The hope of every playwright who enters new work in a festival is that he will meet a producer who might want to move his work forward commercially. Gene Fisch, Jr., Producer and founder of the New York New Works Theatre Festival, now onstage at the Acorn Theater in Theater Row through September 22, is determined to make that happen. He put this festival together to showcase a number of shows in a short time, and he has been successful in getting producers to come see them. Several shows have been optioned out of the festival, so he’s clearly doing the right thing.
Each festival presentation is limited to 25 minutes, under the generally true assumption that the quality of the project should be evident from that. A typical festival program has four different shows. The audience will vote for their favorites, and six winners of that vote will be presented next weekend in encore performances as the Best of Fest.
Over two days, I saw six presentations which varied widely in quality. But the fun of a festival like this is to see the range of creativity, and hope you stumble upon a shiny nugget of a show.
Flower of Iowa by Lance Ringel, based on his novel, introduced us to two soldiers in France during World War One, one Briish and one American, who spend a night together that blossoms from friendship into what presumably will become a gay relationship. The dialogue was honest and real. The two young actors, Ben Salus and Bradley Johnson, are both very touching under the subtle and tasteful direction of Chuck Muckle. I was intrigued to see how the rest of the show develops, which is the reaction producers of these shows hope to elicit.
Inamorata by Fred Kramer, on the other hand, was a turgid, enervated, amateurish tale of an aging woman reflecting on her life with two alter egos as her younger self. Susan Dougherty as the older woman was so low energy I thought she would fall asleep along with me. The two girls playing her younger selves, Oakley Friedman and Nancy Kimball, were barely more interesting. The show’s young director, Dylan Alexander Kaplan, did nothing to help this show make the right impression. Whatever might have been interesting in the writing was buried in this presentation.
The other four shows were all one woman presentations which showed a wide range of talent, or lack of it.
Heather Massey performed as Hedy! The life and Inventions of Hedy Lamarr, which she also wrote. Under the direction of Blake Walton, Ms. Massie very much captures the style and beauty of this famous performer. The show also emphasizes that Hedy was also a woman of science, whose invention of frequency hopping and spread spectrum technology was the foundation of our wireless device world. Ms. Massie is interested in inspiring young women to seek careers in science through her show, which is noble. But it’s not necessarily great theater. Her show is just so much, “this happened then that happened,” with no dramatic tension in the story telling. When you write a show about someone’s life, it’s incumbent on the author to deliver not just the series of events in someone’s life, but the struggles and conflicts which make it interesting. From what I could tell, Ms. Massie hasn’t captured that.
Errol Rappaport, Cindy Marinangel, Russell Daisey photo by Rose Billings
Much more successful was Cindy Marinangel as Dietrich, in a one woman play written by Willard Manus about Marlene Dietrich, directed by Michael V. Doane. The play is set on the eve of her return to Germany after the war, as a performer in 1960. Marlene Dietrich was seen by the Nazis as a traitor to Germany. She faced death threats if she chose to go on. This dramatic context adds important tension to the show. As she is deciding whether or not to face her audience, she is visited by an American soldier who is a reporter for what I presume to be the Army paper, Stars and Stripes, to whom she tells the story of her life. The excellent musical accompaniment was by pianist Russell Daisey.
Ms. Marinangel is a powerful beauty in her own right, who skillfully draws us into Dietrich’s world with a smart sexiness as much her own as Dietrich’s. This looks like a show which should go somewhere, with a charismatic star you don’t want to miss. Fingers crossed you’ll have another chance to see it in the finals next weekend.
In The Pink Hulk, actress Valerie David shares with us her personal journey through not one but two bouts with cancer. There’s no faulting Ms. David for her energetic, often light hearted, and always deeply felt memoir. This writer/performer is on a highly personal mission to raise awareness for a cause. Ms. David is engaging and honest in her performance, as directed by Padraic Lillis. But it never seems to rise dramatically above her personal passion. It should continue to find success in festivals and private presentations, although probably not commercially.
Finally, there was Queen Kong En Chaine, written and performed by Dana Block. This show, and Ms. Block, were like a car wreck you couldn’t look at and couldn’t look away from. It is promoted as a play about Hitler’s favorite film maker, Leni Riefenstahl. The title refers to Ms. Riefensthal’s desire, concocted by Ms. Block, to make a feminist, female version of King Kong to restore her film career. When Ms. Block comes on stage she is supposed to be a hundred and three years old (actually, Riefenstahl died just after her one hundred first birthday.) But Ms. Bloch was inappropriately dressed in black leatherette like a Wiemar biker chick. Her show was also full of bizarre and inexplicable story turns. At one point, she introduced a Barbie doll and then became a Barbie doll like figure herself. She concluded her presentation with an expletive filled monologue about her vagina. I couldn’t imagine suffering through any more of Ms. Block’s tasteless theatrical self-indulgence.
So, you never know what you can dig up when panning for theatrical gold. Next weekend will feature a reading of an unproduced play by Bernard Pomerance, the deceased author of The Elephant Man. Be sure to check out the Best of the Fest next weekend as well.
Broadway
Theatre News: Wicked, Kimberly Akimbo, Alice in Neverland and Ballad of Dreams, The Night of the Iguana and Ode To The Wasp Woman
On Monday, October 30th, the blockbuster musical Wicked will celebrate its 20th Anniversary on Broadway, a milestone achieved by only three other Broadway productions in history. To commemorate this landmark, Wicked is partnering with several national organizations to celebrate all things Oz.
Additional Wicked celebrations, including cast appearances, New York City food and drink collaborations, and special events throughout the month of October, will be announced in the coming weeks.
A KIND OF RECIPE BOOK. FOR CHANGE…
In celebration of Wicked’s 20th Anniversary on Broadway, Moleskine has created a beautiful Wicked-inspired 20th Anniversary notebook that can be purchased in theatre, Moleskine Direct channels, and with several Moleskine wholesale partners, beginning October 23rd. This limited-edition notebook will inspire Wicked fans to put pen to paper (following in the footsteps of Wicked novelist Gregory Maguire and book writer Winnie Holzman) to bring their own stories to life.
PINK GOES GOOD WITH GREEN…
Hill House Home, a New York-based fashion brand founded by Nell Diamond, worked closely with Wicked’s Tony Award-winning costume designer, Susan Hilferty, to create a Wicked-inspired Nap Dress™ collection in honor of the show’s 20th anniversary. The collection will include two adult dresses and two children’s dresses inspired by the characters Glinda and Elphaba. The styles will be available for purchase online and in Hill House’s store at Rockefeller Center toward the end of the year.
LIKE A HANDPRINT ON MY HEART…
Little Words Project, which started in 2013 in founder Adriana Carrig’s parents’ basement, creates handcrafted word bracelets with messages of kindness and love that aim to support women and to remind us to be kind to one another. In the past ten years, the company has become a worldwide brand with an extremely engaged and loyal community of fans. This fall, Little Words Project is partnering with Wicked to create four exclusive bracelets inspired by the unique friendship between Elphaba and Glinda. The collection will be featured in all nine Little Words retail stores across the country. To honor 20 years on Broadway, Little Words Project has designed Wicked-inspired bracelets. Little Words Project creates handcrafted bracelets, each with an inspirational word displayed on the beads. The bracelets – in the spirit of the “pay it forward” movement – are meant to uplift the wearer, and then be passed on to someone else who needs them more. The Wicked bracelets are inspired by Glinda and Elphaba, who helped uplift one another through their friendship; they will feature the words “Wicked,” “Unlimited,” “Defy Gravity,” and “For Good.”
WHAT’S THE MOST SWANKIFIED PLACE IN TOWN?
Beginning October 6th, WICKED fans can indulge in the elegance of The Plaza Hotel’s Wicked–themed Afternoon Tea at The Plaza’s famed Palm Court Restaurant. The “Defying Gravi-tea” will feature special sweet and savory delights, like the “Look To The Brest’ern Sky” pate a choux, or the “Flying Monkey” Macaron. Under the Palm Court’s iconic dome, which will be lit Emerald Green, guests can also enjoy The Palm Court’s mixologists’ most Wicked cocktails in high Plaza fashion. The venue will be adorned with emerald-green accents, glittering with hints of emerald and black, paying homage to Wicked’s beloved story.
The Plaza is also offering “The Emerald City Experience,” which includes a stay at The Plaza, as well as tickets to the special 20th anniversary “Green Performance” of Wicked on October 29th, the Wicked-themed Afternoon Tea, a Playbill signed by the full company, and house car transportation to the Gershwin Theatre. For details, pls visit The Emerald City Experience | The Plaza (theplazany.com)
ONE SHORT DAY, FULL OF SO MUCH TO DO…
Capital One became Wicked’s official Credit Card Partner in May of this year, marking the first time the company has partnered with a Broadway musical. Eligible Capital One cardholders had pre-sale access to tickets for the anniversary performances on October 29th and 30th. Cardholders were also able to gain entry to exclusive events taking place at the Museum of Broadway during Wicked’s Anniversary weekend, featuring alumnae Brittney Johnson and Kara Lindsay, available only on Capital One Entertainment.
TWO BEST FRIENDS…
American Girl, known for helping girls grow up with courage, confidence, and strength of character, has teamed up with Wicked to celebrate their 2023 Girl of the Year™, Kavi Sharma™. Kavi is an Indian American girl growing up in New Jersey who loves singing, dancing, and performing with her friends. Her favorite Broadway show is Wicked and American Girl has designed special Wicked costumes for Kavi to celebrate her love of the musical.
Hear Your Song – a nonprofit organization dedicated to empowering young people with serious illnesses and complex health needs through collaborative songwriting – continues its partnership with Broadway’s Tony-award winning show Kimberly Akimbo with a special concert at Green Room 42 on November 12th at 7 pm. You can find tickets to the in-person concert and livestream alongside more details here.
In this evening of songs and performances from both Kimberly Akimbo and Hear Your Song, Broadway company members sing alongside youth songwriters to showcase the score of Kimberly Akimbo and a treasure trove of songs written by kids who, in a lot of ways, have a lot in common with Kimberly. There will be performances by Kimberly Akimbo company members, such as Tony nominee Justin Cooley, Alli Mauzey, Betsy Morgan, Miguel Gil and Alex Vinh, as well as children and teens from Hear Your Song.
Within this partnership, Hear Your Song participants had the opportunity to develop their own songs and gain a deeper understanding of the songwriting process through a songwriting masterclass led by Kimberly Akimbo’s creators, composer Jeanine Tesori and lyricist David Lindsay-Abaire. 16-year-old Hannah, who will be performing at the concert, is an accomplished youth songwriter living with Crohn’s Disease. She shared her songs with Tesori and Lindsay-Abaire in a virtual masterclass in March.
Hear Your Song’s mission is to provide a platform for youth to share their experiences and perspectives through the art of songwriting. By partnering with members of the Kimberly Akimbo team, Hear Your Song is able to offer a unique opportunity for young people living with serious illnesses to be heard by a wide audience as they learn from professionals in the industry and gain valuable skills and experience.
All of Hear Your Song’s programming is free of charge for youth and families. Please visit www.hearyoursong.org to learn more about how to get involved and donate to support hundreds of youth songwriters like Hannah.
A sequel to one of the most beloved stories of all time, Lewis Carrol’s “Alice in Wonderland,” and a prequel to J.M. Barrie’s “Peter Pan,” the new musical Alice in Neverland took place. The cast was led by Allie Seibold, Heath Saunders (Company), Kyle Selig (Mean Girls), Grace McLean (Bad Cinderella), Courtnee Carter (Parade) and Rob Colletti (Almost Famous).
Growing older and obsessed with her memories of Wonderland, Alice embarks on the daring journey to recapture youth – including the sacrifices that might be required to never grow up.
Alice in Neverland features book, music and lyrics by Phil Kenny and Reston Williams, director Catie Davis (Beetlejuice, Moulin Rouge), music director Kris Kukul(Beetlejuice), and general manager Joey Monda (Sing Out, Louise! Productions). The reading is being presented by six-time Tony Award® winning production team 42nd.club (& Juliet, Hadestown, Moulin Rouge).
Rounding out the reading cast are Travis Artz, Bobby Daye (Moulin Rouge), LaVon Fisher-Wilson (Chicago), Mia Gerachis, Stephanie Gibson (Charlie and the Chocolate Factory), Donnie Hammond, Benjamin Henderson, Eddie Korbich (The Music Man), Garth Kravits (Gettin’ the Band Back Together), Elliott Mattox (Beetlejuice), Tiffany Mann (Be More Chill), Adelina Mitchell, Chase Petersen, Honor Blue Savage, and Emmet Smith.
Based on the best-selling novel, Ballad of Dreams a new musical, will get an invite-only industry presentation on October 12, 2023, at Pearl Studios.
Inspired by a true story, a love letter to New York City, Ballad of Dreams illuminates the struggle of two resilient women fighting for their place in the glittering world of 1940’s theater, chasing the dream of being a performer and being a mother. Against insurmountable odds they must confront the universal question faced by women of every era: can we truly have it all?
Audrey McKenna, a vibrant grandmother and mother of thirteen, is confronted with the unfulfilled dreams of her youth to perform at Carnegie Hall in New York City, circa WW2. With the help of her best friend Rose, they each journey in discovering love, their own identities, and independence as women in a time when society tried to define that for them.
The cast includes Hunter Parrish (Broadway: To Kill a Mockingbird, Showtime’s “Weeds”), Erin Davie (Broadway: Diana, The Musical, Sunday in the Park with George), Nicholas Rodriguez (Broadway: Company), Allyson Hernandez (Off-Broadway: If This Hat Could Talk), Robb Sapp (Broadway: The Lion King, Wicked), Alan H. Green (Broadway: Charlie and the Chocolate Factory), Sharon Wheatley (Broadway: Come From Away), Neal Mayer (Broadway: Les Misérables), Emily Walton (Broadway: Come From Away), Elizabeth Bedley (Regional: A Chorus Line), Noah Wolfe (Regional: A Little Night Music), Laura Sky Herman (National Tour: Hello, Dolly!), Emily Jewel Hoder (Broadway: The Music Man) and Charlie Carroccio (Film:The 12 Days of Christmas Eve), with Harmony Harris (Associate Director), Jamibeth Margolis, CSA (Casting) LDK Productions (General Manager).
For more information on Ballad of Dreams, please visit www.BalladofDreams.com
La Femme Theatre Productions (Jean Lichty, Executive Director), renowned for its dedication to showcasing the diverse female experience, is set to illuminate the Off-Broadway stage this season with an evocative 21st century production of Tennessee Williams’s timeless masterpiece, The Night of the Iguana. Under the direction of Tony Award nominee, Emily Mann , this production will star Emmy Nominee Tim Daly (Broadway: The Caine Mutiny Court-Martial. TV: “The Sopranos,” “Madam Secretary,” “Wings’), Tony Award – Winner Daphne Rubin-Vega (Broadway: Rent, Anna in the Tropics), Drama Desk nominee Lea DeLaria(Netflix “Orange Is the New Black.” Broadway: POTUS) , Tony nominee Austin Pendleton (Broadway: Between Riverside and Crazy, The Minutes) , and Jean Lichty(Off-Broadway: La Femme’s A Lovely Sunday for Creve Coeur, The Traveling Lady ). It will begin performances on December 6 in advance of its opening on December 17. It will run through February 25, 2024 at The Irene Diamond Stage at The Pershing Square Signature Center (480 West 42nd Street, Jim Houghton Way) . The Night of the Iguana is not a production of Signature Theatre.
Sean Young (Blade Runner, Fatal Instinct) in Ode To The Wasp Woman, a new play by Rider McDowell (The Mercy Man, Wimbledon). The limited 13-week Off-Broadway engagement will play October 30, 2023 through January 31, 2023, at The Actors Temple Theatre (339 W. 47th St, NYC). Opening night is Thursday, November 9 at 7:30PM. Tickets are now on sale at Telecharge.com.
Ode To The Wasp Woman chronicles the last 48 hours in the lives of four 1950’s B movie stars; Susan Cabot, leading lady of the Roger Corman’s cult classic The Wasp Woman; George Reeves, the man who brought Superman to life on TV screens across America; Carl ‘Alfalfa’ Switzer of the beloved “Our Gang” comedies; B-movie queen Barbara Payton. The desperate and sensational events that lead to the demise of these four fallen stars are told in four one acts with music, a veritable homage to film noir and true crime.
Rider McDowell directs Sean Young as Susan Cabot, leading a company of actors, To be announced, portraying George ‘Superman’ Reeves, Carl ‘Alfalfa’ Switzer, and B-movie queen Barbara Payton.
Off Broadway
Let’s Talk to Lindsay Heather Pearce and Jordan Donica Guest Stars of The New Rock Musical, Exorcistic
Last night the York Theatre Company presented their production of Golden Rainbow, with book by Ernest Kinoy and music and lyrics by Walter Marks, the third offering of the Fall 2023 “Musicals in Mufti” series. Performances continue through Sunday, October 1, 2023.
Jonathan Brody
The show stars Max Von Essen (York’s Tenderloin)
Benjamin Pajak
Benjamin Pajak (Broadway’s The Music Man)
Mara Davi
Mara Davi (Broadway’s Dames at Sea)
Robert Cuccioli
Robert Cuccioli
Robert Cuccioli (York’s Rothschild & Sons)
Danielle Lee Greaves
Danielle Lee Greaves (Broadway’s Parade)
Felipe Barbosa Bombonato
Felipe Barbosa Bombonato (Les Misérables)
Jonathan Brody
Jonathan Brody (The Sorceress)
Nick Cearley
Nick Cearley (The Skivvies),
Jillian Louis
Jillian Louis (York’s The Game of Love),
Gina Milo
Gina Milo (York’s Subways Are for Sleeping)
Maria Wirries
Jillian Louis, Gina Milo, Maria Wirries
and Maria Wirries (York’s Penelope: or How The Odyssey Was Really Written).
Golden Rainbow is directed by Stuart Ross (York’s Enter Laughing), with music direction by David Hancock Turner (York’s Cheek to Cheek and Desperate Measures). The production team includes Lighting Designer Garett Pembrook, Projections/Sound Designer Peter Brucker, Production Manager Aaron Simms, Production Coordinator Noah Glaister, Production Stage Manager Hailey Delaney, Assistant Stage Manager Carson Ferguson, and Company Manager Tori Calderon-Caswell.
Jim Morgan, Producing Artistic Director
Walter Marks and Producer Riki Kane Larimer
The Golden Rainbow cast
Jim Morgan, Walter Marks, Director Stuart Ross
Walter Marks, Benjamin Pajak
Director Stuart Ross, Benjamin Pajak
the Golden Rainbow Cast
Robert Cuccioli
The band
Robert Cuccioli, Benjamin Pajak, Max Von Essen
Robert Cuccioli, Max Von Essen
Walter Marks, Benjamin Pajak, Producer Riki Kane Larimer, Director Stuart Ross
Jim Morgan, Walter Marks, Benjamin PajakProducer Riki Kane Larimer, Director Stuart Ross
Lee Roy Reams, Lorna Dallas, Max Von Essen
Jim Morgan, Lee Roy Reams, Lorna Dallas, Max Von Essen, Jamie deRoy
Jillian Louis, Max Von Essen, Gina Milo, Maria Wirries, Robert Cuccioli
Gina Milo, Jillian Louis, Nick Cearley, Maria Wirries
Jim Caruso, Max Von Essen, Nicholas King
Jim Morgan, Joan Ross Sorkin, Producer Riki Kane Larimer and the York board
By Jacqueline Parker
Nature’s reward for enduring a spate of rain and gloomy weather is a rainbow. The York has delivered just that in their latest production in their Mufti series, Golden Rainbow. This musical from the late 60s is always mentioned among aficionados of this art form with wistful smiles and fond remembrances. The York has brought it back to life in a version that features some new lyrics by original composer/lyricist Walter Marks that carry the storyline into this century.
Robert Cuccioli , Max Von Essen
Photo Credit: Rider R. Foster
From the opening notes of the Jule Styne-esque overture to the rousing finale, the audience was toe-and-finger tapping along to the sounds so evocative of the time when most of us were very young. The story itself is touching—a single father of a boy on the brink of teenhood must wrestle with the choice of saving his livelihood or letting his son move to the other side of the country with his aunt. The connection between father and son is made clear through several songs delivered touchingly by dad Max Von Essen and son Benjamin Pajak.
Mari Davis Photo Credit: Rider R. Foster
The arrival under a false pretense of Mara Davi as Aunt Judy sets the plot spinning and allows Robert Cuccioli as mobster Carmine Malatesta and Danielle Lee Greaves as Jill to play their part in the resolution with songs hilarious and touching.
Max Von Essen and Mara Davis Photo Credit: Rider R. Foster
If the story seems familiar it’s because it is taken from the film “A Hole in the Head,” based on the same source material, that starred Frank Sinatra and Eddie Hodges singing the Oscar-winning song High Hopes. Golden Rainbow opened in 1968 starring Steve Lawrence and Eydie Gorme in the leads. They were household names at the time, based on their talent and popularity from television appearances and cabaret performances.
Max Von Essen and Benjamin Pajak
Photo Credit: Rider R. Foster
Perhaps most impressive in this production was Von Essen’s version of the hit song “I Gotta Be Me.” It was haunting as it built in intensity and left the audience almost breathless at the end of Act 1.
Benjamin Pajak
Photo Credit: Rider R. Foster
Pajak, familiar to all from his recent appearances in Oliver! and The Music Man was astounding in his ability to project the at times heartbreaking and lovingly joyous emotions of his character.
Mari Davis Photo Credit: Rider R. Foster
Mara Davi’s character has her own roller coaster ride of emotions, which she transmits with style and conviction.
Robert Cuccioli Photo Credit: Rider R. Foster
Robert Cuccioli was hilarious as a mobster singing Taste,
Danielle Lee Greaves Photo Credit: Rider R. Foster
and Danielle Lee Greaves delivered two of the new songs, making me hope for a new recording of this terrific show soon.
Max Von Essen and Benjamin Pajak
Photo Credit: Rider R. Foster
The clock is ticking on this gem of a show – it closes Sunday, October 1st. Get your tickets at yorktheatre.org and find your own pot of gold at the end of this rainbow.
Max Von Essen and Mara Davis Photo Credit: Rider R. Foster
Broadway
Theatre News: Here We Are, Some Like It Hot, A Beautiful Noise, All The Devils Are Here: How Shakespeare Invented The Villain and The Laramie Project
The curtain rose last tonight on the first performance of the final Stephen Sondheim musical. Here We Are, the new musical from David Ives and Sondheim, is on stage at The Shed’s Griffin Theater (545 W. 30th Street), with an Opening Night on Sunday, October 22, for 15 weeks only.
Directed by two-time Tony Award winner Joe Mantello, the cast of Here We Are will feature Francois Battiste, Tracie Bennett, Bobby Cannavale, Micaela Diamond, Amber Gray, Jin Ha, Rachel Bay Jones, Denis O’Hare, Steven Pasquale, David Hyde Pierce, and Jeremy Shamos. The understudies for Here We Are are Adante Carter, Lindsay Nicole Chambers, Bradley Dean, Mehry Eslaminia, Adam Harrington, and Bligh Voth.
Here We Are is inspired by two films, The Discreet Charm of the Bourgeoisie and The Exterminating Angel, by Luis Buñuel.
Here We Are will include choreography by Sam Pinkleton, set design and costume design by David Zinn, lighting design by Natasha Katz, sound design by Tom Gibbons, orchestrations by Jonathan Tunick, musical supervision and additional arrangements by Alexander Gemignani, hair & make-up design by Wigmaker Associates, and casting by The Telsey Office.
Tickets are on sale on TheShed.org.
For each performance, a limited number of $25 tickets will be available via a weekly lottery, which will open for entries on the TodayTix app each Sunday at 12:01 AM for the coming week’s performances and will close at 12:00 PM on the day before each performance. Winners will be notified by push notification and email between 1 – 4 PM on the day before their selected show, and will have 30 minutes to claim their tickets in the app. Entrants may request 1 or 2 tickets, and entry is free and open to all.
Via TodayTix’s mobile rush program, a limited number of $40 same-day rush tickets will be available for that day’s performance of Here We Are at 9:00 AM each day on a first-come, first-served basis. Users can download the app and “unlock” rush tickets by sharing the program on social media ahead of their desired performance day.
The most award-winning musical of the 2022-2023 season, Some Like It Hot, will play for 13 more weeks through Saturday, December 30, 2023, at Broadway’s Shubert Theatre (225 West 44th Street) before launching a national tour and West End production.
Awarded Best Musical by The Drama League, Drama Desk and Outer Critics Circle, Some Like It Hot received over 20+ major awards throughout the 2022-2023 season, including four Tony Awards for Best Lead Actor in a Musical (J. Harrison Ghee), Best Choreography (Casey Nicholaw), Best Orchestrations (Charlie Rosen & Bryan Carter) and Best Costumes in a Musical (Gregg Barnes). J. Harrison Ghee made history as the first non-binary performer to take home the Tony Award in their category.
A national tour will launch in September 2024 and a West End production will follow in 2025, produced by The Shubert Organization and Neil Meron in partnership with Ambassador Theatre Group.
At the time of the final performance, the production will have played the Shubert Theatre for over a year, for a total of 483 performances.
Will Swenson and the cast. Photo by Julieta Cervantes.
Will Swenson, who is electrifying audiences with his star turn in A Beautiful Noise, The Neil Diamond Musical, will play his final performance as ‘Neil Diamond – Then’ at the Broadhurst Theatre (235 West 44th Street) on Sunday, October 29. Casting for the role of ‘Neil Diamond – Then’ will be announced at a future date.
The unofficial commencement of “spooky season” takes place this Friday, September 29, when Tony Award® Nominee and Grammy Award® Winner Patrick Page returns to the New York stage in All The Devils Are Here: How Shakespeare Invented The Villain, a new work created and performed by Mr. Page, based on the villains of William Shakespeare. Directed by Simon Godwin, the solo show will play the DR2 Theatre (103 E 15th Street) beginning Friday, September 29, with an Opening Night set for Monday, October 16, for 14 weeks only.
Tickets are now available at allthedevilsplay.com, Telecharge or by visiting the DR2 Theatre box office (103 E 15th Street).
Julie White
Julie White and Brandon Uranowitz will join Ato Blankson-Wood in a staged benefit reading of The Laramie Project. Moises Kaufman and the Members of Tectonic Theatre Project’s The Laramie Project, will bedirected by Dustin Wills (Wolf Play, Wet Brain). The event, which will raise funds to support the work of The Trevor Project, will take place on Monday, October 16th at 7:00 PM at Peter Norton Symphony Space, and is being produced by District Productions. Additional casting is soon to be announced. For tickets and more information, visit https://www.symphonyspace.org/events/vp-the-laramie-project-a-benefit-staged-reading
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