Oh What a Night Seth Rudetsky’s Broadway Series With Megan Hilty and Jessie Mueller

Oh What a Night Seth Rudetsky’s Broadway Series With Megan Hilty and Jessie Mueller

Jessie Mueller, Seth Rudetsky, Megan Hilty Photo’s by Luiz Cribeiro

Seth Rudetsky’s Broadway series, brought Tony nominee Megan Hilty and Tony winner Jessie Mueller on stage together for the first time. The two recently starred in the made-for-TV movie Patsy & Loretta.

Jessie Mueller, Seth Rudetsky, Megan Hilty Photo’s by Luiz Cribeiro

In case you have never been to a Broadway Series at Town Hall, the informative and insightful Seth Rudsky leads his stars to songs he wants, while pulling amazing stories out of them. Monday night was all about tag teaming. Using their middle names Megan Joy Hilty was first with “Just Keep Moving the Line” from Smash.

Megan revealed that Smash was really a big one for her. “Everything made sense until I read that Ivy was a triple threat. That she’d been in the ensemble for years—at least a decade. And I was like, “No, no, no thank you. That means this person is way more talented than I am. I cannot dance to save my life and I don’t want to put myself through dance calls because the ones I’d gone through are not pretty.” I told my manager, “I can’t audition for this. I was terrified when I got it.”

For Jessie Kathleen it was an uplifting “I Feel the Earth Move” from Beautiful.

Mueller hails from Evanston, Illinois and was in her high school production of  Once Upon a Mattress. We were treated to a rare wonderful version of  “Shy.” Ms. Mueller is truly funny and does a great Liza Minnelli impersonation.

Mueller went on to tell the audience about her audition for the revival of On A Clear Day You Can See Forever with Harry Connick, Jr. Working steadily in Chicago theater the casting director called her in. The entire room was there for American Idiot, but she sang “It Might As Well As Spring”, she was asked for a jazzier song and her entire book was full of the same type of material. She went over to the piano player and the jazz version she came up with was spectacular. It was so amazing that I now have a new found respect for Ms. Mueller. Continuing the story, Ms. Mueller couldn’t do the callback for the next day, as she was commitment to a friend’s musical reading. Instead she flew herself to New York and landed the Tony nominated role. Once in the show Jessie told how one night Connick went up on his lines and she had to rectify the situation. Mueller showed her remarkable range singing the jazzy “Every Night at Seven” from On A Clear Day.

Megan showed us her adorable new album, which is a Christmas ornament.

Megan Hilty wanted to be an opera singer, classically singing in vocal competitions since eleven. Having just graduated from Carnegie Mellon she and other seniors did a showcase in New York, for casting directors and agents. Megan thrillingly landed the role of Audrey in a tour of Little Shop of Horrors. When the tour fell apart the casting director had her audition for Glinda in Wicked. At 19 she was assigned as the stand-by for Glinda. She used that time to go on adventures (like finding the best chocolate cake) with her best friend. The first night she went on it was opposite Idina Menzel. Megan got the call that she needed to go on, two hours before showtime, Hilty had never rehearsed in full costume and was terrified. Menzel put her hand on Hilty’s shoulder and saying ‘You got this.’” Hilty still thinks about how incredibly gracious and supportive Menzel was. “I will never forget Idina’s kindness that night.” A rousing Popular was delivered.

Next up for Megan was a thrilling “I Could Have Danced All Night”, complete with high C.

Megan Hilty, Jessie Mueller

A tour de force “My White Knight” from The Music Man, had two people in the audience in charge and about every 10 seconds, they signaled Megan or Jessie to take over the song. The dueling soprano’s ended together on the high A flat. Now either of these two should play Marion.

Seth Rudetsky, Megan Hilty

Marc Shaiman (who wrote the music and co-wrote the lyrics) came onstage and played piano! Megan sang the stunning “Secondhand White Baby Grand” and then she and Jessie and duetted on “Let Me Be Your Star”!

Jessie gave us “She Used to Be Mine” from Waitress and “What’s the Use of Wond’rin/If I Loved You” from Carousel. Ms. Mueller proved what a tour de force she really is.

Ending with “For Good” from Wicked, The Broadway Series gave a satisfying ending, to a perfect night.

Photo’s by Luiz Cribeiro

This concert series raises funds for Sandy Hook Promise. Seth Rudetsky’s Broadway continues February 3 with special guest Patina Miller and April 13 with special guest Brian Stokes Mitchell. Visit for more.


Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret, opera and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. She has a screenplay and a TV show in the works, which she developed with her mentor and friend the late Arthur Herzog. She is a proud member of the Drama Desk and the Outer Critics Circle and was a nominator. Email:

More in Events

Tuba Christmas at Rockefeller Center

Suzanna BowlingDecember 9, 2022

The “Art of Style” at Hotel Croydon Celebrates Jean Shafiroff’s Stylish Endeavors

WriterDecember 8, 2022

Ladies Journey Sponsors Profound Women Empowerment Event

Jake DresslerDecember 8, 2022

Rescue Dogs Hit The Fashion Runway

Suzanna BowlingDecember 8, 2022

Theatre News: Bad Cinderella, Inventions for Piano, KPOP, Stomp and The Drama League

Suzanna BowlingDecember 8, 2022

New Pop – Up Holiday Winter Escape in Chelsea

Suzanna BowlingDecember 8, 2022

The American Theatre As Seen By Hirschfeld

Genevieve Rafter KeddyDecember 8, 2022 Art Basel Bash Celebrates in Epic Way

Jake DresslerDecember 7, 2022

Amazing Moments This Season

ElizaBeth TaylorDecember 7, 2022