Harvey Sabinson, one of Broadway’s legendary press agents, and former long-time executive director of The Broadway League, died on April 18, 2019 of natural causes at his residence in Sarasota, Florida. He was 94 years old.
Harvey Sabinson capped a fifty-year career in the theatre when he was honored with a Special Tony Award for Lifetime Achievement in 1995. That year he stepped down as executive director of the League of American Theatres and Producers, (now known as the Broadway League) a national trade association of theatrical producers, presenters and theatre operators, a position he filled during its greatest period of growth and accomplishment. Sabinson had joined the organization early in 1976, when it was known as the League of New York Theatres and Producers, as director of special projects. Prior to this appointment, he had had a successful career of thirty years as a theatrical publicist which began shortly after his discharge from Army service during World War II, during which time he received a Purple Heart. He became executive director in 1982. In 1998 he was inducted into the College of Fellows of the American Theatre in ceremonies at the Kennedy Center in Washington.
As a press agent, Sabinson represented such major producers as David Merrick, Robert Whitehead, Saint Subber, Stuart Ostrow, Cheryl Crawford, Emanuel Azenberg, Roger L. Stevens, Alexander H. Cohen, Frederick Brisson, and Gilbert Cates, as well as several major institutional theatres, including the Guthrie in Minneapolis.
Among the milestone Broadway plays and musicals with which he was associated were the original productions of Finian’s Rainbow, Guys and Dolls, Gypsy, Hello, Dolly, 1776, Oliver, Promises, Promises, and Carnival, as well as Marat/Sade, Luther, and ten plays by Neil Simon, starting with Barefoot in the Park and ending with The Sunshine Boys. He also represented the first American productions of Harold Pinter’s The Caretaker, Tom Stoppard’s Rosencrantz and Guildenstem Are Dead, and Eugene Ionesco’s “Rhinoceros.” In all, Sabinson handled more than two hundred and fifty Broadway productions as well as the long-run off- Broadway hit, The Fantastics. He was a principal in the public relations firm of Solters and Sabinson, which represented many major performers including Carol Channing, Barbra Streisand, Hume Cronyn and Jessica Tandy, and Jason Robards. The firm also represented American tours of the Beatles and the Rolling Stones, as well as Ringling Brothers Bamum and Bailey Circus, Caesar’s Palace in Las Vegas, and New York’s Plaza Hotel.
Prominent actors who appeared in productions represented by Sabinson include Katharine Hepburn, Barbra Streisand, Carol Channing, Zero Mostel, Eli Wallach, Bert Lahr, Ray Bolger, Helen Hayes, Ezio Pinza, Mary Martin, Ethel Merman, Walter Slezak, Julie Harris, John Gielgud, Laurence Olivier, Peter Ustinov, Albert Finney, Sammy Davis Jr., Patrick Stewart, Ben Kingsley, Jackie Gleason, Jack Lemmon, Tyrone Power, Charles Laughton, Henry Fonda, Charles Boyer, Lloyd Nolan, Tallulah Bankhead, Carol Burnett, Maureen Stapleton, Mike Nichols, Elaine May, Robert Redford, Mary Tyler Moore, Andy Griffith, Alan Alda, Robert Alda, Kirk Douglas, Jason Robards, Lauren Bacall, Alec Guinness, Lucille Ball, Sid Caesar, Tony Randall, Robert Preston, Lena Horne, Hume Cronyn, Jessica Tandy, Ruth Gordon, Jerry Orbach, Phil Silvers, Woody Allen, Barbara Cook, Art Carney, Walter Matthau, Anne Bancroft, Sam Levene, Robert Goulet, David Wayne, Gene Hackman, Gwen Verdon, Grace Kelly, Raymond Massey, Warren Beatty, Hal Holbrook, Julie Andrews, Anthony Newley, Beatrice Lillie, Karl Maiden, Christopher Plummer, John Raitt, Celeste Holm, June Havoc, James Garner, Ginger Rogers, Betty Grable, Pearl Bailey, Phyllis Differ, Jack Klugman, Alan Bates, Tony Roberts, Gene Wilder, Tommy Lee Jones, Ray Milland .
Harvey Sabinson represented more than 200 Broadway productions during his 36-year career as a Broadway press agent. Here are some of the most memorable.
“Finian’s Rainbow,” Opened Jan. 10, 1947
“Lend an Ear,” Dec. 16, 1948 (Carol Channing)
“Affairs of State,” Sept. 25, 1950
“Can-Can,” May 7, 1953
“The Caine Mutiny Court-Martial,” Jan. 20, 1954
“The Boy Friend,” Sept. 30, 1954 (Julie Andrews)
“The Matchmaker,” Dec. 5, 1955
“Li’l Abner,” Nov. 15, 1956”
“Jamaica,” Oct. 31, 1957 (with Lena Horne/Ricardo Montalban)
“Take Me Along,” Oct. 22, 1959 (Jackie Gleason)
“Wildcat,” Dec. 16, 1960 (Lucille Ball)
“Carnival,” April 13, 1961
“Subways are for Sleeping,” Dec. 27, 1961
“I Can Get it For You Wholesale,” March 22, 1962 (Barbra Streisand)
“Stop the World – I Want to Get Off,” Oct. 3, 1962 (Anthony Newley)
“Barefoot in the Park,” Oct. 23, 1963 (Neil Simon)
“Hello, Dolly!” Jan. 16, 1964 (Carol Channing)
“The Odd Couple,” March 10, 1965 (Neil Simon)
“Oliver,” Aug. 2, 1965
“Mark Twain Tonight,” March 23, 1966 (Hal Holbrook)
“Don’t Drink the Water,” Nov. 17, 1966 (Woody Allen)
“Plaza Suite,” Feb. 14, 1968 (Neil Simon)
“Promises Promises,” Dec. 1, 1968 (Neil Simon, Burt Bacharach)
“1776,” March 16, 1969
“Coco,” Dec. 18, 1969 (Katharine Hepburn)
“Jesus Christ Superstar,” Oct. 12, 1971 (Andrew Lloyd Webber/Tim Rice)
“Pippin,” Oct. 23, 1972 (Ben Vereen/Bob Fosse)
“The Sunshine Boys,” Dec. 20, 1972 (Jack Albertson/Sam Levene
“Out Cry,” March 1, 1973 (final show)
A native New Yorker, Sabinson is a graduate of Townsend Harris High School, where he was associate editor of the school paper, and manager of the varsity baseball team. He entered Queens College in Flushing NY, but his education was interrupted by World War II. At Queens, he managed the varsity basketball and baseball teams. He ultimately graduated after three years of army service, during which he was awarded a battlefield commission in France while serving with the 94 Cavalry Reconnaissance Squadron of the 14* Armored Division.
In 1966 Sabinson helped establish the theatre administration department at the Yale School of Drama where he served as a visiting professor through 1969 under Dean Robert Brustein. He also service as Vice President of the Board of Trustees of the American Academy of Dramatic Arts.
For many years Sabinson was a board member and vice-president of the Association of Theatrical Press Agents and Managers. He also served for sixteen years as a trustee of the Actors’ Fund of America and chair of its human services committee. He was a member of the New York City Mayor’s Midtown Citizens Committee. He was also a board member of the Berkshire Theatre Festival and the Lenox Arts Center-Music Theatre Group.
In addition to the Special Tony Award, he is the recipient of the Founders’ Award of the Theatre Hall of Fame, the New England Theatre Conference Special Award, the UJA-Federation Theatre Division’s Lifetime Achievement Award, Encore Community Service’s Heart-to-Heart Award, and the New York Convention and Visitors Bureau Big Apple Award. In 1995, New York Mayor Rudolph Giuliani honored him with a Certificate of Recognition in ceremonies at Gracie Mansion. In 2002 he was elected to the Townsend Harris Hall of Fame.
Sabinson’s early memoir, “Darling, You Were Wonderful,” was published in 1977. It related tales of his experience as a theatrical press agent during the period that became known as the Golden Age of Broadway.
Sabinson was married to Sarah S. Sabinson, whom he met during his days at Queens College, a former professor of mathematics at Queensborough Community College (CUNY). They reside in Sarasota, Florida, and Lenox, Massachusetts. They have two sons, Eric, a professor of literature at the State University of Sao Paulo, Campinas, Brazil, and Allen, dean of the Westphal College of Media Arts & Design at Drexel University in Philadelphia.
Sabinson is survived by his wife Sarah, his two sons, Eric and Allen and grand children Lia. Elena Beth and Juliliana.
Ahead of the Broadway Opening of Lempicka The Longacre Theatre Is Showcasing Art Work By Tamara de Lempicka
The Longacre Theatre (220 W 48th St.), soon-to-be home of the sweeping new musical, Lempicka, is showcasing a curated selection of renowned artist Tamara de Lempicka’s most famous works. Eschewing traditional theatrical front-of-house advertising, the Longacre’s façade now boasts prints, creating a museum-quality exhibition right in the heart of Times Square. The musical opens on Broadway on April 14, 2024 at the same venue.
The Longacre’s outdoor exhibition includes works of Self Portrait (Tamara in a Green Bugatti) (1929), Young Girl in Green (1927), Nu Adossé I (1925), The Red Tunic (1927), The Blue Scarf (1930), The Green Turban (1930), Portrait of Marjorie Ferry (1932), Portrait of Ira P. (1930), Portrait of Romana de la Salle (1928), and Adam and Eve (1932).
Starring Eden Espinosa and directed by Tony Award winner Rachel Chavkin, Lempicka features book, lyrics, and original concept by Carson Kreitzer, book and music by Matt Gould, and choreography by Raja Feather Kelly.
Spanning decades of political and personal turmoil and told through a thrilling, pop-infused score, Lempicka boldly explores the contradictions of a world in crisis, a woman ahead of her era, and an artist whose time has finally come.
Young Girl in Green painted by Tamara de Lempicka (1927). Oil on plywood.