MvVO Art Launches AD ART SHOW
Off Broadway

She Says: Good Grief Saying Good-Bye so the Journey Can Move Forward

She Says: Good Grief Saying Good-Bye so the Journey Can Move Forward

Good Grief

How do you say goodbye, when memories keep flooding through your psyche? How do you move on when you are trapped in a wall of pain? Ngozi Anyanwu’s Good Grief, which opened at The Vineyard theatre, asks these questions and more. Nkechi (played by the playwright) is called “N” because they can’t pronounce her name. She is a first-generation, Nigerian-American living in Bucks County, PA., whose best friend, confidant, and soulmate MJ (Ian Quinlan) has been killed suddenly in a car crash. The two have been inseparable since childhood. When we first meet the two, “N” has just left medical school to find out who she truly is and to be with MJ, when his death occurs. As she tries to make sense of the tragedy, we journey into “N”’s past. Reliving key scenes that shaped this inquisitive young mind, “N” tries to remember “what really happened.”

Ngozi Anyanwu, Patrice Johnson Chevannes

Ngozi Anyanwu, Patrice Johnson Chevannes and cast Photo by Carol Rosegg

As she self-edits, goes back to get it right, and examines those pivotal moments, it is hard not to relate. We have all been where “N” has been. The tender and budding moments between MJ and “N” are touching, as are the interactions with her immigrant parents (Oberon K.A. Adjepong and Patrice Johnson Chevannes). Her father, trying to get his daughter to move on and get back to her life, teaches her to drive a car. He misses the spirited girl she used to be. Her mother, a psychiatric nurse-in-training, tries to self-analyze, as “N” tells her she is bad at this. Her loving brother (Nnamdi Asomugha), who insists on talking like a character from “The Wire,” gets “N’ out of herself, as they drink malt liquor, listen to hip-hop, and recall their childhood bonding.

Ngozi Anyanwu, IHunter Parish

Ngozi Anyanwu, IHunter Parish Photo by Carol Rosegg

Also connecting to “N’ is JD (played by Hunter Parrish), her first sexual experience and High School crush. We meet the neighbor who told her about MJ’s death, as well as his mother at the funeral who she could not connect with (Lisa Ramirez in both roles). All of these conversations have become diluted and need to be re-thought.

Ngozi Anyanwu, Nnamdi Asomugha

Ngozi Anyanwu, Nnamdi Asomugha Photo by Carol Rosegg

Throughout it all, “N” is fiercely independent, witty, tough, defensive, vulnerable, and curious as to where the truth lies. Facing pressures to define herself, she seeks eternal truths. Her memories tread fine lines between fantasy and regret.

Oberon K.A. Adjepong,Patrice Johnson

Oberon K.A. Adjepong and Patrice Johnson Chevannes Photo by Carol Rosegg

The cast is exquisite, as they each weave their characters into fully fleshed human beings we have all met before. Nkechi’s writes characters that are so abundantly human, flawed, universal, and lovable that, in the end, we will all want a friend as giving as MJ, a first sexual partner like JD, a supportive and loving family such as Papa, Nene, and Bro. In truth, “N” has a fabulous life. The chemistry between Anyanwu and her cast, but especially Quinlan, is part of the melding of this piece. Kudos to Henry Russell Bergstein, the casting director. Director Awoye Timpo directs this piece with sympathy and pathos. He brings out themes and keeps this fragmented memory play, coming-of-age story interwoven, poetic, and relatable.

The scenic design by Jason Ardizzone-West keeps “N”’s memories flowing, yet sterile. The lighting by Oona Curley uses fluorescent and stark white lights. After all, we are examining those places in-between. We are seeing Nkechi’s limbo.

Ngozi Anyanwu

Ngozi Anyanwu Photo by Carol Rosegg

How many people in our lives have we promised to honor? How many people have threatened to keep us from moving on? Grief is a part of life and Good Grief is the way to heal. Finding our purpose in life has never been simple, but thanks to Ngozi Anyanwu’s prolific writing, maybe healing is just a heartbeat away. I so look forward to more plays by this compelling new voice of her generation.

Good Grief: Vineyard Theater, 108 East 15thSt., through Nov. 18th.

Off Broadway

Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret, opera and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. She has a screenplay and a TV show in the works, which she developed with her mentor and friend the late Arthur Herzog. She is a proud member of the Drama Desk and the Outer Critics Circle and was a nominator. Email: suzanna@t2conline.com

More in Off Broadway

What To Watch Aug 9th To Take Away The Blues

Suzanna BowlingAugust 8, 2020

What To Watch August 8th To Take Away The Blues

Suzanna BowlingAugust 7, 2020

Creating Musical Theater Off-Broadway Is Back With Jamie deRoy & friends and Primary Stages and Gone But Not Forgotten

Suzanna BowlingAugust 7, 2020

What To Watch August 7th To Take Away The Blues

Suzanna BowlingAugust 6, 2020

What To Watch Aug 6th To Take Away The Blues

Suzanna BowlingAugust 5, 2020

What To Watch August 5th To Take Away The Blues

Suzanna BowlingAugust 4, 2020

What To Watch August 4th To Take Away The Blues

Suzanna BowlingAugust 3, 2020
Megan Hilty

What To Watch August 3rd To Take Away The Blues

Suzanna BowlingAugust 2, 2020

What To Watch Aug 2nd To Take Away The Blues

Suzanna BowlingAugust 1, 2020