Connect with us

Cabaret

Our Table Musical is Nicely Seasoned

Published

on

Melissa Errico
Juliette McEnroe

Juliette McEnroe Photo by Maryann Lopinto

The wonderful cabaret venue, 54 Below, continues to graciously offer new musicals a place to be seen and heard on the road to full production.  On January 21, 2019, Producer Rob Schneider and director (and long time Shire collaborator) Richard Maltby, Jr. presented a beefed up concert version of their developing show, Our Table:  A New Musical, with music by Broadway veteran David Shire, and book and lyrics by New Yorkerwriter Adam Gopnik.

Melissa Errico

Melissa Errico Photo by Maryann Lopinto

The show was served up with gusto by a well seasoned cast, including the always scrumptious Melissa Errico and the rather saltier Constantine Maroulis.

Constantine Maroulis

Constantine Maroulis Photo by Maryann Lopinto

Overall, the score was very much to my taste. The dialogue contained some nice comedic tidbits.   The lyrics were packed with flavor. However, the structure of the story, as could best be determined from this abbreviated presentation, needs to be put back in the creative oven for a while.

Andy Taylor

Andy Taylor Photo by Maryann Lopinto

Our Table is the story of a small, family run restaurant in Manhattan.  It’s the kind of neighborhood business which gave classic New York its distinct creative flavor until fairly recently. Now, as landlords drive out small businesses in the hope of capturing  a national tenant with deep pockets, this family restaurant, run for years by David (Andy Taylor) and his wife, Claire (Melissa Errico), is about to suffer the same fate. When their landlord unexpectedly raises the rent fifteen times what they had been paying, David turns to a painful source for financial assistance: His old partner, Sergio (Constantine Maroulis), who once walked out on their partnership and the restaurant.

Andy Taylor, Juliette McEnroe, Melissa Errico

Andy Taylor, Juliette McEnroe, Melissa Errico Photo by Maryann Lopinto

Sergio is now a national brand himself, who makes more money in cook books, TV appearances and self-promotion than he ever could in a restaurant. He agrees to give David the money he needs for the restaurant only to piggyback onto its classy reputation, not because he expects to turn a profit. We learn later, however, that Sergio has two other real motives. The first is that he had a brief but passionate fling with Claire years ago, before she and David were a couple, which he now wants to renew. But that, too, turns out to be a ruse, once Sergio discovers that he can’t stick his breadstick back in the soup bowl, so to speak. What he really wants is to use the prestige of the restaurant to legitimize a wrap-around development of a Whole Foods-like center, which epitomizes the kind of commercial exploitation that David abhors.

Juliette McEnroe, Melissa Errico

Juliette McEnroe, Melissa Errico Photo by Maryann Lopinto

In the story, David and Claire have two children. The youngest, Kate (Juliette McEnroe), wants to learn ballet from her ex-dancer mother. Claire, however, is too consumed with the restaurant to devote enough time to teaching her daughter. Claire’s song, “Everyday Dance,” which conflates ballet terminology with Claire’s need to order the tasks of her every day life, was one of my favorites among the many fine marriages of words and music in this score.

Analise Scarpaci , Tyler Jones

Analise Scarpaci, Tyler Jones Photo by Maryann Lopinto

Their older teenage child, Bix, goes to visit a pizza parlor in Brooklyn, where he meets Anna (the charming Analise Scarpaci) and her father who runs the place, played by the brilliantly funny Mark Nelson. Bix and Anna meet cute, then sing a love song for Millenials, “So, Like, Maybe”, which is a brilliant deconstruction of today’s limited slang vocabulary applied to the language of love. The substantial sprinkling of this kind of wit throughout the show was the dangling carrot that held my interest.

Mark Nelson

Mark Nelson Photo by Maryann Lopinto

Any time spent watching Ms. Errico is time well spent, as she always fills her performances with deep and complex emotion, delivered directly and effectively. And her singing was, as usual, liltingly beautiful. But I still wanted Claire to have been more at the center of the story.

Our Table

Cast Photo by Maryann Lopinto

Constantine Maroulis

Constantine Maroulis Photo by Maryann Lopinto

Mr. Maroulis plays sleezy with disturbingly natural ease, and his fine tenor voice was a pleasure to hear. But Sergio neither convinced nor moved me as a character.   If Sergio really wanted to take Claire away from David, or were more conflicted about betraying his relationships with either of them,  it would have been a much more interesting situation.

David Shire

Mark Taylor Photo by Maryann Lopinto

Our House

Cast Photo by Maryann Lopinto

Mr. Taylor gave a warm, quiet center to David. He senses that Sergio is after his wife.  But nothing in the score seems to address that, which left him with little to fight for.   In the end, the plot turns simply on Sergio’s desire to exploit the commercial potential of the new development.  That gaveMr. Gopnik a soapbox to write about big-business-is-bad, but it left the story feeling incomplete emotionally.

Photo by Maryann Lopinto

The basic ingredients of a strong musical are here. The score is lovely, the lyrics are smart, the jokes are good, the characters engage us, and this cast, if they are available, proved that the show has the potential to be a crowd pleaser.  Whether the holes in the checkered fabric of the story are also in the full version of the show can’t be fully determined from this concert presentation.  But the potential is clearly here for a relationship driven piece with both a strong emotional center and a social conscience.  If all that comes through in future development, this is a show that could leave audiences wanting a second helping.  I hope I’ll want to come back for more myself.

Andy Taylor, Juliette McEnroe

Andy Taylor, Juliette McEnroe Photo by Maryann Lopinto

Andy Taylor, Juliette McEnroe, Melissa Errico

Andy Taylor, Juliette McEnroe, Melissa Errico Photo by Maryann Lopinto

Analise Scarpaci

Analise Scarpaci Photo by Maryann Lopinto

David Shire

Mark Taylor Photo by Maryann Lopinto

Gropnik

Gropnik Photo by Maryann Lopinto

Andy Taylor

Andy Taylor Photo by Maryann Lopinto

Melissa Errico

Melissa Errico Photo by Maryann Lopinto

Melissa Errico

Melissa Errico Photo by Maryann Lopinto

Open Table

Cast Photo by Maryann Lopinto

Andy Taylor, Juliette McEnroe, Melissa Errico

Andy Taylor, Juliette McEnroe, Melissa Errico Photo by Maryann Lopinto

Our House

Photo by Maryann Lopinto

Adam Gropnik Photo by Maryann Lopinto

Our House

Cast Photo by Maryann Lopinto

Our House

Cast Photo by Maryann Lopinto

Our House

Cast Photo by Maryann Lopinto

Juliette McEnroe, Melissa Errico

Melissa Errico, Juliette McEnroe Photo by Maryann Lopinto

Jeffery Lyle Segal is a multifaceted theater artist who has worn many professional hats. He started as a musical theater performer in his teens. He attended Stanford U., Northwestern University, and SUNY at Binghamton to study acting, directing and dramatic literature. He also wrote theater reviews for The Stanford Daily and was Arts Editor of WNUR Radio at Northwestern. After college, he is proud to have been the first full time Executive Director of Chicago’s acclaimed Steppenwolf Theater Company. He left them to work as a theater actor and director. His special effects makeup skills got him into the movies, working on the seminal cult horror film, Re-Animator.He also did casting for several important Chicago projects, sometimes wearing both production hats, as he did on Chicago’s most famous independent movie, Henry: Portrait of a Serial Killer. While living in Los Angeles, he joined the Academy for New Musical Theater, where he developed two book musicals as a composer, lyricist and librettist, Down to Earth Girl (formerly I Come for Love, NYMF 2008), and Scandalous Behavior! (York Developmental Reading Series 2010). He wrote, produced and performed his song “Forever Mine” as the end title theme of the horror film, Trapped! He also has written songs for his performances in cabaret over the years, and the time he spent pursuing country music in Nashville. Most recently he created a musical revue, Mating the Musical, for the Chicago Musical Theater Festival 2016. In NYC, he has attended the BMI musical theater writers’ workshop, and the Commercial Theater Institute 14 week producer program. He is currently creating a company to develop new musicals online. He still keeps up his makeup chops, working with top doctors in NYC and Chicago as one of the country’s most highly regarded permanent cosmetic artists (www.bestpermanentmakeup.com) and as a member of Chicago local IATSE 476. www.jefferylylesegal.com

Cabaret

Adrienne Haan Sings Cabaret Francais at The Triad

Published

on

You don’t need to know French to feel the words that Adrienne Haan sings in the recent incarnation of her show, Cabaret Francais, that she performed on April 16th at The Triad. I don’t have any knowledge of the French language (my high school Spanish from almost 40 years ago can help me order a cerzeva fria in a Mexican saloon) but even without understanding the words, when Ms Haan sings you know why French is categorized as a romance language.

Adrienne enjoys telling stories

A Wistful Look

Ms Haan is accompanied by her wonderful pianist Richard Danley, who she has had a successful partnership for over 22 years. He opens the evening with a lovely overture until Adrienne is introduced on to stage in another beautiful wardrobe creation of sparkling red. Singing the songL’Accordéoniste, (The Accordionist in English), she is greeted by the sold out audience with applause and appreciation. Adrienne returns the joy as she walks into the crowd, getting them to join in with claps as she sings Milord. As she breaks into her Edith Piaf section, she also gets the room singing with her on the very passionate tune, Padam Padam.

Enjoying the crowd

Singing to a sold out audience

Adrienne always tries to educate her audiences and true to form, tells us about Edith Piaf, raised in a bordello and singing in the streets at 14; but rising to be the world famous chanteuse. She also surprises and while she sang the famous La Vie en Rose, a woman rose from her seat and began to sing along. The lovely Brittany Baratz Yeshion joined Adrienne, singing the tune in English as Ms Haan continued in French. The two singers met at a musical reading, playing mother and daughter and they continued this connection as they sang a bilingual edition of Cole Porter’s I Love Paris.

Brittany Baratz surprised the room as she rose from her seat to sing

Brittany made it on stage to sing La Vie En Rose

Moving on from Edith Piaf, Adrienne continued telling stories and singing tunes from famous composers of French tunes (regardless of whether they were French or not). Egyptian born, French loving composer Georges Moustaki wrote Ma Liberte. Moustaki was Jewish and both France and Israel felt a connection with this song and Ms Haan sang the tune in two languages French and Yiddish; both to the audience’s delight.

Brittany and Adrienne a bilingual duet

Feeling the song

Belgian composer, Jacque Brel, was up next as she sang a thrilling rendition of Le Port D’Amsterdam, and a passionate Ne Me Quitte Pas (Don’t Leave Me in English). While these tunes may not be familiar with many in the crowd, Michel Legrand’s Windmills of Your Mind (Les Moulins de mon Coeur), the Academy Award winning song from the film The Thomas Crown Affair is recognizable in either French or English and the sell out crowd appreciated Ms Haan’s interpretation.

Richard Danley and Ms Haan have worked together for 22 years

Adrienne uses all parts of the stage

Charles Aznavour, the French singer/songwriter of Armenian decent, who wrote over 1,000 songs was represented in the evening with For Me! Formidable! and La Boheme, both love songs with very different tones and meanings. So many wonderful songs from Brel, Legrand and Aznavour – a tie vote from the audience on who is their favorite.

The final song left No Regrets

Adrienne’s special guest, Brittany joined her on stage for the closing number, Non, je ne regrette rien, another Edith Piaf song written by Charles Dumont, Michel Vaucaire. The duet in English and French summed up the feeling of the audience – absolutely no regrets for attending a wonderful night of song and stories.

A raucus song about Amsterdam

Adrienne is truly an entertaining performer who always brings surprises to every show and if you haven’t seen her yet she is returning to the Triad on May 21, when she will be performing Between Fire & Ice – A Weimar Berlin Cabaret. I know I will be there.

Continue Reading

Cabaret

Autumn in New York, in April 

Published

on

Have you ever had an acquaintance that you knew for many years, and then one day you realize there’s so much more to this person, and before you know it, you can’t get enough of them?  If this is familiar, you’ll understand the kind of experience we all had at Chelsea Table + Stage Sunday night when Klea Blackhurst left us no choice but to fall in love with Vernon Duke.   

Klea took us on a journey exploring the life and music of this man, who was born Vladimir Dukelsky,  and operated under both names.  He wasn’t a spy, but one of those rare remarkable talents that could have one foot in Tin Pan Alley and the other in Carnegie Hall.  Klea reminded us of others in this category: Leonard Bernstein and Kurt Weill were two.  Even Cole Porter dabbled on the classical side, producing the ballet Within the Quota.  Dukelsky took charge of the classical side of this man, composing symphonies and concertos, and even a ballet for Diaghilev’s Ballet Russes.    

Life took a turn for Mr. Dukelsky when he met George Gershwin who told him to “not be scared about going low-brow—that’s where the money is!”.  Gershwin also encouraged him to change his name, and Vernon Duke was born!    

Klea delivered the standards Duke was known for: Taking a Chance on Love, Autumn in New York, April in Paris et al with her usual panache.  But then there were songs I had never heard before, like Not a Care in the World and Poor as a Church Mouse which had a charm that made one hope for more. 

With her characteristic warmth and enthusiasm, Klea peppered this lesson in Vernon Duke with tidbits that those of us who live for this music relish.  Did you know that Duke wrote April in Paris in ten minutes?  No show of Klea’s is complete without a mention of Ethel Merman.  In 1944, Ethel was to star in a new musical by Duke and Deitz entitled Sadie Thompson.  After a brief rehearsal period, Ethel quit over a dispute about the name of a lipstick!   

Finally, did you know that Mary Martin was asked by Rodgers and Hammerstein to be the original Laurey in Oklahoma!?   And after she turned it down, they sent her flowers on every anniversary of the opening.  For details, catch this show next time around.  Or ask Klea yourself—she’ll be back at Chelsea Table+ Stage on May 5 for her Jerry Herman show—One of the Girls.  But wait—there’s more!   On September 15 you can join her for Dreaming of a Song—a salute to Mr. Stardust himself, Hoagy Carmichael.  and on November 20 join in the fun with An Evening with Klea Blackhurst.    

For those unfamiliar with the Blackhurst magic, Klea’s love and enthusiasm for what she does is infectious, and no one leaves one of her performances without catching some of her fire.  If there was ever an antidote to the blues, it’s Klea Blackhurst. 

Continue Reading

Cabaret

My View: Dick Robinson’s Birthday Continues at 54 Below with Marilyn Maye

Published

on

Marilyn Maye (96) and Dick Robinson (86), a decade apart in age… both have a youthful exuberance for the music and performance of The Great American Songbook. The Songbook is played on Robinson’s Legends Radio stations worldwide ‘round the clock’ and Marilyn is singing it around the country in nightclubs and concert halls.

The “old jock”, as Dick is affectionately referred to may not be able to do that Marilyn Maye kick when she sings “IT’S TODAY” but he sure was swinging along with the rest of us last night at 54 Below. Dick was celebrating his 86th birthday while watching Marvelous 96 year old Marilyn celebrate her Birthday Month with another phenomenal show.

MARILYN MAYE

HAPPY BIRTHDAY DICK ROBINSON

DICK ROBINSON & SALLY ROBINSON

DICK & SALLY ROBINSON, MARILYN MAYE

MARILYN MAYE

TEDD FIRTH & MARILYN MAYE

MARILYN MAYE

MARILYN MAYE

MARILYN MAYE

MARILYN MAYE

JIMMY, MISSY,JILL ROBINSON & ROB RUSSELL

DICK & SALLY ROBINSON

JILL ROBINSON, MISSY ROBINSON, EDA SOROKOFF

Continue Reading

Cabaret

My View: Dick Robinson & Family Celebrate at Cafe Carlyle With Peter Cincotti

Published

on

Cafe Carlyle, a preeminent location in the world of Cabaret was visited by a preeminent figure in the world of radio broadcasting last night.  Dick Robinson, founder of The Society For The Preservation of The Great American Songbook (SPGAS) and Legends Radio (WLML) was in the house for a performance by Peter Cincotti, who is in the midst of a residency in the historic Woody Allen Monday spot.

Bobby Short began his residency at Cafe Carlyle in 1968, Woody Allen in 1997, and Steve Tyrell in 2005.  Now it’s   Peter Cincotti in the legendary hotel exhibiting the exciting pianistic and vocal style (with his killer band) that have made Cincotti a world famous songwriter and entertainer….. and Dick Robinson was there to enjoy the show with family and friends celebrating “the old jocks” birthday!

Singer, Pianist, Composer, Cincotti was recently awarded SPGAS’s “Legend Award” at their annual Gala held at The Kravis Center For The Performing Arts.

DICK ROBINSON & SALLY ROBINSON

PETER CINCOTTI

Jimmy Robinson, Jill Robinson, Eda Sorokoff, Stephen Sorokoff, Dick Robinson, Sally Robinson, Missy Robinson

ROB RUSSELL, STEPHEN SOROKOFF, PETER CINCOTTI, EDA SOROKOFF, DICK ROBINSON, SALLY ROBINSON, MISSY ROBINSON, JILL ROBINSON, JIMMY ROBINSON

PETER CINCOTTI

PETER CINCOTTI

PETER CINCOTTI

PETER CINCOTTI

CAFE CARLYLE

CAFE CARLYLE

PETER CINCOTTI, SCOTT KREITZER, JOE NERO, TONY GLAUSI, COLE DAVIS

STEPHEN SOROKOFF, EDA SOROKOFF, MISSY ROBINSON, JILL ROBINSON, ROB RUSSELL, JIMMY ROBINSON, DICK ROBINSON, SALLY ROBINSON

MISSY ROBINSON & JILL ROBINSON

MISSY ROBINSON & EDA SOROKOFF

Continue Reading

Cabaret

Music News: Stereophonic, Aaron Tveit, Abby Mueller, Cheyenne Jackson, Lempicka, Reeve Carney, Rodgers & Hammerstein and The New Belters

Published

on

After starting previews to an extraordinary standing ovation this week, the season’s most critically acclaimed new play, Stereophonic, has dropped a brand-new music video of the hit song in the show, “Masquerade”, written by Academy Award® nominee and Grammy Award® winner Will Butler.

Direct from its smash hit world premiere engagement at Playwrights Horizons, David Adjmi’s Stereophonic is directed by Daniel Aukin and features songs by Will Butler, formerly of Arcade Fire. The highly anticipated Broadway production is currently in performances at the Golden Theatre (252 W 45th St) for 14 weeks only, and will officially open on Friday, April 19.

The music video was creative directed by Cameron Sczempka (Polymoth Productions). Director of Photographer was Hil Steadman.

Aaron Tveit

After incredibly high demand for his initial announcement, Broadway sensation Aaron Tveit, has extended his debut residency at Café Carlyle. Tveit’s captivating performances, characterized by his impeccable vocal talent and magnetic stage presence, have garnered widespread acclaim. With this extension, audiences will have another opportunity to experience the magic of Tveit’s musical artistry in the intimate setting of Café Carlyle, promising an unforgettable evening. The event will take place June 11 – 29, 2024 (previously June 18 – 29) at Café Carlyle in The Carlyle, A Rosewood Hotel (35 East 76th Street, at Madison Avenue).

54 Below, Broadway’s Supper Club, presents Abby Mueller on April 26-27, 2024 at 7pm. The performance on April 27 will also be streamed live. After her celebrated reign in Six, Abby Mueller (Broadway’s original Jane Seymour) makes her 54 Below and NYC solo concert debut! Previously seen on Broadway in Beautiful: The Carole King Musical and Kinky Boots, this Drama Desk Award winner and Grammy nominee invites you on a musical journey from Carole to Adele, pop to American Songbook classics, and beyond.

She will be reunited with her OG Six “Ladies in Waiting” Kimi Hayes (guitar), Michelle Osbourne (bass) and Elena Bonomo (drums), led by Music Director Sharon Kenny. Special musical guests include Nasia Thomas (Caroline, or Change, Ain’t Too Proud), Yasmeen Sulieman (Shucked, Paradise Square), and Paris Nix (Hamilton, Beautiful: The Carole King Musical)

Cheyenne Jackson

54 Below, Broadway’s Supper Club and 2022 Tony Awards® Honoree for Excellence in the Theatre, is thrilled to welcome back star of stage and screen Cheyenne Jackson on September 23-29 at 8pm. Each night will feature a Broadway VIP, with Tony Award® winner Matt Doyle on September 23, Cheyenne’s Once Upon A Mattress co-star Nikki Renée Daniels on September 24, Tony Award® winner J. Harrison Ghee on September 25, Company star Claybourne Elder on September 27, Tony Award® winner and Emmy nominee Jane Krakowski on September 28, and Wicked star Jessica Vosk on September 29. The special guest on September 26 will be announced at a later date. Tickets can be purchased at 54below.org/CheyenneJackson. Mr. Jackson’s shows are scheduled at 8pm instead of the usual 7pm and will be the only show of the night to allow for an extended dinner hour and enhanced patron experience. Following the show, the bar will remain open for patrons who wish to linger and continue to enjoy the evening.

Sony Masterworks Broadway, Seaview, and Jenny Niederhoffer announce the forthcoming Original Broadway Cast Recording of Lempicka, the sweeping new musical with leading lady Eden Espinosa, celebrating the gripping true story of renowned artist Tamara de Lempicka.  With music and lyrics by Matt Gould and Carson Kreitzer, the digital album arrives May 29, 2024 with the physical CD release set for July 5, and available for preorder now.

The album news follows the release of three tracks “Woman Is,” performed by Eden Espinosa; “Perfection,” with vocals by George Abud; and “Stay” performed by Amber Iman from Lempicka – the Musical (2022 Sessions) – listen here.

The creative team consists of Tony Award winner Rachel Chavkin (director), Carson Kreitzer (book, lyrics, and original concept), Matt Gould (book and music), and Raja Feather Kelly (choreography).

Spanning decades of political and personal turmoil and told through a thrilling, pop-infused score, Lempicka boldly explores the contradictions of a world in crisis, a woman ahead of her era, and an artist whose time has finally come.

The cast of Lempicka is led by leading lady, Eden Espinosa as Tamara de Lempicka, with Amber Iman as Rafaela, Andrew Samonsky as Tadeusz Lempicki, George Abud as Marinetti, Natalie Joy Johnson as Suzy Solidor, Zoe Glick as Kizette, Nathaniel Stampley as the Baron, and Beth Leavel as the Baroness with Mariand Torres, Alex Aquilino, Lauren Blackman, Stephen Brower, Kyle Brown, Holli’ Conway, Abby Matsusaka, Jimin Moon, Khori Michelle Petinaud, Ximone Rose, Nicholas Ward, Veronica Fiaoni, Mary Page Nance, Julio Rey, and Michael Milkanin rounding out the company.

Tickets are now on sale at telecharge.com.

Screenshot

The Green Room 42 – the intimate concert venue dubbed Broadway’s “off-night hotspot” by The New York Times – will present a special two-part evening with Grammy Award-winning singer-songwriter and actor Reeve Carney, paying tribute to one of his greatest musical influences in “Reeve Carney Sings The Beatles,” on Monday, May 13 at 7:00 PM and 9:30 PM. Performing two completely different sets, Carney will cover era-defining selections ranging from 1963’s “Twist and Shout” to 1970’s “Let It Be,” and everything in between. The recent star of Broadway’s Hadestown, Carney co-starred in Ridley Scott’s hit film House of Gucci, opposite Al Pacino, Lady Gaga, and Adam Driver.

“I love a good challenge,” says Reeve. “And what greater challenge, musically speaking, than to do my best to tackle one of my greatest influences? I grew up on the Beatles. They have always been my parents’ favorite band, and quickly became mine through wearing out cassette tapes from Please Please Me all the way to Let It Be on long car rides. They have served as a seemingly endless source of inspiration for me as a songwriter, as well as a recording engineer. While producing my solo album, Youth Is Wasted, I drew constantly upon them through obsessive auditory deep dive explorations of all of their astonishing records. I also immersed myself in books by both George Martin and Geoff Emerick, both of whom were at the helm of capturing The Beatles’ music. Their unparalleled prolificacy in the modern recorded music world has served as an inspiration to many of my other prominent influences. So it felt only natural for me to pay tribute to them in the way I have done with some of my other inspirations. When I sat down to put this set together, I quickly realized it would be a nearly impossible task to select only 10 or even 15 of my absolute favorites. So I am excited to present this as a two-part evening.”

Concord Theatricals Recordings announced that the 42-track live recording of My Favorite Things: The Rodgers & Hammerstein 80th Anniversary Concert will be released on double CD and digital platforms worldwide on Friday, May 31. The star-studded new album is now available to preorder on CD HERE.

Celebrating the historic partnership of Richard Rodgers and Oscar Hammerstein II, the album features iconic songs from The Sound of Music, South Pacific, Oklahoma! and more, recorded live by stars of the stage and screen at the landmark December 2023 event in London.

In tandem with the album release, a condensed version of the filmed concert will premiere on PBS as a part of their “Great Performances” programming on May 31. Learn more HERE.

The concert was headlined by recent R&H leading lady Joanna Ampil (Rodgers & Hammerstein’s South Pacific); two-time Olivier Award®  winner Michael Ball; television, film and stage actor Daniel Dae Kim; four-time Olivier Award®  winner Maria Friedman; Emmy®, two-time GRAMMY®  and six-time Tony Award®  winner Audra McDonald; Olivier Award®  nominee Julian Ovenden; West End sensation Lucy St. Louis; Tony Award®  winner Aaron Tveit; two-time Olivier Award®  nominee Marisha Wallace; and two-time Tony®, two-time Golden Globe®  and Emmy Award®  nominee Patrick Wilson. Also featured are Anna-Jane Casey, Lily Kerhoas, Jonny Labey, and Jordan Shaw, among others.

The performance featured the 40-piece Rodgers & Hammerstein Concert Orchestra, conducted by music supervisor Simon Lee, with stage direction by Tony Award-winning director and choreographer Christopher Gattelli and associate choreography by Simon Hardwick.

54 Below, Broadway’s Supper Club, presents Seth Sikes and Nicolas King in The New Belters Sing MGM on Monday, April 22 at 7:00 PM. Acclaimed jazz pianist Billy Stritch will music direct the evening, a brand-new show celebrating music from the golden age of MGM. This vast and iconic catalog includes songs from the films Singin’ in the Rain, The Band Wagon, Meet Me in St. Louis, The Wizard of Oz, and many more. Under the musical baton of Stritch, Sikes and King will deliver a powerhouse performance that promises to capture the glitter and magic of the golden age of Hollywood, and bring it into the next generation.

The swinging American Songbook is the specialty of these performers, and the duo has been touring the country with their debut show, The New Belters.

Seth Sikes is one of New York’s popular young nightclub entertainers and a regular at 54 Below. His critically acclaimed tributes to Judy Garland (which have won two BroadwayWorld Awards), Liza Minnelli, Barbra Streisand and others are a consistent draw for audiences. Sikes was also Associate Director on the multiple Tony Award-winning musical The Band’s Visit and many other productions. During the pandemic he made numerous musical video parodies set on Fire Island that were widely viewed.

Nicolas King is an award-winning artist who’s been belting out tunes since he was 4-years-old, having been seen in dozens of TV commercials, and numerous times on Broadway opposite Tom Selleck, Carol Burnett, Linda Lavin and Andrea McArdle. King was the longest running Chip in Disney’s Beauty and the Beast. He toured the country as Liza Minnelli’s opening act, and has performed on stages all over the world from Carnegie Hall to “The Tonight Show with Jay Leno.”

The New Belters Sing MGM plays 54 Below (254 West 54th Street) on Monday, April 22 at 7:00 PM.

Continue Reading

Trending

Copyright © 2023 Times Square Chronicles

Times Square Chronicles