The demons that live within us are strong. It seems like this year the films I am watching are dealing with this subject in one way...
As of 2020, the term “Karen” and “Kevin” was increasingly being used in media in a derogatory way. 2020 was deemed the year of the “Karen’s”....
Always political Broadway is marching in response to The Hollywood Reporter cover story on Scott Rudin. Activists from the Broadway community are coming together to combat racism and inequality...
I have been putting off what Andrew Gutmann bravely wrote to Brearley School. I have stayed complacent as I have had to tell my son he...
Today I was called a racist not once, but twice for an article I wrote on the murder of 4 children. My crime was that these...
DJ April Hunt and artist Rashaad Newsome premiere their new project Go Off! Joy in Defiance as the fifth commission of The Shed’s Up Close series on Sunday, June 14 at 6 pm EST. Go Off! Joy...
Many people have a view of Canada that I must admit I readily enable and support during my 30+ years living in New York City and...
Multi-media artist and polymath RaFia’s practice centers on self-portraiture through the lens of gentrification, millennial issues, mental illness, racism, and sensory overload. With surrealist distortions, hypnotic animations,...
The League of Professional Theatre Women’s annual Theatre Women Awards were inspiring. Hosted by actor, writer, and performance artist Florencia Lozano,, the awards were presented by...
Jon-Marc McDonald is a current MFA student in the writing program at Columbia University. A native of Fort Worth, Tx, McDonald moved to New York City...
On Friday George Carroll, 42, a writer and actor had just left dinner with his wife, Christina Romero Carroll, when they came across a group of...
Dominique Morisseau’s new drama, Pipeline, at Lincoln Center is an emotional, turbulent roller-coaster that asks questions where there are no answers. Or are there? Controversial subjects...
Bruce Graham’s White Guy on the Bus, speaks a lot of truths, but I don’t necessarily know if audiences are ready to admit or face these...
We sit in complete darkness, as we hear friends reminiscing about dreams, which for no reason turns into accusations of racism, as if….. but we are...
