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Out of Town

Streaming Musicals’ Pride and Prejudice, Streams in Musically and Romantically from Palo Alto for a Virtual Opening

Streaming Musicals’ Pride and Prejudice, Streams in Musically and Romantically from Palo Alto for a Virtual Opening

The streaming world of musical theatre just got more lively thanks to Streaming Musicals ( They have gifted us with a special free live streaming event tonight, Friday, April 10 at 630pm (with encore presentations at 10pm, and the next morning at 9am ET – make sure you go to their website and sign in) that was filled with playful joy and romantic pleasure. Hosted by two-time Tony Award nominee Laura Osnes (Broadway’s Bandstand), Tony Winner Beth Leavel (Broadway’s The Prom) and SiriusXM’s Julie James, the ‘virtual opening night’ for the debut of Pride and Prejudice is just what the doctor ordered for these difficult nights of our self-isolation. It’s a lovely and charming new musical adaptation that celebrates the world of Jane Austen with engaging and sweet music, lyrics, and book by Tony Award nominee Paul Gordon (Broadway’s Jane Eyre). Directed with grace and fortitude by TheatreWorks’ Founding Artistic Director Robert Kelley and choreographed with a light air for romance by Dottie Lester-White, Pride and Prejudice, the Musical was filmed at the Tony Award-winning TheatreWorks Silicon Valley in Palo Alto, CA., where it played its world premiere from December 4, 2019, to January 4, 2020 where it established an all-time box office record.

Justin Mortelliti. Photos: Kevin Berne.

There’s no surprise there, as the sparks fly with energy and wit, when the spirited Elizabeth Bennet, played adoringly by Mary Mattison (“The Roma Project“) runs headfirst into the rich, and proud Mr. Darcy, delightfully portrayed by Justin Mortelliti (TNG’s Clueless). It’s a clever quick witted ride into each other’s arms, filled to the edge with jabs and pokes, just the way we like these two. Sweetly done with a strong flow and a gentle push, the musical dances forth as lively and engaging as one could hope, and although the music doesn’t exactly fit the timely scene, courtesy of a strong set design by Joe Ragey, lighting design by Pamila Z. Gray, and costumes by Fumiko Bielefeldt, the energy is infectious and the romantic air is full of fragrance. Sharon Rietkerk as Jane Bennet and Christopher Vettel as Mr. Bennet are perfectly matched and we cheer them on to their lovely engagement, with Taylor Crousore making a perfectly handsome but not so lovable Mr. Wickham. Lucinda Hitchcock Cone’s Lady Catherine, along with Brian Herndon’s Mr. Collins and his future wife, Dani Marcus’s Charlotte Lucas find their storylines somewhat underutilized, but their delivery has a determined grace.Overflowing with delightful moments and performances, it’s impossible not to sit back and enjoy the ride. We all know how this classic tale ends, and even as a few plot points are swiftly discarded to get to the romantic big song ending, the energy of this delightful entry into the virtual theatre streaming world is most welcome, indeed. Can each of these two proud and prejudiced souls overcome the hurdles set out before them? I should hope you already know the answer, but whether you do or you don’t, jump in Jane Austin’s grand carriage, and ride along with the Bennett girls as they tell the handsome tale of one of the great love stories of literary history. You will be glad you tuned in.


Pride and Prejudice is produced for Streaming Musicals by Tom Polum and Stacia Fernandez. The two-year-old Streaming Musicals is dedicated to presenting new, original musical theatre content, bringing live theatre to international audiences. The productions are filmed on theatrical and sound stages in high definition video and sound. Streaming Musicals has also instituted a revolutionary profit-sharing model to support the creative artists who provide the site’s content.The production was streamed Friday, April 10 at 6:30 PM ET, with an encore presentation at 10:00 PM ET/7:00 PT. For information and to register for the streaming, visit tonight’s virtual opening night for Pride and Prejudice, Streaming Musicals is pleased to announce that its next streaming production will be the original lovely romantic musical comedy, Marry Harry. Premiere date will be announced in the coming days. Sign up for details at

Mary Mattison. Photos: Kevin Berne.

The production also features Monique Hafen Adams (Miss Caroline Bingley), Samantha James Ayoob (Lady’s Maid/Townsperson), Seton Chiang (Footman/Townsperson), Lucinda Hitchcock Cone (Lady Catherine), Taylor Crousore (Mr. Wickham), Sean Fenton (Captain Denny/Col. Fitzwilliam), Brian Herndon (Mr. Collins), Tara Kostmayer (Linda Bennet), Dani Marcus (Charlotte Lucas), Heather Orth (Mrs. Bennet), Sharon Rietkerk (Jane Bennet), Michelle Skinner (Lady’s Maid/Townsperson), Heather Mae Steffen (Lady’s Maid/Townsperson), Chanel Tilghman (Kitty Bennet), Christopher Vettel(Mr. Bennet) and Melissa WolfKlain (Mary Bennet).

Scenic design is by Joe Ragey, costume design is by Fumiko Bielefeldt, lighting design is by Pamila Z. Gray, sound design is by Brendan Ames, and wig design is by Roxie Johnson. Dialect coach is Kimberly Mohne Hill. William Liberatore serves as musical director, with orchestrations by Conor Keelan.

Streaming Musicals’ Pride and Prejudice, the Musical. Photos: Kevin Berne.

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Out of Town

My love for theater started when I first got involved in high school plays and children's theatre in London, Ontario, which led me—much to my mother’s chagrin—to study set design, directing, and arts administration at York University in Toronto. But rather than pursuing theater as a career (I did produce and design a wee bit), I became a self-proclaimed theater junkie and life-long supporter. I am not a writer by trade, but I hope to share my views and feelings about this amazing experience we are so lucky to be able to see here in NYC, and in my many trips to London, Enlgand, Chicago, Toronto, Washington, and beyond. Living in London, England from 1985 to 1986, NYC since 1994, and on my numerous theatrical obsessive trips to England, I've seen as much theater as I can possibly afford. I love seeing plays. I love seeing musicals. If I had to choose between a song or a dance, I'd always pick the song. Dance—especially ballet—is pretty and all, but it doesn’t excite me as, say, Sondheim lyrics. But that being said, the dancing in West Side Story is incredible! As it seems you all love a good list, here's two. FAVORITE MUSICALS (in no particular order): Sweeney Todd with Patti Lupone and Michael Cerveris in 2005. By far, my most favorite theatrical experience to date. Sunday in the Park with George with Jenna Russell (who made me sob hysterically each and every one of the three times I saw that production in England and here in NYC) in 2008 Spring Awakening with Jonathan Groff and Lea Michele in 2007 Hedwig and the Angry Inch (both off-Boadway in 1998 and on Broadway in 2014, with Neal Patrick Harris, but also with Michael C. Hall and John Cameron Mitchell, my first Hedwig and my far), Next To Normal with Alice Ripley (who I wish I had seen in Side Show) in 2009 FAVORITE PLAYS (that’s more difficult—there have been so many and they are all so different): Angels in American, both on Broadway and off Lettice and Lovage with Dame Maggie Smith and Margaret Tyzack in 1987 Who's Afraid of Virginai Woolf with Tracy Letts and Amy Morton in 2012 Almost everything by Alan Ayckbourn, but especially Woman in Mind with Julia McKenzie in 1986 And to round out the five, maybe Proof with Mary Louise Parker in 2000. But ask me on a different day, and I might give you a different list. These are only ten theatre moments that I will remember for years to come, until I don’t have a memory anymore. There are many more that I didn't or couldn't remember, and I hope a tremendous number more to come. Thanks for reading. And remember: read, like, share, retweet, enjoy. For more go to

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