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Prince Mario-Max Schaumburg-Lippe Champions Literacy Through Grand Classic Ad Astra Audiobooks

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H.H. Dr. Prince Mario-Max Schaumburg-Lippe is bringing his voice to classic literature with a clear purpose, encouraging stronger reading, comprehension, and curiosity through the growing accessibility of audiobooks.

For H.H. Dr. Prince Mario-Max Schaumburg-Lippe, literacy begins with something fundamental: the desire to engage with words. Reading may be one of the oldest foundations of education, yet developing the confidence and curiosity to read remains an important challenge for children growing up amid an expanding range of digital distractions. His response is to approach the issue through a medium that has become increasingly familiar to modern audiences, the audiobook.

His narration of Grenville Kleiser’s Fifteen Thousand Useful Phrases for Ad Astra Audiobooks places him inside a long tradition of spoken language while connecting that tradition with contemporary listening habits. The project turns a substantial classic reference work into an audio experience designed for listeners who appreciate language, communication, vocabulary, and the practical possibilities of carefully chosen words.

The motivation behind the recording reaches beyond the production of a single audiobook. H.H. Dr. Prince Mario-Max Schaumburg-Lippe has positioned literacy as a cause deserving sustained attention, particularly when it comes to children and young people developing the ability to read and comprehend effectively. His aim is to stimulate an appetite for reading by giving important works an additional point of entry through narration.

That distinction matters. Audiobooks can serve as companions to printed and digital books rather than replacements for them. Hearing language delivered with attention to pronunciation, cadence, sentence structure, and meaning can make unfamiliar material more approachable. A listener may encounter a phrase through audio, become interested in its meaning, and eventually pursue the written work with greater confidence.

The connection between listening and reading is especially relevant to a work such as Fifteen Thousand Useful Phrases. Grenville Kleiser assembled a wide-ranging resource devoted to expression, vocabulary, eloquence, and the practical construction of language. Its enduring subject is communication itself, making the work particularly suited to a narrator interested in promoting command of the written and spoken word.

Giving Classic Language a Contemporary Voice

Fifteen Thousand Useful Phrases belongs to a tradition of books created to help readers become more capable communicators. Its emphasis on useful expression reflects an era in which rhetoric, correspondence, conversation, public speaking, and literary command were closely associated with education and professional development.

Those concerns remain recognizable today. The channels have changed considerably, but people continue to depend upon language to explain ideas, establish relationships, pursue opportunities, participate in education, conduct business, and make themselves understood. Clear expression remains valuable in classrooms and workplaces as well as in everyday communication.

H.H. Dr. Prince Mario-Max Schaumburg-Lippe’s narration brings that historical material into the audiobook era. The recording was produced for Ad Astra Audiobooks, a California publisher of audiobooks, creating a meeting point between a classic language title and contemporary audio publishing.

The choice of material is significant because the book is fundamentally concerned with the possibilities contained within language. Its thousands of phrases invite readers and listeners to consider how vocabulary can expand expression. For anyone interested in speaking, writing, correspondence, conversation, or presentation, the work offers a substantial encounter with English usage.

Narration gives those phrases another dimension. Words designed for practical expression can be heard as speech, allowing the listener to experience their sound and rhythm directly. This can be particularly useful with material devoted to communication because spoken delivery makes the relationship between vocabulary and conversation immediate.

For Prince Mario-Max, that accessibility supports a larger literacy mission. His stated ambition is that every child should have the opportunity to read properly and comprehend what they are reading. Rather than treating literacy solely as a classroom requirement, his approach emphasizes the importance of creating desire and curiosity around books.

That focus on desire is central to the project. Children who associate books with discovery and personal interest have a reason to continue exploring them. Narrated classics can provide an introduction to texts that might initially appear distant because of their age, vocabulary, length, or formal presentation.

Audiobooks as a Gateway to Reading

The modern audiobook occupies an interesting place in literary culture. It preserves one of humanity’s oldest methods of sharing language, listening to another person tell, explain, recite, or read, while operating through contemporary digital distribution.

For younger audiences in particular, audio can create familiarity before independent reading begins. Hearing complex vocabulary in context can make unfamiliar words less intimidating. Following sentences aloud can reinforce an understanding of punctuation, pacing, emphasis, and structure. When audio and written text are used together, the listener can connect the appearance of words with their pronunciation.

That connection is relevant to comprehension. Literacy involves considerably more than recognizing letters or pronouncing words. A capable reader must understand relationships between ideas, follow arguments, interpret context, retain information, and develop a sufficiently broad vocabulary to recognize meaning across different subjects.

Classic books have a role in that process because they expose contemporary readers to styles of expression beyond the vocabulary of everyday digital communication. Historical works often require patience, but they can reward that patience by revealing how language has developed and how earlier generations organized ideas.

Fifteen Thousand Useful Phrases is especially direct in its engagement with vocabulary. Its practical orientation gives listeners repeated encounters with expressions intended to broaden verbal resources. The scale suggested by the title itself communicates the breadth of the undertaking.

For a narrator, such a work presents a distinctive assignment. A conventional novel offers characters, plot, dialogue, and dramatic progression. A language reference work demands consistency and clarity across material whose value depends heavily on the listener being able to absorb individual phrases and their linguistic character.

H.H. Dr. Prince Mario-Max Schaumburg-Lippe’s involvement therefore places the act of narration in service of language education as well as entertainment. The recording becomes part of a broader effort to keep substantial written works circulating among audiences who increasingly encounter books through multiple formats.

Literacy in a Digital Generation

The challenge facing literacy advocates is not a lack of words. Modern children encounter enormous quantities of text every day through devices, educational platforms, games, messaging services, websites, and social media. The deeper challenge is developing the sustained comprehension required to distinguish information, understand context, follow longer arguments, and communicate accurately.

Reading a substantial book asks something different from scanning a short digital message. It develops sustained attention across paragraphs, pages, chapters, themes, and arguments. That capacity remains important even as communication becomes faster and increasingly visual.

Audiobooks can help establish a bridge toward that sustained attention. A well-produced narration asks listeners to follow language over time. The experience can encourage concentration while introducing vocabulary and ideas beyond abbreviated everyday communication.

Prince Mario-Max’s emphasis on encouraging the desire to read recognizes that education is strengthened by voluntary curiosity. Technical reading ability is essential, but enthusiasm can determine whether that ability continues to develop outside formal instruction.

A child who becomes interested in stories, history, language, biography, science, or another field through listening may eventually seek additional books independently. The initial format matters less than establishing an active relationship with ideas and words.

This is where the narration of classics can become particularly useful. Older works can acquire renewed accessibility when readers first encounter them through a human voice. Names, unfamiliar expressions, and formal sentence structures become audible rather than remaining abstract shapes on a page.

The objective is ultimately movement toward deeper engagement. Listening can lead to reading. Reading can lead to vocabulary. Vocabulary can strengthen comprehension. Comprehension can support clearer writing and more confident speech.

The Continuing Value of Useful Phrases

Grenville Kleiser’s work reflects a longstanding belief that command of language can be developed deliberately. Effective expression is partly a matter of practice, exposure, observation, and vocabulary. People become more capable communicators by encountering more ways to formulate their thoughts.

That principle remains relevant in contemporary professional culture. Written communication now travels instantly, often to large audiences, and small differences in phrasing can influence whether an idea is understood correctly. Students write applications and assignments. Professionals prepare presentations, correspondence, reports, and digital communications. Public figures address audiences across multiple platforms.

Language continues to shape how competence and intention are understood. A richer vocabulary can allow a speaker to become more precise rather than merely more elaborate. Knowing several ways to express an idea provides choices, and those choices make communication more adaptable.

Fifteen Thousand Useful Phrases offers this abundance as its central proposition. Its enduring appeal rests in the practical nature of its subject. Words are tools used every day, and improving one’s ability to select them can have lasting value.

The audiobook edition extends that practical quality into listening. Phrases that once existed principally as entries on a printed page can accompany listeners through a format suited to contemporary routines. The underlying text remains connected to the literary culture from which it emerged, while the delivery reflects the habits of a new generation of readers and listeners.

For Ad Astra Audiobooks, the project demonstrates one way publishers can participate in the preservation and renewed circulation of classic material. Audio editions can return attention to works that might otherwise remain known principally to collectors, researchers, educators, or readers already interested in historical literature.

Prince Mario-Max’s narration adds a public-facing literacy dimension to that publishing effort. His involvement presents the recording as part of a continuing conversation about why reading matters and how traditional books can remain accessible in changing media environments.

From Listening to Comprehension

Comprehension is the crucial element in Prince Mario-Max’s literacy message. Reading fluently without understanding provides only part of the educational foundation a child needs. Meaning is the destination.

Strong comprehension allows young readers to evaluate information rather than simply receive it. It helps them identify relationships between statements, recognize details, understand instructions, follow narratives, and develop independent judgments based on what a text actually communicates.

Vocabulary plays an essential role. When too many words in a passage are unfamiliar, comprehension becomes difficult. Regular exposure to varied language gradually expands the range of material a reader can approach confidently.

A work centered on thousands of phrases naturally draws attention to this relationship between vocabulary and understanding. It demonstrates the enormous expressive range available within English and encourages a closer awareness of how words can be assembled to communicate distinctions in thought.

Hearing those expressions can reinforce the practical nature of language. Spoken words carry pronunciation and pacing that are absent from the printed page until a reader supplies them internally. For learners, the combination of listening and reading can make the structure of language easier to recognize.

The result fits Prince Mario-Max’s intention to create enthusiasm around reading rather than presenting literacy as an obligation. A classic becomes something that can be encountered through headphones, speakers, printed pages, or digital text, allowing different pathways into the same body of language.

Keeping Grand Classics in Circulation

The decision to narrate established works also reflects a broader cultural responsibility. Books remain active when new generations continue to encounter them. Publication formats change, but continued accessibility determines whether older texts remain part of everyday intellectual life.

Audiobooks have widened that accessibility considerably. They can reach commuters, travelers, families, students, people with demanding schedules, and listeners who simply prefer hearing a text before or alongside reading it.

For younger readers, the format can reduce the initial distance between themselves and a classic work. Once the language becomes familiar, the printed book can become easier to approach. The relationship between formats can therefore be complementary and productive.

Prince Mario-Max’s literacy advocacy centers on this potential progression. His goal is rooted in giving children a genuine opportunity to develop proper reading and comprehension skills, while his narration work seeks to encourage the appetite that can sustain those skills.

There is a practical optimism in that position. Literacy can be supported through schools, families, libraries, publishers, narrators, authors, and cultural figures, each contributing to an environment in which books remain visible and desirable.

A narrated classic cannot solve every challenge surrounding literacy, nor does it need to carry that expectation. Its contribution is specific and valuable. It places language within reach, invites attention, and creates another occasion for someone to discover a book.

For H.H. Dr. Prince Mario-Max Schaumburg-Lippe, Fifteen Thousand Useful Phrases represents that philosophy in tangible form. By lending his voice to Grenville Kleiser’s extensive collection for Ad Astra Audiobooks, he connects a classic guide to expression with a contemporary commitment to reading and comprehension.

The project also reinforces the enduring relationship between speaking and reading. Before children become independent readers, they frequently encounter books through voices. Parents, teachers, librarians, educators, and narrators transform printed sentences into sound, establishing associations between language, meaning, and attention.

Professional audiobook narration extends that experience beyond childhood. Adults continue to discover literature through listening, sometimes returning afterward to printed editions or exploring other works by the same author. Audio has become another established route through literary culture.

That route can be especially meaningful when it directs attention back toward language itself. Fifteen Thousand Useful Phrases is ultimately a book about having more words available when they are needed. Its subject is communication, and its audiobook form allows communication to become the method through which the book is rediscovered.

Prince Mario-Max’s involvement gives the project a defined educational purpose. The objective is to encourage people, particularly younger generations, to develop an active interest in reading, to strengthen comprehension, and to recognize classic literature as something that remains available to them.

Literacy is built over years, through repeated encounters with words, sentences, stories, ideas, and increasingly sophisticated texts. Every compelling introduction to a book can contribute to that process. Every new word understood expands what a reader can understand next.

Through his work with Ad Astra Audiobooks and Grenville Kleiser’s Fifteen Thousand Useful Phrases, H.H. Dr. Prince Mario-Max Schaumburg-Lippe is placing the spoken word behind a simple and enduring ambition: helping more young people discover the confidence, comprehension, and curiosity that can lead them toward a lifetime of reading.

His Highness Dr. PRINCE MARIO-MAX SCHAUMBURG-LIPPE is a working Royal, award winning TV- and Event-Host, Bertelsmann Randomhouse author, Public Speaker and Philanthropist ♔ Prince Mario-Max is the son of Royal Dignitaries H.H. Dr.h.c. Prince Waldemar and H.H. Dr. Princess Antonia of Schaumburg-Lippe. His Grandmother is H.R.H. Princess Feodora of Denmark. Therefore they are the Royal Danish Nachod Line of The Princes of Schaumburg-Lippe, the Founding Family of Hamburg, Lübeck and Kiel. ♔ Instagram https://www.instagram.com/princemariomax/ Website http://www.schaumburglippe.org Facebook https://www.facebook.com/zuschaumburglippe X-Twitter https://twitter.com/schaumburglippe Linkedin https://www.linkedin.com/in/prince-mario-max-schaumburg-lippe-1879978a

Entertainment

Fashion Meets Compassion as CatWalk FurBaby Opens New York Fashion Week

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New York Fashion Week has its models, its designers, its celebrities and its front rows. But last night, September 8, some of the most irresistible models walking into the spotlight had four legs—and some of them were looking for homes.


CatWalk FurBaby, presented by ELYSIANImpact and Seven Runway returns for its fourth year at Sony Hall in Times Square, bringing together fashion and animal rescue for an evening appropriately billed as “Where Fashion Meets Compassion.” Created by ELYSIAN founder and publisher Karen Floyd, the event pairs designers with animal rescue organizations, transforming the traditional Fashion Week runway into something considerably more meaningful.

Karen Floyd, Marc Bouwer, his dog and friend

This year’s show brought together 11 designers and ateliers supporting ten rescue organizations, with Anne Fontaine, Bless by Bless, L’Agence, Cate Brown, Hot Girl Quilting, Marc Bouwer, Magpies & Peacocks,

Victor De Souza

Victor De Souza, Halyna Shunevych, Any Old Iron and D’Marsh Couture taking part.

Prince Mario Max and Karen Floyd

Yes, there was couture. Yes, there were celebrity judges and Fashion Week glamour. But it was the rescue dogs that were the point.

Lessa Roland

That distinction is what has allowed CatWalk FurBaby to become more than another event competing for attention during an increasingly overcrowded Fashion Week calendar. Each designer walked in support of a participating rescue, giving animal welfare organizations something extraordinarily valuable during NYFW: visibility.

Here comes the dog

The concept comes from Floyd’s passion for animal welfare and her belief that philanthropy and fashion don’t need to occupy separate worlds. CatWalk FurBaby uses the spectacle of a runway show to direct attention toward rescue, adoption and the organizations doing the decidedly less glamorous work of caring for abandoned and vulnerable animals every day.

Karen Floyd, Jean Shafiroff

The formula has already attracted formidable names in fashion. Previous CatWalk FurBaby participants and guests have included NYFW founder Fern Mallis, supermodel Carol Alt, philanthropist Jean Shafiroff who was a judge this year and designer Nicole Miller, while DJ Chloe Jane has appeared wearing Tommy Hilfiger. The event has also earned national attention, including coverage in Forbes.

Carmen D’Alessio and guest

There is something particularly clever about putting rescue animals into the middle of Fashion Week. Fashion is built upon desire: the dress we suddenly need, the bag everyone wants, the image we imagine ourselves becoming. Animal adoption asks us to look at desire differently. Instead of asking, Do I want this?, it asks, Can I give this animal a life? Unlike a handbag, that decision loves you back.

Gizmo was one of the lucky dogs to be rescued. Sitting in the front row with his human

The evening also reflects a larger movement within fashion toward purpose. Consumers increasingly want to know what the brands they support stand for, where things come from and whether all that beauty is attached to anything beyond commerce. CatWalk FurBaby doesn’t pretend a runway can solve the enormous problem of animal abandonment. It does something more practical: it puts the organizations trying to solve it in front of people who might donate, adopt, volunteer or simply pay attention.

The host for the night was Charles Charlii Sebunya

Behind the event is ELYSIAN Impact, the philanthropic arm of ELYSIAN, which focuses its charitable work across five areas: women, children, service, animals and the environment. According to the organization, ELYSIAN Impact has disbursed more than $17.5 million over the past decade, with donations going directly to nonprofit organizations.

 Dr. Christina Rahm

For the participating rescues, however, the impact of the evening isn’t measured only in dollars. Every animal placed before an audience becomes an individual rather than a statistic. One face can accomplish what thousands of numbers cannot. Someone sees a dog. Someone falls in love. Someone decides there is room in the apartment after all.

That is where CatWalk FurBaby gets this exactly right.

Eliza

Fashion Week gives New York plenty of beautiful things to look at over the coming days. There will be extraordinary clothes, impossible shoes, parties, celebrities and enough photographers to make crossing certain blocks of Manhattan nearly impossible.

Opening it with compassion isn’t a bad statement about what beauty ought to mean.

The best thing walking the runway this Fashion Week might not be wearing the clothes at all.

CatWalk FurBaby took place September 8 at Sony Hall, inside the Paramount Hotel in Times Square.

Look for Part 2 on who was adopted and who won the awards.

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Entertainment

Prince Mario-Max Schaumburg-Lippe Applauds The Message of Runways On Fire Opening NYFW 2026

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H.H. Dr. Prince Mario-Max Schaumburg-Lippe praised New York Fashion Week 2026 as a defining global fashion moment, celebrating the city’s unmatched scale, inclusivity, and message of unity.

New York Fashion Week has always carried the pulse of the city around it. In 2026, that pulse feels especially strong, as designers, visitors, journalists, photographers, television crews, models, stylists, and fashion devotees gather across New York for one of the most visible cultural moments of the year.

For H.H. Dr. Prince Mario-Max Schaumburg-Lippe, the season represents more than another turn of the fashion calendar. He has described New York City as the most important fashion metropolis in the world, pointing to the remarkable number of shows, designers, visitors, and international observers that have given NYFW 2026 its broad cultural force.

His message was delivered with particular energy at Runways on Fire, a public fashion production staged in the heart of Times Square at Father Duffy Square. There, Prince Mario-Max opened New York City from what he called the cold heart of the universe, receiving thunderous applause as the runway came alive with beauty, style, and a message that reached beyond fashion alone.

The event placed fashion where New York so often expresses itself most powerfully, before the public. With hundreds of journalists, photographers, and television crews present, along with tens of thousands of spectators and passersby, Runways on Fire became a vivid expression of fashion as shared culture. It was a runway built for visibility, connection, and civic celebration.

Prince Mario-Max praised the way fashion brings people together, regardless of where they come from. His remarks centered on love, peace, and inclusion, presenting New York not only as a fashion capital but as a city whose creative strength comes from its openness. In his view, New York’s global influence is rooted in its ability to welcome different voices, cultures, talents, and audiences into one dynamic fashion landscape.

That sense of inclusivity is central to New York Fashion Week’s identity. The city holds heritage fashion houses and rising designers, luxury presentations and public showcases, established industry figures and emerging creative communities. Its runways, sidewalks, studios, hotels, galleries, and public squares all become part of the same story. Fashion in New York is polished, ambitious, immediate, and accessible.

NYFW 2026 has also arrived at a moment of renewed focus on American fashion. With major names and emerging labels contributing to a packed season, the city has reaffirmed its role as a global platform for design, media, culture, and commerce. The energy surrounding the week reflects not only the strength of the official schedule but also the many independent events and public-facing productions that expand fashion beyond traditional venues.

A Public Runway With a Purpose

Runways on Fire gave that broader movement a striking public stage. Times Square, already one of the most recognizable urban settings in the world, became a place where fashion, entertainment, and purpose met. The event’s visual drama served a deeper message, that style can gather people together and create a shared moment of recognition.

Prince Mario-Max’s appearance added ceremonial weight to the production. His praise for New York as the world’s most inclusive city framed the runway as more than a spectacle. It became a celebration of creative unity, where beauty and design were presented alongside a clear call for love and peace.

In a season filled with presentations, designer debuts, brand moments, and cultural events, that message gave Runways on Fire its distinction. It reminded audiences that fashion’s influence is strongest when it connects people across backgrounds and invites them into a wider sense of belonging.

New York’s fashion power has always come from this combination of ambition and openness. The city can host glamour at the highest level while still allowing the street, the public square, and the wider community to shape the atmosphere. It is a place where fashion is not confined to a room. It moves through the city and becomes part of daily life.

For Prince Mario-Max, that is what places New York ahead. More shows, more designers, more visitors, and more global attention have made the 2026 season feel expansive and confident. Yet the deeper achievement is cultural. New York has turned fashion into a meeting place, where creative expression becomes a language of welcome.

As NYFW 2026 continues to unfold, Prince Mario-Max’s message stands as one of the season’s most generous statements. Fashion, at its best, is not only about what appears on the runway. It is about the people gathered around it, the stories they carry, and the sense of connection a great city can create.

At Runways on Fire, New York offered that connection in full public view. With beauty, style, applause, and a message of love and peace, the city once again affirmed its place at the center of global fashion culture.

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Celebrity

The Glorious Corner

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EARTH, WIND & FIRE DOC — With some downtime this weekend, I dialed up the HBO/MAX doc on Earth, Wind & fire called Earth, Wind & Fire (To Be Celestial vs That’s the Weight of the World), and it was actually one of the best I’ve yet seen. To be honest, it focused almost solely on the mastermind of the group Maurice White.

Maurice White

To me, fashioning a group, budling an image and achieving some degree of success is a monumental task. I’ve personally seen too many bands or artists completely miss it. But what White was able to accomplish is astonishing.

I first became aware the band through some amazing albums and of course, their song “September” sealed the deal.

White passed in 2016, so the footage of him is all archival and the current interviews with producers., relatives and band members tale on an. But the remembrances of everyone from Stevie Wonder, to manager Bob Cavallo, Flea, and the Obamas is marvelous. Its of the same caliber as HBO’s Billy Joel doc from last year.

Produced by Questlove, it’s definitely on my year end list.

DOLENZ ON CARTER — Micky Dolenz was interviewed on KLOS/Breakfast with The Beatles Sunday with Chris Carter, and it was a good one, as Carter discussed Dolenz’s just-released EP Timeless, featuring the singles “Terri” and “Any Way You Want Me To.” Carter also played Dolenz’s recordings of “Good Morning Good Morning” and “Blackbird” which remain standouts.

Carter said that his “Good Morning Good Morning” was one of the most requested non-Beatle songs on his show for years. btw: That track is from Dolenz’s stunningly good Remember album in 2012.

With the official 60th anniversary show this Saturday at The United Theater Downtown. Congrats also to Carter for his 25th anniversary of his show. Brilliant!

SHORT TAKES — When Apple’s Silo first stated, I watched the first episode and just couldn’t get into it. I’ve gone back and become a die-hard fan. It’s a bit hard to follow at time, but their Season 3 finale was last week and a rip-roaring affair it was. There was also a trailer for their next and final season (already filmed) which was phenomenal. It’s become one of Apple’s golden eggs. Rebecca Ferguson is sensational … RIP Jon Small from Billy Joel-fame. Check out this from People: https://people.com/billy-joel-mourns-jon-small-death-longtime-collaborator-friend-12110501 … When Carnival Dogs played My Father’s Place this past weekend, proprietor Eppy said  “I think Jim Morrison is suddenly in the room” …

Oasis has always been a mixed bag for me. I love their music – ‘Wonderworld” is a stone cold classic, but the rivalry between the two brothers, Liam and Noel casts a real, down note for me. Their new doc Don’t Look back In Anger should prove interetsing. Check out this review, which amazingly says the doc ends not with an Oasis song, but with a version of the Hal David/Burt Bacharach song “What The World Needs Now Is Love. ” https://www.pressreader.com/uk/the-scottish-mail-on-sunday/20260906/281728391395114 … Happy Bday Nancy Jeffries and Henry Diltz!

NAMES IN THE NEWS — Jane Blunkell; Chris Carter; Johns Hughes; Terri Layne; Tom & Lisa Cuddy; Rodney Bingenheimer; Thomas Silverman; Steve Singer; John Hughes; Jodi Ritzen; Jacqueline Boyd; Alison Martino; Debra Moreno; Andy Skurow; Steve Walter; Susan Hathaway; Chuck Pulin; Chris Ortiz; Freddie Bastone; Mark Bego; and ZIGGY!

Images on this page have been licensed under the Creative Commons Attribution-Share Alike 4.0 International license

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Broadway

Gustavo Dudamel and Lin-Manuel Miranda Bring Music, Life and New York to The Delacorte

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There are certain conversations that simply belong in New York, and putting Gustavo Dudamel and Lin-Manuel Miranda together beneath the stars in Central Park feels like one of them.

On September 23, The Public Theater will bring back its Public Forum Duets with Public Forum Duet: Gustavo Dudamel & Lin-Manuel Miranda, a free, one-night-only event at the revitalized Delacorte Theater. The evening will combine conversation with live musical performances as two very different musical forces talk about music, life and, most intriguingly, what both mean in New York City.

Dudamel arrives at a fascinating moment in his relationship with the city. The celebrated conductor is the incoming Tang Music & Artistic Director of the New York Philharmonic, bringing with him not simply an international reputation but a deeply held belief in music as something that should reach beyond the traditional walls of the concert hall.

Miranda hardly requires an introduction to a New York theater audience. The creator of Hamilton has become one of the city’s most recognizable artistic voices, but his connection to The Public makes this particular pairing especially appropriate. Hamilton began its New York life at The Public before moving to Broadway, making The Delacorte an unusually fitting place for Miranda to join a musician beginning his own major new chapter in the city.

What makes the evening particularly appealing, however, is the word duet.

The Public Forum series has long been built around the idea that conversation itself can be a form of performance. The Public describes the program as a place where “art, ideas, and action collide,” bringing artists, thinkers and public voices together to examine the larger questions moving through the culture.

Dudamel and Miranda should have plenty to discuss.

One comes from the world of orchestras, where hundreds of years of musical tradition meet the challenge of attracting the audiences of tomorrow. The other helped take American history, hip-hop, musical theater and immigration and turn them into one of the defining theatrical phenomena of the 21st century. Both have spent much of their careers challenging assumptions about who certain kinds of music belong to and who should be invited into the room.

New York has always been a city that absorbs musical languages and makes something new from them. Classical music, Broadway, jazz, salsa, hip-hop, opera and countless sounds carried here by generations of immigrants coexist within a few subway stops of one another. Yet arts institutions everywhere are confronting the same question: How do you honor tradition without allowing tradition to become a gatekeeper?

Dudamel and Miranda have approached that question from very different directions. Bringing them together isn’t simply an appealing celebrity pairing. It offers the possibility of a conversation about where music goes next—and who gets to come along.

Best of all, the evening remains rooted in one of The Public’s defining principles: access.

Free tickets will be distributed on September 23 in several ways. Distribution outside The Delacorte begins at noon; an in-person lottery will be held at noon in The Public Theater lobby at 425 Lafayette Street; the TodayTix digital lottery remains open until noon that day; and a standby line at The Delacorte can begin distributing available tickets as early as 6 p.m. Public Theater members can also reserve seats with an additional donation.

Public Forum Duet: Gustavo Dudamel & Lin-Manuel Miranda — tickets and information

There is something wonderfully old-fashioned about the whole proposition: gather New Yorkers in Central Park, put two extraordinary musical minds onstage, add live music and see where the conversation goes.

In a city increasingly divided into algorithms, audiences and carefully targeted demographics, perhaps there is still something radical about simply gathering together to listen.

On September 23, New York gets one hell of a duet.

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Entertainment

Timeless by Micky Dolenz: An EP Review by Mark Bego

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How fitting it is that Micky Dolenz has chosen this month to release his latest recorded album, Timeless.  It hits the marketplace just in time to celebrate the 60th Anniversary of the debut of The Monkees TV show that started it all.  And, it is a refreshing reminder of how pop music fans first fell in love with Micky’s voice, and 60 years later it is still as strong and distinctive as ever.

Although Timeless is only a six-song EP, it still provides living proof of how ageless Micky’s voice and energy is—right up to today.  This is the perfect platform to show off these half-dozen new Dolenz performances which seem to fit right into any era of Monkees music.  Produced by Sam Hollander, John Hughes, and Pete Donnelley, Timeless perfectly captures one of the most celebrated voices of rock & roll.

One of the most refreshing aspects of the Timeless release is the fact that it contains new music from several of the same songwriters who made The Monkees’ 2016 Good Times! album such an appealing hit.  These returning contributors include, Andy Partridge of XTC, and Adam Schlesinger of Fountains of Wayne, plus the addition of Paul Westerberg of The Replacements.  Also included here is the song “Waiting For Day,” which was written Vicki Peterson of The Bangles, and beautifully sung by Micky as a duet with his beloved sister Coco Dolenz.

There are also several hints of classic Monkees audio references on Timeless.  The song “In The Center Of My Hears (There Is a Force Commonly Known As Love)” starts out with some of the same recorded “party patter” of voices that began “Don’t Call On Me” from The Monkees’ Pisces, Aquarius, Capricorn & Jones album back in 1967.  Furthermore, Micky gives the same kind of command to his delivery on that song, similar to the group’s 1968 song “D.W. Washburn.”

Part of the beauty to this six-song EP of an album is that it contains something old, something new, and several songs sounding classically “Monkees.”  Without a doubt, the best part of all is the fact that Micky Dolenz sounds like he is having as much fun in the recording studio than the did circa 1966.  In other words, “Timeless” is the fitting title to this album, because that word describes Micky Dolenz to a tee.

Another reason that I am especially happy to see and hear this new EP from Dolenz, is that it is referenced and included in the new third version of the book I’m A Believer, by Micky Dolenz…and me!  As the co-writer on this hit book, I am thrilled to announce that a new 2006 commemorative edition of the book has just been released.  It contains a new updating chapter by me, and a newly updated Discography as well.  The book originally came out in 1993 from Hyperion Books.  Then it came out in 2004 from Cooper Square, with a new chapter from me.  This new 2026 version from Lyons Press gave me the platform to add still another chapter, and to report everything that has happened to the group since the second version came out.  Most notably the updated include the individual passing of Micky’s trio of Monkee brothers:  Davy Jones, Peter Tork, and Mike Nesmith.

Thankfully, we still have Micky Dolenz here with us. His energy and enthusiasm lives on in his Timeless EP, and in the book I wrote with him:  I’m A Believer.  I wish all of you Monkees fans out there a “Happy 60th Anniversary!”  Rock on, Micky Dolenz!  I know I will be celebrating it, in Timeless fashion!

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