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The CBC’s Mission To Inspire Music Students

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Music

If you’ve never heard of the CBC’s music class challenge, it’s worth looking up. If your child or children are enrolled in a school music program, even better. Since the CBC is a government funded company that supports the arts, they’re always looking for ways to stimulate creativity. Hence: this unique challenge with fantastic prizes to benefit besieged music programs across the country.

The premise is simple: any music class – whether it’s an extra-curricular club or a regular music class – can enter the competition. The CBC provides a list of songs written by Canadians that the class can choose from. Whether the class wants to record the song note for note or do a totally whacky, original take on it is completely up to them. Even if music classes don’t always have state-of-the-art equipment these days, all you need is a simple smart phone to capture the performance. While smartphones can often be a distraction in class, in this instance they are very helpful.

The cool thing about this contest it that it’s a way to get children fired up about music. Last year over 500 schools submitted videos from every territory and every province in four different languages. Of the 500, 6 were chosen to receive recording equipment valued at $5,000.

Rather than seeing music as just another boring class between math and recess, this challenge encourages kids to get creative and make something they can share with their friends and be proud of. The emphasis on recording is interesting as well, since it will make students consider the finer points of recording audio, which is more likely to lead to a career in the music industry than anything else. You may have to sign your kids up for music lessons when the contest is over, since collaborating on a creative project of this nature can create an insatiable hunger for more skills and knowledge.

Here are a list a list of songs that are eligible for the 2017 edition of the challenge:

  • “Lost Boy” by Ruth B.
  • “Running” by Jully Black
  • “Listen to the Sounds” by Bobs and LoLo
  • “Fool” by BasiaBulat
  • “CBC Olympic Theme” by Marc Cholette (arranger: Grayson Mathews)
  • “I Don’t Want To Break Your Heart” by Coeur de pirate
  • “Northern Lights” by The Jerry Cans
  • “Constant Craving” by K.d. lang
  • “Dans Ton Oreille” by JérômeMinière
  • “Both Sides Now” by Joni Mitchell
  • “L’Amour” by Karim Ouellet
  • “Sing it Together” by Marc Jordan and Ian Thomas
  • “Treat You Better” by Shawn Mendes
  • “James Bay” by Midnight Shine
  • “Missing You” by J.F. Robitaille
  • “It Snowed” by Meaghan Smith
  • “End of an Era” by The Strumbellas

Another cool element of this contest is that it shines a spotlight on Canadian artists and bolsters a sense of community between artists and the public. It helps kids get excited about the Canadian music industry and learn about a variety of artists – Joni Mitchell and K.D. Lang, for example – that they might not otherwise find out about. The list of songs is so eclectic that kids will surely find something that interests them, and maybe they will a discover the very genre that they would want to make music in.

CBC

Prize money aside, the best thing about this contest is that it breaks a rigid, academic approach to music and turns it into something creative and spontaneous; the kind of experience that could truly teach young people how gratifying it can be to perform music.

Entertainment

Beatles Brunch at City Winery Where Strawberry Fields Lives Forever

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I was taken to City Winery by Eli Marcus for the Beatles Brunch with Strawberry Fields.
This show plays every Sunday with an unlimited brunch buffet that includes coffee, tea and juice, starting at noon. A bottomless brunch cocktail package is also available and children get in free. Here tourists mingle with New Yorkers, eating scrambled eggs, sausage, bacon, dried out French toast, spicy potatoes with onions and peppers, perfectly done chicken, salad and fresh fruit. What is so nice, is that everyone seems happy to to be here, to see and hear the Fab Four.

Eli Marcus, Suzanna Bowling

The show starts off without fan fare. The lights dim and four men enter, not quite looking like the originals. Tony Garofalo (John Lennon), Billy J. Ray (Paul McCartney), Ira Siegel (George Harrison), and Michael Bellusci (Ringo Starr) and their costumes and wigs have seen better days. Then the music starts. You can watch one of our video’s here.

From the early hits like “I Wanna Hold Your Hand,” “She Loves You,” “Ticket To Ride” “Eight Days A Week” and more the first act is nostalgia at it’s best. It was adorable to watch the audience, especially the young ones “Twist and Shout.”

After a break in came the Sergeant Pepper era, clothing and all. From that we got “Nowhere Man,” “My Guitar Gently Weeps,” “When I’m 64,” “Penny Lane” and songs that dig into your soul. They are done well and the Beatles live again. You can see our video here.

Then the later songs like “I Am The Walrus” and “Don’t Let Me Down” end a show that is almost two hour long of music, that is classic. I have to admit I wanted to hear “Blackbird” and “Norwegian Wood,” but what you get is a  well rounded assortment of those songs that shaped several era’s.

Billy J. Ray, Ira Siegel

Ira Siegel stands out with his guitar playing that is out of this world. I really loved all the songs he sang as well.

Michael Bellusci

Michael Bellusci, gives Ringo a run for his money on the drums.

Tony Garofalo

Tony Garofalo is the founder, creator and producer playing rhythm and lead guitar and singing lead vocals along with Alan LeBoeuf from the original Beatlemania playing bass guitar. Ray looks the most like the Beatle he is playing.

Alan LeBoeuf, Ira Siegel

Alan LeBoeuf, Ira Siegel

Alan LeBoeuf

Strawberry Fields has been covering The Beatles for over three decades. They used to have a residency at B.B. Kings, but these days their home base is City Winery and it is definitely a great way to spend a Sunday. All four are consummate musicians and obviously have a love for what they do and that rubs off on their audience.

For a souvenir up a City Winery Strawberry Fields Rose Wine and have it signed by the cast. With its is its strawberry pink color, you get a combination of kiwi, watermelon and the taste of strawberry that lingers.

City Winery is right next to Little Island, Chelsea Market, The Highline, the Meatpacking district, Chelsea, and West Village. Everything is nearby to make a perfect outing for the whole day and this is one brunch where you definitely get your money’s worth. Click HERE for tickets

Tickets are $65.45

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The Glorious Corner

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G.H. Harding

WENNER TAKES A DOWN —Jann Wenner always speaks his mind and this week he may have overstepped just a bit. In an interview that ran in the New York Times about his new book called Masters, he quite openly said that there were no black or R&B artists in it, because they were not able to articulate properly. I know, I felt the same way reading that. Minutes later, he was let go by the board of the Rock and Roll Hall of Fame, which he helped start with Ahmet Ertegun way back in 1983.

Ahmet Ertegun

His Like A Rolling Stone autobiography book was quite an indulgent read last year, but Wenner has in the last several years suffered several health set backs and it was pointed out that he may not be in his right mind. Still, he should have spoken way more carefully. I’ve known Wenner for decades and trust me, he feels he’s way entitled, and that said, you can rest assured that there were dozens and dozens of people (and former employees) waiting to take him down.

The sad fact is that most of the accusations are true. That said, let’s face it Rolling Stone magazine in it’s heyday was a miraculous outlet for so much music and terrific journalism – from Ben Fong-Torres to Hunter Thompson and Jann himself .. it was distinguished. Now, he may have killed it all.

Rolling Stine magazine Monday posted this – essentially disowning his from the magazine: “Jann Wenner’s recent statements to the New York Times do not represent the values and practices of today’s Rolling Stone. Jann Wenner has not been directly involved in our operations since 2019. Our purpose, especially since his departure, has been to tell stories that reflect the diversity of voices and experiences that shape our world. At Rolling Stone’s core is the understanding that music above all can bring us together, not divide us.”

Here’s the report from Deadline: https://deadline.com/2023/09/jann-wenner-removed-rock-and-roll-hall-fame-foundation-board-1235548690/comment-page-1/#comment-3858649

FILE – Drew Barrymore attends the Time100 Gala, celebrating the 100 most influential people in the world, at Frederick P. Rose Hall, April 26, 2023, in New York. The National Book Awards dropped Barrymore as the host for this year’s ceremony, Tuesday, Sept. 12, 2023, a day after her talk show taped its first episode since the Hollywood writers strike began. (Photo by Evan Agostini/Invision/AP, File)

DREW’S BLUES — Boy, what did Drew Barrymore ever do to deserve the treatment she’s been through with the media. Sure, her ideas to bring back her daily-chat fest was a good one, for the right reasons, but everyone from Rosie O;’Donnell to the trade papers have bounced on her like madmen. I never met her, don’t hate her, but really … let’s get back to something real, like these Russell Brand-accusations!

SHORT TAKES — We finally caught David Bryne and Fatboy Slim’s Here Lies Love and absolutely loved it. I remember it well when it premiered at the Public Theater way back when and knew they were trying to get it to Broadway. Honestly, I never thought twice about the Ferdinand and Imelda Marcos story, but the play was riveting then and it remains now. They’ve outfitted NYC’s magnificent Broadway Theater with disco-balls galore and club-lighting and the immersive experience is terrific. Here’s a great re-cap of the play’s evolution from Theatre Guide: https://www.newyorktheatreguide.com/theatre-news/news/how-the-music-of-here-lies-love-evolved-on-the-way-to-broadway

Chris Carter and Micky Dolenz – Breakfast With The Beatles

Micky Dolenz appeared on Sunday’s Breakfast With The Beatles with Chris Carter (on KLOS) and talked about his new Dolenz Sings R.E.M. on Glenn Gretlund’s 7a Records. He also talked about his time with The Beatles and John Lennon. Carter also played a mash-up of Monkees and Beatle-songs which was done in England and it was superb. Here’s a shot from the event at LA’s Hard Rock Cafe on Highland and Hollywood Blvd. … SIGHTING: PR-pasha David Salidor and Benny Harrison at Monday’s Cutting Room tribute to Burt Bacharach … RIP Sammy Ash …

Jimmy Buffet

I’ve been thinking the best way to describe Jimmy Buffet and I saw this headline in LA Magazine: leisure evangelist– and it fits perfectly …

Happy Bday Donnie Kehr and Richard Branciforte.

NAMES IN THE NEWS — Dan Mapp; Brad Auerbach; James Clash: Robbie Robertson; Carol Ruth Weber; Randy Alexander; Tom & Lisa Cuddy; Andrew Gans; Kathy Brown; Roger Clark; Chris Boneau; Tricia Daniels; Dan Zelinski; Benny Harrison; Steve Walter; Gil Friesen; Donna Dolenz; Dan Mapp; Brad Auerbach; James Clash; and ZIGGY!

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The Glorious Corner

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STRIKE UPDATE— (Via TV Line) “9-1-1, what’s your TV emergency?” The dual WGA and SAG-AFTRA strikes need to be resolved by the end of this month if scripted primetime fare such as 9-1-1: Lone Star and The Cleaning Lady are to return with new episodes in the 2023-24 TV season, says Fox entertainment president Michael Thorn.

When last we tuned in, 29 days ago, the WGA had countered the AMPTP’s latest offer; no next meeting has been scheduled. Things are proceeding even slower on the SAG-AFTRA front. Sources tell TVLine that it will take scripted shows roughly eight weeks to get back into production once the strikes are resolved.

 “You’re going get to a point in the fall, in the late fall, where it’s going to be very hard to launch [scripted shows] within the traditional TV viewing season,” Thorn told our sister site Deadline.

If the strikes are resolved later than October 1, that’s where difficult scheduling decisions will have to be made.

“If that means the [delayed scripted] show could work and succeed in the summer [of 2024], great,” Thorn said. Or, “If it’s better to wait for the fall and use football and sports” to promote/launch scripted seasons, “we’ll do that.

“You could use October 1 as the date” by which the writer and actor strikes need to be settled,” Thorn added. “Every show is different but sometimes when you’re staring at a May launch date, you always wonder, ‘Is that the best time?’” to premiere a season/series

Fox’s fall TV slate features one full night of scripted animated fare (on Sundays), while the rest of the week is rife with multiple Gordon Ramsay cooking competitions, new seasons of Special Forces: World’s Toughest Test, Name That Tune and The Masked Singer, 9-1-1: Lone Star reruns, the new, David Spade-hosted Snake Oil game show, and, of course, Friday Night SmackDown.

But whenever the magical day comes for live-action scripted fare to return to our screens, “we’re going to return those shows with vigor,” Thorn avowed. “We really pride ourselves on ‘less is more’ and we were fortunate to be able to really put our money where our mouth is in that regard. When we return, Animal Control is going to get the full backing of this far-reaching platform [as will] John Wells’ new show, Rescue: Hi-Surf, when we launch it.”

Several columns back we posited that the strike might just be settled by Labor Day .. and we were lambasted with emails from a scattering of actors, writers and below-the-line talent that it would not be. They were right. As Gordon Gekko said, greed is good. Is it? Let’s all make nice and good back to work.

SHORT TAKES — As you may know the Toronto Film Festival has been going on and the two films that have received the most buzz are the Paul-Simon/Alex Gibey doc,

Michael Keaton

In Restless Dreams and Knox Goes Away starring Michael Keaton, who also directs, with Al Pacino, can’t wait to see both. Bravo! …The latest episode of Hulu’s Only Murders In The Building was just OK. So far, this third season has totally underwhelmed us. We said a few columns back it was most likely due to the fact that Martin hasn’t written any of the episodes so far. Why? I have no idea. Matthew Broderick played himself, but with a little more anxiety than usual, but the real highlight of this episode was a video-phone call between Martin Short and Mel Brooks. Irresistibly funny … Hard to believe that it’s the 25th anniversary of MTV’s ground-breaking TRL Live (Total Request Live).

Carson Daly

Carson Daly did a nice remembrance on Thursday’s Today Show, even citing John Norris and Kurt Loder, who were key correspondents. They taped many of the shows at NYC’s long-gone Palladium (now an NYU dorm), but many, many memories come to mind; Hall & Oates rehearsing in their dressing room

Debbie Gibson at Z100 on The Morning Zoo

and running into Debbie Gibson is one. Daly pointed out -and rightly so- TRL was a fan-driven show, where viewers had to request what to hear. These days I guess it’s just a download. Much missed for sure …

Carrie Underwood

Funny watching Carrie Underwood this morning; as she she reminded me so much of Shania Twain. from the music, to her visuals. As always, her “Before He Cheats” is tremendous and a big crowd pleaser … It’s a funny world for sure.

RL Stine

When RL Stine’s Goosebumpsfirst debuted in 1992, it was heralded as refreshingly new, both for the kid-demo and its brilliance. There were a few attempts at a series (even with Stine introducing them) and even a movie in 2015 that did just so-so. Now, with Netflix’s Stranger Things having hit a home run, Disney+ is starting a series, with Justin Long, that appears to veer dangerously close to Stranger Things. Also, oddly enough, Stine does not appear to be involved with it. He says: “I wish I knew something about it. I’m not in the loop. It looked to me like they weren’t going to do an anthology show. They were going to do something different that was some kind of continuing story. That’s what it appeared. But I have no information about it.” It begins on October 31. Have a look at the trailer:


Seeing Here Lies Love Saturday night, can’t wait …

Mary Wilson and Bernie Taupin

Great Bernie Taupin interview on NY Live with Sara Gore. They’re friends, so the interview as sensational. Check it out:


Love Bernie and Sara! …Happy Bday Randy Jones and Amy Billings!

NAMES IN THE NEWS —Andrew Sandoval; Jacqueline Boyd; Alison Martino; Robert Funaro; Tom & Lisa Cuddy; Roy Trakin; Daryl Estrea; Glenn Gretlund; Jane Blunkell; Roger Friedman; Felix Cavaliere; Dan Mapp; Jim Kerr; Sam Rubin; Liz White; Grace Mendoza; Roy Trakin; and ZIGGY!

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Monkee-Micky Dolenz Sings REM On New Release

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G.H. Harding

Monkee-Micky Dolenz is an American entertainer, best known for his role as the lead vocalist and drummer in the 1960’s series The Monkees. As a recording group, The Monkees sold more than 65 million albums worldwide and outsold the Beatles and the Rolling Stones during 1967.

Micky Dolenz

The EP features fresh and completely new arrangements of some of R.E.M.’s most memorable and catchy songs. As Dolenz says: “Once again, this EP reaffirms my long-held conviction that a solid recording always begins with solid material. You don’t get much more solid than R.E.M. What a joy to sing these classics and honor a team of outstanding writers.”

7A Records’ CEO Glenn Gretlund adds: “R.E.M. and Micky Dolenz are a match made in heaven and I’m delighted with how the recordings have turned out. Micky’s voice sounds better than ever and Christian Nesmith has done a wonderful job in reimagining the arrangements.” The EP is released on 180g Yellow Vinyl, CD and all Digital platforms on November 14th.”

This release follows up the critically acclaimed Dolenz Sings Nesmith (March 2021) album.

The EP release directly coincides with the publication of Micky Dolenz’s latest book: I’m Told I Had A Good Time – The Micky Dolenz Archives, Volume One. Comprised of more than 1,200 rare and unpublished images from Micky’s private collection, this 500-page book includes photos and memorabilia spanning 1945-1978, including hundreds of images Micky shot himself of the other Monkees (Davy Jones, Peter Tork and Michael Nesmith) as well as Jimi Hendrix, Harry Nilsson, Otis Redding, Little Richard, Jerry Lee Lewis, Alice Cooper and many more.

The book (available in three distinct editions) can be preordered now from Beatlandbooks.com.

A digital single from the EP, “Shiny Happy People,” is released today and available now on all major Digital Platforms.

 R.E.M. Reactions to the EP:

“These songs are ABSOLUTELY INCREDIBLE. Micky Dolenz covering R.E.M. Monkees style; I have died and gone to heaven. This is really something. ‘Shiny Happy People’ sounds INCREDIBLE (never thought you or I would hear me say that!!!). Give it a spin. It’s wild. And produced by Christian Nesmith (son of Michael Nesmith), I am finally complete”. Michael Stipe

“That voice—one of the main voices of my musical awakening—singing our songs… it is beyond awesome. Let’s help make this as huge as we possibly can. I am beyond thrilled.” Mike Mills

“I’ve been listening to Micky’s singing since I was nine years old. It’s unreal to hear that very voice adding new depth to songs we’ve written ourselves, and inhabiting them so completely.” Peter Buc

“I am blown away! Micky and Christian just take these tracks to unexpected places”. Scott McCaughey 

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Santino Fontana Brings Voice, Comedy and Showmanship To 54 Below

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Tony Award® winner Santino Fontana brings his tremendous talent to 54 Below and it is a show that wraps you up in his humor, charm, vocal prowess, laid back demeanor, jeopardy style musical choices and over all entertaining. By the end of the show you feel as if you know him or at least a part of him. Starting off with Charles Strouse and Lee Adams’s “Stick Around,” the night turned into a Russian roulette of material.  The audience picked numbers and as Santino put it “if you don’t like the show, it’s your fault.” First up for my show was the naughty but amusing  “Making Love Alone” followed by Rodgers and Hammerstein’s Cinderella‘s “Do I Love You,” which made for an amusing combination of songs. During Cinderella Mr. Fontana had shoes that were built up 2 inches inside and 2 inches outside, which cause a tremendous amount of pain, so the song told the story of his plight, which made the song take on a much different meaning. Sondheim’s “Anyone Can Whistle,” was sung for a Carol Burnett tribute, that luckily we were treated to.

 

His guest for the evening was Sarah Steele (“The Good Wife,” The HumansThe Country House) who sang “out There On My Own” from Fame. On the 14th it will be Greg Hildreth (Company, Disney’s FrozenRodgers + Hammerstein’s Cinderella). Click on the name and you can hear that version.

Showing off his baritone side with Rodgers and Hammerstein’s “If I Loved You.” We almost got to see Santino in Cy Coleman and Dorothy Fields”s Sweet Charity, instead we got hint of what that would be like with “Too Many Tomorrows.” A hilarious version of “I feel Pretty” from West Side Story lightened the mood and had the room in tears. Recreating his duet “Love Is An Open Door” from Frozen, Santino channeled Dorothy Michaels from Tootsie. Again the room was laughing with the sheer comedic genius that won Mr. Fontana a Tony Award. Bringing the energy to a calmer state was the emotional Leslie Bricusse and Anthony Newley’s “Who Can I Turn To?”

Vocally the most impressive song of the night was “Joey, Joey, Joey” from Most Happy Fellow. Mr. Fontana’s voice was glorious in the tones and the subtle texturing. Keeping in the ballad mode and honoring Marilyn Bergman he launched into the iconic “Where Do You Start,”while accompany himself on the piano, which was highly impressive. Back to the uptempo mode “I Met A Girl” from Bells Are Ringing, was given a rigorous, amusing take. This was his original audition song. Lerner and Loewe’s “How to Handle a Woman,” from the recent Camelot, showed how Santino would have made an excellent King Arthur.

Another favorite moment of the night was “Buddy’s Blues” from Follies. Already a personal favorite, this made me want to see Santino play this role at a later date, though personally I would cast him as Ben.

For the finale songs “The Music In You” from Cinderella, told how he and the cast loved watching the magnificent Victoria Clark perform. “This Can’t Be Love” from 1938 Rodgers and Hart musical The Boys from Syracuse, ended up in an encore, of Harvey Schmidt and Tom Jones’s “They Were You” from The Fantasticks, which made my guest producer Pat Addiss extremely happy.

Cody Owen Stine

Santino was backed by his musical director and accompanist Cody Owen Stine, who played flawlessly.

Santino Fontana

Santino Fontana opened September 10th at 54 Below and you can still catch this marvelous show tonight September 14th. 54below.com

This is a do not miss!

 

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