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The Art of Peter Reginato

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Peter Reginato is an American abstract sculptor and painter. He attended the San Francisco Art Institute from 1963 to 1966. In 1970 and in 1973 his work was included in the Whitney Biennial. Since then he has had numerous solo and group exhibitions throughout the country.

Errol Rappaport, Peter and Daniela Reginato

Today I had the honor of being a guest at his studio in Soho.

A fabulous new rug

Peter’s recent solo shows include Polychrome at the Heidi Cho Gallery in Chelsea, NY, and Peter Reginato: Seeing Things at the Butler Institute of American Art’s Trumbull branch in Ohio. Recent group exhibitions include Five Sculptors at Able Fine Art NY Gallery (Chelsea, NY); It’s All Good!! apocalypse now at Sideshow Gallery (Williamsburg, NY); the Navy Pier Walk (Chicago, IL); and Works of the Jenny Archive at the Gagosian Gallery in NYC.

Mr. Reginato’s work is represented in many public collections, including the Allen Art Center, Houston, TX; Brown University; the Corcoran Gallery of Art; the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC; IBM Corporation; the John and Mable Ringling Museum of Art; the Mead Art Museum, Amherst College, MA; the Metropolitan Museum of Art; the Mint Museum of Art; the Museum of Fine Arts, Boston, MA; and the Museum of Fine Arts, Houston, TX.

Peter combines biomorphic shapes and painterly precision into his bright welded-steel sculptures. With their organic, lyrical forms, his pieces resemble the three-dimensional works of Henri Matisse and Joan Miró. Reginato uses color to draw attention to the textured surfaces of his metallic structures, which are at once delicate and expressive. He creates holistic compositions from disparate, eye-catching parts.

Peter and Danielle new collection of purses and accessories

Peter and Daniela new collection of silk clothing

Daniela and a new scarf

The Tee Shirt Collection

The Tee Shirt Collection

The Tee Shirt Collection

The Tee Shirt Collection

The Tee Shirt Collection

and shoes

“The common wisdom in the art world today suggests that in order to make an important statement, an artist must take as much out as possible, thereby creating something that is empty. I want to do the opposite. I want to make art as full as possible. The only thing I took out of my work was realism. I saw greater possibilities in abstraction.

I believe that a new art will contain all the traditional elements—line, form, color, composition, drawing. I want to leave behind work that is for every generation, no matter what the existing trends are, or the perceived opinion of good and bad. I would like to think that my work will be enjoyed, talked about, and maybe even seen as vital to those times; I would like to think it will mean something to whomever is looking at it.” Peter Reginato

Suzanna, co-owns and publishes the newspaper Times Square Chronicles or T2C. At one point a working actress, she has performed in numerous productions in film, TV, cabaret, opera and theatre. She has performed at The New Orleans Jazz festival, The United Nations and Carnegie Hall. She has a screenplay and a TV show in the works, which she developed with her mentor and friend the late Arthur Herzog. She is a proud member of the Drama Desk and the Outer Critics Circle and was a nominator. Email: suzanna@t2conline.com

Art

The Disney Revolt: The Great Labor War of Animation’s Golden Age

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In the summer of 1941, Walt Disney’s top animator led hundreds of Disney artists out on strike, nearly breaking the studio. This is the true story of those two creative geniuses, plus a corrupt advisor and a mafia gangster, who collided to cause the greatest battle in Hollywood history.

An essential piece of Disney history has been unreported for eighty years.

Soon after the birth of Mickey Mouse, one animator raised the Disney Studio far beyond Walt’s expectations. That animator also led a union war that almost destroyed it. Art Babbitt animated for the Disney studio throughout the 1930s and through 1941, years in which he and Walt were jointly driven to elevate animation as an art form, up through Snow White, Pinocchio, and Fantasia.

But as America prepared for World War II, labor unions spread across Hollywood. Disney fought the unions while Babbitt embraced them. Soon, angry Disney cartoon characters graced picket signs as hundreds of animation artists went out on strike. Adding fuel to the fire was Willie Bioff, one of Al Capone’s wise guys who was seizing control of Hollywood workers and vied for the animators’ union.

Using never-before-seen research from previously lost records, including conversation transcriptions from within the studio walls, author and historian Jake S. Friedman reveals the details behind the labor dispute that changed animation and Hollywood forever.

Join a book talk with the author Jake S. Friedman on March 21 @ 7:00 pm – 8:30 pm, at The Lambs, 3 West 51st, 5th floor. RSVP@The-Lambs.org. The book will be available to be purchased and signed by the author.

Jake S. Friedman is a New York–based writer, teacher, and artist. He is a longtime contributor to Animation Magazine, and has also written for American History Magazine, The Huffington Post, Animation World Network, Animation Mentor, and The Philadelphia Daily News. For ten years he was an animation artist for films and television as seen on Nickelodeon, Disney Channel, and Saturday Night Live. He currently teaches History of Animation at the Fashion Institute of Technology and at New York University’s Tisch School of the Arts. The rest of his time he specializes in mental health for the creative psyche.

The moderator will be honorary Lamb Foster Hirsch, a professor film at Brooklyn College and the author of 16 books on film and theater, including The Dark Side of the Screen:Film Noir, A Method to Their Madness: The History of the Actors Studio, and Kurt Weill on Stage: From Berlin to Broadway.

The Cole will be Magda Katz.

More about the book here.

 
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April’s Midnight Moment A New Nature

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In A New Nature, the Midnight Moment for April being shown from  artist Mark Dorf imagines the future of our natural world as one that’s neither a blockbuster-style apocalyptic wasteland nor an Edenic return to primitive earth. Instead, the vignettes in A New Nature depict the dynamics of our present — a messy, global system in which simulations are entangled with our expectations of real life, and our perception of what constitutes the natural world is mediated, supported, suppressed, amplified, and interrupted by technology.

Integrating gaming and surveillance aesthetics with both animations and footage of the Rocky Mountain region, Dorf collapses the barriers of what’s real in a way that echoes our digital consumption of the world. A mass of living tree roots is scanned and imposed over a simulated ocean; a mountain range is represented as a topographical blueprint. Even the filmed footage, captured at the field research station of the Rocky Mountain Biological Laboratory, is manipulated with compositing techniques  and color treatment. As Dorf explains, “The more we create simulations of landscapes or nature, the more we expect nature to be and perform as the simulation that we’ve already made.”

This unique edit of the work was crafted specifically to mirror the brisk pacing of the plazas and billboards in Times Square. As the video progresses, the pace increases, emphasizing the influence of our technological lives on the way “Nature” is understood and perceived.

“The presentation of A New Nature in Times Square is an extension of the concepts in the work itself. Nestled within the endless motion and electrical currents flowing through the glowing canyons of Times Square, the moving images harmonize with their surroundings and enact their post-natural position.”
— Mark Dorf

April’s Midnight Moment is presented in partnership with Public Works Administration in conjunction with Dorf’s solo exhibition there from April 1–30, 2023, which includes the full length version of A New Nature.

Dorf would like to thank the Rocky Mountain Biological Laboratory, and Dr. Paul CaraDonna and Dr. Amy Iler for their continued support in bringing together the arts and sciences.

Mark Dorf is a New York based artist whose practice utilizes photography, video, digital media, and sculpture. Often working directly with ecologists and technologists in the production of his works, Dorf is influenced by human’s perceptions of and interactions with what we call “Nature”, urbanism, design, and virtual environments. As opposed to seeing these subjects as categorically separate, Dorf reveals their entanglement and integration with one another as an inclusive and lively planetary ecology. Being both self-aware and critical of their own means of production, Dorf’s works craft a vision of an ecological future that navigates away from environmental collapse in the Anthropocene and imagine a “New Nature.”

Public Works Administration (“PWA”) is a digital art project space located in the 50th Street subway in Times Square. They spotlight underground artists who use digital tools to drive culture forward.

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Death Is Not the End Opens March 17 At The Rubin Museum

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Join on Friday, March 17, from 6:00 PM to 10:00 PM to celebrate the opening of The Rubim Museum newest exhibition, Death Is Not the End. The cross-cultural exhibition explores ideas of death and afterlife in the art of Tibetan Buddhism and Christianity with artworks spanning 12 centuries from the Rubin Museum collection alongside artworks on loan from private collections and major institutions.  Enjoy free admission, tours, music from DJ Roshni Samlal, drinks and dancing in the K2 lounge, temporary tattoos, and the launch of the 2023 Spiral issue, which explores moments of change that propel us into the unknown. Members will also receive two free drink tickets and access to the exclusive member section. Come explore what #LifeAfter means to you and toast the new exhibition! Reserve your free tickets today.

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