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Off Broadway

Public Theater Flies in Under the Radar a Solid Constellations – Asking Us to Look Deep Inside the Details of Engagement

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Constellations, my first introduction to the playwright Nick Payne, quickly rocketed up the list of my all time favorite theatrical experiences. It plays havoc with my heart, particularly when it premiered on Broadway at the Manhattan Theatre Club’s Samuel J. Friedman Theatre in early 2015. Starring the talented Jake Gyllenhaal, in his Broadway debut, and the incomparable Ruth Wilson, the play twists and repeats, bending time and function in a way that I wasn’t prepared for. Ruth Wilson, an actress I had heard of but had yet to encounter, created magic with Gyllenhall, making me marvel at her depth and intricate transformance.  She received a Best Performance By a Leading Actress in a Play nomination for the 2015 Tony Award, and the play received three Drama League Award nominations: Best Play, Best Actor, Gyllenhaal, and Best Actress, Wilson. All so well deserved, so it was without hesitation, that when I saw Nick Payne’s Constellations listed on the press release for the Public Theater’s Under the Radar Festival, I quickly and without hesitation, said “yes, please”.

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Wang Xiaohuan & Li Jialong in Nick Payne’s Constellations, running January 9-12 at La MaMa as part of The Public’s 16th Annual Under the Radar Festival. Photo Credit: Yang Yang.

I invited my companion who also said “yes’, and, assuming he did his research, we made a plan. I was excited to see this fascinating play, one that revolves and turns itself around the ideas of engagement and connection, formed out of singular moments that could easily shift with subtle ease from one outcome to another, and change the pathway that love can take. Playing with the idea of fate against action, Payne plays with the ideas of Quantum Theory and parallel dimensions of space and time, all inside the bee hive of a love relationship. Ballroom dancing around the intricacies of our small, almost instantaneous reactions to one another, he explores with determination our internal fearful self and how we can unconsciously control of fate in regards to love and attachment. It’s compelling theatre and exacting writing on Payne’s behalf, and I will see anything he writes like the beautifully crafted Sea Wall/A Life that made it’s way to Broadway, via the Public Theater this past fall with Gyllenhall once again firmly attached.  Little did either one of us realize at the time that this award-winning production of Constellations was flying over from China, skyrocketed forward by director Wan Chong and his Beijing-based company, Théâtre du Rêve Expérimental, landing assuredly at La Mama Experimental Theatre Club fully intact and performed beautifully and intricately in Mandarin Chinese with supertitles in English (January 9-12). That was the surprise of the night for us both.

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Wang Xiaohuan & Li Jialong in Nick Payne’s Constellations, running January 9-12 at La MaMa as part of The Public’s 16th Annual Under the Radar Festival. Photo Credit: Yang Yang.

Talking over a drink before the play, we both wondered out loud if we would have, on a Friday night at the end of a long stressful work week, chosen this play knowing about the subtitles. To be honest, we couldn’t come to a definitive answer. The actual play was a big draw for me, but I was concerned how this would play out. I’ve seen subtitled plays before, and even as it can distance us from the characters by having to look elsewhere to understand, it can work and work well, much like it did with the powerfully hard-hitting German production of History of Violencethat I recently saw at St. Ann’s Warehouse. So there we were, across the street from La Mama, feeling exhausted from the week, but with the knowledge of a 90 minute running time, we shrugged and set off, hopeful and curious, but wary of what was in store and what we might be capable of taking in.

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Li Jialong & Wang Xiaohuan in Nick Payne’s Constellations, running January 9-12 at La MaMa as part of The Public’s 16th Annual Under the Radar Festival. Photo Credit: Yang Yang.

We shouldn’t have been concerned in the slightest. Using thirteen cameras surrounding a circular white platform, courtesy of set designers Ji Linlin and Di Tianyi and lighting designer Meng Lingyang, director Wang structurally formulates the play into a compelling “stage movie” with fifty long cinematic takes of the fifty unique and non-linear scenes. Implanted in the center and in between each video segment, a hamster runs itself ragged on a wheel . I wish they could have used a video of a hamster on a wheel rather than a real one trapped inside a small plastic cage – it was distracting to say the least, as I was worried about the creature enclosed in that way, and how it sat dangerously in the center of the stage just waiting to be kicked – was that a metaphor, or just an obstacle for the actors to avoid? Regardless, the creature was, in a way, dictating the segment cuts and offering up the possibilities of all the different deliberations and outcomes. The interactions are presented and projected poetically and uniquely on a large screen above the action, with the subtitles inscribed at the bottom. It’s easy going within the construct, giving us clarity and a certainty of integration, while never making us feel like we might miss out on the actors as we read the text, as they are on screen in close up engaging with one another in a variate of different positions. The result is an intimacy that draws one in cinematically, but simultaneously makes us feel somewhat removed from the real life drama playing out below the screen.

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Li Jialong & Wang Xiaohuan in Nick Payne’s Constellations, running January 9-12 at La MaMa as part of The Public’s 16th Annual Under the Radar Festival. Photo Credit: Yang Yang.

I wondered what the experience would have been like if we could understand Mandarin. To understand without reading; to watch and listen to Marianne, engagingly portrayed by Wang Xiaohuan, transfix and astonish us with the depth of her knowledge regarding cosmology, quantum mechanics, string theory and the belief that there are multiple universes that pull people’s lives in various unique directions. Standing beside, behind, and around her is Roland, lovingly portrayed by Li Jialong, wanting and resisting, fighting for and against, the inevitable. Would our eye have bounced back and forth from the screen to the real life actors working wonders below if we didn’t need to read while watching? My eyes stayed glued to the screen, reading the play – and understanding it in a somewhat more detailed and clear way – while watching with complete engagement as the two circle around their need and want of one another. Universes collide, as we follow them to the outcome, paying particular attention to the one where Marianne begins to forget words and has trouble typing. We see it coming from early on, as we have been given sign posts that all seem to lead to her personal ending. Do all the roads lead to this? Is Marianne’s fate the only structural and physical ending available to her? And is Roland’s role and involvement predetermined or only when the stars are aligned in one particular complicated Constellation? These are the questions that will haunt and enliven you long after the hamster stops running.

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Li Jialong & Wang Xiaohuan in Nick Payne’s Constellations, running January 9-12 at La MaMa as part of The Public’s 16th Annual Under the Radar Festival. Photo Credit: Yang Yang.

It’s fills to the edges with complicated and intriguing questions, many that we went over as diligently as we did after seeing it on Broadway. The subtitles and the camera work kept me from being as thoroughly destroyed as when I witnessed Wilson on Broadway. She reduced me to a puddle of love and loss, but this alignment of Constellations certainly had us strapped in tight for the whole flight. I anxiously looked over at my companion, trying to know what he was thinking and feeling about the production as his body language was giving me all different conclusions – just like the play. It was hitting him harder than I could ever have imagined though, as he had a personal relationship with the diagnostic drama unfolding over and over again before his eyes. It was digging itself deep inside his own multi-reflections of the craziness of the cosmos and what outcomes the world may bring forward to deal with. But regardless of your personal attachments, the play forces one to look inside our small, almost unconscious reactions to one another and realize the power of one word or turn of a phrase. It could mean the beginning or the end of something or someone, and that nothing is designed by fate, except maybe our physical being. It challenges us to look deeply into the way we come in contact with one another, and how we remain connected. It’s a question to the stars above, and those Constellations instructing us to pay attention to the small details as it seems, by the revolving interactions, that the more honest, authentic, and vulnerable we are to one another, the more likely the engagement will continue and thrive. Now that’s a ride worth taking, no matter what language is spoken.

For more, go to frontmezzjunkies.com

My love for theater started when I first got involved in high school plays and children's theatre in London, Ontario, which led me—much to my mother’s chagrin—to study set design, directing, and arts administration at York University in Toronto. But rather than pursuing theater as a career (I did produce and design a wee bit), I became a self-proclaimed theater junkie and life-long supporter. I am not a writer by trade, but I hope to share my views and feelings about this amazing experience we are so lucky to be able to see here in NYC, and in my many trips to London, Enlgand, Chicago, Toronto, Washington, and beyond. Living in London, England from 1985 to 1986, NYC since 1994, and on my numerous theatrical obsessive trips to England, I've seen as much theater as I can possibly afford. I love seeing plays. I love seeing musicals. If I had to choose between a song or a dance, I'd always pick the song. Dance—especially ballet—is pretty and all, but it doesn’t excite me as, say, Sondheim lyrics. But that being said, the dancing in West Side Story is incredible! As it seems you all love a good list, here's two. FAVORITE MUSICALS (in no particular order): Sweeney Todd with Patti Lupone and Michael Cerveris in 2005. By far, my most favorite theatrical experience to date. Sunday in the Park with George with Jenna Russell (who made me sob hysterically each and every one of the three times I saw that production in England and here in NYC) in 2008 Spring Awakening with Jonathan Groff and Lea Michele in 2007 Hedwig and the Angry Inch (both off-Boadway in 1998 and on Broadway in 2014, with Neal Patrick Harris, but also with Michael C. Hall and John Cameron Mitchell, my first Hedwig and my last...so far), Next To Normal with Alice Ripley (who I wish I had seen in Side Show) in 2009 FAVORITE PLAYS (that’s more difficult—there have been so many and they are all so different): Angels in American, both on Broadway and off Lettice and Lovage with Dame Maggie Smith and Margaret Tyzack in 1987 Who's Afraid of Virginai Woolf with Tracy Letts and Amy Morton in 2012 Almost everything by Alan Ayckbourn, but especially Woman in Mind with Julia McKenzie in 1986 And to round out the five, maybe Proof with Mary Louise Parker in 2000. But ask me on a different day, and I might give you a different list. These are only ten theatre moments that I will remember for years to come, until I don’t have a memory anymore. There are many more that I didn't or couldn't remember, and I hope a tremendous number more to come. Thanks for reading. And remember: read, like, share, retweet, enjoy. For more go to frontmezzjunkies.com

Off Broadway

STILL at DR2 Compelling Theater Can Still be Found Off Broadway

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Two strong and vulnerable characters portrayed by two flawless actors, a script with wit, sentiment and realistic conflict, seamless well-paced directing in a set that is surprising for an Off Broadway production proves that great theater is STILL achievable in New York. STILL, a new play by Lia Romeo, opened April 18th at DR2, currently running through May 18th is a show that is worthy of a longer run.

The question raised in the first few minutes of the play paraphrased here, ‘as you keep replacing parts of a boat when does the boat become a new boat?’, also applies to a person or a relationship, as a person grows in life with various new ideas and experiences when is that person no longer the same?

Tim Daly and Jayne Atkinson Photo by Joey Moro

Two old friends/lovers, Helen and Mark effortlessly and naturally played by Jayne Atkinson and Tim Daly, meet in a hotel bar after 20 years. The conversation is one that brings them and us, as audience members, up to date on their lives. Both successful in their own professions and at a crossroads where a renewed spark is possible, they have humorous banter that leads to flirtation, despite each of them humbly admitting to the other and themselves that they are in their 60’s. The set, designed by Alexander Woodward, adds to the intimacy of the meeting and as the conversation was leading to a more amorous setting, I was wondering how on the DR2 stage where could these flirtations lead figuratively and literally. Mr Woodward answers this question and does not disappoint with his scenic design.

As polite conversation leads to the ultimate kiss and more we root for the two to find their lost love and are rewarded when they do have their night together. The conflict that arises after their lovemaking is one that all of us are experiencing in today’s world. The rewriting of our own histories, the different feelings people have while experiencing the same event and the divergent beliefs we develop after separate lives are lived all contribute to us not connecting. The question is – will these two overcome all these obstacles to finally be together – soulmates meeting again after decades?

While tempers flare and some attacks by the two protagonists could be classified as hitting below the belt, Ms Romeo throws in a few funny lines, as well as an avocado, to make those punches palatable so that we still like them both and despite our own personal views can relate to each.

Jayne Atkinson and Tim Daly Photo by Joey Moro

Neither the wonderful dialogue nor the compelling acting could have been actualized so well without the direction of Adrienne Campbell-Holt. The movement of the actors whether casually sipping wine, blissfully lying in bed or violently tossing items Is choreographed like a dance. Ms Campbell-Holt is an award winning director, a recipient of the Lucille Lortel Visionary Director Award and is the Artistic Director of the theater company Colt Coeur, which brought this show to stage. Her direction is well paced and thoughtful and I look forward to seeing more of her work in the future.

With relatable dialogue, spoken by two seasoned pros, directed seamlessly in an impressive set STILL is a proof that theater can still bring out our emotions and make us think about ourselves and those around us.

STILL: DR2, 103 E 15th Street until May 18th.

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Broadway

Vanessa Williams & Bebe Neuwirth Announce the 2024 Drama League Award Nominees

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This morning Vanessa Williams and Bebe Neuwirth announced the Drama League announced their  2024 award nominations honoring Broadway and off-Broadway productions for Outstanding Production of a Play, Outstanding Revival of a Play, Outstanding Production of a Musical, Outstanding Revival of a Musical, Outstanding Direction of a Play, Outstanding Direction of a Musical, and the much-coveted Distinguished Performance Award. Honoring Broadway and Off-Broadway achievements,

Bonnie Comely

President Bonnie Comely was on hand to introduce the two presenters at the official announcement held at Lincoln Center’s New York Public Library for the Performing Arts, which was streamed live online by BroadwayWorld.com.

And the nominees are:

Outstanding Production of a Play
The Comeuppance
Flex
Grief Hotel
The Hunt
Jaja’s African Hair Braiding
Mother Play
Oh, Mary!
Patriots
Prayer for the French Republic
Stereophonic
Wet Brain

Outstanding Revival of a Play
An Enemy of the People
Appropriate
Danny and the Deep Blue Sea
Doubt: A Parable
The Effect
Mary Jane
Our Class
Purlie Victorious
Uncle Vanya
The White Chip

Outstanding Production of a Musical
Buena Vista Social Club
Dead Outlaw
Harmony
The Heart of Rock and Roll
Hell’s Kitchen
Illinoise
Lempicka
The Notebook
The Outsiders
Suffs
Teeth
Water for Elephants

Outstanding Revival of a Musical
Cabaret
Gutenberg! The Musical
Here Lies Love
I Can Get It For You Wholesale
Merrily We Roll Along
Monty Python’s Spamalot
The Who’s Tommy
The Wiz

Outstanding Direction of a Play
Tara Ahmadinejad, Grief Hotel
Daniel Aukin, Stereophonic
Sam Gold, An Enemy of The People
Rupert Goold, The Hunt
Rupert Goold, Patriots
Jamie Lloyd, The Effect
Lila Neugebauer, Appropriate
Lila Neugebauer, Uncle Vanya
Sam Pinkleton, Oh, Mary!
Eric Ting, The Comeuppance
Whitney White, Jaja’s African Hair Braiding

Outstanding Direction of a Musical
Saheem Ali, Buena Vista Social Club
Sarah Benson, Teeth
David Cromer, Dead Outlaw
Rebecca Frecknall, Cabaret
Maria Friedman, Merrily We Roll Along
Des McAnuff, The Who’s Tommy
Leigh Silverman, Suffs
Alex Timbers, Gutenberg! The Musical!
Alex Timbers, Here Lies Love

Distinguished Performance
Betsy Aidem, Prayer for the French Republic
Shoshana Bean, Hell’s Kitchen
Gabby Beans, Jonah
Joshua Boone, The Outsiders
Ali Louis Bourzgui, The Who’s Tommy
Steve Carell, Uncle Vanya
Jenn Colella, Suffs
Danny DeVito, I Need That
Caleb Eberhardt, The Comeuppance and An Enemy of the People
Alex Edelman, Just for Us
Cole Escola, Oh, Mary!
Eden Espinosa, The Gardens of Anuncia and Lempicka
Paapa Essiedu, The Effect
Melissa Etheridge, Melissa Etheridge: My Window
Laurence Fishburne, Like They Do in the Movies
Josh Gad, Gutenberg! The Musical!
Eli Gelb, Stereophonic
Brody Grant, The Outsiders
Jonathan Groff, Merrily We Roll Along
Dorian Harewood, The Notebook
Willam Jackson Harper, Primary Trust and Uncle Vanya
Amber Iman, Lempicka
Eddie Izzard, Hamlet
Nikki M. James, Suffs
Leslie Rodriguez Kritzer, Spamalot
Jessica Lange, Mother Play
Kecia Lewis, Hell’s Kitchen
Nichelle Lewis, The Wiz
Maribel Martinez, Bees and Honey
Rachel McAdams, Mary Jane
Lindsay Mendez, Merrily We Roll Along
Tobias Menzies, The Hunt
Cynthia Nixon, The Seven Year Disappear
Eva Noblezada, The Great Gatsby
Kelli O’Hara, Days of Wine and Roses
Leslie Odom, Jr., Purlie Victorious, A Non-Confederate Romp Through The Cotton Patch
Patrick Page, All the Devils Are Here: How Shakespeare Invented The Villain
Nicole Ari Parker, The Refuge Plays
Jim Parsons, Mother Play
Sarah Paulson, Appropriate
Sarah Pidgeon, Stereophonic
Aubrey Plaza, Danny and The Deep Blue Sea
Maryann Plunkett, The Notebook
Daniel Radcliffe, Merrily We Roll Along
Gayle Rankin, Cabaret
Andrew Rannells, Gutenberg! The Musical!
Eddie Redmayne, Cabaret
Conrad Ricamora, Here Lies Love and Oh, Mary!
Corey Stoll, Appropriate
Michael Stuhlbarg, Patriots
Jeremy Strong, An Enemy of the People
Zenzi Williams, Jaja’s African Hair Braiding
Kara Young, Purlie Victorious: A Non-Confederate Romp Through The Cotton Patch
Jehan O. Young, The Cotillion

Special Awards
Distinguished Achievement in Musical Theater – Jonathan Groff
Founders Award for Excellence in Directing – Schele Williams
Contribution to the Theater – Jessica Lange
Gratitude Award – Kandi Burruss

The nominations announcement begins a month of celebrations leading up to the 90th Annual Drama League Awards, which will be held at the Ziegfeld Ballroom (141 West 54th Street, New York City) on Friday, May 17, 2023 at 12:00PM. Tickets and tables to the star-studded luncheon are available for purchase at dramaleague.org/2024-awards or by calling The Drama League event office at 212.625.1025.

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Broadway

Live From The Hotel Edison Times Square Chronicles Presents Pat Addiss and Dan Lauria

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I am so pleased to announce our guests for next Wednesday’s show on April 24th are Producer Pat Addiss and Dan Lauria.

Pat Flicker Addiss has been a producer on the following shows: Little Women​, Chita Rivera: A Dancer’s Life, Bridge & Tunnel, Spring Awakening, Passing Strange, 39 Steps, Vanya, Sonia, Masha & Spike, Promises, Promises, Gigi, Love Letters, Eclipsed, War Horse, A Christmas Story ​and Harmony on Broadway. Off-Broadway she produced Jane Anger and Buyer and Cellar starring Michael Urieher show, Dinner With The Boys with Dan Lauria and Desperate Measures, is currently playing around the country. A native New Yorker, Pat was a child model and actress. Went to Finch College where she majored and graduated in honors in Costume Design and Merchandising. She started her own Company Pat Addiss Enterprises which designed and manufactured all items and widgets with Corporate names and logos. For her work she was honored by the LPTW Oral History that was filmed for the archives of Lincoln Center Performing Arts Library. She was also given the Woman of Purpose Award by the “Three Tomatoes.”. With colleague, Magda Katz, she has initiated a formula to connect women through YaYa lunches, dinners and now the addition of upscale tea. She loves to speak to women over 50 “How to Reinvent Yourself.”

Dan Lauria is best known for playing the dad Jack Arnold on the TV series The Wonder Years. He also played NASA Administrator James Webb in the 1998 TV miniseries From the Earth to the Moon and Commanding Officer, USA in 1996’s Independence Day. More recently he has appeared as Police Commissioner Eustace Dolan in The Spirit. He appeared as Coach Hamstrung in The Three Stooges N.Y.U.K. on AMC in 2000. Lauria appeared on stage in New York in the summer of 2006 in an off-Broadway production of A Stone Carver by William Mastrosimone with Jim Iorio and Elizabeth Rossa. Lauria also had a small role in a season two episode of Army Wives, as well as a season one episode of The Mentalist. In 2009, Lauria has appeared as General Lee Whitworth, M.D. in Criminal Minds season 4. He has also appeared in an episode of Boy Meets World. In late 2009, Lauria returned to the off-Broadway stage, appearing as Jimmy Hoffa in Brian Lee Franklin’s Good Bobby, a fictionalized account of Robert F. Kennedy’s rise.

Dan is also a very familiar face to the off-off, off and regional theatre scene having performed, written or directed over 50 professional stage productions.  He has appeared as a guest star in over seventy television episodic programs and more than twenty ‘Movie Of The Week’ productions plus a score of motion picture credits.  

In 2010-11 Dan was seen on Broadway in the long running production of Lombardi as the legendary coach Vince Lombardi with the beautiful and talented Judith Light, directed by Thomas Kail of Hamilton fame and returned again in the 2013-14 productions of the Tony nominated A Christmas Story: The Musical, directed by John Rando. 

Dan and dear friend, the lovely and talented Ms. Wendie Malick have performed the play The Guys by Anne Nelson (about our first responders) for numerous theatre and fire departments, around the country. Wendie and Dan also perform Love Letters as a fundraiser for regional theatres, for the development of new plays.  

Dan has now wrote and starred in the off Broadway production of Dinner With The Boys produced by the one and only Pat Addiss and the NJ Rep. This was followed by a off Broadway production of The Stone Witch  and the upcoming Regional production of Lee Blessings new play; Tea With The Boss with Gwenn and Wendie Malick.  

He is about to star in Just Another Day written by Lauria. The show will run May 3-June 30 at Theater555 and also stars Patty McCormack (The Bad Seed). Between them, Lauria and McCormack have over 100 years of live theatrical experience, as well as over 150 television shows and films.

“Live From The Hotel Edison Times Square Chronicles Presents ”, is a new show filmed in the lobby of the iconic Hotel Edison, before a live audience. To see our first episode click here second episode click here,  third episode click here, fourth episode click here, fifth episode here, six episode here, seventh episode here, eight episode here and ninth episode here.

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Off Broadway

Gun & Powder is a Powerful Piece of Musical Theatre

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Over at Paper Mill Playhouse there is a new powerhouse musical that opened last night. Gun & Powder is the true story of Mary and Martha Clarke, African American twin sisters who, pass as white to settle their mother’s sharecropper debt. In the meantime they learn to love who they are, celebrate their history and bloodline.

The direction of this show by Stevie Walker-Webb features a superb cast, a compelling story, and possibly one of the best new scores to come along in awhile, sung to perfection.

Liisi LaFontaine Photo by Jeremy Daniel

Set in 1893 Texas the show is centered on the book writer and the lyricists Angelica Chéri great- great aunts Mary and Martha Clarke (the incomparable Ciara Rene and Liisi LaFontaine who sing and act these roles flawlessly). Born into slavery, their mother Tallulah Clarke (Jeannette Bayardelle) had the girls with a Caucasian man so they are light skinned. When they are penalized for not reaching their quota of cotton, they will lose everything unless they come up with $400. Mary and Martha decide to leave posing for white. Martha is given a gun by her mother and when she finds the power that gun affords her, the two ended up robbing to get ahead. They ended up in a saloon owned by Jesse (Hunter Parrish) and Mary falls in love and ends up marrying him, but that is when the real action begins.

Sonya Love and Aurelia Williams Photo by Jeremy Daniel

There are also the two housemaids of the Salon, Flo and Sissy (Sonya Love and Aurelia Williams) who almost steal the show with their attitude and killer vocals in “Dirty Shame”. Also standing out are Aaron James McKenzie as Elijah a black servant who falls in love with Martha and sings “Invisible”. His duet with LaFontaine “Under a Different Sun” is in a word, gorgeous. The fabulous Katie Thompson, plays Fannie Porter a white saloon singer who sings “Frenchman Father” and makes you really listen.

Katie Thompson Photo by Jeremy Daniel

The star of this show is Chéri’s lyrics and composer Ross Baum’s music. From Jazz, to Gospel, to Spirituals to blues, to Broadway, this score soars. It is like going to musical theatre church. From the “Prologue”, to “Wide Open Plains” until “All of Me,” this score captures you heart, mind and soul. The orchestrations by John Clancy, just enhance the whole experience.

Hunter Parrish Photo by Jeremy Daniel

Tiffany Rea-Fisher’s choreography keeps the show in a profound transformation.

The scenic design by Beowulf Boritt is simple yet effective. The lighting design by Adam Honor really makes the set come to life and the costume design by Emilio Sosa keeps us in the period.

Gun & Powder and Chéri and Baum are a show and a team of writers to keep your eye on. I predict big things for both.

This musical is fresh and exciting and if it doesn’t make it to Broadway next year I would be surprised.

Make sure you get your tickets. You will not be disappointed.

Gun & Powder: Paper Mill Playhouse, 22 Brookside Dr, Millburn, NJ until May 5th.

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Broadway

Live From The Hotel Edison Times Square Chronicles Presents Pascale Roger-McKeever and Tony Award nominee Austin Pendleton

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“Live From The Hotel Edison Times Square Chronicles Presents”, is  filmed live every Wednesday from 5 – 6 in the lobby of the iconic Hotel Edison, before a live audience. This particular episode was filmed in two parts at different times due to the weather and extenuating circumstances.

In this episode T2C’s publisher and owner Suzanna Bowling talks with Pascale Roger-McKeever and Tony Award nominee Austin Pendleton.
We are so proud because the show and our guests are now featured on the TV screens in the lobby and the hotel rooms.

Austin Pendleton, Suzanna Bowling

Suzanna Bowling, Pascale Roger-McKeever

I am so grateful to my guests Pascale Roger-McKeever and Austin Pendleton. for joining me.

Austin Pendleton, Rommel Gopez, Suzanna Bowling

Rommel Gopez, Suzanna Bowling, Pascale Roger-McKeever

Thank-you Magda Katz for videoing and creating the content to go live, the audience who showed up to support us, Rommel Gopez and The Hotel Edison for their kindness and hospitality.

Austin Pendleton

Suzanna Bowling, Pascale Roger-McKeever, Craig J Horsley

Suzanna Bowling

Pascale Roger-McKeever will be starring in Fingers and Spoons directed by Tony Award nominee Austin Pendleton. Soho Playhouse 15 Vandam Street. starting on April 25th.

Roger Sichel, Austin Pendleton, Rommel Gopez, Suzanna Bowling

You can catch us on the following platforms:

Pandora:

https://www.pandora.com/podcast/live-from-the-edison-hotel-times-square-chronicles-presents/PC:1001084740

Stitcher:

https://www.stitcher.com/show/1084740

Spotify:

Amazon:

https://music.amazon.com/podcasts/e3ac5922-ada8-4868-b531-12d06e0576d3

Apple Podcasts:

https://podcasts.apple.com/us/podcast/live-from-the-edison-hotel-times-square-chronicles-presents/id1731059092

We hope to see you there on April 17th. We will be announcing our guests tonight.

All photo’s except for the picture with Roger are by Roger Sichel.

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