When I was asked to write a piece about Dana Lorge just a few days after she passed out of this life, I knew immediately what I must do. I called on four of her dearest friends and set up interviews with each of them. I knew Dana, but not well enough to pay her life tribute to the magnitude she so clearly earned. From these interviews and the many comments on social media following her death, as well as the stories from people in her inner circle and, finally, my own interactions with her, I have discovered overwhelmingly common threads culminating in one truth: Dana’s legacy is spectacular: generosity, kindness, humor and beauty. Dana Lorge was the embodiment of love freely given, and the recipients of that gift understand just how fortunate they are.
Warren Schein met Dana in the early seventies, when she was hosting a variety show at The Pan Am Motor Inn on Queens Boulevard. Schein was doing stand up at local temples or Catch a Rising Star with no real career direction in sight. He worked up the courage to approach Dana, who he remembers was wearing “an amazing western outfit, all red and sparkly.” Schein relayed that Lorge’s motto was, “it doesn’t matter how you feel. It’s how you look.” “So,” Schein said, “ there I was, this twenty-something nebbish with no clue.” Within several months, Dana had selected and taught him a repertoire of songs and had her arranger create Schein’s charts for an eleven piece band. “How am I going to pay for this?” Schein worried. “We’ll figure that out later,” said Lorge. She took him to to The Caribbean for three weeks and he ended up entertaining there for six months! She invited him to co-host her variety show at The Metropolitan Room. “She’s been my best friend, my sister, my confident and my mentor. Any little bit of success I’ve enjoyed is due to her friendship and mentoring. When we performed together on stage there was this dynamic connection. Audience members would often tell
us after a show, ‘watching the two of you on stage together having so much fun, makes us feel happy.’ ”
Richard Skipper met Dana more than twenty-five years ago at a party, where they sat together on the sofa and felt immediate chemistry. “She was very glamorous,” Skipper says with a smile, “always perfectly put together and invested in how all the performers in her shows looked as well.” Richard asked Dana to co-host a variety show called Wednesday Nights at the Iguana. “Dana and I had a loving and sometimes volatile relationship. Once she called me her clone, and we all know how very similar personalities can clash.” Though sparks flew professionally and Richard bowed out of the Wednesday night shows, his relationship with Dana remained close. “Look, I’m not going to lose a friendship over a show and, quite frankly, Dana soared on her own. It was lovely to see.” Richard and his husband Dan continued to have Dana as a frequent guest in their home, Richard sang in her final show at The Iguana, and he and Dan visited her just four days before her passing. “She was larger than life,” Skipper said quietly, “and lived for the stage.”
Bernie Furshpan and his wife Joanne, owners of Manhattan’s Metropolitan Room, met Dana just over four years ago when she was looking for a new home for her variety show. Bernie remembers liking Dana immensely upon their first meeting. “She made direct eye contact, and she made me laugh…and she had this bag with a huge clock sewn into it. She had her own style.” Joanne remembers meeting Dana and saying, “My God you’re beautiful” to which Dana replied, “I know, I can’t help it.” Joanne turned to Bernie and said, “I’m going to love this woman.” And love her they did, with a friendship that was comprised of daily phone calls, trips to social clubs for ballroom dancing, intimate dinners and endless laughs. At the end of our interview, Bernie said, “I think Dana, Joanne and I share a similar philosophy: live for the moment and be kind. Dana was generous, always giving things to people, always looking fabulous. She simply wanted to dress up New York.”
Sue Matsuki has known Dana for well over a decade, and experienced no shortage of superlatives in which to describe her beloved friend. “Generous, kind, wild, talented, funny, glamorous, va-va-va voom figure, sparkly, leopard (she loved her leopard print), a fiercely loyal friend, mentor, sister, intelligent, an era of a “broad” frozen in time, a sit-com waiting to happen, an actress, a tour de force performer and an energy and life force we will never see again. She was as unique a human being as anyone I have ever met.” Sue reported that when Dana was first diagnosed two years ago, and asked about the prognosis, her reply was, “Oh, don’t worry, I can’t die yet. I have clothes in my closet with the tags still on them, and they’ve got to be worn!” “That,” said Sue, “was the quintessential Dana, facing life head on, but with humor.” The cabaret community loved her, and there are countless people wearing jewelry, ties and shirts that she lovingly bestowed on them. “Dana left us on her own terms, exactly as she’d planned: in full make-up with her lashes on.”
If it’s true that love and respect are a measure of a person’s wealth, then Dana Lorge is the daughter of Midas, the richest woman in town. Her spirit is carefully protected and nurtured in the hearts of her inner circle and all those who knew her. She took the secret of life, dressed it in sequins or a leopard print, put it on stage and encouraged it to sing…oh, and to make em’ laugh.
The song “Everything Possible” by Michael Callen and the Flirtations ends with a chorus: “And the only measure of your words and your deeds will be the love you leave behind when you’re gone.” The great lady, the hilarious broad, the determined entertainer and fast friend who is Dana Lorge lived a glorious life. And, like a truly spectacular show, she left us all wanting more.
Cabaret
The Marvelous Marilyn Maye Received Twelve Standing Ovations At The New York Pops

Karen Akers, Jim Caruso, Tony Danza, Jamie deRoy, Max von Essen, Melissa Errico, Bob Mackie, Susie Mosher, Sidney Myer, Josh Prince, Lee Roy Reams, Rex Reed, Randy Roberts, Mo Rocca , Mark Sendroff, Lee Roy Reams, Brenda Vaccaro and David Zippel were there to see and honor Cabaret legend and Grammy nominee Marilyn Maye. Maye who turns 95 April 10th, made her at Carnegie Hall solo debut last night with The New York Pops, led by Music Director and Conductor Steven Reineke.
Maye is a highly praised singer, actress, director, arranger, educator, Grammy nominated recording artist and a musical treasure. Her entire life has been committed to the art of song and performance and it showed with the 12 standing ovations she received.
Maye appeared 76 times on The Tonight Show Starring Johnny Carson, she was “discovered” by Steve Allen and had a RCA recording contract, seven albums and 34 singles.
The evening started out with the superlative New York Pops Overture of Mame, which Maye had played the title role.
Next a Cole Porter Medley with “Looking at You,” Concentrate On You,” “I Get A Kick Out Of You,” It’s Alright With Me,””Just One of Those Things,” “I’ve Got You Under My Skin,” and “All of You”. This was Marilyn’s second standing ovation. The first was when she stood on that stage for the first time and the audience was rapturous.
A terrific “It’s Today” from Mame with high flying kicks was the third ovation and wow can that woman kick.
A rainbow medley included “Look To The Rainbow” from Finnian’s Rainbow, the iconic “Somewhere Over The Rainbow,” the jazzy “Make Me Rainbows” and of course “The Rainbow Connection.” And with that another standing ovation.
Frank Loesser’s Joey, Joey, Joey brought on a fifth standing ovation. This song was a masterclass in acting and vocal nuance. For that matter every song that comes out of Ms. Maye’s mouth is perfection. Part of the brilliance of this night is her musical director, arranger, and pianist Ted Firth. That man is a genius.
Lerner and Loewe’s “On The Street Where You Live” from My Fair Lady ended the first act with a sixth standing ovation.
The overture from Hello Dolly! and then Cabaret shows Marilyn Maye also starred in opened the second act. The New York Pops sounded phenomenal as always.
“Your Gonna Hear From Me” from “Inside Daisy Clover was an appropriate starter for this next round as the audience got to its feet.
Maye’s most requested song “Guess Who I Saw Today” from New Faces of 1952 was followed by a show stopping “Fifty Percent” from Ballroom and of course another standing ovation.
Her next song was chosen by the Smithsonian Institute to be included in its permanent collection of recordings from the 20th century. Her recording of “Too Late Now” is considered by the Smithsonian to be one of the 110 Best American Compositions of the Twentieth Century and Ms. Maye showed us why and again another standing ovation.
A proclamation from The City of New York read by Steven Reineke to Marilyn Maye made this day Marilyn Maye Day. This treasure cried with joy as she sang Stephen Sondheim’s “I’m Still Here.” Though she forgot some of the lyric, Ms. Maye proved performing is all on the intent and connecting to the audience. Two more standing ovations were added here.
For encores, I was thrilled to hear James Taylor’s “Circle of Life” and “Here’s To Life,” which is my personal favorite, finally going back into “It’s Today” with those high kicks and a twelfth standing ovation. Bravo Ms. Maye!
If you are a singer and do not catch Ms. Maye live, you really do not care about your craft. Last night Ms. Maye made it clear why she’s been celebrated as one of America’s greatest jazz singers for more than 50 years and this was a night I will always remember. Thank-you New York Pops.
Don’t miss the Pop’s 40th Birthday Gala: This One’s For You: The Music Of Barry Manilow on Monday, May 1st. The gala will star Sean Bell, Erich Bergen, Betty Buckley, Charo, Deborah Cox, Danny Kornfeld, Norm Lewis, Melissa Manchester, Zal Owen, Eric Peters, Blake Roman, Billy Stritch, Steven Telsey, Max von Essen, Dionne Warwick, and more to be announced. This will be yet another New York Pop’s Night not to miss.
Cabaret
My View: It’s Today! It’s Tonight! Marilyn Maye Rehearses For Her New York Pops Carnegie Hall Debut
Sometimes you have to pinch yourself at the opportunities you are presented with. TODAY would be one of those. Or as Marilyn Maye might sing to you, “It’s Today.”
This afternoon I had the privilege of witnessing the 95 year old star, rehearsing on the stage of Carnegie Hall, under the baton of Maestro Steven Reineke, in front of the mighty New York Pops Orchestra. It all happens tonight and has been a lifetime in the making. As if The New York Times piece, bylined by Melissa Errico, wasn’t enough to whet your appetite for what is sure to be a historic evening, maybe these photos will help get you even more excited. Thank you to all who made this happen for me, to present to you….Humbly Yours, Stephen
Cabaret
THE GREEN ROOM 42 Presents Tony Award-nominee Sharon McNight Celebrating 40 Years of Stories And Songs

THE GREEN ROOM 42 will present Tony Award-nominee Sharon McNight in “Surviving Cabaret,” a storied look back at the last forty years of notable performances, on Thursday, April 13 and Saturday, April 15, both at 7:00 PM. McNight is known for her “no holds barred” approach to performing, which has earned the entertainer multiple honors and two Lifetime Achievement awards. She is famous for making audiences laugh and cry at the same show with her eclectic bag of musical choices, which include blues, country, Broadway, comedy, parody, impressions and accompanying stories. She will be joined by musical director James “Jim Bob” Followell.
Sharon McNight began her career in San Francisco, and made her Broadway debut in 1989 in Starmites, creating the role of Diva. She received a Tony nomination as “Best Leading Actress in a Musical” for her performance, and is the recipient of the Theatre World Award for “Outstanding Broadway Debut” and a Hirschfeld drawing of her character. She has six solo recordings to her credit, and has played from Moose Hall to Carnegie Hall, from Los Angeles to Berlin. In addition to her two Lifetime Achievement awards, she has won the MAC, Bistro, and New York Nightlife Awards, and six San Francisco Cabaret Gold Awards.
Her eclectic repertory ranges from blues to country to good old-fashioned entertainment. She is noted for her movie reenactment of The Wizard of Oz and for being one of the few real women to impersonate Bette Davis. Her television credits include “Seinfeld,” “Silk Stalkings,” and “Hannah Montana.” McNight received her Masters of Arts degree in direction from San Francisco State College and was a master teacher on the faculty of the Cabaret Conference at Yale University. She says the greatest day of her life was the day she quit smoking.
Sharon McNight will perform “Surviving Cabaret”on Thursday, April 13 and Saturday, April 15, both at 7:00 PM, at The Green Room 42 (570 Tenth Avenue at 42nd Street, on the 4th Floor of Yotel). The cover charge ranges from $30-$50. A livestream option is available for both shows at $20 each. For tickets, please visit www.TheGreenRoom42.com.
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