The Australian Discovery Orchestra (ADO), the world’s first solely digital streaming orchestra, is proud to announce “16 STORIES” – a worldwide online vocal competition. Renowned musical theatre creators from around the world have contributed a song from a musical they have written that has never previously been recorded for commercial release; these 16 songs will comprise an upcoming Australian Discovery Orchestra album, to be released on the Broadway Records label. This Friday, February 1st, an online global vocal competition will commence to find 16 vocalists for each song on the album – who will appear on the album as well as in the accompanying music videos. The competition will be open for submissions from midnight on February 1st until midnight on March 15th, 2019. For more information, including submission instruction, entry rules and fees, visit ADO online at https://australiandiscoveryorchestra.com/16-stories-introduction/.
ADO Conductor Kevin Purcell says, “Our greatest hope is that we will attract 16 amazing voices, whether they be seasoned professionals or completely undiscovered talent, from anywhere in the world, who will bring that indefinable quality to a song we all know when we hear it for the first time.”
The songs – and songwriters – included on “16 STORIES” are:
(1) ‘Good Enough for Me’ from Scotland, PA (based on the film by Billy Morrissette)
Music and Lyrics by Adam Gwon
Adam is an award-winning composer and lyricist whose credits include Ordinary Days(Roundabout, Off-Broadway; Trafalgar Studios, West End), Old Jews Telling Jokes (Westside Theatre Off Broadway); String (Village Theatre, WA), Cake Off (Signature Theatre, VA Helen Hayes Award nomination; Bucks County Playhouse), Cloudlands (South Coast Repertory), The Boy Detective Fails (Signature Theatre, VA), and Bernice Bobs Her Hair (Lyric Theatre of Oklahoma).
(2) ‘Sixteen Bars’ from The Taxi Cabaret
Music, Lyrics and Book by Peter Mills
Peter is a recipient of the Kleban Prize, the Ebb Award, the Richard Rodgers New Horizons Award, the Cole Porter Award, and a Jonathan Larson grant. He received two Drama Desk Award nominations for The Pursuit of Persephone, and his other shows include Illyria, The Flood, Golden Boy of The Blue Ridge, and most recently, he wrote lyrics for The Honeymooners (Paper Mill Playhouse).
(3) ‘Pretty Little Thing’ from Vigil
Music by Joe Chindamo, Lyrics and Book by Steve Vizard
A collaboration between renowned jazz pianist Joe Chindamo and writer Steve Vizard, Vigil premiered at the 2017 Adelaide Cabaret festival and was nominated for 5 Green Room Awards and a 2018 Writers Guild Award for Best New Musical.
(4) ‘You Were There’ from Electric Dreams: The Musical (based on the 1984 film by Rusty Lemorande)
Music and Lyrics by Drew Lane
A producer, arranger and award-winning composer from Australia, Drew’s musicals have been performed throughout Australia, and have had seasons in the UK and USA. Highlights include presenting his musical Marking Life to Stephen Schwartz as part of Australia’s Festival of Broadway in 2010, having the first professional performance of Final Words in New Mexico in 2015, and gaining an Australia Day Award for his youth musical Somewhere To Fight For in 2012.
(5) ‘It Starts Again’ from Einstein
Music, Lyrics and Book by Jess Newman
An award-winning Australian composer, lyricist and performer, Jess was a winner of the 2017 New York City Center Encores songwriting competition, for which he performed an original song for Stephen Sondheim. Einstein had its premiere in Melbourne, Australia in 2016 and was selected byThe Age newspaper as one of the year’s theatrical highlights. A resident of NYC, he is currently completing a Masters of Musical Theatre Writing at Tisch, NYU.
(6) ‘Tuscany’ from Days Like Today
Music and Lyrics by Alan Schmuckler
Alan’s work has been performed across the US and internationally, and has also created work for television, podcasts and digital formats. Winner, 2018 Kleban Prize in Musical Theater; 2017 Webby Award; 2017 Sarah Lawrence International Audio Fiction Award. His work is published by R&H.
(7) ‘Real Adventure’ from Yo, Vikings!
Music by Sam Willmott, Lyrics and Book by Marcus Stevens
Sam is the recipient of the Kleban Prize, Fred Ebb Award, Jonathan Larson Grant, and ASCAP Foundation Harold Adamson and Cole Porter Awards.
Marcus is a Richard Rodgers Award winner and a member of the BMI Workshop, ASCAP and the Dramatists Guild. Yo, Vikings! is published by Samuel French, Inc.
(8) ‘Long Way Home’ from Start Again
Music and Lyrics by Nikko Benson
Nikko is an NYC-based writer and performer, a recipient of a 2016 Jonathan Larson grant, and an O’Neill Music Theater Conference Finalist. Projects include Nikola Tesla Drops The Beat (w/ Benjamin Halstead, Adirondack Theater Festival); Start Again (Musical Theater Factory); and In Pursuit of Magic (Kennedy Center Millennium Stage). He has received development residencies with Village Theater Festival, Pace New Musicals, the Johnny Mercer Songwriters Project, Catwalk, and Goodspeed Writers Colony.
(9) ‘My World’ from The Astonishing Times of Timothy Cratchit
Music and Lyrics by Andre Catrini
Andre is a proud ASCAP member and the recipient of the 2014 ASCAP Foundation Cole Porter Award, given “in recognition for his outstanding talent as a musical theatre composer and lyricist”. Stage works include The Astonishing Times of Timothy Cratchit, A Game Called Life (book by Laura Zlatos) and The Wolf (book by Joe Calarco).
(10) ‘I Didn’t Know’ from Where Were We?
Music and Lyrics by Oliver Houser
Oliver’s work has been performed at The Other Palace Theatre, The Kennedy Center, The New York Musical Festival, the New York Fringe Festival and The SoHo Playhouse. He has developed work at Goodspeed Musicals, the ASCAP and BMI Musical Theatre Workshops and the Ucross Foundation. Oliver is a 2017 Dramatists Guild Fellow and winner of the ASCAP Foundation Sammy Cahn Award for songwriting.
(11) ‘The Spark’ from The Enlightenment of Percival Von Schmootz
Music by Michael Kooman, Lyrics and Book by Christopher Dimond
Kooman and Dimond received the Fred Ebb Award, a Jonathan Larson Grant, and are the first recipients of the Mary Rodgers/Lorenz Hart Award and the Samuel French Next Step Award. Their most recent musical, Romantics Anonymous, debuted to rave reviews at Shakespeare’s Globe in 2017. They also serve as songwriters for Vampirina an animated Disney TV series, which has reached over 49 million viewers in 115 countries. Other projects include The Noteworthy Life Of Howard Barnes (Village Theater), Orphie & The Book Of Heroes (The Kennedy Center), The Enlightenment Of Percival Von Schmootz (commissioned by the Canadian Music Theatre Project),Judge Jackie Justice (Pittsburgh CLO), Dani Girl (licensed by Samuel French), Golden Gate(Williamstown Theatre Festival), and Junior Claus (licensed by Dramatic Publishing).
(12) ‘El Amor’ from The Stranger from Seville
Music by Kevin Purcell, Lyrics and Book by Victor Kazan
Kevin is a multi-award-winning international Opera and orchestra conductor, musical director for theatre and songwriter/arranger. He is the Principal Conductor of Australia’s national symphony, the Australian Discovery Orchestra (ADO). Most recently, Kevin was the initial Musical Director for the first UK/Eire national tour of Wicked. He has worked extensively over the years for the Really Useful Group and Cameron Mackintosh as musical director in London’s West End and South East Asia, most notably with the original London production of Cats.
Victor has worked in the entertainment industry for fifty years. Born in London, he carved a distinguished reputation as a writer and director in British theatre and television before taking up residence in Australia in the early 1980s. Since then, his major work has been in film and musical theatre. Among his Australian screenplays is the popular, feel-good movie ‘Dalkeith’.
(13) ‘When I Slay My Rival’ from The Rivals (Adapted from Richard Brinsley Sheridan’s The Rivals, 1775)
Music by Stephen Weiner, Lyrics and Book by Peter Kellogg
Stephen won two Richard Rodgers Awards from the American Academy of Arts and Letters, a Jonathan Larson Grant, Global Search for New Musicals Award and the ASCAP Richard Rodgers New Horizons Award for Musical Theatre. Latest works include The Rivals and The Honeymooners.He has written numerous musicals Off-Broadway, regionally and overseas. Steve is a graduate of the renowned BMI Musical Theatre Workshop and proud member of The Dramatists Guild and ASCAP.
Peter has two Tony nominations for book & lyrics to a musical of Anna Karenina (composer Dan Levine). Anna Karenina has had 3 tours in Japan. With David Friedman: Chasing Nicolette, based on Aucassin and Nicolette produced at Westport Playhouse, the Prince and Village Theatre; Stunt Girl, about Nellie Bly, New York City’s first female reporter; and Desperate Measures, a western, loosely based on Measure for Measure.
(14) ‘Somebody Else’ from Connected
Music, Lyrics and Book by Craig Christie
Craig has worked for twenty-eight years as the principal of No Mates Productions, creating original musicals in educational, community and commercial settings. Craig’s theatre works includeCrusade and Eurobeat, which won Best Musical at the Edinburgh Fringe and enjoyed an acclaimed London, West End season. His annual children’s book tours have been seen by over 2.5 million school children internationally.
(15) ‘Out On A Limb’ from Marryin’ Marian
Music by Joel Evans, Lyrics by Adryan Russ, Book by Keith Huff
Joel’s credits include more than 90 movies and 400 television episodes, including Wedding Crashers,”Friends”,”Life in Pieces,” Glenn Close’s The Wife, and the 2014 Daytime Emmy Award-winning special “The Young & the Restless – Tribute to Jeanne Cooper.”
Adryan’s off-Broadway musical Inside Out, co-written with Doug Haverty, has played across the U.S. and Europe. She has received ASCAP Awards for Popular Music, is a member of The Dramatists Guild, and serves on the Board of the Society of Composers & Lyricists.
As a playwright, Keith’s notable theater productions include A Steady Rain featuring Daniel Craig and Hugh Jackman (Broadway), The Detective’s Wife (Writer’s Theater), Big Lake Big City (Looking Glass Theater), Pursued By Happiness (Steppenwolf Theater), The Bird and Mr. Banks (Road Theater), and Six Corners (American Blues Theater).
(16) ‘’Listen’ from The Trouble With Words
Music and Lyrics by Greg Nabours
Gregory’s award-winning song cycle The Trouble With Words debuted in 2011. In 2013, Gregory was selected to join the Johnny Mercer Songwriter’s Project, and in 2015 an evening of his work was performed at the Kennedy Center in Washington, D.C. His new musical Marilyn! (The Official Marilyn Monroe Musical) is now playing an open-ended run at Paris Casino in Las Vegas.
Launched in 2015, The Australian Discovery Orchestra, (Kevin Purcell, Conductor) provides 68 exceptional professional musicians from across the country, the opportunity to come together several times each year to perform repertoire embracing classic masterworks, the catalogue of extraordinary orchestral music rarely heard live in-concert, and, premiering new Australian music. ADO events are live as well as captured in multi-camera HD for both streaming and Pay-per-View. The orchestra is committed to seeking new ways of engaging viewers and listeners by making the music it performs a catalyst for interaction with its Internet-wide audience. Holding to the core belief that live orchestral concert music is really one of the most humanly transformative activities imaginable, the ADO strives to create unique modes of musical storytelling able to be told across multiple media channels simultaneously.
Since its founding in early 2012, Broadway Records has become one of the premiere record labels in its industry. From cast albums of major Broadway shows (i.e. Matilda) to the preservation of shorter run Broadway shows (i.e. Bonnie & Clyde), Broadway Records believes in delivering the best cast recordings to its customers. In addition to an emphasis on delivering first rate sound on their recordings, the label also believes strongly in the whole cast album experience, including packing cast album booklets with a plethora of photos from the show, lyrics and more. They also strive to innovate with the critically acclaimed “Live at 54 BELOW” series featuring top Broadway stars including Patti LuPone, Aaron Tveit, Norbert Leo Butz, Sierra Boggess, Laura Benanti and many others. They are also strong supporters of the next generation of talent, including albums from up-and-coming composers such as Drew Gasparini and Michael Mott. Broadway Records also believes in leaving the world a better place, and this has inspired the work on albums such as “From Broadway With Love: A Benefit Concert For Sandy Hook” (with 100% of our profits going to the Newtown-Sandy Hook Community Foundation), A ROCKIN’ Midsummer Night’s Dream (with 100% of our profits going to the 12.14 Foundation), “An Evening With Norbert Leo Butz” (with 100% of our profits going to the Angel Band Project) and “Shapiro Sisters: Live Out Loud – Live at 54 BELOW” (with a portion of the proceeds going to “No Bully”).
The Glorious Corner
FAMILY’S A BITCH-THE END OF SUCCESSION — Sunday’s finale of Succession (HBO) was a mixed bag. I’ll be honest: At first I thought the finale was totally underwhelming, but after some additional thought and reading some other excellent reviews, I’ve come to the point where I now believe it was, pure and simple, how it had to end.
None more so than Joss Stone on “I Put A Spell On You.” What a voice. I’m amazed she’s not bigger; very Janis Joplin.
Also, Gary Clark delivered a blistering, amazing performance on Stevie Wonder’s “Cause We’ve Ended As Lovers.” No question that he’s the next guitar-wizard. Here they both are: https://www.youtube.com/watch?v=nvO2_noxaXQ and https://www.youtube.com/watch?v=QO2BLAXveVo …
I watched all 9 seasons of the CW’s The Flash and the first 5 were pretty terrific. The remaining ones got poorer and poorer as the original cast disappeared one by one. Grant Gustin, The Flash, was there the whole time, but their finale last week was terribly confusing – save for a song by Tony Award winner Jesse L. Martin (for Rent) – a key member of the original cast. The last two seasons had a myriad of costumed villains, some from the comic, some not, but just wildly messed up. The CW was sold to Nexstar last year and big changes are in their future. Sad … and, CNN is reporting that Universal Music is close to snapping up the rights to the Queen-catalog for $1 billion-plus. Good for them.
Disney had it previously, but Queen’s music is more popular than ever before. It’s a real shame Freddie is not her to share in it. If you wondered the record for the biggest previously was for Bruce Springsteen’s catalog at $500 million.
The Mayor of Motivation interviews Ramon Hervey, Manager & Publicist to the Famous
Ramon Hervey has earned global recognition as a highly regarded entertainment manager, brand consultant & publicist who has represented Richard Pryor, Bette Midler, Paul McCartney, the Bee Gees, Muhammad Ali, Caitlyn Jenner, Quincy Jones, Vanessa Williams, The Commodores with Lionel Richie, the Jacksons with Michael Jackson and a whole lot more A Listers. He is the author of the book…The Fame Game: An Insider’s Playbook for Earning Your 15 minutes.
After having invested 4 decades in playing the fame game, Ramon and I sat down to talk on The Motivation Show podcast.
Ramon, why do you call fame a “game” and why did you choose that word for your book title? “Fame is unpredictable, just as are the results in a game. Everyone has failures. You hope to win, but it is not guaranteed. Only .0065% of over 7 billion people in the world are famous. There are a lot of successful people in the world that never become famous. Fame and success don’t come with a warranty.”
What does Ramon feel about luck playing a role in success and fame? “I think there is a certain amount of luck in what I do. A lot of it is timing. Timing is a form of luck.” One example Ramon gives is when Starbucks started to introduce music in it’s cafes. The first one was Ray Charles, who died shortly thereafter, which skyrocketed sales of his music. That sales surge is what Ramon attributed to luck.
The pursuit of fame…is it mostly a positive goal? “Most people don’t know what fame is til they already become famous. A lot of stars change their mind about what they thought fame was going to be. A lot of people don’t like all the baggage that comes with being famous. The lack of privacy. In my time on the planet, it has definitely changed dramatically over the past ten years.” Ramon points to Social Media and it’s impact on more people having an opportunity to become famous in different ways than were available previously.
Why did Richard Pryor, at the height of his fame, attempt suicide & what was the famous incident which almost killed him that he later confessed to as a suicide attempt? “I managed all of Richard’s missteps. He was probably the #1 black entertainer in the world at that time. It’s not my fame. It’s their fame. I think Richard always felt guilty about his fame. He didn’t think he could live up to the level of fame that he achieved. That created an albatross around his neck. It made him rely on more substances to sedate him and calm himself. He reached the point that he did not want to become that person anymore. For the longest time he said that he didn’t (try to commit suicide), he said it was an accident. Richard always found a way to market his vulnerability. All of his comedy focused on all of his missteps. He had shot all four tires on his Mercedes and told his wife during a fight that you are not going to leave in that car. He put that into his comedy. He did it the exact opposite way of what we would advise which would be to put the incidences behind you. I don’t know anyone else that was as successful as him in marketing all of the things he did wrong.”
When asking Ramon about what type of confident personality one has to have to become famous he says, “I do believe you have to have a big ego and a certain amount of self confidence to be successful. Every famous person I met took a different path to get it and they all loss some level of fame at some point.”
Can you give us an example of someone you managed very well? “I am very proud of my relationship with Bette Midler. She helped to blossom my career. I was never her manager, but I was her publicist. I did work in a management capacity…she didn’t have a manager. I have a great appreciation and fondness for her. Also, working with my ex-wife Vanessa Williams on her crisis management. I did not know her at the time she was embroiled in the Miss America controversy. She resigned here title and I am glad she did. We got married and had three kids together and I managed her career. It took ten years for her to get her life back after she resigned from the Miss America pageant where she was just called Vanessa Williams without alluding to any prior controversy.”
In discussing his earlier years, Ramon shares two musical giants that helped shape his career. “In my book, I try to enlighten people about the trajectory of my own fame. My first client I got to work with was Paul McCartney. My initial task was to put together a press kit. That shaped my next 4 or 5 years when I got an opportunity to work with Quincy Jones who is the first client I brought to Rogers & Cowan who I was working with at the time. He was someone I treasured to be in his presence because he had so many great stories and so much great insight.”
Ramon muses in his book about fame, that the more you get, the harder it is to manage. I asked him if there are any other examples like that. “Probably the worst case scenario was Rick James. He had a very troubled childhood. For him, fame meant he put himself above people. He created a lot of bad blood. The way that he treated people. A lot of people did not want him to win. He always had a great fan base, but I think his fame was toxic for him. He self-destructed. He was obsessed with fame and all the hoopla and perks. He loved being the king of everything. He was very demanding. He did not know how to manage his fame.”
In closing, I ask Ramon, what he is most proud of. “I am proud of my reputation. I have never been sued. I’ve always approached business with a great deal of integrity. I’ve always worked really hard. I’ve always tried to be honest with my clients. Authentic and transparent. I think that is much better than being a yes man.”
So when I think of fame, I think of getting the best table in the best restaurants. I think about people idolizing me. I also think about people interrupting my conversation and my meal for photos and autographs. Do I really want that…or do I just want a nice, quiet, peaceful meal. Hmmm…some food for thought. How about you? Do you want to be part of the Fame Game?
You can listen to Eli’s podcast The Motivation Show on any podcast listening app or use this Spotify link: https://open.spotify.com/show/3NVmTDAvGbzooN8TCW7tuN. To contact Eli or to have him speak at your event, email email@example.com.
The Glorious Corner
LASSO’S MOM CITY — I believe that the best ever episode of Ted Lasso was dropped this week, entitled Mom City. It started off innocently enough with Ted leaving for work and walking right past his mother! He realized it and turned back to her. Turns out she had been in London for a week and was just now seeing Ted.
Also, Harry Nilsson’s “Puppy Song” was a key musical moment in the EP. Harry, we love you!
SHORT TAKES — The #1 iTunes song currently is Tina Turner’s “What’s Love Got To Do with It.” Much deserved … Producer Joel Diamond used to live at 220 Central Park South in NYC. His building was torn down and re-built. It is now part of what they call Billionaire’s Road. WSJ-reporter Katherine Clarke’s new book is about just that.. Via Random House, Billionaire’s Row is out on June 13 …
We dropped the name of new Latino-artist Sasha Prendes last time; we just saw a teaser clip for her new video “Shake This.” Check it out here: https://www.sashaprendes.com/video … Micky Dolenz headlined at this week’s Abbey Road On The River and delivered his usual high-octane performance.
He leaves for England this week for the James Burton & Friends/One Night Only event June 4 at London’s Palladium … Terry Jastrow interviewed by Brad Balfour for his podcast this week …
ENDQUOTE: Via Deadline: The View’s Whoopi Goldberg Claims ‘American Idol’ Led To The Downfall of Society. Ouch! Check it out here: https://deadline.com/2023/05/the-view-cohost-whoopi-goldberg-claims-american-idol-led-to-downfall-society-1235380500/ … Happy Bday Buddy Blanch and Bobby Shaw!
Memorial Day Playlist
As you lay out by the pool, the beach, Central Park or on the sidelines of a parade, T2C offers you music to celebrate and get you in the mood.
Events in June
Gay Pride, Bryant Park Picnic Performances, Movie Nights, Lincoln Center Summer for the City (Midsummer Night Swing), Juneteenth, New York Philharmonic Concerts in the Parks, Tribeca Film Festival, Free Outdoor Concerts, Museum Mile Festival, the Puerto Rican Day Parade and that’s just the beginning!
Until September 29 every summer in Times Square, NYC, TSQ LIVE showcases hundreds of artists, performers and cultural producers and this summer 80 free events hosting over a dozen incredible New York-based institutions and collectives, including Pioneer Works, NEW INC, Children’s Museum of Art, Carnegie Hall, Jazz at Lincoln Center, Ailey Extension, New York Live Arts, OTA Entertainment, Soul Summit, Rash Bar, and Elsewhere.
6/1: Picnic Performances @ Bryant Park New York City Opera: La Bohème
6/2: Picnic Performances @ Bryant Park Jazzmobile: The Steven Oquendo Latin Jazz Orchestra
6/2: Billy Joel @ MSG
6/3-4: Washington Square Outdoor Art Exhibit atUniversity Place, starting at East 13th Street and continuing south along the east side of Washington Square Park to West 3rd Street.
6/7 until September: Little Island Tony and Grammy Award winners in The Glade, late night djs, drag bingo, and dance parties in The Play Ground, weekly artmaking activities for all ages and Teen Night every Friday.
6/7 – 18: Tribeca Film Festival will take place movie theatres, rooftops and various venues throughout NYC, such as the new Pier 57, Beacon Theatre, the Angelika. The premiere of Let the Canary Sing with a performance by Cyndi Lauper or The Closing Gala: A Bronx Tale, followed by a conversation with director and star Robert De Niro, producer Jane Rosenthal, and writer and co-star Chazz Palminteri.
6/8 – 8/6: Shakespeare in the Park – Hamlet
6/8: Picnic Performances @ Bryant Park Contemporary Dance: Robin Dunn, The Lite
6/9: Picnic Performances @ Bryant Park Contemporary Dance: Dance Heginbotham, Jennifer Muller/The Works
6/9 – 11: @ Citi Field Governors Ball Music Festival – The contemporary music festival for music lovers by music lovers. With 60+ artists of all genres across 4 stages, there is something for everyone, including delicious restaurants, food trucks and menus.
6/9 – 18: River to River Festival The festival takes place in a variety of public venues that canvas all of Downtown New York – from Chambers Street down to the southern tip of Manhattan and across the island from river to river.
6/11: National Puerto Rican Day Parade Fifth Avenue, 44th to 79th Street
6/12: Bryant Park Movie Nights Almost Famous (2000)
6:13: Museum Mile Festival on Fifth Avenue from 84th Street to 109th Street: The Metropolitan Museum of Art; Neue Galerie New York; Solomon R. Guggenheim Museum; Cooper Hewitt, Smithsonian Design Museum; The Jewish Museum; Museum of the City of New York; El Museo del Barrio; and The Africa Center.
6/14 – August: Dancing Under the Stars (formerly Midsummer Night Swing), free outdoor movies, dancing, singing, readings, celebrations, flamingos, disco ball, poetry, Mozart, concerts, crafts, Juneteenth and much more!
6/15: Picnic Performances @ Bryant Park Contemporary Dance: Terk Lewis + Kayla Farrish
6/16: Picnic Performances @ Bryant Park Contemporary Dance: Soles of Duende + Josh Johnson
6/17-25: Gay Pride The Rally, The March & Pride Island. The 2023 theme is “Strength in Solidarity” and Christina Aguilera is headlining NYC Pride Island on Sunday, June 25th at Brooklyn Army Terminal. The festivities begin with Family Night and the Rally and culminate with PrideFest & The March. Other events include Pride Island and the annual Dance on the Pier, following the parade wrapping up Pride Week in a grand fireworks display.
6/16 – 18: Juneteenth is a celebration of June 19, 1865 in Galveston, Texas, which declared the ending of slavery in the USA. The three day Juneteenth in NYC festival kicks off Friday with a virtual summit, Friday night is the Celebration of Black Kings, Saturday is Festival Community Day and the festival culminates Sunday with a Parade, Fashion Show, Food trucks Field Day and more. Monday, June 19th, is a national holiday, with government, banks and post offices closed. More Info: Junteenth NY
There are dozens more Juneteenth celebrations throughout all 5 Boroughs, including BBQs, the NYC Parks Department, Seneca Village, Broadway, Lincoln Center, concerts, shows, theater and more.
6/17: The Coney Island Mermaid Parade is the nation’s largest art parade where 3,000+ participants dress in hand-made costumes.
6/ 19: Bryant Park Movie Nights Amistad (1997)
6/23: Picnic Performances @ Bryant Park Emerging Music Festival: Psymon Spine, THUS LOVE, Katy Kirby
6/24: Picnic Performances @ Bryant Park Emerging Music Festival: Ky Vöss, Seramic, Miss Grit, Dead Tooth
6/26: Bryant Park Movie Nights Mean Girls (2004)
6/30: Picnic Performances @ Bryant Park Jalopy Theatre: Michael Daves Quartet ft. Tony Trishka, Yacouba Sissoko, Terrell King
6/30: Intrepid Museum Summer Movie Series: Pirates of the Caribbean: The Curse of the Black Pearl
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