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Streaming a Youth Focused Macbeth at Shakespeare’s Globe

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Jessica Murrain & Molly Logan as two out of the three witches.

Out, out, brief candle. Life’s but a walking shadow, a poor player that struts and frets his hour upon the stage, and then is heard no more. It is a tale told by an idiot, full of sound and fury, signifying nothing.” (ACT V, SCENE 5). All true, and meaningful, as the rain comes down on the secondary school audience attending Shakespeare’s Globe. The three witches rise up out of nowhere, pushing their way forward through the poncho-wearing crowd to the stage, just like the impatient teenagers that surround them.

Available for streaming on the Globe’s YouTube channelThe Deutsche Bank adaption of Macbeth, finds its funky footing as the strange women climb up onto a pile of dead carcasses center stage. Who would have thought this would be the way to begin a production aimed at this youthful audience, but it succeeds in the smart way it connects to this high school crowd. It finds thoughtful humor and a shocking thrill on the well-constructed road to tragedy, rather than talking down to or overwhelming the energetic crowd with far too much heaviness for them to bear. It’s a bizarre one though, this production of the Scottish play, as directed by Cressida Brown (Unicorn Theatre’s Icarus). Her invention is strange although somewhat joyfully fun, while never shying away from the dramatic “devil speaks true” tale. The infectious energy of the well tuned cast is high and engaging, as it expertly finds a way to fly the text outward into their hungry young ears in a clear concise manner, making it all float understandably out to the youngsters that congregate. They hear the words, and see the motives come alive quite clearly, even as the production, designed with a colorful pop of fun by Georgia Lowe, somewhat suffers from the strong editing pen and the sharp tailoring of the intense story.

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Ekow Quartey & Elly Condron.

The three weird sisters, embodied by Jessica Murrain, Molly Logan, Mara Allen, climb out of the rain-soaked crowd, playing with and startling the teenagers gathered to see Shakespeare’s shortest tragedy. They are more twisted and playful than treacherous, the oddball creations, carousing with a giddy absurdest quality over the dead and the injured. But they ring true, and play wickedly with the ambition of Macbeth, played robustly by Ekow Quartey (NT’s Barber Shop Chronicles), although their predictions fall less powerfully on the more centered Banquo, deftly portrayed by Samuel Oatley (Nottingham Playhouse’s Any Means Necessary). This Macbeth, wearing a period-free pair of running shoes, runs sharply down the path to tragedy, swiftly and pointedly without an intermission, coming to its bloody conclusion in just under 100 minutes. It’s quite the gift, this silly golf-swinging threat of a play, edited down for easy digestion. Most of the play benefits from the killer cuts, such as the pre-brutal death of Macduff’s wife (Jessica Murrain) and children (one of my least favorite moments), while others, like the sleepwalking dementia of Lady Macbeth, deliciously portrayed by Elly Condron (NT/Bristol Old Vic’s Jane Eyre) unfolds like a cliffs-note version of an epic scene that is almost too well known, so, therefore, the accelerated energy sits like an anxious teenager, desperate to get to the good parts, and forgo the rest.

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Dickon Tyrrell (center) and the cast of Macbeth.

This playful Macbeth is more unique and clever than dark and formidable. Compared to the filmed production I just saw and reviewed from the Stratford Festival, the production revels in a youthful pretense, congratulating itself with an avant-garde, almost Hogwarts-type of banner with a capital D or M. Balloons spell out “congrats” upon Macbeth’s return to his wife with his brand new title, but quickly gets reduced to “rats” as the party ends and the murderous plot of cream-coated King Duncan, played deliciously by Dickon Tyrrell (Royal Court’s Harvest), unfolds. Posters of Macbeth’s face are affixed to poles with the label of “Tyrant” written across as we watch the people begin to turn against him and his reign. Lady Macbeth dons a baby-blue jumpsuit and asks the gods to “unsex” her while rubbing her pregnant belly with unconscious maternal delight. And even though that addition is never fully realized, it’s still all flashy and fun, playing with time-frames and sheets of foliage flowing in over the crowd. Oddly enough, the tricks and treats never really pull us out of the bloody bold resolution that is attached within its twisted clown-masked playfulness.

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Ekow Quartey.

Macbeth famously looks into the dark edge of greed and corruption, through witchcraft and tyrannical need. Designed for UK secondary school students, it’s clear why, in the year 2020, that this is a theme that wants to be explored. It teaches and utilizes an understanding of the complex context of this well crafted Macbeth without overwhelming its audience. It also wisely plays with the concepts of unity between England and Scotland. The countries come together to defeat the tyrant, Macbeth, and then stand in victory under the unfurled Union Jack. The image will resonate with the students as they discuss, in class, Scottish independence and the political issues of the day, the country, and the world we all live in.

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Molly Logan.

The audience is continuously egged on and asked to participate in the bloody goings-on in this delightfully designed play. The well-done porter scene, perfectly orchestrated by the hilarious Molly Logan (Globe/Playing Shakespeare’s Twelfth Night), breaks the fourth wall with a bold joke and a pail. She demands that the crowd join in with her well-played knock-knock joke. Macbeth does it himself in the thrillingly swift and haunting banquet scene when he requests feedback on his fashion choice from the kids before he topples most wonderfully off his seat by the ghostly apparition. Macduff, dutifully portrayed by Jack Wilkinson (Claybody Theatre’s The D-Road) finally finds his forceful presence in the final battle scene, and Aidan Cheng (Hulu’s “Harlots“) as son Malcolm, discovers his solid footing once the too-big crown finally makes it to his head.

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Samuel Oatley (standing), Ekow Quartey (falling), and the cast of Macbeth.

Director Brown when talking about the production puts forth the idea that “Macbeth asks us to consider what makes a tyrant“. It unleashes the question about what we must do in the presence of greedy ambition that corrupts and divides a nation. It’s a theme worth unpacking by the youthful crowd inside the gory and fun production of Macbeth. “I think our country sinks beneath the yoke. It weeps, it bleeds, and each new day a gash is added to her wounds.” (ACT IV, SCENE 3). The world is inundated with this kind of demented power dynamics, and as we watch a young Malcolm adjust his heavy crown, we remember that the future belongs to these kids, and it will be on their shoulders to unravel the mess that is being created now by greed and unprecedented dishonesty.

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Aidan Cheng, Dickon Tyrrell, and the cast of 2020’s Macbeth at Shakespeare’s Globe.
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Shakespeare’s Globe, London, UK.

For more, go to frontmezzjunkies.com

My love for theater started when I first got involved in high school plays and children's theatre in London, Ontario, which led me—much to my mother’s chagrin—to study set design, directing, and arts administration at York University in Toronto. But rather than pursuing theater as a career (I did produce and design a wee bit), I became a self-proclaimed theater junkie and life-long supporter. I am not a writer by trade, but I hope to share my views and feelings about this amazing experience we are so lucky to be able to see here in NYC, and in my many trips to London, Enlgand, Chicago, Toronto, Washington, and beyond. Living in London, England from 1985 to 1986, NYC since 1994, and on my numerous theatrical obsessive trips to England, I've seen as much theater as I can possibly afford. I love seeing plays. I love seeing musicals. If I had to choose between a song or a dance, I'd always pick the song. Dance—especially ballet—is pretty and all, but it doesn’t excite me as, say, Sondheim lyrics. But that being said, the dancing in West Side Story is incredible! As it seems you all love a good list, here's two. FAVORITE MUSICALS (in no particular order): Sweeney Todd with Patti Lupone and Michael Cerveris in 2005. By far, my most favorite theatrical experience to date. Sunday in the Park with George with Jenna Russell (who made me sob hysterically each and every one of the three times I saw that production in England and here in NYC) in 2008 Spring Awakening with Jonathan Groff and Lea Michele in 2007 Hedwig and the Angry Inch (both off-Boadway in 1998 and on Broadway in 2014, with Neal Patrick Harris, but also with Michael C. Hall and John Cameron Mitchell, my first Hedwig and my last...so far), Next To Normal with Alice Ripley (who I wish I had seen in Side Show) in 2009 FAVORITE PLAYS (that’s more difficult—there have been so many and they are all so different): Angels in American, both on Broadway and off Lettice and Lovage with Dame Maggie Smith and Margaret Tyzack in 1987 Who's Afraid of Virginai Woolf with Tracy Letts and Amy Morton in 2012 Almost everything by Alan Ayckbourn, but especially Woman in Mind with Julia McKenzie in 1986 And to round out the five, maybe Proof with Mary Louise Parker in 2000. But ask me on a different day, and I might give you a different list. These are only ten theatre moments that I will remember for years to come, until I don’t have a memory anymore. There are many more that I didn't or couldn't remember, and I hope a tremendous number more to come. Thanks for reading. And remember: read, like, share, retweet, enjoy. For more go to frontmezzjunkies.com

Celebrity

The Glorious Corner

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G.H. Harding

FOLEY’S FUN — I watched Axel F: Beverly Hills Cop the other night and though everyone looked dreadfully old, I rather enjoyed in. Murphy was 23 when the first one came out in 1984 and was a massive hit; 40 years later, the demand is perhaps not the same, but I was surprised by how much of the original music was repeated in this one: from The Pointer Sisters on down to Bob Seger; it was almost like a walk down memory lane.

Kevin Bacon, as a corrupt police captain, is the big bad here and while he was good, he was nowhere near as bad as Stephen Berkof as Victor Maitland in the original. Face it, the badder the bad-guy is, the more it works. It was great seeing the original cast back; I love Paul Reiser, Judge Reinhold and John Ashton, but newcomers Taylour Paige, who essays Foley’s daughter, and Joseph Gordon-Levitt bring real gravitas to the screen. Levitt continues to impress every time I see him. I predict he’ll find that one big role and will be a major, major star.

The script by Will Beall; Tom Gormican and Kevin Etten is pretty bland, although one line that Murphy says to Paige is a killer:  I’ve been a father as long as you’ve been a daughter.

Don Simpson

If you’ve seen the trailer and it evoked similar feelings as the one in 1984, it’s because the studio brought back the original editor to do the new trailer. Smart move for sure. Also impressive was adding the name of producer ‘Don Simpson’ in the opening credits. Much missed.

TRUMP BIDNESS — After the weekend’s events with Trump, what can you say. He survived and the ;photos and videos have been used and viewed hundreds of times. We don’t even talk about a replacement for Biden anymore?

There still are some that say it was staged, but were the injured part of the plan too?. Even for me, that’s a bit cyclical.

I lived through the Kennedy (both); King; Wallace; Reagan and Scalise events and they were just terrible.

Still you’ve got give Trump credit for pushing on …. right?

SHORT TAKES — Hard to believe LIVE AID was 39 years ago last weekend. We we’re there, actually sitting in the row where they stopped to hose the crowd down. Was a terribly hot day at JFK Stadium. My main memory was Clapton, The Cars and Hall & Oates and of course, all of Phil Collins. Quite a day …

Have you seen this latest video from Ringo Starr? “Gonna Need Someone”- https://www.youtube.com/watch?v=9r0NthMLvtQ And that’s Nick Valensi (the Strokes) on guitar. Song was written by Linda Perry and from Ringo’s current EP Crooked Boy Sign Of The Times: LA’s famed Record Plant is closing after 55 years as one of the industry’s most in-demand recording studios. Hotel California and Rumours were recorded there. New York’s Record Plant closed their doors in 1987. Check this out from MIXhttps://www.mixonline.com/business/renowned-record-plant-studio-shutters?utm_term=2B400D4A-A644-43F4-980A-3A38D94AC1E6&utm_medium=email&utm_content=F16B421C-44D3-4A98-81C2-A992E5552E7D&utm_source=SmartBrief …

Jonathan Wolfson just sent us the new Daryl Hall album, D. Review next time …

Palm Restaurant

PR-pasha David Salidor’s book on the infamous Palm restaurant is due in September … Happy Bday Angelo Babbaro; Ron Shuter and Bill Evans. RIP Richard Simmons; Dr. Ruth; James B. Sikking; and Shannen Doherty.

NAMES IN THE NEWS — Al Roker; Bruce Grakal; John Billings; Jane Blunkell; Chris Gilman; Peter Shendell; Barry Fisch; Eppy; Vinny Rich; Anthoiny Noto; Anthony Pomes; Matt Crutch; Lush Ice; Belinda Carlisle; Gary Gershoff; Steve Walter; Chubby O’Brien; Pat Walsh; Mike Shanley; and ZIGGY!

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Celebrity

The Glorious Corner

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G.H. Harding

ALEC BALDWIN — I’ve had my own issues with Alec Baldwin for years; then, literally on a dime, it all turned around and I found him to be pretty compassionate, intelligent and a nice guy. What happened in Santa Fe on the Rust set was an unspeakable tragedy, and his trial was halted yesterday and the case was dismissed due to evidence not being given to the Baldwin-team. The Santa Fe prosecutor Kari Morrisey seemingly told two different stories on the stand and outside the court room. She is, without a doubt, toast.

Baldwin is still liable for civil suits, but this case is gone and he cannot be tried again. A win for sure, but the questions still remain: who brought live ammo onto the Rust-set. Clearly that may never, ever be determined.

Baldwin’s a good guy with a short fuse, but this situation, once and for all, is done.

Mirage

SHORT TAKES — Hard to believe the Las Vegas Mirage is closing … after 35 years. Opened in 1983 it was a great hotel and hosted The Beatles’ Love show. I have stayed there numerous times and loved it. The new owner will build a Hard Rock hotel there, with a HUGE guitar in front. Yet again changing the skyline of that town. It’ll open in 2027 …

Lyndsey Parker

Lyndsey Parker is a terrific writer. Her new site, Lyndsanity just posted a great interview with Micky Dolenz about his direction of the video “Love Is Dangerous” from Noel – masterminded by the Mael Brothers in 1979. Great piece, check it out here:  https://www.lyndsanity.com/music/micky-dolenz-on-directing-long-lost-dancing-is-dangerous-video-for-sparks-protege-noel-its-pretty-weird-huh/?fbclid=IwZXh0bgNhZW0CMTAAAR2W-9c0OfpLdT3WVy52ZWliQu7XTVoVjaYREbiUMSAUcdgJatcsL547X8c_aem_8St7LVBDI_U5Qp-ZJ5lxQA

… Hard to believe there are only 8 episodes left of CBS’ Blue Bloods. Salary concerns killed this show and it’s a shame as it was really superb for 15 years. Bad move on CBS’ part …

Zach Martin

Veteran-broadcaster Denny Somach joins Zach Martin’s NEW HD radio – https://newhdmedia.com/rock-and-roll-for-grownups-debut-denny-somach/?fbclid=IwZXh0bgNhZW0CMTEAAR1j_BeyvWnRksk6pRN7IUtWK-kzu5G35zKqcjBUjVJOJ3w_b4IVFjDE6UI_aem_hW0aEBIVaHEwpJXVTItulA

Benny Harrison

Whatever happened to Benny Harrison’s album Pages? It was a great one. Heard an early advance and loved it …And, (via Deadline)

Stevie Nicks

There are special guest stars, and then there’s extra-special guest stars. Which is what Harry Styles what is as he joined Stevie Nicks at her July 12 concert in the UK for versions of her hits “Stop Draggin’ My heart Around” and “Landslide.” Styles played guitar on stage and held up on the Tom Petty/Lindsey Buckingham vocal parts. It was familiar turf, as Styles has joined Nicks on stage several times in the past. Nicks was appearing at the BST Hyde Park concert series on Friday. Nicks told the audience in London that she asked Styles to help her in commemorating what would have been her late Fleetwood Mac bandmate Christine McVie’s 81st birthday … RIP Dr. Ruth!

NAMES IN THE NEWS — Nancy Ruth; Mark Bego; Freda Payne; Jerry Brandt; Kent & Laura Denmark; Tom & Lisa Cuddy; David Kramer; Terry Jastrow; Steve Immerman; Jordan Immerman; Tony Seidl; Roy Trakin; Markos Papadatos; Sparks; Pat Prince; Cindy Adams; Tony LoBianco; Tone Scott; David Adelson; Joel Denver; Pat Prince; and SADIE!

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Entertainment

Come Celebrate Harry Potters Birthday at Harry Potter: The Exhibition

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In the first Harry Potter story, The Sorcerer’s Stone, Harry turns 11 on July 31st. In honor of his birthday, Harry Potter: The Exhibition at 50 West 34th Street, is celebrating with a variety of birthday treats and specials for visitors, including: free admission for anyone named “Harry” , $11 ticket special for everyone else, with code HPBDAY2024 (on sale now!), free ice cream for visitors between 11am – 1pm , one-of-a-kind commemorative birthday buttons  and ticket giveaways & contests with Z100 host Crystal Garcia.


Harry Potter: The Exhibition
is the record-breaking exhibition taking visitors of all ages on a one-of-a-kind journey celebrating the entire Wizarding World and includes some of the most iconic moments from the beloved books and films of Harry Potter and Fantastic Beasts. Upon entry, everyone is given an exhibition wristband for a personalized experience using best-in-class immersive design and technology. From selecting a Hogwarts house (either Gryffindor, Hufflepuff, Ravenclaw, or Slytherin) to picking your wand and Patronus, visitors will be able to create their own, uniquely magical moments while earning points for their house with each interactive activity.

Harry Potter: The Exhibition closes August 11, 2024, so now is the perfect time to visit.

 

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Film

Gary Springer Remembers Shelley Duvall

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By Gary Springer

I loved Shelley Duvall. She very much changed my life and I am forever grateful. I was a young kid in NYC who luckily wound up in two movies – not that I wanted to be an actor – and decided I wanted to be a NY crew guy. Got cast in another film starring Shelley Duvall, Bud Cort, Dennis Christopher and Veronica Cartwright. Thought it was fun I still had the crew aspirations. Shelley became my instant best friend. She said ‘why don’t you come out to LA and stay with Patrick (Reynolds of tobacco fame) and me until you have to go back to school. I did. I spent 7 months living with Patrick and Shelley in a castle in the Hollywood Hills and then another 4 months rooming with Shelley until she called me one day from NY where she was filming “Annie Hall: and said, I think I’m going to sell the house and move in with Paul (Simon). I had to get my own place and spent the next nine years in LA as a working actor (including a television movie which also co-starred the editor of this publication). Shelley was my mentor, my love (platonically), my facilitator, my friend. I met so many people through her and experienced so much that I never would have. Her bringing me to LA for a couple of weeks changed my life completely. I quit acting and moved back to NY in 1982 to work with my dad, but Shelley and I stayed friends. She called me in 1984 and offered me a role in one of her Faerie Tale Theatre pieces (the last professional phone I had). We stayed friends. She moved to Texas and I visited. She had difficulties and I was her friend. I flew down to Texas bringing our friend Dennis Christopher last month to visit her and spoke to her twice last Sunday on her 75th birthday (one wonderful FaceTime). I loved Shelley Duvall and always will.

Shelley Alexis Duvall, inimitable actor, producer, and style icon, died in her sleep July 11, 2024  at her home in Blanco, Texas. She just turned 75 this past Sunday, July 7. Her longtime partner, Dan Gilroy was at her side. She is survived by Dan Gilroy and her three brothers her brothers Scott, Stewart and Shane.

“My dear, sweet, wonderful life, partner, and friend left us last night. Too much suffering lately, now she’s free. Fly away beautiful Shelley,” said Gilroy

She was born in Fort Worth on July 7, 1949, grew up in Houston, and returned to her Texas roots after successful decades in the Hollywood entertainment industry, Shelley was a brilliant and unique film actor and a visionary television producer.

She was first discovered in 1970 when she hosted a party to try and sell some of her husband, Bernard Sampson’s, paintings. Little did she know that crew members from a movie shoot in town were present and were captivated by her. Under the pretense of selling paintings, they brought her to meet the director, Robert Altman, and producer Lou Adler, who were blown away by her wonderfully quirky distinctiveness and cast her in the movie they were filming, “Brewster McCloud” opposite Bud Cort. In Shelley’s words: “I said, ‘don’t you want to buy any paintings?’ And they said: “No, we want you!’”

She continued working with Bob Altman on six more films such as Thieves Like Us, Nashville, Popeye, and Three Women, for which she won the Best Actress Award at the Cannes Film Festival. Seeing her in that film inspired Stanley Kubrick to cast her in his film The Shining where Shelley’s harrowing performance is indelibly etched in film lore. Shelley had a one-of-a-kind look and manner—wide-eyed, toothy, skinny and gawky, but with her own beauty and elegance—that endeared her to industry pros and audiences alike. Beyond her striking looks, she was also a serious, dedicated, and admired dramatic and comedic actor. Shelley appeared in many other film and television roles from the 1970s, 80s, and into the 90s.

Behind the camera, Shelley also conceived and created groundbreaking TV fare through her Platypus Productions: she produced, hosted, and sometimes guest-starred in her Faerie Tale Theatre series, which also called upon the talents of her wide circle of notable actors, directors, and film veterans including Robin Williams, Eric Idle, Mick Jagger, Teri Garr, Jean Stapleton, Frank Zappa, Vincent Price, John Lithgow, Pam Dawber, James Earl Jones, Candy Clark, Francis Ford Coppola, Roger Vadim, Tim Burton and so many more who would not usually have worked on a nascent cable channel show.

The Great American Tee Shirt book – with Paris wearing my Dog Day Afternoon shirt, with Dennis Christopher & Bud Cort

Faerie Tale Theatre’s one-hour adaptations of classic stories, followed up by her Tall Tales and Legends series, enchanted children and their elders through most of the 1980s (and live on to enchant in rerun heaven). She continued the streak with Nightmare Classics, Shelley Duvall’s Bedtime Stories, and Mrs. Piggle Wiggle, garnering two Emmy nominations for Producer over the years.

Gary Springer and Shelly in Bernice Bobs Her Hair

Shelley, who had been called ‘The Texas Twiggy’ and, from film critic Pauline Kael, “The Female Buster Keaton,” was a frequent host on Saturday Night Live and during those heady late 70s and 80s was also known for dating the likes of Paul Simon and Ringo Starr.

Gary and Shelly on her birthday this year

In the mid-90s, Shelley found herself retreating from Hollywood and retiring from active production; successful though she had been as a star actor and producer. Then, her three-acre home in Studio City, which hosted a menagerie of birds, dogs, and other pets, was heavily damaged in the Northridge earthquake of 1994. Shelley and her partner since 1989, actor and musician Dan Gilroy, moved back to Texas to the small town of Blanco, near Austin, where the couple became a beloved part of the protective community. In recent years, Shelley has reconnected with some old friends and admirers from her Hollywood days while living a peaceful and quiet life in the Texas Hill Country.

Dan Gilroy, her brothers Scott, Stewart and Shane, friends and colleagues, the town of Blanco, and legions of fans mourn the passing of Shelley Duvall.

 

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Events

Comic-Con Museum Presents Julien’s Auctions & TCM 2024 Spotlight Series: Harry Potter & Other Heroes

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On July 28th Comic-Con Museum Presents Julien’s Auctions & TCM 2024 Spotlight Series: Harry Potter & Other Heroes. William Shatner “Captain James T. Kirk” Long-Lost Legendary Phaser and Iconic Communicator from Star Trek Original TV Series Unveiled for the First Time in 50 Years at the Comic-Con Museum. Ryan Reynolds Deadpool & Wolverine Film Worn Shirt Crashes the Party. Collection of Iconic Character Wands Used by Daniel Radcliffe “Harry Potter,” Ralph Fiennes “Lord Voldemort,” Michael Gambon “Albus Dumbledore,” Plus, Gary Oldman “Sirius Black” Shackle Props, Slytherin House Robe & More. Chris Evans “Captain America” Original USO Shield Prop, X2 Storyboard Illustrations and Life-Size “Spider-Man” Madame Tussaud Display Figure. (Balboa Park) 2131 Pan American Plaza, San Diego, CA Stunt Grapple Gun Prop, Batarang Prop, and Unused Cowl Prop


Julien’s Auctions and Turner Classic Movies (TCM), the ultimate destination for Hollywood memorabilia, are heading to the world’s greatest pop culture convention for their first co-branded event with the San Diego Comic Convention (Comic-Con International) / Comic-Con Museum! “Comic-Con Museum Presents Julien’s Auctions & TCM 2024 Spotlight Series: Harry Potter & Other Heroes” kicks off today with an exclusive two-week exhibition featuring a collection of the most instantly recognizable props, production material and memorabilia from the epic sagas of the Harry Potter, Marvel Cinematic Universe and DC Comics franchises that will be offered at a live and online auction presented by Julien’s Auctions Sunday, July 28th at Comic-Con Museum. Adding to the excitement of this exhibition will be the appearance of two extraordinary and important artifacts from Star Trek history long forgotten and believed to have been lost: William Shatner’s legendary phaser and communicator used in his iconic role as Captain James T. Kirk in the original Star Trek television series. Both props (conservative estimate: $100,000-$200,000 each) will be heading to Julien’s and TCM’s Hollywood auction this fall where they are expected to break world records at auction. They will make their first appearance to the public in over 50 years at this exclusive exhibition at the Comic-Con Museum. Crashing this party of heroes will be Ryan Reynolds “Ryan Gosling” button down shirt worn by the Hollywood legend in his iconic role as Deadpool/Wade Wilson in the highly anticipated blockbuster of the summer, Marvel’s Deadpool & Wolverine.

Comic-Con Museum,  is a division of San Diego Comic Convention (SDCC), a California Nonprofit Public Benefit Corporation organized for charitable purposes and dedicated to creating the general public’s awareness of and appreciation for comics and related popular art forms, including participation in and support of public presentations, conventions, exhibits, museums, and other public outreach activities which celebrate the historic and ongoing contribution of comics to art and culture. In addition to its San Diego convention each summer, Comic-Con (the premier comics convention of its kind in the world), SDCC organizes the Anaheim-based WonderCon each spring and the SAM: Storytelling Across Media symposium in the fall. On the web: comic-conmuseum.org, Facebook.com/ComicConMuseum, and follow us on X (@ComicConMuseum) and Instagram (@comicconmuseum).

Turner Classic Movies (TCM) is a two-time Peabody Award-winning network that presents classic films, uncut and commercial-free, from the largest film libraries in the world highlighting “Where Then Meets Now.” TCM features insights from Primetime host Ben Mankiewicz along with hosts Alicia Malone, Dave Karger, Jacqueline Stewart and Eddie Muller, plus interviews with a wide range of special guests and serves as the ultimate movie lover destination. With three decades as a leading authority in classic film, TCM offers critically acclaimed series like The Essentials and Reframed along with annual programming events like 31 Days of Oscar® and Summer Under the Stars. TCM also directly connects with movie fans through popular events such as the annual TCM Classic Film Festival in Hollywood and the TCM Classic Cruise. In addition, TCM produces the wildly successful podcast “The Plot Thickens,” which has had more than 9 million downloads to date. TCM hosts a wealth of material online at tcm.com and through the Watch TCM mobile app. Fans can also enjoy a classic movie experience on the TCM hub on Max.

Julien’s, exist to bring those moments back into your life through iconic artifacts and one-of-a-kind collections. Whether collaborating directly with artists, partnering with legendary estates, or working closely with discerning collectors, our auctions make culture pop with the promise of discovery and reconnection. From Elvis Presley, Marilyn Monroe, and Ringo Starr to Lady Gaga, Banksy, and Kurt Cobain-from LA to the world, we are where originals find their kind.

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