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Opera In Bryant Park With La Bohème

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New York City Opera will present La Bohème on Thursday, June 1, 2023 at 7pm as part of their Park Series in Bryant Park Picnic Performances presented by Bank of America. New York City Opera opens the 2023 season of Picnic Performances with a star-studded, fully staged performance of a beloved Puccini classic. Puccini’s unmatched gift for melody adds remarkable poignancy to the simple joys and heartbreaking sorrows of a group of young Parisians in this universally popular opera. Conducted by Maestro Joseph Rescigno and accompanied by members of the New York City Opera Orchestra, this world-class production, offered free of charge in Bryant Park, is not to be missed. Entry is on a first-come, first-served basis. Performances are designed to be enjoyed casually – no tickets required – with ample seating available and free picnic blankets for audience members to borrow. For more information, visit https://bryantpark.org/calendar/event/new-york-city-opera-presents-la-boheme/2023-06-01.
For anyone unable to attend in person, free livestream broadcasts of the performances will be available nationwide via Bryant Park’s website and social media platforms.
“We are delighted to return as a part Bryant Park Picnic Performances presented by Bank of America for the 8th consecutive year,” said Michael Capasso, General Director of New York City Opera. “Our increasingly elaborate productions have drawn thousands of New Yorkers and tourists for free. It is truly ‘The People’s Opera.’”
New York City Opera was famously dubbed “The People’s Opera” by Mayor Fiorello LaGuardia at its founding in 1943. More than 75 years later, City Opera continues its historic mission to inspire audiences with innovative and theatrically compelling opera, nurture the work of promising American artists, and build new audiences through affordable ticket prices and extensive outreach and education programs.​ Picnic Performances continues the tradition of opera in Bryant Park.
Upcoming Performance Details:
The Barber of Seville
Friday, August 18, 2023 at 7pm
New York City Opera’s Bryant Park summer series continues with family favorite The Barber of Seville. Gioachino Rossini’s sparkling music animates the hijinks of Figaro, opera’s most famous barber. This crowd-pleasing production is fully staged and will feature members of the New York City Opera Orchestra.
Tenor Alessandro Lora in Concert
Featuring the New York City Opera Orchestra
Conducted by Maestros Maurizio Barbacini and Diego Basso
Saturday, August 19, 2023 at 7pm
New York City Opera returns to Bryant Park for an enchanting concert in the grand tradition of the great Italian tenors, presented free of charge as part of the park’s summer Picnic Performances Series. An exciting young talent, tenor Alessandro Lora of Vicenza, Italy will perform a crowd-pleasing concert of diverse Italian repertoire including folk, popular, and traditional Neapolitan songs alongside operatic favorites, sure to delight the whole family. Featuring the New York City Opera Orchestra, the concert will be led by two great conductors, Maestro Maurizio Barbacini and Maestro Diego Basso, founder of the Orchestra Musico Sinfonica Italiana and the prestigious Art of Voice Academy. Produced in cooperation with Sandro di Benedetto, Bruno Benetti, and OneArt, the evening promises to be an unforgettable night of classic Italian romance and passion, sure to bring the audience to their feet.
Romeo and Juliet
Friday, September 8, 2023 at 7pm
City Opera’s 2023 Bryant Park series concludes with Romeo and Juliet. Gounod’s perennial favorite brings Shakespeare’s play to life through some of the most beautiful music in the French repertoire. City Opera Music Director Maestro Constantine Orbelian will be at the helm, accompanied by members of the City Opera Orchestra.
Attendees may bring their own food or purchase from on-site food and beverage vendors near the Lawn. At most performances, attendees can purchase food from a rotating line-up of local NYC vendors curated by Hester Street Fair. At all performances, Stout NYC offers cheese and charcuterie boards as well as a selection of beer, wine, frosé, and non-alcoholic beverages for purchase. COVID-19 vaccinations and masks are not currently required but Bryant Park will continue to monitor and follow updated New York City and New York State COVID-19 guidelines throughout the summer as necessary.
Since its founding in 1943 by Mayor Fiorello La Guardia as “The People’s Opera,” New York City Opera (NYCO) has been a critical part of the city’s cultural life. During its history, New York City Opera launched the careers of dozens of major artists and presented engaging productions of both mainstream and unusual operas alongside commissions and regional premieres. The result was a uniquely American opera company of international stature.
For more than seven decades, New York City Opera has maintained a distinct identity, adhering to its unique mission: affordable ticket prices, a devotion to American works, English-language performances, the promotion of up-and-coming American singers, and seasons of accessible, vibrant and compelling productions intended to introduce new audiences to the art form. Stars who launched their careers at New York City Opera include Plácido Domingo, Catherine Malfitano, Sherrill Milnes, Samuel Ramey, Beverly Sills, Tatiana Troyanos, Carol Vaness, and Shirley Verrett, among dozens of other great artists. New York City Opera has a long history of inclusion and diversity. It was the first major opera company to feature Black singers in leading roles (Todd Duncan as Tonio in Pagliacci, 1945; Camilla Williams in the title role of Madama Butterfly, 1946); the first to produce an opera by a Black composer (William Grant Still, Troubled Island, 1949); and the first to have a Black conductor lead its orchestra (Everett Lee, 1955).
A revitalized City Opera re-opened in January 2016 with Tosca, the opera that originally launched the company in 1944. Outstanding productions since then include: the world premiere of Iain Bell and Mark Campbell’s Stonewall, which NYCO commissioned and developed; legendary director Harold Prince’s new production of Bernstein’s Candide; Puccini’s beloved La Fanciulla del West; and the New York premiere of Daniel Catán’s Florencia en el Amazonas  the first in its Ópera en Español series. Subsequent Ópera en Español productions include the New York premiere of the world’s first mariachi opera, José “Pepe” Martinez’s Cruzar la Cara de la Luna, Literes’s Los Elementos, and Piazzolla’s María de Buenos Aires. In addition to the world premiere of Stonewall, the productions in NYCO’s Pride Series, which produces an LGBTQ-themed work each June during Pride Month, include the New York premiere of Péter Eötvös’s Angels in America and the American premiere of Charles Wuorinen’s Brokeback Mountain. New York City Opera has presented such talents as Anna Caterina Antonacci and Aprile Millo in concert, as well as its own 75th Anniversary Concert in Bryant Park, one in a series of the many concerts and staged productions that it presents each year as part of the Park’s summer Picnic Performance series. City Opera’s acclaimed summer series in Bryant Park brings free performances to thousands of New Yorkers and visitors every year.
New York City Opera continues its legacy with main stage performances at Jazz at Lincoln Center’s Rose Theater and with revitalized outreach and education programs at venues throughout the city, designed to welcome and inspire a new generation of opera audiences.
New York City Opera:
Instagram: @nycopera
Twitter: @nycityopera

Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret, opera and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. She has a screenplay and a TV show in the works, which she developed with her mentor and friend the late Arthur Herzog. She is a proud member of the Drama Desk and the Outer Critics Circle and was a nominator. Email: suzanna@t2conline.com

Broadway

Barry Manilow’s and Bruce Sussman’s Harmony Meets The Press Part 2

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Yesterday we told you how the cast and creative’s met the press

The cast and creatives

In today’s edition hear director Warren Carlyle, Barry Manilow and Bruce Sussman describe their show.

The it was a treat as the cast sang 5 songs from the show. Including “Harmony,” Hungarian Rhapsody,” “Where You Go’ and “Stars in the Night.”


Hear The Harmonists Sean Bell, Danny Kornfeld, Zal Owen, Eric Peters, Blake Roman and Steven Telsey, along with Chip Zien, Sierra Boggess and Julie Benko.

The hit song of the show will be the gorgeous ballad “Every Single Day” sung by Danny Kornfeld.

Harmony begins previews at the Barrymore Theatre on Wednesday, October 18, ahead of a Monday, November 13 official opening night.

Photo’s by Genevieve Rafter Keddy

 

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Broadway

The Glorious Corner

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G.H. Harding

JESSE L MARTIN — We caught the debut of Jesse L. Martin’s The Irrational Monday night and really enjoyed it. I’ve been aware of Jesse since his role in Broadway’s Rent and he’s really tremendous. He was great on Law & Order as Ed Green (10 years and 9 seasons); and his role on the CW’s The Flash (as Joe West) was simply terrific.

The show, based on the book by Dan Ariely and created by Arika Mittman, certainly reminds one of The Mentalist or Instinct. This first case isn’t wondrous by any means, but Martin’s charisma carries it all through.

Lauren Holly (NCIS) is in it too, thought her one-scene was over and out in a flash.

I hear the third episode of the show is magnificent, so stay tuned. Don Johnson said many years ago that Don Johnson was made for TV … so is Martin!

Will Swenson and Neil Diamond

SWENSON OUT — (per Deadline) Will Swenson will play his final performance as Neil Diamond in Broadway’s A Beautiful Noise, The Neil Diamond Musical on Sunday, Oct. 29, producers announced today.

A replacement for the starring role will be announced at a future date.

“It’s been the thrill of a lifetime to get to stand in Neil’s shoes,” Swenson said in a statement. “It’s been such an incredible honor to get to know Neil, to tell his powerful story, and bring his amazing songs to Broadway audiences every night. I’m immensely proud of the moving, beautiful show we made. I will miss it very much.”

A reason for Swenson’s departure was not disclosed, but his planned departure date suggests a year-long contract coming to a close: He and the bio-musical began previews at the Broadhurst Theatre last Nov. 2 (official opening was Dec. 4).

“Making A Beautiful Noise with Will Swenson was a deep and wonderful experience,” said director Michael Mayer. “The true affection he has for Neil’s work and life is palpable in every aspect of his tremendous performance. I will miss him terribly, of course, but will always treasure our time together, and very much look forward to the next show we do.”

Swenson has been one of Broadway’s go-to leading men since his breakthrough performance in 2009’s Hair, and he has since starred on the New York stage in Priscilla, Queen of the Desert, Little Miss Sunshine, Waitress and Assassins, among many other shows.

In addition to Swenson, the cast of A Beautiful Noise features a principal cast of Mark Jacoby as the aged Neil Diamond, Robyn Hurder and Shirine Babb.

The musical includes a score of Diamond’s hits, a book by Anthony McCarten, direction by Mayer, and choreography by Steven Hoggett.

He’s pretty tremendous as Diamond. I didn’t see the show straight away, but absolutely loved it when I did. His exit of kind of short notice … but let’s see what happens.

SHORT TAKES — How about those snappy new graphics for NBC’s Today Show. Introduced a week ago, they certainly look more relevant and certainly more fun. They did the same for Nightly News a week ago. Per TVNewser:The network said the decision to unveil a new logo and graphics for Nightly was made as a way of appealing to younger viewers who primarily consume news using digital media. It’s safe to assume is true for Today, the youngest-skewing of the linear morning shows that boasts a robust digital presence. Here’s their whole story:

https://www.adweek.com/tvnewser/nbcs-today-unveils-new-graphics-package/535209/#:~:text=The%20new%20design%20highlights%20the,effects%20as%20the%20previous%20design%20%E2%80%A6

The Rolling Stones

The next Rolling Stones single, “Sweet Sounds of Heaven,” is tremendous. Mick hasn’t sounded this good in years and Lady Gaga is an added treat. Magnificent! Take a listen: https://www.youtube.com/watch?v=YEJd5xtbEPY

Donnie Kehr

Donnie Kehr and Cori Gardner’s Rockers On Broadway (their 30th edition) is coming up on Monday, October 16 at SONY Hall. 

Debbie Gibson

Joining honoree Melissa Etheridge will be KT Tunstall and Debbie Gibson, Simon Kirke, Dan Finnerty and Ty Taylor … Happy Bday Chuck Taylor!

NAMES IN THE NEWS –— Anthony Noto; Tom & Lisa Cuddy; Paul Lester; Ian Harrison; Magda Katz; Pete Townshend; Miko Blanco; Brad LeBeau; Mal Evans; Derek Taylor; Andrew Sandoval; Rick Rubin; Bill Adler; Cory Robbins; Manny Bella; Race Taylor; Scott Shannon; Buddy Blanch; Steve Walter; Benny Harrison; and BELLA!

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Broadway

Barry Manilow’s and Bruce Sussman’s Harmony Meets The Press

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Harmony, has been in rehearsals for 3 weeks and yesterday morning, they meet the press.

Barry Manilow

Barry Manilow

Barry Manilow

Barry Manilow, wrote the original music.

Bruce Sussman

Bruce Sussman, who wrote the book and lyrics

Warren Carlyle

Warren Carlyle

director/choreographer Warren Carlyle

Ken Davenport

and producer Ken Davenport started the show off to a harmonious roll. Harmony begins previews Wednesday, October 18, ahead of a Monday, November 13 official opening night.

Many of the cast are making their Broadway debuts with Harmony, including 5 of the 6 actors playing the Harmonists.

The Harmonists, along with Chip Zien finished out the morning with a performance of the song “Stars in the Night.”

Chip Zien

The production also stars performers Sierra Boggess and Julie Benko.

Sierra Boggess

Julie Benko

Tomorrow meet the men of Harmony

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Cabaret

Cabaret, Talks and Concerts For October

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The question would be, what to pick to go see, out of the multitude of offerings. Here are our picks for October

92 Street Y: 1395 Lexington Ave. 10/1: Dr. Jane Goodall in Conversation with David Rubenstein; 10/4: Fashion Icons with Fern Mallis: Martha Stewart; 10/9: “Gutenberg! The Musical!”: Josh Gad and Andrew Rannells in Conversation with MTV’s Josh Horowitz; 10/10: Arnold Schwarzenegger in Conversation: BE USEFUL: Seven Tools for Life; 10/12: Audra McDonald: Musings through Music with Andy Einhorn and 10/28 – 30: Tale as Old as Time: The Songs of Howard Ashman

Birdland Jazz: 315 West 44 St. Every Monday at 9:30pm Jim Caruso’s Cast Party; Every Tuesday at 8:30pm The Lineup with Susie Mosher; Every Saturday at 7pm Eric Comstock with Sean Smith (Bass) & special guest Barbara Fasano (Voice); 10/2: A Collective Cy Jeff Harner sings Cy Coleman; 10/9: The Unprecedented Amanda Green & Friends; 10/16: Maude Maggart: “Here Come The Dreamers” and 10/23: Jamie deRoy and Friends and 10/26 -28: Karrin Allyson: “Brazilian Nights And Beyond” Feat. Vitor Goncalves, Rafael Barata & Harvie S.

Cafe Carlyle: 35 E 76th St. 10/3-7: Peter Cincotti; 10/11 -14: Patina Miller; 10/17 – 28 John Pizzarelli & Jessica Molaskey and 10/31 – 11/8: Steve Tyrell

Hailey Kilgore by Tom Lupton, Derek Klena by Jenny Anderson, Javier Muñoz by Chad Griffith, Ali Stroker by Jenny Anderson

Carnegie Hall: 881 7th Ave at 57th St. 10/2: Lyle Lovett and His Large Band; 10/18: A Very Good+ Night of Comedy with Jerry Seinfeld, Kevin Hart, Jim Gaffigan, Amy Schumer & Ronny Chieng
Special Guest D-Nice and 10/27: The New York Pops with Hailey Kilgore, Derek Klena, Javier Muñoz and Ali Stroker 

Chelsea Table + Stage: Hilton Fashion District Hotel, 152 W 26th St. 10/20: Marieann Meringolo

Don’t Tell Mama: 343 W. 46 St. 10/28: Quinn Lemley

Dizzys Club Coca Cola: Frederick P. Rose Hall, Broadway at 60th Street. 10/1: Songbook Sundays: Harold Arlen

The DJango: 2 Avenue of the Americas.


54 Below:
254 West 54 St. 10/2 The New York Pops Underground; 10/2, 17, 28 and 30: Norbert Leo Butz Sings Torch Songs for a Pandemic; 10/3, 7 and 11 Linda Eder; 10/5 -6 Mauricio Martínez: 5’11” Based in NYC, feat. Linedy Genao & more!; 10/8: Little By Little Reunion Concert, feat. Darrin Baker, Liz Larsen, and Christiane Noll; 10/12: Lee Roy Reams: Uncensored! For Adults Only!’ 10/14 -16 and 23 -25 and 30: Marilyn Maye; 10/20 – 21: Lorna Luft; 10/22: A Gentleman’s Guide 10th Anniversary Celebration and 10/ 26 -28: Jai Rodriguez: A Thousand Sweet Kisses

The Green Room 42: 570 10th Ave. 10/9: Natalie Joy Johnson; 10/11 – 12, 14 -15: Candace Bushnell; 10/15: Reeve Carney; 10/17: Spencer Day; 10/19 Mamie Paris and 10/24: Dawn Derow and Sean Harkness

Sony Hall: 235 W. 46th St. 10/4:Daniel Nardicio presents Witch Perfect An all live-singing parody of Disney’s Hocus Pocus feat. Emmy-winning stars from RuPaul’s Drag Race: Scarlet Envy, Tina Burner & Alexis Michelle and 10/16: Rockers on Broadway 30th Anniversary

Theatre at the West Bank Café: 407 West 42 St. 10/14 and 28: Mark Nadler – CRAZY

The Triad: 158 W. 72 St. 

The Town Hall: 123 West 43rd Street. 10/10: A Not That Fancy Conversation and Performance with Reba Mcentire and 10/11: Alec Baldwin’s Here’s The Thing Live With Michael Wolff

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Art

Midnight Moment For October Presents Circadian Nocturne

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In October from 11:57pm – 12am, artist Anna Ridler introduces a new kind of countdown clock in Times Square. Using complex algorithms to explore non-human ways of keeping time, Ridler’s Circadian Nocturnefeatures AI-generated animations of night-blooming and night scented flora – queen of the night cactuses, the moonflower, night-blooming jasmine, night phlox, and evening stock. Painterly petals slowly blossom into a dreamlike garden — chronobiological clocks set against the mechanical and digital structures that set the pace of our contemporary lives.

Created with artificial intelligence and a high-tech machine that can keep time at an atomic level, Circadian Nocturne also pairs modern, highly precise computerized timekeeping methods with the often unpredictable and imprecise imagery created by autonomous digital software and is part of an ongoing project exploring time and technology. Welcoming this tension, Ridler visually obscures tech-based accuracy with something more organic and in sync with the natural landscape.

Launching in the fall, an artist-designed mobile app featuring a smaller, single screen version of the project and an original musical score by composer William Marsey will accompany the Times Square presentation of Circadian Nocturne, allowing for more intimate experience of the work from anywhere in the world.

Based in London, Anna Ridler is an artist and researcher who works with systems of knowledge and how technologies are created in order to better understand the world. She is particularly interested in ideas around measurement and quantification and how this relates to the natural world. Her process often involves working with collections of information or data, particularly datasets, to create new and unusual narratives.

Ridler holds an MA in Information Experience Design from the Royal College of Art and a BA in English Literature and Language from Oxford University along with fellowships at the Creative Computing Institute at University of the Arts London. Her work has been exhibited at cultural institutions worldwide including the Victoria and Albert Museum, the Barbican Centre, Centre Pompidou, HeK Basel, the ZKM Karlsruhe, Ars Electronica, Sheffield Documentary Festival and the Leverhulme Centre for Future Intelligence. She was a European Union EMAP fellow and the winner of the 2018-2019 DARE Art Prize. Ridler has received commissions by Salford University, the Photographers Gallery, Opera North, and Impakt Festival. She was listed as one of the nine “pioneering artists” exploring AI’s creative potential by Artnet and received an honorary mention in the 2019 Ars Electronica Golden Nica award for the category AI & Life Art. She was nominated for a “Beazley Designs of the Year” award in 2019 by the Design Museum for her work on datasets and categorization.

Meta builds technologies that help people connect, find communities, and grow businesses. When Facebook launched in 2004, it changed the way people connect. Apps like Messenger, Instagram, and WhatsApp further empowered billions around the world. Now, Meta is moving beyond 2D screens toward immersive experiences like augmented and virtual reality to help build the next evolution in social technology.

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