On Friday Martin McDonagh’s Hangmen, which was in previews, announced that it would not arrive on Broadway. Today the star studded revival of Edward Albee’s Who’s Afraid of Virginia Woolf? announced they too would not reopen.
The production reunited two-time Tony winner Laurie Metcalf with Joe Mantello, her director on the acclaimed 2018 revival of Albee’s Three Tall Women.
Starring opposite Metcalf’s was Rupert Everett, Russell Tovey and Patsy Ferran, an Olivier Award-winning new talent from the London stage making her Broadway debut.
Scott Rudin, Barry Diller and David Geffen confirmed due to the coronavirus, would not resume performances when Broadway reopens its doors.
The revival had played nine previews at the Booth Theatre and was scheduled for an official opening April 9th with a limited engagement through August. 2nd.
Many more shows are feared to be one of many forced to pull out due to the COIVD 19 Virus.
The 76th Annual Theatre World Awards has been postponed to the fall due to the COVID-19 pandemic. The event was originally scheduled for June 1 at the Circle in the Square Theatre.
“In the interest of safety, the 2020 Theatre World Awards has been postponed,” said Theatre World Awards President Dale Badway in a statement. “We hope to gather for our always spectacular evening sometime this fall. We are following governmental guidelines to practice social distancing, in hopes that our recipients, audiences, members and friends stay well and healthy. At this critical time, all of us at the Theatre World Awards would like to focus on the care and well-being of everyone in our Theatre World community and continue on with the awards tradition when appropriate.”
The Helen Hayes Awards has also been postponed to August 24.
It’s with great care and consideration for our community that we announce the postponement of the 2020 Helen Hayes Awards, originally scheduled for May 18 at The Anthem. Our industry and communities are facing great uncertainty and we know it best to act with caution and concern. At this time, we are planning to reschedule the community celebration for late August. Following our standard processes, tickets will be available two months before the event, and recipients will be announced when the ceremony takes place.
The Tony Awards has yet to have make any kind of announcement.
Countdown to Christmas: For The Dancer and Theatre Lover Chita Rivera
2o days to go! Every year people panic to find the perfect gift. We at T2C have been collecting idea’s all year long to bring you the perfect gift guide at all price levels. When you’re at the end of your rope trying to find the perfect Christmas present this year, come to this guide for some great suggestions.
There are a lot of books out there this year but we highly recommend Chita: A Memoir , the critically-acclaimed book is written by the legendary Broadway icon Chita Rivera with arts journalist Patrick Pacheco. Chita takes fans behind-the-scenes of all her shows and cabaret acts, she shares candid stories of her many colleagues, friends, and lovers. She speaks with empathy and hindsight of her deep associations with complicated geniuses like Fosse and Robbins, as well as with the mega-talent Liza Minnelli, with whom she co-starred in The Rink. She openly discusses her affair with Sammy Davis, Jr. as well as her marriage to Tony Mordente and her subsequent off-the-radar relationships. Chita revisits the terrible car accident that threatened to end her career as a dancer forever. Center stage to Chita’s story are John Kander and Fred Ebb, the songwriters and dear friends indelibly tied to her career through some of her most enduring work: Chicago, The Rink, Kiss of the Spider Woman, and The Visit.
Chita’s love of performing began as a child in Washington, D.C., when her mother enrolled her in a local ballet school to channel her boundless energy. Still a teenager, she moved to New York to attend the School of American Ballet after an audition for George Balanchine himself and winning a scholarship. But Broadway beckoned, and by twenty she was appearing in the choruses of Golden Age shows like Guys and Dolls and Can-Can. In the latter, she received special encouragement from its star Gwen Verdon, forging a personal and professional friendship that would help shape her career. The groundbreaking West Side Story brought her into the orbit of Leonard Bernstein, Jerome Robbins, Arthur Laurents, Hal Prince, and Stephen Sondheim. After Bye Bye Birdie further burnished her rising star, she reunited with Verdon and her then-husband Bob Fosse to work on the film version of Sweet Charity and the celebrated original Broadway production of Chicago.
Chita: A Memoir was published in English and Spanish and the English audio version of the Memoir was recorded by Chita. A Spanish audio version is also available.
“Chita Rivera blazed a trail where none existed so the rest of us could see a path forward. She has been part of some of the greatest musicals in the history of the form, from Anita in the trailblazing West Side Story through Claire Zachanassian in the underrated masterpiece The Visit, over 60 years later. She is a Puerto Rican Broadway icon and the original ‘triple threat.’ We’re so lucky to be alive in the same timeline as Chita Rivera.” — Lin-Manuel Miranda.
“A frank and fascinating memoir from one of the truly great artists of the American Theater. Lots of stories … Lots of insight … and quite a few caustic statements from Chita’s alter ego, Dolores. An illuminating history and a guaranteed pleasure!” — John Kander
Broadway legend and national treasure Chita Rivera, multi-Tony Award winner, Kennedy Center honoree, and recipient of the Presidential Medal of Freedom – has taken no prisoners on stage or screen for seven decades. From her trailblazing performance as the original Anita in West Side Story—for which she tapped her own Puerto Rican roots—to her haunting 2015 star turn in The Visit. Chita has proven to be much more than just a captivating dancer, singer, and actress beloved by audiences and casts alike. In her equally captivating and one-of-a-kind memoir, Written with Patrick Pacheco, the woman born Dolores Conchita Figueroa del Rivero shares an incomparable life, both on stage and behind the curtain.
By the way this Memoir has won a Gold Medal for “Best Autobiography – English” at the 2023 International Latino Book Awards. https://www.latinobookawards.org/
Click here to buy your copy.
Ken Fallin’s Broadway: Spamalot
Here is the amazing cast of Spamalot. Christopher Fitzgerald as Patsy, James Monroe Iglehart as King Arthur, Leslie Rodriguez Kritzer as The Lady of the Lake, Ethan Slater as The Historian/Prince Herbert, Jimmy Smagula as Sir Bedevere, Michael Urie as Sir Robin, Nik Walker as Sir Galahad and Taran Killam as Lancelot.
I was so inspired I drew the whole cast.
To read T2C’s review click here.
Ahead of the Broadway Opening of Lempicka The Longacre Theatre Is Showcasing Art Work By Tamara de Lempicka
The Longacre Theatre (220 W 48th St.), soon-to-be home of the sweeping new musical, Lempicka, is showcasing a curated selection of renowned artist Tamara de Lempicka’s most famous works. Eschewing traditional theatrical front-of-house advertising, the Longacre’s façade now boasts prints, creating a museum-quality exhibition right in the heart of Times Square. The musical opens on Broadway on April 14, 2024 at the same venue.
The Longacre’s outdoor exhibition includes works of Self Portrait (Tamara in a Green Bugatti) (1929), Young Girl in Green (1927), Nu Adossé I (1925), The Red Tunic (1927), The Blue Scarf (1930), The Green Turban (1930), Portrait of Marjorie Ferry (1932), Portrait of Ira P. (1930), Portrait of Romana de la Salle (1928), and Adam and Eve (1932).
Starring Eden Espinosa and directed by Tony Award winner Rachel Chavkin, Lempicka features book, lyrics, and original concept by Carson Kreitzer, book and music by Matt Gould, and choreography by Raja Feather Kelly.
Spanning decades of political and personal turmoil and told through a thrilling, pop-infused score, Lempicka boldly explores the contradictions of a world in crisis, a woman ahead of her era, and an artist whose time has finally come.
Young Girl in Green painted by Tamara de Lempicka (1927). Oil on plywood.