Connect with us

Broadway

Roundabout’s Strong and Lovingly Produced Revival of “Home”

Published

on

A sigh and a song are what draw us into‘s emotionally engaging and tenderly produced revival of Home, forty-four years after this deliberate play, written by Samm-Art Williams (The Montford Point Marine), first opened in a Tony-nominated production on Broadway. With blisters on his feet and the sun burning down their backside, the central figure of Williams’ signature play gets a-rocking and a reminiscing, taking us through a powerful depiction of an ordinary Black man’s life in the rural lands of Jim Crow’s South. Sadly, Williams, at the age of 78, died peacefully in North Carolina weeks before this stellar production opened on Broadway. But he would have been proud of this top-notch production, directed with a fast-talking spirit by Kenny Leon (Broadway’s Purlie Victorious).

It’s a quick pulled-in engagement, that tries hard to hold us tight in its fast-talking soul. The play, masterfully written by Williams, shines its detailed soul outward in this beautifully produced production, thanks to the fine work done by set designer Arnulfo Maldonado (Broadway’s A Strange Loop), with sharply defined costumes by Dede Ayite (Broadway’s Hell’s Kitchen), scorchingly tuned-in lighting by Allen Lee Hughes (Broadway’s Ohio State Murders), and a sharp sound design by Justin Ellington (Broadway’s The Cottage). But it truly is the cast, made up of Broadway and Roundabout newcomers: Tory Kittles (Old Globe’s Richard II; “True Detective“), Brittany Inge (Actor’s Express’s Father Comes Home…; “Atlanta“), and Stori Ayers (Kennedy Center’s Blood at the Root; “The Last O.G.“), that deliver the framework that holds us tight throughout, guiding us through the story of Cephus Miles, a poor Southern farmer from a long line of farmers, working the land that they love with all their heart.

It’s an exceptionally cruel time for this open-hearted soul, but the play finds poetic beauty in the unpacking of this ordinary and extraordinary man’s life, as he shines and stumbles his way through the golden sky of his youth, centered around a humble rocking chair and a Greek chorus that unpacks his upbringing with powerful insistence. There is the hope of a forever kind of love in the arms of his school sweetheart, backed by an endless field of cornstalks and open skies, fueled by romantic illusions that are soon thrown under when the woman he loves with all his heart leaves him for higher learning and a new life up North. A war then ends his romanticized rural existence, forcing him to declare his resistance backed by his religious upbringing. But that framing is dismissed as traitorous when he, citing the commandments, refuses to kill another soul. That stance gets him thrown in jail, tarnishing his name and following him around the country, up and down the country lanes and the harsher streets of New York for pretty much the rest of his life.

In quickly trod pathways made up of addictive tendencies and treacheries, the cast tells the tales of his journey with sharpness and determination. It’s a story of its time, presenting loss and despair alongside almost insurmountable obstacles that would break almost any human being. From a five-year jail term through addiction and homelessness to a return to grace and to Home, this well-meaning unraveling is tender in its unpacking and told within a relevant framework that brought kindness and care to the forefront, even in the unlikeliest forms and in the most surprising of twists.

Through the portrayal of more than 40 characters, the two Greek-chorus-like actors deliver convincing formulations, from the clear-minded Pattie Mae to the elderly bus driver who drops the man off near the end of his road towards Home. Kittles’ portrayal of Cephus is the shaky hand and heart that holds it all together with a steadfast performance that illuminates on its deeply determined pathway. It’s not exactly an earth-shattering production, but this tale is worthy of its return with a balance that lives strong and centered on that Broadway stage, finding compassion for this man in America’s shameful past, and a tenderness that breaths a sigh and a song inside Roundabout‘s 90minute Home.

For more go to frontmezzjunkies.com

My love for theater started when I first got involved in high school plays and children's theatre in London, Ontario, which led me—much to my mother’s chagrin—to study set design, directing, and arts administration at York University in Toronto. But rather than pursuing theater as a career (I did produce and design a wee bit), I became a self-proclaimed theater junkie and life-long supporter. I am not a writer by trade, but I hope to share my views and feelings about this amazing experience we are so lucky to be able to see here in NYC, and in my many trips to London, Enlgand, Chicago, Toronto, Washington, and beyond. Living in London, England from 1985 to 1986, NYC since 1994, and on my numerous theatrical obsessive trips to England, I've seen as much theater as I can possibly afford. I love seeing plays. I love seeing musicals. If I had to choose between a song or a dance, I'd always pick the song. Dance—especially ballet—is pretty and all, but it doesn’t excite me as, say, Sondheim lyrics. But that being said, the dancing in West Side Story is incredible! As it seems you all love a good list, here's two. FAVORITE MUSICALS (in no particular order): Sweeney Todd with Patti Lupone and Michael Cerveris in 2005. By far, my most favorite theatrical experience to date. Sunday in the Park with George with Jenna Russell (who made me sob hysterically each and every one of the three times I saw that production in England and here in NYC) in 2008 Spring Awakening with Jonathan Groff and Lea Michele in 2007 Hedwig and the Angry Inch (both off-Boadway in 1998 and on Broadway in 2014, with Neal Patrick Harris, but also with Michael C. Hall and John Cameron Mitchell, my first Hedwig and my last...so far), Next To Normal with Alice Ripley (who I wish I had seen in Side Show) in 2009 FAVORITE PLAYS (that’s more difficult—there have been so many and they are all so different): Angels in American, both on Broadway and off Lettice and Lovage with Dame Maggie Smith and Margaret Tyzack in 1987 Who's Afraid of Virginai Woolf with Tracy Letts and Amy Morton in 2012 Almost everything by Alan Ayckbourn, but especially Woman in Mind with Julia McKenzie in 1986 And to round out the five, maybe Proof with Mary Louise Parker in 2000. But ask me on a different day, and I might give you a different list. These are only ten theatre moments that I will remember for years to come, until I don’t have a memory anymore. There are many more that I didn't or couldn't remember, and I hope a tremendous number more to come. Thanks for reading. And remember: read, like, share, retweet, enjoy. For more go to frontmezzjunkies.com

Broadway

Ken Fallin’s Broadway: Patti LuPone: A Life in Notes

Published

on

Patti Lupone is on a roll. Patti LuPone: A Life in Notes will be released digitally on July 19, and on CD on August 30, from Center Stage Records. Her first new studio album since 2006, the Grammy Award winner’s new double album can be pre-ordered now at Amazon and www.CenterStageRecords.com, and the digital album can be pre-saved at https://orcd.co/lifeinnotes.

Never say never, LuPone also returns to Broadway in The Roommate  this fall. It’s been more than two years since LuPone tweeted “Quite a week on Broadway, seeing my name being bandied about. Gave up my Equity card; no longer part of that circus. Figure it out.”

The three-time Tony Award winner will star opposite none other than Mia Farrow in Jen Silverman’s new play “The Roommate,” directed by Jack O’Brien (“Shucked”). The Roommate will begin previews at the Booth Theatre on 45th Street in late August and then open in mid-September.

Continue Reading

Broadway

Disney Broadway In Bryant Park Part Two

Published

on

106.7 LITE FM’s brought Disney to Broadway in Bryant Park. We brought you the video and now the pictures so you are there.

Tshidi Manye

Jackie Rene

Jackie Rene and Gilbert Domally

Jackie Rene and Gilbert Domally

Jackie Rene and Gilbert Domally

Jackie Rene and Tshidi Manye

Jackie Rene and Tshidi Manye

Tshidi Manye and Gilbert Domally

Tshidi Manye and Gilbert Domally

Jim Ferris, Gilbert Domally and Ben Jeffrey

Jim Ferris, Gilbert Domally and Ben Jeffrey

Jim Ferris, Gilbert Domally and Ben Jeffrey

Ben Jeffrey, Jackie Rene, Tshidi Manye, Jim Ferris and Gilbert Domally

Gilbert Domally, Jackie Rene, Tshidi Manye, Jim Ferris and Ben Jeffrey

The Lion King’s Tshidi Manye, Jim Ferris, Jackie René, Ben Jeffrey and Gilbert Domally

Charissa Hogeland

Charissa Hogeland

Chad Burris

Frozen’s Charissa Hogeland and Chad Burris

Michael James Scott

Adi Roy

Adi Roy

Michael James Scott, Adi Roy

Michael James Scott, Adi Roy

Sonya Balsara

Sonya Balsara

Adi Roy, Sonya Balsara

Sonya Balsara, Adi Roy

Adi Roy, Sonya Balsara

from Aladdin‘s Michael James Scott, Sonya Balsara and Adi Roy

106.7 Lite FM’s Hosts-Paul Cubby Bryant and Christine Nagy

Paul Cubby Bryant and Christine Nagy

The hosts were Paul ‘Cubby’ Bryant and Christine Nagy.

Chad Burris, Charissa Hogeland, Ben Jeffrey, Jackie Rene, Tshidi Manye, Jim Ferris and Gilbert Domally

Chad Burris, Gilbert Domally, Jackie Rene. Tshidi Manye, Jim Ferris, Charissa Hogeland, Ben Jeffrey, Sonya Balsara, Adi Roy and Michael James Scott

Chad Burris, Gilbert Domally, Jackie Rene. Tshidi Manye, Jim Ferris, Charissa Hogeland, Ben Jeffrey, Sonya Balsara, Adi Roy and Michael James Scott

Chad Burris, Gilbert Domally, Jackie Rene. Tshidi Manye, Jim Ferris, Charissa Hogeland, Ben Jeffrey, Sonya Balsara, Adi Roy and Michael James Scott

 

 

Continue Reading

Broadway

Disney Broadway In Bryant Park

Published

on

106.7 LITE FM’s Broadway in Bryant Park brought Disney to its 2024 program. The Bryant Park stage is located at 6th Avenue between 40th and 42nd Streets. Lawn seating is first come, first serve.

This weeks performances came from Aladdin‘s Michael James Scott, Sonya Balsara and Adi Roy

Frozen’s Charissa Hogeland and Chad Burris

And The Lion King’s Tshidi Manye, Jim Ferris, Jackie René, Ben Jeffrey and Gilbert Domally

The hosts were Paul ‘Cubby’ Bryant and Christine Nagy.

 

 

Continue Reading

Broadway

A Tribute to Tony Award-Winning Composer Steven Lutvak

Published

on

NYU Skirball Center will honor the late Tony Award-winning composer Steven Lutvak, the musical mind behind the Tony Award-winning musical A Gentleman’s Guide to Love and Murder, with performances and tributes from family and friends in a celebration of his life on Thursday, July 18 – which would have been his 65th birthday – at 3:00 PM. The event will include performances by Broadway Inspirational Voices, Crystal Monee Hall, Bryce Pinkham, Catherine Walker, Scarlett Strallen, Catherine Porter, Lori Wilner, and Jenna Pastuszek, and feature songs from A Gentlemen’s Guide to Love and Murder (Tony Award for Best Musical, 2014), his albums Ahead of My Heart and The Time It Takes, and several never-before heard works-in-progress. Admission is free, but reservations are encouraged. For tickets, please visit tickets.nyu.edu/stevenlutvak

Born and raised in the Bronx, Mr. Lutvak was a talented multi-hyphenate, working as a cabaret performer, music arranger, director, and as a performance coach in addition to his songwriting and compositional work. As a singer-songwriter, he performed across the country, including successful New York engagements at Carnegie Hall, which led to releasing two albums, The Time It Takes and Ahead of My Heart.

Mr. Lutvak made his Broadway debut with A Gentleman’s Guide to Love and Murder in 2014, for which he composed the music, and co-wrote the lyrics with Robert L. Freedman. The musical won the Drama League, Outer Critics Circle, Drama Desk and Tony Awards for Best Musical. The pair had previously written the musical Campaign of the Century together, which won the California Musical Theater Competition from the Beverly Hills Theater Guild.

Other musicals by Mr. Lutvak include Almost September, The Wayside Motor Inn (an adaptation of a play by A. R. Gurney), and Esmeralda. For the screen, Mr. Lutvak composed the title track for the film Mad Hot Ballroom, and the score to Anything But Love, starring Eartha Kitt and Andrew McCarthy. Mr. Lutvak was a highly awarded composer, receiving the Kleban Award for Lyric Writing for the Theater, the Fred Ebb Award for Songwriting for the Theater alongside Freedman, the American Theatre Wing’s Jonathan Larson Grant, the Johnny Mercer Foundation’s Emerging American Songwriter Award, two Bistro Awards, three MAC Awards, and multiple ASCAP Awards.

In his later years, Mr. Lutvak worked as an adjunct professor at his alma mater, the New York University Graduate Musical Theater Writing Program.

Mr. Lutvak died October 9, 2023 at the age of 64. He is survived by his husband, Artistic Director of Flight Path Dance Project, Michael McGowan, and their daughter, Eliot Rose Lutvak-McGowan.

The tribute to Steven Lutvak will take place at NYU Skirball Center, located at 566 LaGuardia Place, between West 4th and West 3rd Street, on Thursday, July 18 at 3:00 PM. Running time is 90 minutes with no intermission. Admission is free, but reservations are encouraged. For tickets, please visit tickets.nyu.edu/stevenlutvak

Continue Reading

Broadway

Theatre News: Teeth, Soft Power, Redwood, BOOP! The Betty Boop Musical and Pre-Existing Condition

Published

on

Jenna Rose Husli, Wren Rivera, Alyse Alan Louis, Phoenix Best and Helen J Shen in Teeth (Photo: Chelcie Parry)

Teeth is coming back to New World Stages in the fall for an open-ended run. The transfer begins on October 31, Halloween night, as its official opening. While casting for the commercial remount is yet to be announced, the Playwrights Horizons cast featured Alyse Alan Louis, Steven Pasquale, Will Connolly, Jason Gotay, Jared Loftin, Courtney Bassett, Phoenix Best, Jenna Rose Husli, Lexi Rhoades, Wren Riveras and Helen J. Shen.

The off-Broadway cast album for Teeth, written by written by Pop! creator Anna K. Jacobs (book and music) and Pulitzer Prize-winning A Strange Loop creator Michael R. Jackson (book and lyrics), is now available to stream on all major music platforms. The physical CD will be released August 30. Teeth opened its off-Broadway world premiere at Playwrights Horizons in March with direction by Sarah Benson and choreography by Raja Feather Kelly.

Based on Mitchell Lichtenstein’s screenplay for the cult-classic 2007 horror comedy, Teeth is a tale of revenge and transformation that tears through a culture of shame and repressed desire one delightfully unhinged song at a time. The musical follows Dawn O’Keefe, an evangelical Christian teen struggling to be an exemplar of purity amongst her community of fellow Promise Keeper Girls. As Dawn’s desires become tested and twisted by the men in her life, she discovers a deadly secret not even she understands: when men violate her, her body bites back—literally.

I loved Jeanine Tesori and David Henry Hwang’s SoftPower when it appeared at The Public, now it’s coming to the Signature Theatre in Washington  D.C., newly revised production and directed by Signature Associate Artistic Director Ethan Heard. The show opens August 6 and runs until September 15. Could NYC be next? The cast will feature Steven Eng as DHH, Daniel May (Flower Drum Song) as Xue Xing, and Grace Yoo (Hadestown) as Hillary Clinton with Eymard Cabling (Miss Saigon national tour) as Randy Ray and others, Andrew Cristi (A Christmas Story) as Chief Justice and others, Jonny Lee Jr. as Bobby Bob and others, Quynh-My Luu as Waiter and others, Christopher Mueller as VEEP and others, Ashley D. Nguyen as Jīng and others, Chani Wereley as Betsy Ross and others, Nicholas Yenson as Holden Caulfield and others, and Sumié Yotsukura as Flight Attendant and others. Olivia Clavel-Davis, Brian Dauglash, Emily Song Tyler, and Joey Urgino are swings.

After the 2016 election, when a Chinese American playwright is attacked by an unknown assailant, he hallucinates a Golden Age musical comedy about a Chinese theater producer and Hillary Clinton falling in love. Hilarious and biting, this political satire dares to ask: Does American Democracy still work? And is it worth believing in?

An exhilarating ride through political absurdity with a faceoff between Chinese and American exceptionalism, Soft Power makes an electric debut in the nation’s capital.

Idina Menzel, will open at the Nederlander Theatre in Redwood. This new Broadway musical starts previews January 24,  with a February 13 opening. Written and directed by Tony Award nominee Tina Landau, Redwood features music by Kate Diaz and lyrics by Diaz and Landau. The show is conceived by Landau and Menzel, with additional contributions by Menzel. The musical premiered earlier this year at La Jolla Playhouse. “I made my Broadway debut at the Nederlander Theatre in Rent almost 30 years ago, so to be returning there with Redwood is very emotional for me as it feels like a real homecoming. It has been such a gift to collaborate with Tina and Kate on this show, and I’m so proud to bring it to Broadway” stated Menzel. Redwood follows Jesse (Menzel), a successful businesswoman, mother and wife who seems to have it all, but inside, her heart is broken. Finding herself at a turning point, Jesse leaves everyone and everything behind, gets in her car and drives. Thousands of miles later, she hits the majestic forests of Northern California, where a chance meeting and a leap of faith change her life forever.

BOOP! The Betty Boop Musical has found is set to open at Broadway’s Broadhurst Theatre on April 5, 2025. Tony Award®-winning director/choreographer Jerry Mitchell brings the Queen of the Animated Screen to the theater  with celebrated multiple Grammy® Award-winning composer David Foster, Tony Award®-nominated lyricist Susan Birkenhead and Tony Award®-winning book writer Bob Martin. This score is fabulous and we can’t wait to hear the rest of it.

Edie Falco Photo by Emilio Madrid

Today, producers O’Henry Productions, The Cohn Sisters, Jessica Chase, Taylor Williams, David Blum, Jesse Eisenberg and Charlie Kaufman announced that Pre-Existing Condition by Tony Award® nominee Marin Ireland will extend for two weeks through August 17 and will star Emmy Award® winner Edie Falco in the rotating role of “A” beginning on August 6

Pre-Existing Condition, directed by Maria Dizzia, is currently playing at the Connelly Theater (220 East 4th St.) in the intimate 60-seat Upstairs space. The play was originally set to close on August 3.

Pre-Existing Condition is a play exploring the challenges, shared community, and everyday indignities of learning to move forward after a life-altering, harmful relationship.

About the play, Ms. Falco said, “I am thrilled at the opportunity to be a part of something that moved me so much as a spectator. It involves an intimacy and vulnerability that I’ve sorely missed in the theater. I can’t wait to work with these people who I deeply respect so that hopefully more people can see and feel what I did when I saw the play.”

The role of “A” has rotated throughout the production and is currently played by Tony Award® winner Deirdre O’Connell (Dana H.). Tavi Gevinson (“American Horror Story”) will play the role from July 24-August 3 with Ms. Falco starting August 6-August 17. Previously, the role was played by Emmy Award® winner Tatiana Maslany (“Orphan Black”), Julia Chan (Uncle Vanya) and Tony Award® nominee Maria Dizzia (In the Next Room).

The cast also includes Sarah Steele (“The Good Fight”), Dael Orlandersmith (Pulitzer Prize Finalist, Yellowman), Greg Keller (Alliance); with Raquel Chavez (Uncle Vanya) and Gregory Connors (The Sign in Sidney Brustein’s Window), understudies.

Tony Award® nominee Anne Kauffman (Mary Jane) serves as Creative Consultant on the production. In addition to Ms. Kauffman, the creative team includes Louisa Thompson (A Simulacrum), Set Designer; Tony Award® nominee Enver Chakartash (Stereophonic), Costume Designer; Tony Award® nominee Isabella Byrd (Enemy of the People, Cabaret at the Kit Kat Club), Lighting Designer; Tony Award® nominee Palmer Hefferan (The Skin of Our Teeth), Sound Designer. Taylor Williams is Casting Director, Ashley-Rose Galligan is Production Stage Manager, Eric Nolan Mattingly is Assistant Stage Manager with Wagner Johnson Productions serving as General Management.  Associate Producer is Joe Meyer. David Manella at Loeb & Loeb LLP serves as Production Counsel.

For information on performance dates, ticketing lottery information please visit preexistingconditionplay.com. Tickets start at $49.

Continue Reading

Trending

Copyright © 2023 Times Square Chronicles

Times Square Chronicles