our passions and break free from societal norms.”

The Mayfly is directed by four-time Emmy-nominee Sue Perrotto (Beavis and Butt-head Do America; Pooh’s Heffalump Movie, Daria).  The music is composed by Grammy-nominated Christian Jacob (Clint Eastwood’s Sully and The 15:17 to Paris). BluBlu Studios is the animation house.

The creative team includes character designer Eugene Salandra, production designer Meryl Rosner and storyboard artist Viki Anderson. Produced by Melissa Coolidge and Bradford Coolidge. Buckley and Perrotto also serve as Executive Producers.

Betty Buckley

Betty Buckley

Betty Buckley is a legendary, multi-award winning actress/singer whose career spans theater, film, television and concert halls around the world.  She is a 2012 Theatre Hall of Fame inductee and the 2017 recipient of the Julie Harris Awards from The Actor’s Fund for Artistic Achievement and received The Lifetime Achievement Award from The American Songbook Association in 2023.

Ms. Buckley co-stars in the film Imaginary for Blumhouse Productions to be released by Lionsgate March 8, 2024.  She co-starred with James McAvoy in the M. Night Shyamalan hit film Split, one of the top international box office hits of 2017.  She received a Saturn Award Nomination for Best Featured Actress for her work in the film.

She won a Tony Award for her performance as Grizabella, the Glamour Cat, in Andrew Lloyd Webber’s CATS and received her second Tony Award nomination for Best Actress in a musical for her performance as Hesione in Triumph of Love.  She received an Olivier Award nomination for her critically acclaimed interpretation of Norma Desmond in the London production of Andrew Lloyd Webber’s Sunset Boulevard, which she repeated to more rave reviews on Broadway.

Her other films include her debut in Brian de Palma’s screen version of Stephen King’s Carrie, Bruce Beresford’s Tender Mercies, Roman Polanski’s Frantic, Woody Allen’s Another Woman, Lawrence Kasden’s Wyatt Earp and M. Night Shyamalan’s The Happening.

Her other Broadway credits include 1776, Pippin, Song and Dance, The Mystery of Edwin Drood and Carrie.  She headlined the first National Tour of the new Broadway production of Hello, Dolly! in 2018/2019.

Off-Broadway credits include the world premiere of Horton Foote’s The Old Friends for which she received a Drama Desk Nomination in 2014, White Lies, Lincoln Center’s Elegies, the original NYSF production of The Mystery of Edwin Drood, The Eros Trilogy, Juno’s Swans and I’m Getting My Act Together and Taking It On the Road.  Regional credits include The Perfectionist, Gypsy, The Threepenny Opera, Camino Real, Buffalo Gal, Arsenic and Old Lace, The Old Friends at Houston’s Alley Theatre and Grey Gardens at the Bay Street Theatre in Sag Harbor, NY and The Ahmanson Theater in Los Angeles in 2016 for which she received an Ovation Award Nomination.

In London, she starred in Promises, Promises for which she was nominated for An Evening Standard Award and in the 2013 British premiere of Dear World.

On television, Buckley has a recurring role on “Law & Order SVU” for NBC and guest starred on the Fox/Warner Bros. TV show “The Cleaning Lady.”  She co-starred in the third season of AMC’s hit series “Preacher” and has guest starred on The CW hit “Supergirl”, the NBC Series “Chicago Med” and ABC Family’s “Pretty Little Liars.”  For HBO, she has appeared on “Getting On”, “The Leftovers”, “The Pacific” and for three seasons on OZ.  She starred as Abby Bradford in the hit series “Eight is Enough.” She appeared twice on The Kennedy Center Honors and was a guest star in numerous television series, miniseries and films for television including Evergreen, Roses for the Rich and Without a Trace. She has been nominated for two Daytime Emmy Awards® for her work on Taking a Stand, an After School special.

In 2022, she released the compilation recording Betty Buckley Sings Stephen Sondheim as a tribute to the late composer. The recording comprises 24 songs Buckley has recorded of Sondheim’s music over the span of her career.  She has recorded 18 CD’s: including Ghostlight, produced by T Bone Burnett released in 2014, Story Songs in 2017 and Hope in 2018.  Buckley tours in concert worldwide with her ensemble of musicians and in 2015 was featured in the Royal Albert Hall concert of Follies, in celebration of Stephen Sondheim’s 85th birthday.

She received a Grammy Nomination for Stars and the Moon, Betty Buckley Live at the Donmar. She received her second Grammy Nomination for the audio book The Diaries of Adam and Eve.

For over forty years, Ms. Buckley has been a teacher of scene study and song interpretation, giving workshops in Manhattan and various universities and performing Arts Conservatories around the country.  She has been a faculty member in the theatre department of the University of Texas at Arlington and teaches regularly at the T. Schreiber Studio in New York City, The Modern Art Museum of Fort Worth, TX and in Los Angeles, Denver and Oklahoma.

In 2009, Ms. Buckley received the Texas Medal of Arts Award for Theater and was inducted into the Texas Film Hall of Fame in 2007.  In 2015, she was awarded The Stephen Bruton Award by The Lone Star Film Festival for her work in film and music. In 2018, she received the Sarah Siddons Award for outstanding theatrical performance in a Chicago theatrical production. She has two honorary doctorates from The Boston Conservatory and Marymount College and has been honored with three Lifetime Achievement Awards for her contributions to theater from the New England Theater Conference, The Shubert Theater in New Haven and the Terry Schreiber School in NYC.

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Celebrity

The Glorious Corner

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G.H. Harding

TRUMAN’S SWANS — I only know Ryan Murphy by reputation. He’s been the flavor-of-Hollywood for quite some time now; yet a devil-may-care attitude persists in his CV. I loved his Nip/Tuck which just defied expectations on every level; terrific acting from Dylan Walsh and Julian McMahon, and just the wildest plots I’ve ever seen.

From there Hollywood started throwing money at him left and right; American Horror Story and Hollywood (with Jim Parsons) followed. Also, the anthology series-Feud which began with the “feud” between Joan Crawford and Bette Davis and was succinctly thrilling.

Now, Feud is chronicling Truman Capote and his “feud” with his Swans; featuring mainly a terrific performance by Noami Watts as Babe Paley. Calista Flockhart; a devilish-Diane Lane and Chloe Sevigny are also there as the other swans. Director Gus Van Sant (Drugstore Cowboy) directed several episodes and it is, without a doubt, the best thing Murphy has done and I’ve seen in quote some time.

One episode is entirely shot in black-and-white, a risky-gamble for anyone … but, it pays off handsomely.

Tom Hollander as Capote is simply off the charts and is, I believe, one of the best performances I’ve ever seen.As a young writer, there were two writers I was absolutely captivated with: Dominick Dunne and Capote. Dunne I met and he was everything I hoped him to be, Capote, never. The Swans is a long, long story and I urge you to look further into it. Capote, truly self-destructive, became an appendage of them all and they all told him everything, some of which he wrote about is Esquire (La Cote Basqu”-1965) exposing their innermost secrets and thereby severing the relationship.

Just a brilliant, brilliant series, Murphy’s crowning touch.

Sanford Townsend Band

SHORT TAKES — In my final few weeks working from home, I finally dialed up ROKU’s Yacht Rock station after initially being somewhat repelled by the term. Turns out, it really means soft rock and I’ve heard everything from Hall & Oates to the Sanford Townsend Band (big favorite) and lots of Steve Winwood; Eagles; Al Stewart; and Chicago.

Not bad actually. Guess I really am old … Micky Dolenz does an interview with NPR’s Lillian Galvez today and BreakfastWith The Beatles’ Chris Carter on March 31 before his show at LA’s Troubadour on April 5 … The Rascals people Got To Be Free tour at the Patchogue Theater on April 26; Keswick Theater on April 27; and SONY Hall in NYC on May 17 …

James Gunn’s Superman: Legacy movie has been re-named Superman; and has cast Wendell Pierce (The Wire; Tom Clancy’s Jack Ryan) as Perry White. And remember, Rachel Brosnahan is Lois Lane! … Keith Richards singing Lou Reed’s immortal classic “I’m Waiting For The Man” is so excellent. Take a look: https://variety.com/2024/music/news/keith-richards-covers-waiting-for-the-man-lou-reed-tribute-1235927738/

Lou Reed

The track appears on a Lou Reed tribute album that also features Angel Olsen, Lucinda Williams, Joan Jett and the Blackhearts, Rufus Wainwright, Rickie Lee Jones, Rosanne Cash and others. It arrives April 19 — with a special Record Store Day edition arriving the following day — on Seattle’s indie Light in the Attic Records (which was chosen by the late artist’s estate to handle his reissues and got a Grammy nomination for the “Words & Music: May, 1965” album). Booklet features liner notes by compilation producer & former Lou Reed publicist Bill Bentley, featuring photos by Mick Rock and Timothy Greenfield-Sanders. Said Richards: “To me, Lou stood out. The real deal! Something important to American music and to ALL MUSIC! I miss him and his dog” …

Micky Dolenz and Chris Carter

SIGHTING: Micky Dolenz and Alison Martino at the Catalina Jazz Club watching Jimmy Webb … And, we watched the awesome Jeffrey Wright in American Fiction and loved it until the end. It’s almost as if writer/director Cord Jefferson couldn’t figure the right ending, so he portrayed three. Pretty weird for sure, but a staggeringly excellent performance by Wright, Erika Anderson and Sterling K. Brown.

NAMES IN THE NEWS — Nancy Jeffries; George Michael; Helene Blue; Monica Lynch; Thomas Silverman; Tom & Lisa Cuddy; Alexa Blake; Joe Bonadonna; Andrew Sandoval; Race Taylor; Scott Shannon; Dan Ingram; Bruce Morrow; Wolfman Jack; William Schill; Ed Steinberg; Chris Carter; and CHIP!

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Entertainment

Live From The Hotel Edison Times Square Chronicles Presents Classical/Rock Violinist Daisy Jopling

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“Live From The Hotel Edison Times Square Chronicles Presents ”, is a new show that is filmed live every Wednesday from 5 – 6 in the lobby of the iconic Hotel Edison, before a live audience. To see our first episode click here second episode click here and for our third episode click here.

You can also see us on

Pandora:

https://www.pandora.com/podcast/live-from-the-edison-hotel-times-square-chronicles-presents/PC:1001084740

Stitcher:

https://www.stitcher.com/show/1084740

Spotify:

https://open.spotify.com/show/2nKQcaG9hnSeLkxUgR2BzI

Amazon:

https://music.amazon.com/podcasts/e3ac5922-ada8-4868-b531-12d06e0576d3

Apple Podcasts:

https://podcasts.apple.com/us/podcast/live-from-the-edison-hotel-times-square-chronicles-presents/id1731059092

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