Andy Karl, scenic and costume designer Rob Howell and Barrett Doss are what keep GroundHog Day The Musical watchable. This almost 3 hour long musical might have been a better show if they had cut an hour of this monotony and gotten to the chase. The book by Danny Rubin (screenwriter of the movie) follows arrogant weatherman, Phil Conners (A charming Andy Karl), as he travels to Punxsutawney, PA, the home of Phil a famous groundhog to report on the big day. Conner from the outset does not want to cover this event and for some reason, that is never explained to us, is forced to repeat this day over and over and over and over. I had not watched the source material, which is based on the popular Bill Murray movie of the same name. I do not know if the film explains why this is happening, but here we are expected to accept this strange premise. In Act 1 Conner realizes he can manipulate the day to get what he wants, except that gets to be a bore. In Act 2, he wants to bed his sweet, innocent co worker Rita Hanson (Barrett Doss) who sees what a jerk he is until finally after so many repeated days, he finally sees the error of his ways and life goes back to normal. The problem is before we get to his revelation, we no longer care.
Groundhog Day at it’s best asks us to see the wonder of life and realize every day no matter how redundant has joy. The problem is it takes almost 3 hours to tell, that in a never ending loop just gets old despite Matthew Warchus, wonderful direction.
Part of the problem is Tim Minchin’s (Matilda), score, which has so many mixed accents and bizarre melodies. They go for crass lyrics and quirky melodic lines, where not one of these ditties is hummable. All I could think of was the Sondheim lyric from Merrily We Roll Along.
There’s not a tune you can hum
There’s not a tune you go bum, bum, bum, di, dum
You need a tune you can bum, bum, bum, di, dum
Give me a melody
Another part of the problem is there are so many characters. An example is ohn Sanders who plays Ned Ryerson, the ‘annoying salesman.’ He gets his own number “Night Will Come.” Why? Rebecca Faulkenberry plays Nancy the pretty blond girl, who gets her own song “Playing Nancy,“ which opens second act. Nice performance, sung well, but again why? We are made to feel something for people we are not invested in.
Peter Darling’s choreography allows the tedious days to flow smoothly and the car chase scene is rather brilliant, if not a little long.
Andy Karl is winning and I can see why he won the Olivier Award, but seriously I do not understand how this won Best Musical. Barrett Doss allows us to care for her, despite a script that is against her. We are thrilled when Conner sees the error of his ways, because we just want this story to end.
This is a show that a lot of audiences will enjoy. There was a lot of laughing around me, however I did not see the humor. You will either like this show or not, as people I have talked to seem just as divided about this show as the election. I do see it being nominated and knocking out a better crafted show.
GroundHog Day The Musical: August Wilson Theatre, 245 West 52nd St.
Ken Fallin’s Broadway: A Dolls House: Arian Moayed and Jessica Chastain
I went with T2C’s editor to A Dolls House, which inspired this caricature. You can read Suzanna’s review of the show here.
T2C Sends Our Prayers to Andrew Lloyd Webber and Lea Michele
Saturday, March 25, 2023
A Statement From Andrew Lloyd Webber
I am shattered to have to announce that my beloved elder son Nick died a few hours ago in Basingstoke Hospital. His whole family is gathered together and we are all totally bereft.
Thank you for all your thoughts during this difficult time.
The 75-year-old Oscar-winning composer son Nicholas followed in his father’s footsteps and was a successful composer in his own right, having written Fat Friends The Musical. He was married to musician Polly Wiltshire, who appeared on the soundtrack of his father’s 2019 movie Cats.
During his career, Nicholas also scored music for an adaption of The Little Prince as well as composing numerous TV and film scores, including for the BBC1 drama Loves, Lies, and Records.
Nicholas previously spoke about making his own way in the theatre world away from his famous family name in a 2011 unearthed interview.
He said he wanted to be ‘judged on his own merits’ so dropped his surname when working to see what the reaction would be.
Our hearts and prayers go out to his family.
Also on Saturday Lea Michele updated her fans on the status of her two-year-old’s health via her Instagram after he was hospitalized earlier this week. Her son Ever was in the hospital, but is now out due to a ‘scary health issue. She posted a picture backstage in her dressing room ahead of her Broadway performance in Funny Girl. Lea had been out to focus on her family.
“I just wanted to say thank you to everyone for just so much love and support this week. I really really appreciated it”.
Parade: A Musical That Asks Us Do We Have The Eyes And Ears To See.
Micaela Diamond and Ben Platt Photo by Joan Marcus
I have always loved Jason Robert Brown’s score for Parade. “You Don’t Know This Man,” “This Is Not Over Yet” and the wonderfully romantic “All the Wasted Time” are just the tip of the iceberg for music that stirs your soul and tells a tale of heartbreak. There is a reason this score won the Tony Award in 1999.
The musical now playing on Broadway dramatizes the 1913 trial of Jewish factory manager Leo Frank (Ben Platt), who was accused and convicted of raping and murdering a thirteen-year-old Mary Phagan (Erin Rose Doyle). The trial was sensationalized by the media, newspaper reporter Britt Craig (Jay Armstrong Johnson) and Tom Watson (Manoel Feliciano), an extremist right-wing newspaper aroused antisemitic tensions in Atlanta and the U.S. state of Georgia. When Frank’s death sentence is commuted to life in prison thanks to his wife Lucille (Micaela Diamond), Leo was transferred to a prison in Milledgeville, Georgia, where a lynching party seized and kidnapped him. Frank was taken to Phagan’s hometown of Marietta, Georgia, and he was hanged from an oak tree.
The telling of this horrid true tale begins with the lush ode to the South in “The Old Red Hills of Home.” Leo has just moved from Brooklyn to in Marietta, where his wife is from and he has been given the job as as a manager at the National Pencil Co. He feels out of place as he sings “I thought that Jews were Jews, but I was wrong!” On Confederate Memorial Day as Lucille plans a picnic, Leo goes to work. In the meantime Mary goes to collect her pay from the pencil factory. The next day Leo is arrested on suspicion of killing Mary, whose body is found in the building. The police also suspect Newt Lee (Eddie Cooper), the African-American night watchman who discovered the body, but he inadvertently directs Starnes’ suspicion to Leo.
Across town, reporter Britt Craig see this story as (“Big News”). Mary’s suitor Frankie Epps (Jake Pederson), swears revenge on Mary’s killer, as does the reporter Watson. Governor John Slaton (Sean Allan Krill) pressures the local prosecutor Hugh Dorsey (the terrific smarmy Paul Alexander Nolan) to get to the bottom of the whole affair. Dorsey, an ambitious politician sees Leo as he ticket to being the Governor and though there are other suspects, he willfully ignores them and goes after Leo.
The trial of Leo Frank is presided over by Judge Roan (Howard McMillan). A series of witnesses, give trumped up evidence which was clearly is fed to them by Dorsey. Frankie testifies, falsely, that Mary said Leo “looks at her funny.” Her three teenage co-workers, Lola, Essie and Monteen (Sophia Manicone, Emily Rose DeMartino, Ashlyn Maddox), collaborate hauntingly as they harmonize their testimony (“The Factory Girls”). In a fantasy sequence, Leo becomes the lecherous seducer (“Come Up to My Office”). Testimony is heard from Mary’s mother (Kelli Barrett ) (“My Child Will Forgive Me”) and Minnie McKnight (Danielle Lee Greaves)before the prosecution’s star witness, Jim Conley (Alex Joseph Grayson ), takes the stand. He claims that he witnessed the murder and helped Leo conceal the crime (“That’s What He Said”). Leo is given the opportunity to deliver a statement (“It’s Hard to Speak My Heart”), but it is not enough. He is found guilty and sentenced to hang. The crowd breaks out into a jubilant circus.
Act 1, is not as strong as it should have been. I have attended three different incarnations, the last being with Jeremy Jordan as Leo and Joshua Henry as Jim in 2015. Part of the problem is Michael Arden’s direction. Instead of allowing his performers to act, he has them pantomime, as the solo goes forth. “Come Up to My Office” was not as haunting as in past productions. The same can be said of “That’s What He Said”. Who’s stands out in the first act is Jake Pederson as Frankie and Charlie Webb as the Young Soldier who sings “The Old Red Hills of Home.”
In Act 2, Lucille finds Governor Slaton at a party (the hypnotic “Pretty Music” sung wonderfully by Krill) and advocates for Leo. Watson approaches Dorsey and tells him he will support his bid for governor, as Judge Roan also offers his support. The governor agrees to re-open the case, as Leo and Lucille find hope. Slaton realizes what we all knew that the witnesses were coerced and lied and that Dorsey is at the helm. He agrees to commute Leo’s sentence to life in prison in Milledgeville, Georgia, which ends his political career. The citizens of Marietta, led by Dorsey and Watson, are enraged and riot. Leo is transferred to a prison work-farm. Lucille visits, and he realizes his deep love for his wife and how much he has underestimated her (“All the Wasted Time”). With hope in full blaze Lucille leaves as a party masked men kidnap Leo and take him to Marietta. They demand he confess and hang him from an oak tree.
In Act Two Parade comes together with heart and soul. Diamond, who shines brightly through out the piece is radiant, and her duets with Platt are romantic and devastating. Platt comes into his own and his huge following is thrilled to be seeing him live. Alex Joseph Grayson’s also nails his Second Act songs.
Dane Laffrey’s set works well with the lighting by Heather Gilbert.
Frank’s case was reopened in 2019 and is still ongoing.
Parade has multiple messages and the question is will audiences absorb it. I am so glad this show is on Broadway, making us think and see. This is a must see.
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Parade: Bernard B. Jacobs Theatre, 242 W 45th Street.