Cabaret
Seasons of Love with Anthony Rapp at Feinstein’s/54 Below
Anthony Rapp has been performing onstage since he was 9 years old. So it’s not surprising that the star of such musicals as “Rent”, “Hedwig and the Angry Itch” and the 1999 revival of “You’re a Good Man, Charlie Brown” should create a cabaret show for Feinstein’s/54 Below based on the chronology of his life as a performer.
These songs were “snapshots”, as he said, of particular moments in his life. For this evening, he chose moments in time from shows with which he had been affiliated, or writers he admired, or songs he had written that captured particular emotional moments for him. Many of those were deeply melancholic and filled with longings such as we all feel from time to time.
I would have liked a little more sharing of his personal relationship to some of the material he chose to set up that chronology, besides that it came from a show he had done or a writer he admired. But on Sunday night at 54 Below, Mr. Rapp let the music speak mostly for itself.
Mr. Rapp has an irresistible, natural pop/rock voice, and he is drawn to such songs which suit him, as well as musical theater songs. From the very beginning, Mr. Rapp took us to an emotional landscape much rockier and darker than the typical, upbeat cabaret show would do.
His opening number, “Losing My Religion” as recorded by R.E.M., was the story of an unrequited love by a “hurt, lost and blinded fool”. He followed that with “Origins of Love” from “Hedwig,” another song of emotional heartache which describes love as emerging from the anger of the primitive gods. “You had blood on your face; I had blood in your eyes. The pain down in your soul… was the same as the one down in mine…we called it love.”
Rock songs tend to be more poetic and oblique than traditional musical theater songs. So it took a while for my ears to tune in fully. It was also a surprisingly dark way to start a show, although fully in keeping with the emotional tone of the evening.
As a performer, Mr. Rapp deeply embodies the emotional struggle of the Everyman, which we all feel privately from time to time. “Creep” from “Feeling Electric” (the early version of “Next to Normal”), “Waving through a Window” from “Dear Evan Hansen”, “Everybody Hurts” also as recorded by R.E.M., and his gender bending version of “Wait For It” from “Hamilton” were a few of the songs that shaped the intense emotional center of his show. His voice grew in power, and the emotions grew in depth, with each successive song, drawing us in until the entire audience was deeply moved by his intimacy.
His selections included several songs he had written himself. All of them, including “Perfect,” “Now I Know”and the ode to his dying mother, “Visits to You,” were quite good. As cabaret is so much about direct connection with the performer, I really enjoyed being given this very personal musical window into his own life experience.
Of course, not every song was a Greek tragedy. He lauded Cyndi Lauper for her personal strength and positivity as a performer before giving a heartwarming rendition of her song, “True Colors.” Towards the end of the evening, he became Charlie Brown again for us, to sing “Happiness” from “You’re a Good Man, Charlie Brown.” By that point in the evening, the innocence and positivity of a theatrical six year old brought a welcome moment of emotional release.
He concluded his show with the stunningly beautiful “Without You” by Jonathan Larson, and the iconic, upbeat “Seasons of Love” from the show that made them both famous, “Rent.”
Much credit for the beautiful musical texture of the evening is due to his multitalented musical director, Daniel Weiss, who bounced effortlessly from piano to guitar and provided lovely, unobtrusive harmony vocals. Peter Schon’s soulful playing of the cello was the perfect emotional complement to them both.
Mr. Rapp’s show was an evening marked by his genuine humility and deep connection to the aching soul in all of us. It touched everyone as much as it clearly moved Mr. Rapp himself as a performer.
What else – White Christmas, of course!
December is jampacked with great entertainment, so I hope you’re caught up on your shopping, because there are lots of treats for you this month. Here’s a stockingful of events that you shouldn’t miss.
If you’re looking for probably the most glamorous gift of the season, drop by Doyle Galleries to at least look at The Ellin and Irving Berlin Sapphire and Diamond Ring. Bidding is estimated to begin at $200,000 at the December 14th auction.
Jason Henderson kicked off the month reprising his highly acclaimed latest venture, Getting to Noël You at Don’t Tell Mama on the 4th. If you missed this evening, don’t worry – he’s back by popular demand—same time, same location—on January 24th and February 11th. It’s quite a curious and fast-paced ride he takes us on, and it’s one not to be missed.
The York Theatre has delivered a mitzvah–just in time for Christmas. Billed as a Musical Comedy of Biblical Proportions, The Jerusalem Syndrome certainly lived up to expectations. You must see it to discover the meaning of the title, which is fact, not fiction.
While this has been in development for several years, the skilled midwifery of the York brought forth a little bundle of joy that had the audience laughing at its humor and touched by its message. Sensitive to the current Middle East conflict, the York bravely went ahead with the project, which affords everyone a chance to marvel and understand the miracle that is Israel.
It’s running through the end of the year—visit the York website https://yorktheatre.org for more info.
Urban Stages has announced its “2023 Winter Rhythms” series, the award-winning music festival at Urban Stages Theater (259 West 30th Street – between 7th & 8th Avenues).
It began with a gala on December 6 entitled “Nights at the Algonquin: A Celebration of The Oak Room Supper Club,” featuring many legendary cabaret performers including Natalie Douglas, Boots Maleson, Steve Ross, and Daryl Sherman. Hosted by Michael Colby (author of The Algonquin Kid), the evening began with a champagne and wine reception followed by the show at 7:30 with a post-show gathering to follow.
On Sunday, December 10 at 3pm “Created at the Algonquin: Songs from Musicals Written at The Algonquin,” featuring performances by Craig Bierko, Shana Farr, Jenn Gambatese, Anita Gillette, Jon Peterson, Steve Ross and others. The program will be directed by Sara Louise Lazarus with Michael Lavine directing the music.
As part of the festivities, Shana Farr will reprise her glorious Barbara Cook tribute on the 16th. Ice Cream,. Anyone?
Everyone’s favorite is Karen Mason, whose show Christmas! Christmas! Christmas! is one night only at Birdland at 7 pm on the 11th.
Stay tuned for Part II for Christmas romance, tradition, and good will!
As we head into the holiday season, The Algonquin Hotel’s December event lineup is open to both hotel guests and New York City locals. The hotel will spread holiday cheer with a variety of festive performances, cocktails, and experiences including:
- Cocoa and Carols Happy Hour: Daily, 5-8PM, Every evening this December, all are invited to enjoy Specialty Cocoa while Christmas carols chime at the Blue Bar. Drinks will include Mexican Hot Chocolate spiked with mezcal
- KT Sullivan Cabaret: December 5th, 12th and 19th, Sullivan will perform her iconic Christmas Cabaret. As noted by The New York Times, Sullivan is a thrilling Off-Broadway performer with over eight published albums
- Rocco Dellaneve’s Rat Pack Christmas: December 7th, 14th and 21st, Rocco Dellaneve will perform iconic songs from the Rat Pack Christmas album with special inclusions of Santa with Sinatra, Rocco of the Snow, Rudolph and the Rat pack
- The Serafina’s and Broadway Vocalists: December 8th, 15th and 22nd, enjoy the high kicking – precision line dancing Christmas tradition around The Algonquin tree. The Serafina’s will be available for pictures and autographs from 6pm to 7pm, followed by special Broadway vocalists
A portion of proceeds from all events will be donated to Toys for Tots.
Beyond the December events, The Algonquin Hotel is located in a prime position nestled in the heart of Times Square and Fifth Avenue, making it the perfect launchpad for a New York City holiday experience. The hotel is a historical jewel that emphasizes the importance of making unique, storied experiences. Since its opening in 1902, The Algonquin Hotel is famous for its timeless style and desire to honor the literary and cultural elite. The distinguished Round Table Restaurant and Blue Bar offer tasteful dining inclusions and curated cocktails that are sure to excite everyone.
Photo credit: The Algonquin Hotel, Autograph Collection
The atmosphere in The Boca Black Box was akin to The Sands Hotel in Las Vegas last night as movie/TV star Robert Davi (140 films and counting) swaggered onto the stage to sing and swing the songs of Frank Sinatra. His show, titled “My Kind Of Town” had all the elements of a Sinatra event thanks to Davi’s personality which radiates the same mystique and musical excitement that ‘Ol Blue Eyes” possessed. Robert Davi’s performance was not a great actor acting a role… this was Robert Davi, a great actor who started his career as a trained singer thrilling an audience singing songs made famous by Frank Sinatra, but with Davi’s own magnetism and vocal prowess. I don’t know if Sinatra ever played Boca Raton but Robert Davi turned Boca into ‘his kind of town last night” as he brought the musical substance and charisma of “the chairman of the board” to South Florida.
Davi’s had a long and distinguished career in show business and this Boca Black Box audience got to see a lot of the musical part of it last night. The tough guy movie actor sang the music of Frank swinging it “his way”
About Robert Davi:
Robert Davi, an American actor, singer, writer, and producer has played the roles of main villain and drug lord Franz Sanchez in the 1989 James Bond film License to Kill. He was FBI Special Agent Bailey Malone in the NBC television series Proflier. He played a Vietnam veteran and FBI Special Agent Big Johnson in Die Hard. Davi played the opera-singing heavy Jake Fratelli in The goonies, Hans Zarba in Son of the Pink Panther and Al Torres in Showgirls. His album, Davi Sings Sinatra—On The Road to Romance, hit #6 on the Billboard jazz charts. Praised for his voice, Davi debuted as a headliner at The Venetian, in Las Vegas.
ROBERT DAVI
ROBERT DAVI
ROBERT DAVI
ROBERT DAVI
BOCA BLACK BOX
SUNNY SESSA & ROBERT DAVI
SUNNY SESSA, EDA SOROKOFF, VALARIE CHRISTOPHER
This Christmas take a big scoop of classic Irving Berlin songs, have them sung by the ever sparkling Adrienne Haan, sprinkle in the voice of her musical director, Richard Danley and you have a festive feast for your ears. I have seen a number of Ms Haan’s shows at the Triad and each one includes something that makes it a step above a typical cabaret show. The first time I saw her there was an actual tuba on stage; the second a number of costume changes, other shows had duets with guest stars or choreography; this time hearing the singing voice of her long-time accompanist and musical director, Mr Danley. The two have bantered in the past but in this show Richard shows his vocal and comedic side with songs like I Paid My Income Tax Today and How About a Cheer for the Navy.
The man at the piano can sing
Of course Adrienne blew her audience away with her renditions of There’s No Business Like Show Business and Blue Skies; but, hearing the usually silent man behind the piano was a surprise to me like Teller taking the stage from Penn and his baritone was as shocking as hearing the bumbling Gomer Pyle turn into the rich voiced singer, Jim Nabors. The two of them created a wonderful celebration of Mr Berlin’s musical catalogue with a combination of solos and duets.
They really enjoy each other
Entering the theater, as the holiday season begins, and a show title of White Christmas at the Triad Theater, one would expect to hear 90 minutes of Christmas songs; but, read the second line on the program and you realize that it is really a celebration of the man who wrote one of the most recognizable holiday songs of all time, White Christmas. Not only will we hear the music of Mr Berlin but we will get some insight into his life as Adreinne celebrates his 130 year anniversary of his arrival in the United States. From Europe to Broadway to Hollywood; in military songs, love songs or holiday classics the trio of Haan, Danley and Berlin take us on a historical journey of a life well lead.
Adrienne has a number of costume changes – First up New Years Eve dripping in “ice”
Opening the show in a festive seasonal outfit ready for a New Years Eve celebration with “ice” dangling from her ears and around her wrist Adriene introduces us to some well-known Berlin tunes Alexander’s Ragtime Band and Let Me Sing and I’m Happy. One of the treats of her shows is that she does a lot of research into the music she sings and she has done her homework telling us about the life of Israel Beillin, immigrant from Imperial Russia, the country now known as Belarus. He only spoke Yiddish when he landed on Ellis Island so Ms Haan sings Ofyn Pripetchik in his native tongue and then follows with Berlin’s Give Me Your Tired, Your Poor – a tribute to that wonderful Statue in NY harbor. She finishes this section of the show with Marie from Sunny Italy which gives her the opportunity to show her strong vocal ability with a long strong belt of a song.
Army songs
Berlin came to America in 1893 at the age of 5 which means he was drafted into the army during World War 1, where he wrote the famous anthem Oh How I Hate to Get up in the Morning and which Ms Haan sang in military uniform. A number of tunes that Berlin wrote for both World Wars followed as the two singers alternated songs and Adrienne gave us some more tidbits about the composer. The song I Paid My Income Tax Today sung by Mr Danley is actually owned by the IRS. (I wonder is THEY have to pay tax on the royalties they earn when it is sung.)
When she sings some of Mr Berlin’s wartime songs she dresses for the occasion.
Ms Haan is a proud Luxembourger and as life imitates art, or vice versa, Mr Berlin’s Broadway and film musical, Call Me Madam is based on the life of Perle Mesta who was the Ambassador to Luxembourg from 1949-1953. Haan again showed she’s the singer with the zinger when she sang The Hostess with the Mostes’ on the Ball from that show as well as the tribute to the fictitious country in that show Lichtenburg. As far as art leading to reality it is interesting to note that Mr Berlin’s home, 17 Beekman Place, was purchased by the Grand Duchy of Luxembourg in 1990 a year after Berlin’s death.
She is one performer who uses every part of the stage
Berlin wrote over 1,500 songs in his 60 years of composing so to highlight all of the numbers Haan sings is too long a list; but, the jaunty I’ve Got the Sun in the Morning, They Say that Falling in Love is Wonderful, Cheek to Cheek and Blue Skies show her range of interpreting music. The love song Always was a particularly important song to Berlin and Haan did it justice as this song was written to Berlin’s wife, Ellin Mackay, on their wedding day.
Hittng high notes
Of all the show tunes, patriotic anthems, and love songs performed in this show I have to give a special shout out to the Haan/Danley duet of You’re Just in Love. I have seen it sung by a number of Broadway stars, Merman, Stritch, Donald O’Connor and Larry Blyden, (and for the newer generation, Laura Osnes and Santino Fontana) in the past; but I’ve never seen the male singer play the piano at the same time. WOW!
Facial Expressions bring life to her Songs
It is the holiday season, remember, so Ms Haan’s third costume change is a beautiful red gown that fits the time and she finished the evening with the traditional songs of the Yuletide spirit, including Happy Holiday, I’ve Got My Love to Keep Me Warm and of course White Christmas.
This is not a traditional Christmas carol singing show but Ms Haan never is one to follow the norm. This was a wonderful tribute to Mr Berlin with added surprises featuring the excellent wit and talents of both Adrienne and her musical director and accompanist of 22 years, the unsung (until this show) singer Mr Richard Danley.
A second show is at the Triad on Tuesday, December 5 at 7PM. It will get you smiling and into the holiday spirit.
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