Entertainment
Prince Mario-Max Schaumburg-Lippe Hosts NYFW International Heritage Fashion Week 2026 By Prashant Goyal!
His Highness Dr. Prince Mario-Max Schaumburg-Lippe returns to the New York fashion calendar as host of International Heritage Fashion Week Season 05, an expansive September presentation bringing international designers, heritage, performance, red-carpet culture, and the Spring/Summer 2027 collections together in Midtown Manhattan.
New York Fashion Week will welcome a distinctly international gathering on September 10, 2026, when International Heritage Fashion Week returns for its fifth season with His Highness Dr. Prince Mario-Max Schaumburg-Lippe serving as event host. Staged at the 3 West Club in Midtown Manhattan, IHFW Season 05 is planned as an extended celebration of fashion and cultural identity, with two runway presentations, live performances, red-carpet arrivals, and an evening awards program.
The event arrives at an important moment in International Heritage Fashion Week’s development. Season 05 continues a format built around designers whose work can speak simultaneously to heritage and contemporary fashion. Rather than treating cultural identity as a separate category within the program, IHFW places it at the center of the runway conversation.
For Prince Mario-Max, the 2026 engagement represents a return to the IHFW stage. He previously hosted Season 04, which brought an international group of designers and performers together during New York Fashion Week. His return for Season 05 provides continuity as the organization develops its presence within New York’s crowded September fashion calendar.
The September 10 program will run at 3 West Club, 3 West 51st Street, close to Rockefeller Center and Fifth Avenue. The location places the event within one of Manhattan’s established cultural, commercial, and hospitality districts, giving visiting designers and guests direct access to the center of Midtown.
The program is produced by celebrity designer Prashant Goyal, founder and producer of International Heritage Fashion Week. Goyal’s role extends beyond production. His Heritage India Fashions label is scheduled to appear in the second runway presentation with a Spring/Summer 2027 wedding collection, giving the producer a direct creative presence on the runway.
Prince Mario-Max Returns as Host
Prince Mario-Max is positioned as the principal host guiding guests through a program devoted to designers, artists, fashion, and international creativity. The role places him at the center of a schedule designed to move between runway presentations, entertainment, red-carpet activity, and recognition of members of the wider creative community.
His presence also reinforces an element that has become recognizable within International Heritage Fashion Week. Season 04 featured Prince Mario-Max as host alongside designers and performers representing a broad range of creative backgrounds. Season 05 develops that foundation with a more extensive program and a clearly structured day of presentations and events.
Holly Hester joins the 2026 edition as red-carpet host. She will welcome designers, personalities, special guests, and members of the fashion community as they arrive, giving the red carpet its own identity within the day’s programming.
The combination of a principal event host and a dedicated red-carpet host reflects the scale planned for Season 05. IHFW is presenting the day as more than a sequence of collections. The runway remains central, while arrivals, photography, media interaction, entertainment, networking, and awards are integrated into the experience.
Doors are scheduled to open at 1:15 p.m., ahead of the first runway presentation at 2 p.m. From that point, the program moves through an afternoon of designers and live performance before transitioning later into the IHFW S05 Awards Night.
The structure gives individual designers defined moments while preserving the rhythm of a collective presentation. That approach is especially relevant for an event centered on international participation, where different design languages, techniques, cultural references, and commercial perspectives share the same New York platform.
Two Runways for Spring/Summer 2027
The first runway presentation begins at 2 p.m. and introduces an eclectic group of participants. ICON Fashion Magazine is scheduled for a 2:15 p.m. runway presentation, followed by a live dance performance.
Rohan Narang Fashions follows at 2:35 p.m. The label’s placement within the first presentation contributes to the international emphasis of the afternoon and continues the event’s commitment to providing individual designers with a defined presentation slot rather than folding every participant into a single continuous showcase.
Willow Bean is scheduled for 2:50 p.m. The name will already be familiar to followers of International Heritage Fashion Week. Jennie Fear’s Willow Bean Studio participated in Season 04, where its collection drew on a refined historical fashion vocabulary interpreted for a contemporary runway setting.
That continuity is meaningful for an event entering its fifth season. Returning participants help create a recognizable creative community around IHFW, while new designers expand the range of perspectives represented on the runway.
Following the first runway finale, the program allows time for photography and red-carpet moments before the second major presentation begins at 4 p.m. The break creates a natural transition between the two showcases and gives designers, guests, photographers, and media an opportunity to engage beyond the runway itself.
The second presentation opens with The Dark Arches at 4 p.m., followed by Steevteez at 4:15 p.m. A live dance performance is scheduled between the designer presentations, continuing the interdisciplinary format established earlier in the afternoon.
Craftsmanship and Heritage Take the Runway
Ruchi Goyal Crochet is scheduled for 4:25 p.m., bringing handcrafted crochet fashion into the Spring/Summer 2027 program. The presentation is framed around artistry, individuality, and contemporary design, placing handwork within a modern fashion context.
Ruchi Goyal is another returning creative presence within the IHFW community. Ruchi Goyal Crochet appeared during Season 04, alongside labels and designers including Heritage India Fashions, Prashant Goyal Couture, Daniel Martinez, Elfida Artinoff, Liliana Mijangos, Franklin Rowe International, Olesja Mueller, and Jennie Fear.
The return of crochet to the runway is particularly aligned with IHFW’s wider interest in craftsmanship. Techniques that visibly retain the maker’s hand have an important place in discussions about heritage fashion because they allow construction, material, and cultural knowledge to remain legible within contemporary clothing.
At 4:50 p.m., Heritage India Fashions is scheduled to present its Spring/Summer 2027 wedding collection under Prashant Goyal. The presentation is conceived around Indian heritage viewed through a contemporary New York perspective, bringing traditional craftsmanship and detailed formalwear into a modern luxury setting.
For Goyal, the presentation joins two dimensions of the same project. As founder and producer, he is responsible for creating the framework in which the international roster appears. As a designer, he participates in the creative exchange that the event is intended to encourage.
Heritage India Fashions has been an established component of previous IHFW programming, and its Season 05 presentation reinforces the role of cultural continuity within the event. Wedding fashion provides a particularly rich setting for this approach because ceremonial dress frequently carries generations of technique, symbolism, material knowledge, and family tradition.
A Fashion Week Built Around International Identity
International Heritage Fashion Week was founded around the principle that fashion can cross borders while retaining a meaningful relationship with cultural origin. Season 05 continues that direction by bringing emerging and established designers into the same program during one of the industry’s most internationally visible weeks.
The concept gives IHFW a specific position within the New York calendar. The event is interested in contemporary fashion, but it also makes room for the histories behind garments. Heritage is approached as an active design resource that can inform silhouettes, textiles, embellishment, construction, ceremonial clothing, and modern luxury.
That approach accommodates a wide spectrum of fashion categories. The wider Season 05 presentation encompasses couture, eveningwear, bridal, menswear, children’s couture, swimwear, and crochet, reflecting a program that does not require international designers to conform to one aesthetic.
It also allows designers at different stages of development to appear within a shared professional setting. Emerging names can occupy the runway alongside returning participants, while photographers, stylists, models, beauty professionals, media representatives, and fashion enthusiasts form the larger audience around them.
The model is particularly relevant in New York, where fashion has long been shaped by international communities. A platform devoted explicitly to heritage gives designers an opportunity to present cultural references as part of forward-looking fashion rather than treating them as historical material detached from contemporary life.
Season 05 consequently places Spring/Summer 2027 within a broader discussion of identity and creative authorship. A collection can be international in reach while remaining specific in its cultural vocabulary. IHFW’s program is designed to make that specificity visible.
From the Red Carpet to Awards Night
The runway presentations form the afternoon core of the event, but the September 10 program extends beyond the catwalk. Red-carpet arrivals and photography are built into the schedule, with Holly Hester overseeing the red-carpet experience and welcoming members of the participating fashion community.
Later, International Heritage Fashion Week transitions into the IHFW S05 Awards Night, an evening program recognizing contributors to fashion and the creative industries. Designers, models, artists, beauty professionals, media, photographers, industry figures, and special guests are expected to form part of the gathering.
The awards component broadens the focus from clothing to the network of creative disciplines required to produce and communicate fashion. Runway culture depends upon an extensive professional community, and IHFW’s evening format provides space to recognize that collaborative structure.
Entertainment remains part of the event throughout the day. Live dance performances are scheduled between designer presentations, continuing a practice visible in the previous season.
Season 04 incorporated performances by Dance with Anjali, Capri Everitt, Willow Craig, and Ramilia Up. Their participation demonstrated how IHFW has used performance as an integrated part of its programming rather than limiting the event to conventional runway sequencing.
Season 05 maintains that interdisciplinary character. The result is a day in which clothing remains the principal focus while dance, photography, red-carpet presentation, media, and awards contribute to the larger cultural program.
A Growing New York Fashion Platform
International Heritage Fashion Week enters Season 05 with the benefit of an established history. The previous New York edition brought together Heritage India Fashions, Heritage Swim, Prashant Goyal Couture, Daniel Martinez’s bridal work, Elfida Artinoff, Willow Bean Studio, ICON Fashion Magazine, LC Couture, Franklin Rowe International, and Ruchi Goyal Crochet.
That roster illustrated the breadth the platform is designed to accommodate. Bridal design could appear beside couture, culturally rooted fashion could share a program with contemporary independent labels, and performance could connect individual runway segments.
The fifth season builds on that foundation while keeping the focus on accessibility to a wider fashion audience. The event is open to fashion enthusiasts as well as buyers, stylists, photographers, influencers, designers, and industry professionals, creating a guest mix that reaches beyond a strictly trade-only presentation.
Different ticket experiences reflect that range. Promotional materials identify general admission runway access at $75, a premium runway experience at $125, a VIP front-row runway experience at $150, and an IHFW S05 all-access VIP pass at $300. Individual ticket availability and pricing can vary through the official ticketing platform.
The all-access format is designed for guests seeking the broader Season 05 experience, including both runway shows, the Awards Night, VIP benefits, and red-carpet access. Premium options emphasize reserved or preferred seating and priority check-in, while general admission provides a more accessible entry point to the runway program.
With seating limited, the tiered approach allows guests to select the portion of the experience most relevant to them, whether that is a single runway presentation or a fuller day extending into the evening program.
Media, Fashion and an International Audience
The event’s promotional campaign identifies Vogue, Elle, Glamour, Grazia, Harper’s Bazaar, and Fashion X Magazine among its premium media sponsors, alongside additional international media partners. Smartwater and Perrier are identified as official beverage sponsors for Season 05.
Their presence in the event materials reflects IHFW’s effort to place participating designers within a broader fashion and lifestyle environment. For independent and internationally based designers, visibility around a New York Fashion Week presentation can be significant, particularly when runway imagery and media activity continue circulating after the physical event concludes.
Photography therefore occupies an important place in the format. The red carpet, runway, designer finales, and awards program create several distinct opportunities for visual coverage across the day.
For designers, that documentation can become part of the longer life of a collection. A runway presentation lasts minutes, while images from the event can continue to introduce garments, techniques, and creative identities to editors, clients, collaborators, and audiences in other markets.
The same principle applies to the models, performers, stylists, makeup artists, photographers, and production professionals involved. International Heritage Fashion Week is structured as a meeting point for multiple areas of the fashion ecosystem, with the runway providing the central reason for those communities to come together.
Prince Mario-Max at the Center of Season 05
Within that framework, Prince Mario-Max assumes a visible role as the figure connecting the stages of the program. Hosting a fashion event of this scale requires movement between designers, performances, guests, and ceremonial moments while maintaining continuity across a long schedule.
His return also connects Seasons 04 and 05. For a relatively young fashion platform, recognizable continuity can be valuable. It establishes a sense of identity while the designer roster and individual collections continue to evolve.
Holly Hester’s role on the red carpet adds a complementary dimension. With Hester greeting the arriving fashion community and Prince Mario-Max guiding the principal event, Season 05 establishes clearly defined hosting roles around the runway production.
The result is a format designed to give the audience a complete fashion-day experience. Guests can encounter designers on the runway, see personalities and participants on the red carpet, experience live entertainment, connect with members of the industry, and continue into the awards program.
For International Heritage Fashion Week, that breadth remains tied to a focused purpose. The organization has built its identity around bringing heritage and contemporary design into direct conversation, providing a New York stage where international creative voices can present their work without leaving cultural identity outside the fashion discussion.
As Spring/Summer 2027 begins to take shape across New York’s September calendar, IHFW Season 05 offers its own perspective on what international fashion can represent. Its designers arrive with different disciplines and traditions, its program moves across runway and performance, and its fifth season demonstrates a commitment to developing a recurring platform around global creative participation.
On September 10, Prince Mario-Max, Holly Hester, Prashant Goyal, Rohan Narang Fashions, Willow Bean, The Dark Arches, Steevteez, Ruchi Goyal Crochet, Heritage India Fashions, ICON Fashion Magazine, the participating performers, models, photographers, media professionals, and guests will converge at 3 West Club for a program extending from afternoon runway presentations into an evening of recognition and celebration.
International Heritage Fashion Week Season 05 ultimately presents New York Fashion Week through an international lens grounded in craftsmanship, identity, creative exchange, and contemporary design. With Prince Mario-Max returning as host and Prashant Goyal directing the production, the 2026 edition continues IHFW’s development as a dedicated stage for fashion that carries heritage confidently into a new season.
Entertainment
Fashion Meets Compassion as CatWalk FurBaby Opens New York Fashion Week
New York Fashion Week has its models, its designers, its celebrities and its front rows. But last night, September 8, some of the most irresistible models walking into the spotlight had four legs—and some of them were looking for homes.
CatWalk FurBaby, presented by ELYSIANImpact and Seven Runway returns for its fourth year at Sony Hall in Times Square, bringing together fashion and animal rescue for an evening appropriately billed as “Where Fashion Meets Compassion.” Created by ELYSIAN founder and publisher Karen Floyd, the event pairs designers with animal rescue organizations, transforming the traditional Fashion Week runway into something considerably more meaningful.
This year’s show brought together 11 designers and ateliers supporting ten rescue organizations, with Anne Fontaine, Bless by Bless, L’Agence, Cate Brown, Hot Girl Quilting, Marc Bouwer, Magpies & Peacocks,
Victor De Souza, Halyna Shunevych, Any Old Iron and D’Marsh Couture taking part.
Yes, there was couture. Yes, there were celebrity judges and Fashion Week glamour. But it was the rescue dogs that were the point.
That distinction is what has allowed CatWalk FurBaby to become more than another event competing for attention during an increasingly overcrowded Fashion Week calendar. Each designer walked in support of a participating rescue, giving animal welfare organizations something extraordinarily valuable during NYFW: visibility.
The concept comes from Floyd’s passion for animal welfare and her belief that philanthropy and fashion don’t need to occupy separate worlds. CatWalk FurBaby uses the spectacle of a runway show to direct attention toward rescue, adoption and the organizations doing the decidedly less glamorous work of caring for abandoned and vulnerable animals every day.
The formula has already attracted formidable names in fashion. Previous CatWalk FurBaby participants and guests have included NYFW founder Fern Mallis, supermodel Carol Alt, philanthropist Jean Shafiroff who was a judge this year and designer Nicole Miller, while DJ Chloe Jane has appeared wearing Tommy Hilfiger. The event has also earned national attention, including coverage in Forbes.
There is something particularly clever about putting rescue animals into the middle of Fashion Week. Fashion is built upon desire: the dress we suddenly need, the bag everyone wants, the image we imagine ourselves becoming. Animal adoption asks us to look at desire differently. Instead of asking, Do I want this?, it asks, Can I give this animal a life? Unlike a handbag, that decision loves you back.
The evening also reflects a larger movement within fashion toward purpose. Consumers increasingly want to know what the brands they support stand for, where things come from and whether all that beauty is attached to anything beyond commerce. CatWalk FurBaby doesn’t pretend a runway can solve the enormous problem of animal abandonment. It does something more practical: it puts the organizations trying to solve it in front of people who might donate, adopt, volunteer or simply pay attention.
Behind the event is ELYSIAN Impact, the philanthropic arm of ELYSIAN, which focuses its charitable work across five areas: women, children, service, animals and the environment. According to the organization, ELYSIAN Impact has disbursed more than $17.5 million over the past decade, with donations going directly to nonprofit organizations.
For the participating rescues, however, the impact of the evening isn’t measured only in dollars. Every animal placed before an audience becomes an individual rather than a statistic. One face can accomplish what thousands of numbers cannot. Someone sees a dog. Someone falls in love. Someone decides there is room in the apartment after all.
That is where CatWalk FurBaby gets this exactly right.
Fashion Week gives New York plenty of beautiful things to look at over the coming days. There will be extraordinary clothes, impossible shoes, parties, celebrities and enough photographers to make crossing certain blocks of Manhattan nearly impossible.
Opening it with compassion isn’t a bad statement about what beauty ought to mean.
The best thing walking the runway this Fashion Week might not be wearing the clothes at all.
CatWalk FurBaby took place September 8 at Sony Hall, inside the Paramount Hotel in Times Square.
Look for Part 2 on who was adopted and who won the awards.
Entertainment
Prince Mario-Max Schaumburg-Lippe Applauds The Message of Runways On Fire Opening NYFW 2026
H.H. Dr. Prince Mario-Max Schaumburg-Lippe praised New York Fashion Week 2026 as a defining global fashion moment, celebrating the city’s unmatched scale, inclusivity, and message of unity.
New York Fashion Week has always carried the pulse of the city around it. In 2026, that pulse feels especially strong, as designers, visitors, journalists, photographers, television crews, models, stylists, and fashion devotees gather across New York for one of the most visible cultural moments of the year.
For H.H. Dr. Prince Mario-Max Schaumburg-Lippe, the season represents more than another turn of the fashion calendar. He has described New York City as the most important fashion metropolis in the world, pointing to the remarkable number of shows, designers, visitors, and international observers that have given NYFW 2026 its broad cultural force.
His message was delivered with particular energy at Runways on Fire, a public fashion production staged in the heart of Times Square at Father Duffy Square. There, Prince Mario-Max opened New York City from what he called the cold heart of the universe, receiving thunderous applause as the runway came alive with beauty, style, and a message that reached beyond fashion alone.
The event placed fashion where New York so often expresses itself most powerfully, before the public. With hundreds of journalists, photographers, and television crews present, along with tens of thousands of spectators and passersby, Runways on Fire became a vivid expression of fashion as shared culture. It was a runway built for visibility, connection, and civic celebration.
Prince Mario-Max praised the way fashion brings people together, regardless of where they come from. His remarks centered on love, peace, and inclusion, presenting New York not only as a fashion capital but as a city whose creative strength comes from its openness. In his view, New York’s global influence is rooted in its ability to welcome different voices, cultures, talents, and audiences into one dynamic fashion landscape.
That sense of inclusivity is central to New York Fashion Week’s identity. The city holds heritage fashion houses and rising designers, luxury presentations and public showcases, established industry figures and emerging creative communities. Its runways, sidewalks, studios, hotels, galleries, and public squares all become part of the same story. Fashion in New York is polished, ambitious, immediate, and accessible.
NYFW 2026 has also arrived at a moment of renewed focus on American fashion. With major names and emerging labels contributing to a packed season, the city has reaffirmed its role as a global platform for design, media, culture, and commerce. The energy surrounding the week reflects not only the strength of the official schedule but also the many independent events and public-facing productions that expand fashion beyond traditional venues.
A Public Runway With a Purpose
Runways on Fire gave that broader movement a striking public stage. Times Square, already one of the most recognizable urban settings in the world, became a place where fashion, entertainment, and purpose met. The event’s visual drama served a deeper message, that style can gather people together and create a shared moment of recognition.
Prince Mario-Max’s appearance added ceremonial weight to the production. His praise for New York as the world’s most inclusive city framed the runway as more than a spectacle. It became a celebration of creative unity, where beauty and design were presented alongside a clear call for love and peace.
In a season filled with presentations, designer debuts, brand moments, and cultural events, that message gave Runways on Fire its distinction. It reminded audiences that fashion’s influence is strongest when it connects people across backgrounds and invites them into a wider sense of belonging.
New York’s fashion power has always come from this combination of ambition and openness. The city can host glamour at the highest level while still allowing the street, the public square, and the wider community to shape the atmosphere. It is a place where fashion is not confined to a room. It moves through the city and becomes part of daily life.
For Prince Mario-Max, that is what places New York ahead. More shows, more designers, more visitors, and more global attention have made the 2026 season feel expansive and confident. Yet the deeper achievement is cultural. New York has turned fashion into a meeting place, where creative expression becomes a language of welcome.
As NYFW 2026 continues to unfold, Prince Mario-Max’s message stands as one of the season’s most generous statements. Fashion, at its best, is not only about what appears on the runway. It is about the people gathered around it, the stories they carry, and the sense of connection a great city can create.
At Runways on Fire, New York offered that connection in full public view. With beauty, style, applause, and a message of love and peace, the city once again affirmed its place at the center of global fashion culture.
Celebrity
The Glorious Corner
EARTH, WIND & FIRE DOC — With some downtime this weekend, I dialed up the HBO/MAX doc on Earth, Wind & fire called Earth, Wind & Fire (To Be Celestial vs That’s the Weight of the World), and it was actually one of the best I’ve yet seen. To be honest, it focused almost solely on the mastermind of the group Maurice White.
To me, fashioning a group, budling an image and achieving some degree of success is a monumental task. I’ve personally seen too many bands or artists completely miss it. But what White was able to accomplish is astonishing.
I first became aware the band through some amazing albums and of course, their song “September” sealed the deal.
White passed in 2016, so the footage of him is all archival and the current interviews with producers., relatives and band members tale on an. But the remembrances of everyone from Stevie Wonder, to manager Bob Cavallo, Flea, and the Obamas is marvelous. Its of the same caliber as HBO’s Billy Joel doc from last year.
Produced by Questlove, it’s definitely on my year end list.
DOLENZ ON CARTER — Micky Dolenz was interviewed on KLOS/Breakfast with The Beatles Sunday with Chris Carter, and it was a good one, as Carter discussed Dolenz’s just-released EP Timeless, featuring the singles “Terri” and “Any Way You Want Me To.” Carter also played Dolenz’s recordings of “Good Morning Good Morning” and “Blackbird” which remain standouts.
Carter said that his “Good Morning Good Morning” was one of the most requested non-Beatle songs on his show for years. btw: That track is from Dolenz’s stunningly good Remember album in 2012.
With the official 60th anniversary show this Saturday at The United Theater Downtown. Congrats also to Carter for his 25th anniversary of his show. Brilliant!
SHORT TAKES — When Apple’s Silo first stated, I watched the first episode and just couldn’t get into it. I’ve gone back and become a die-hard fan. It’s a bit hard to follow at time, but their Season 3 finale was last week and a rip-roaring affair it was. There was also a trailer for their next and final season (already filmed) which was phenomenal. It’s become one of Apple’s golden eggs. Rebecca Ferguson is sensational … RIP Jon Small from Billy Joel-fame. Check out this from People: https://people.com/billy-joel-mourns-jon-small-death-longtime-collaborator-friend-12110501 … When Carnival Dogs played My Father’s Place this past weekend, proprietor Eppy said “I think Jim Morrison is suddenly in the room” …
Oasis has always been a mixed bag for me. I love their music – ‘Wonderworld” is a stone cold classic, but the rivalry between the two brothers, Liam and Noel casts a real, down note for me. Their new doc Don’t Look back In Anger should prove interetsing. Check out this review, which amazingly says the doc ends not with an Oasis song, but with a version of the Hal David/Burt Bacharach song “What The World Needs Now Is Love. ” https://www.pressreader.com/uk/the-scottish-mail-on-sunday/20260906/281728391395114 … Happy Bday Nancy Jeffries and Henry Diltz!
NAMES IN THE NEWS — Jane Blunkell; Chris Carter; Johns Hughes; Terri Layne; Tom & Lisa Cuddy; Rodney Bingenheimer; Thomas Silverman; Steve Singer; John Hughes; Jodi Ritzen; Jacqueline Boyd; Alison Martino; Debra Moreno; Andy Skurow; Steve Walter; Susan Hathaway; Chuck Pulin; Chris Ortiz; Freddie Bastone; Mark Bego; and ZIGGY!
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Broadway
Gustavo Dudamel and Lin-Manuel Miranda Bring Music, Life and New York to The Delacorte
There are certain conversations that simply belong in New York, and putting Gustavo Dudamel and Lin-Manuel Miranda together beneath the stars in Central Park feels like one of them.
On September 23, The Public Theater will bring back its Public Forum Duets with Public Forum Duet: Gustavo Dudamel & Lin-Manuel Miranda, a free, one-night-only event at the revitalized Delacorte Theater. The evening will combine conversation with live musical performances as two very different musical forces talk about music, life and, most intriguingly, what both mean in New York City.
Dudamel arrives at a fascinating moment in his relationship with the city. The celebrated conductor is the incoming Tang Music & Artistic Director of the New York Philharmonic, bringing with him not simply an international reputation but a deeply held belief in music as something that should reach beyond the traditional walls of the concert hall.
Miranda hardly requires an introduction to a New York theater audience. The creator of Hamilton has become one of the city’s most recognizable artistic voices, but his connection to The Public makes this particular pairing especially appropriate. Hamilton began its New York life at The Public before moving to Broadway, making The Delacorte an unusually fitting place for Miranda to join a musician beginning his own major new chapter in the city.
What makes the evening particularly appealing, however, is the word duet.
The Public Forum series has long been built around the idea that conversation itself can be a form of performance. The Public describes the program as a place where “art, ideas, and action collide,” bringing artists, thinkers and public voices together to examine the larger questions moving through the culture.
Dudamel and Miranda should have plenty to discuss.
One comes from the world of orchestras, where hundreds of years of musical tradition meet the challenge of attracting the audiences of tomorrow. The other helped take American history, hip-hop, musical theater and immigration and turn them into one of the defining theatrical phenomena of the 21st century. Both have spent much of their careers challenging assumptions about who certain kinds of music belong to and who should be invited into the room.
New York has always been a city that absorbs musical languages and makes something new from them. Classical music, Broadway, jazz, salsa, hip-hop, opera and countless sounds carried here by generations of immigrants coexist within a few subway stops of one another. Yet arts institutions everywhere are confronting the same question: How do you honor tradition without allowing tradition to become a gatekeeper?
Dudamel and Miranda have approached that question from very different directions. Bringing them together isn’t simply an appealing celebrity pairing. It offers the possibility of a conversation about where music goes next—and who gets to come along.
Best of all, the evening remains rooted in one of The Public’s defining principles: access.
Free tickets will be distributed on September 23 in several ways. Distribution outside The Delacorte begins at noon; an in-person lottery will be held at noon in The Public Theater lobby at 425 Lafayette Street; the TodayTix digital lottery remains open until noon that day; and a standby line at The Delacorte can begin distributing available tickets as early as 6 p.m. Public Theater members can also reserve seats with an additional donation.
Public Forum Duet: Gustavo Dudamel & Lin-Manuel Miranda — tickets and information
There is something wonderfully old-fashioned about the whole proposition: gather New Yorkers in Central Park, put two extraordinary musical minds onstage, add live music and see where the conversation goes.
In a city increasingly divided into algorithms, audiences and carefully targeted demographics, perhaps there is still something radical about simply gathering together to listen.
On September 23, New York gets one hell of a duet.
Entertainment
Timeless by Micky Dolenz: An EP Review by Mark Bego
How fitting it is that Micky Dolenz has chosen this month to release his latest recorded album, Timeless. It hits the marketplace just in time to celebrate the 60th Anniversary of the debut of The Monkees TV show that started it all. And, it is a refreshing reminder of how pop music fans first fell in love with Micky’s voice, and 60 years later it is still as strong and distinctive as ever.
Although Timeless is only a six-song EP, it still provides living proof of how ageless Micky’s voice and energy is—right up to today. This is the perfect platform to show off these half-dozen new Dolenz performances which seem to fit right into any era of Monkees music. Produced by Sam Hollander, John Hughes, and Pete Donnelley, Timeless perfectly captures one of the most celebrated voices of rock & roll.
One of the most refreshing aspects of the Timeless release is the fact that it contains new music from several of the same songwriters who made The Monkees’ 2016 Good Times! album such an appealing hit. These returning contributors include, Andy Partridge of XTC, and Adam Schlesinger of Fountains of Wayne, plus the addition of Paul Westerberg of The Replacements. Also included here is the song “Waiting For Day,” which was written Vicki Peterson of The Bangles, and beautifully sung by Micky as a duet with his beloved sister Coco Dolenz.
There are also several hints of classic Monkees audio references on Timeless. The song “In The Center Of My Hears (There Is a Force Commonly Known As Love)” starts out with some of the same recorded “party patter” of voices that began “Don’t Call On Me” from The Monkees’ Pisces, Aquarius, Capricorn & Jones album back in 1967. Furthermore, Micky gives the same kind of command to his delivery on that song, similar to the group’s 1968 song “D.W. Washburn.”
Part of the beauty to this six-song EP of an album is that it contains something old, something new, and several songs sounding classically “Monkees.” Without a doubt, the best part of all is the fact that Micky Dolenz sounds like he is having as much fun in the recording studio than the did circa 1966. In other words, “Timeless” is the fitting title to this album, because that word describes Micky Dolenz to a tee.
Another reason that I am especially happy to see and hear this new EP from Dolenz, is that it is referenced and included in the new third version of the book I’m A Believer, by Micky Dolenz…and me! As the co-writer on this hit book, I am thrilled to announce that a new 2006 commemorative edition of the book has just been released. It contains a new updating chapter by me, and a newly updated Discography as well. The book originally came out in 1993 from Hyperion Books. Then it came out in 2004 from Cooper Square, with a new chapter from me. This new 2026 version from Lyons Press gave me the platform to add still another chapter, and to report everything that has happened to the group since the second version came out. Most notably the updated include the individual passing of Micky’s trio of Monkee brothers: Davy Jones, Peter Tork, and Mike Nesmith.
Thankfully, we still have Micky Dolenz here with us. His energy and enthusiasm lives on in his Timeless EP, and in the book I wrote with him: I’m A Believer. I wish all of you Monkees fans out there a “Happy 60th Anniversary!” Rock on, Micky Dolenz! I know I will be celebrating it, in Timeless fashion!
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